John D'Auban
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John D'Auban
Frederick John D'Auban (1842 – 15 April 1922) was an English dancer, choreographer and actor of the Victorian and Edwardian eras. Famous during his lifetime as the ballet-master at the Theatre Royal, Drury Lane, he is best remembered as the choreographer of many of the Gilbert and Sullivan operas. After performing as a child with his family, D'Auban continued a career as a comic dancer in music hall and pantomime. He also served as dance master for the Alhambra Theatre, the Gaiety Theatre, London, and, for decades, Drury Lane. In 1868, he began a long association with W. S. Gilbert, staging the dances for most of the original productions of the Gilbert and Sullivan operas, including ''H.M.S. Pinafore'' (1878) and ''The Mikado'' (1885), as well as many other Savoy operas. Between the 1860s and 1909, D'Auban choreographed more than 150 productions, including pantomimes, burlesques, musical comedies and comic operas. He also taught dance to many who became famous performers. ...
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Harlequinade
''Harlequinade'' is a British comic theatrical genre, defined by the ''Oxford English Dictionary'' as "that part of a pantomime in which the harlequin and clown play the principal parts". It developed in England between the 17th and mid-19th centuries. It was originally a slapstick adaptation or variant of the Commedia dell'arte, which originated in Italy and reached its apogee there in the 16th and 17th centuries. The story of the Harlequinade revolves around a comic incident in the lives of its five main characters: Harlequin, who loves Columbine; Columbine's greedy and foolish father Pantaloon (evolved from the character Pantalone), who tries to separate the lovers in league with the mischievous Clown; and the servant, Pierrot, usually involving chaotic chase scenes with a bumbling policeman. Originally a mime (silent) act with music and stylised dance, the harlequinade later employed some dialogue, but it remained primarily a visual spectacle. Early in its development, it ach ...
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Princess Toto
''Princess Toto'' is a three-act comic opera by W. S. Gilbert and his long-time collaborator Frederic Clay. Its pre-London tour opened on 24 June 1876 at the Theatre Royal, Nottingham, starring Kate Santley, W. S. Penley and J. H. Ryley. It transferred to the Royal Strand Theatre in London on 2 October 1876 for a run of only 48 performances. Brief New York and Boston runs followed in 1879–80 starring Leonora Braham and Ryley, and there were later tours in the US. ''Princess Toto'' was revived in 1881 at the Opera Comique in London for a run of 65 performances (starring Richard Temple). There was also an 1886 revival in Australia. Background ''Princess Toto'' was the last work in a long and successful partnership with Clay that had produced four of Gilbert's major musical works up to that date. The year before, Gilbert and Arthur Sullivan, Clay's friend, had premiered their hit ''Trial by Jury'', and after ''Princess Toto'', Gilbert would not collaborate on any further operas ...
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Frederic Clay
Frederic Emes Clay (3 August 1838 – 24 November 1889) was an English composer known principally for songs and his music written for the stage. Although from a musical family, for 16 years Clay made his living as a civil servant in HM Treasury, composing in his spare time, until a legacy in 1873 enabled him to become a full-time composer. He had his first big stage success with ''Ages Ago'' (1869), a short comic opera with a libretto by W. S. Gilbert, for the small Gallery of Illustration; it ran well and was repeatedly revived. Clay, a great friend of his fellow composer Arthur Sullivan, introduced the latter to Gilbert, leading to the Gilbert and Sullivan partnership. In addition to Gilbert, Clay's librettists during his 24-year career included B. C. Stephenson, Tom Taylor, Thomas William Robertson, T. W. Robertson, Robert Reece and George Robert Sims, G. R. Sims. The last of his four pieces with Gilbert was ''Princess Toto'' (1875), which had short runs in the West End theat ...
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The Theatre Museum
The Theatre Museum (TTM) is located at 30 Worth Street in Manhattan, New York City. Its mission is to preserve, protect and perpetuate the legacy of theatre, including Broadway theatre. The Theatre Museum continues the legacy of The Broadway Theatre Institute begun in 1995 by presenting Awards for Excellence in Theatre History Preservation and Theatre Arts Education. It currently functioning as a museum-at-large and is not open to the public. History From 1986 – 2003, the Broadway Theatre Institute developed programs that fostered the appreciation of theatre in New York and served more than 100,000 school children and adults in New York City. It merged with the Theatre Museum in 2003. Activities In 2007, the annual Awards for Excellence Ceremony honored actress Ellen Burstyn, ''The New York Times'' Chief Theater Critic Ben Brantley, actor, dancer and choreographer Carmen de Lavallade, and Arts Horizons, an institution that uses professional performers to foster creativity in s ...
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West End Theatre
West End theatre is mainstream professional theatre staged in the large theatres in and near the West End of London.Christopher Innes, "West End" in ''The Cambridge Guide to Theatre'' (Cambridge: Cambridge University Press, 1998), pp. 1194–1195, Along with New York City's Broadway theatre, West End theatre is usually considered to represent the highest level of commercial theatre in the English-speaking world. Seeing a West End show is a common tourist activity in London. Famous screen actors, British and international alike, frequently appear on the London stage. There are a total of 39 theatres in the West End, with the Theatre Royal, Drury Lane, opened in May 1663, the oldest theatre in London. The Savoy Theatre – built as a showcase for the popular series of comic operas of Gilbert and Sullivan – was entirely lit by electricity in 1881. Opening in October 2022, @sohoplace is the first new West End theatre in 50 years. The Society of London Theatre (SOLT) announced ...
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Charles Dibdin
Charles Dibdin (before 4 March 1745 – 25 July 1814) was an English composer, musician, dramatist, novelist, singer and actor. With over 600 songs to his name, for many of which he wrote both the lyrics and the music and performed them himself, he was in his time the most prolific English singer-songwriter. He is best known as the composer of "Tom Bowling", one of his many sea songs, which often features at the Last Night of the Proms. He also wrote about 30 dramatic pieces, including the operas ''The Waterman'' (1774) and ''The Quaker'' (1775), and several novels, memoirs and histories. His works were admired by Haydn and Beethoven. Life and career Early life and early successes The son of a silversmith, Dibdin was privately baptised on 4 March 1745 in Southampton and is often described as the youngest child of eighteen born to a 50-year-old mother. His parents, intending him for the clergy, sent Dibdin to Winchester College, but his love of music soon diverted his though ...
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Willie Warde
Willie Warde (1857 – 18 August 1943) was an English actor, dancer, singer and choreographer. The son of a dancer, his first theatre work was with a dance company. He was engaged to arrange dances for London productions and was later cast as a comic actor in musical theatre. He was associated for over two decades with the Gaiety and Daly's theatres under the management of George Edwardes, playing in and choreographing burlesques and, later, Edwardian musical comedies. In later years he played character roles in West End comic plays. Biography Early years Warde was born in Great Yarmouth, Norfolk, in the east of England, the second son and third child of William Warde (died 1859), a professional dancer, actor and author''The Manchester Guardian'', obituary, 28 August 1943, p. 7 and director of the Winchester music hall in south London. Warde's older siblings were John and Emma, both of whom were also dancers. Warde followed his father's profession, and joined a dance troupe ...
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Robert The Devil (Gilbert)
''Robert the Devil, or The Nun, the Dun, and the Son of a Gun'' is an operatic parody by W. S. Gilbert of Giacomo Meyerbeer's grand opera ''Robert le diable'', which was named after, but bears little resemblance to, the medieval French legend of the same name. Gilbert set new lyrics to tunes by Meyerbeer, Bellini, Offenbach and others. The piece premiered at the opening of the newly rebuilt Gaiety Theatre in London on 21 December 1868. An extravaganza played on a very large scale, it ran for over 120 performances and played continuously in the British provinces for three years thereafter. It also enjoyed several revivals. The original production starred Nellie Farren in the title role – she became the company's leading "principal boy". Several of the other male roles were played by women, as was common in burlesques of the day. History ''Robert the Devil'' was part of a series of five operatic burlesques written early in Gilbert's career. The first was ''Dulcamara, or the ...
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John Hollingshead
John Hollingshead (9 September 1827 – 9 October 1904) was an English theatrical impresario, journalist and writer during the latter half of the 19th century. After a journalism career, Hollingshead managed the Alhambra Theatre and was later the first manager of the Gaiety Theatre, London. Hollingshead also wrote several books during his life. An innovative producer, Hollingshead brought Gilbert and Sullivan together in 1871 to produce their first joint work, a musical extravaganza called ''Thespis''. Among other theatrical works that he produced, he mounted a long series of popular Victorian burlesques at the Gaiety, engaging Meyer Lutz to compose original scores for them. He also produced operettas, plays and other works. These productions made stars of Nellie Farren and several others. At the Gaiety, in 1878, Hollingshead was the first theatre manager to light his auditorium with electric lights. Life and career Hollingshead was born in Hoxton, Greater London, the son of ...
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Music Halls
Music hall is a type of British theatrical entertainment that was popular from the early Victorian era, beginning around 1850. It faded away after 1918 as the halls rebranded their entertainment as variety. Perceptions of a distinction in Britain between bold and scandalous ''Music Hall'' and subsequent, more respectable ''Variety'' differ. Music hall involved a mixture of popular songs, comedy, speciality acts, and variety entertainment. The term is derived from a type of theatre or venue in which such entertainment took place. In North America vaudeville was in some ways analogous to British music hall, featuring rousing songs and comic acts. Originating in saloon bars within public houses during the 1830s, music hall entertainment became increasingly popular with audiences. So much so, that during the 1850s some public houses were demolished, and specialised music hall theatres developed in their place. These theatres were designed chiefly so that people could consume food ...
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