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John Bergamo
John Bergamo (May 28, 1940 – October 19, 2013) was an American percussionist and composer known for his film soundtrack contributions and his work with numerous other notable performers. From 1970 until his death, he was the coordinator of the percussion department at the California Institute of the Arts. Music career In 1959 Bergamo attended the Lenox School of Jazz in Lenox, Massachusetts, near Tanglewood, the summer home of the Boston Symphony. Under a scholarship, he studied drums with Max Roach; had Percy Heath and Kenny Dorham as jazz band instructors; studied history and theory with Gunther Schuller, Marshall Stearns, and George Russell; and was classmates with Ornette Coleman, and Don Cherry. In 1962 Bergamo earned an M.M. degree from Manhattan School of Music (studying percussion with Paul Price and composition with Michael Colgrass), followed by three summers in Tanglewood and time in New York City as a freelance musician. In the fall of 1964, he joined the Creative ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
California Institute Of The Arts
The California Institute of the Arts (CalArts) is a private art university in Santa Clarita, California. It was incorporated in 1961 as the first degree-granting institution of higher learning in the US created specifically for students of both the visual and performing arts. It offers Bachelor of Fine Arts, Master of Fine Arts, Master of Arts, and Doctor of Musical Arts degrees through its six schools: Art, Critical Studies, Dance, Film/Video, Music, and Theater. The school was first envisioned by many benefactors in the early 1960s, staffed by a diverse array of professionals including Nelbert Chouinard, Walt Disney, Lulu Von Hagen, and Thornton Ladd. CalArts students develop their own work, over which they retain control and copyright, in a workshop atmosphere. History CalArts was originally formed in 1961, as a merger of the Chouinard Art Institute (founded 1921) and the Los Angeles Conservatory of Music (founded 1883). Both of the formerly existing institutions were goi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mauricio Kagel
Mauricio Raúl Kagel (; 24 December 1931 – 18 September 2008) was an Argentine-German composer. Biography Kagel was born in Buenos Aires, Argentina, into an Ashkenazi Jewish family that had fled from Russia in the 1920s . He studied music, history of literature, and philosophy in Buenos Aires . In 1957 he moved as a scholar to Cologne, Germany, where he lived until his death. As teacher From 1960–66 and 1972–76 he taught at the International Summer School at Darmstadt . He also taught from 1964–65 at the State University of New York at Buffalo as Slee Professor of music theory. At the Berlin Film and Television Academy he was a visiting lecturer. He served as director of courses for new music in Gothenburg and Cologne . He was professor for new music theatre at the Cologne Conservatory from 1974–97. Among his students were Maria de Alvear, Carola Bauckholt, Branimir Krstić, David Sawer, , Juan Maria Solare, Norma Tyer, Gerald Barry, and Chao-Ming Tung. As com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Classical Music
Indian classical music is the classical music of the Indian subcontinent. It has two major traditions: the North Indian classical music known as '' Hindustani'' and the South Indian expression known as '' Carnatic''. These traditions were not distinct until about the 15th century. During the period of Mughal rule of the Indian subcontinent, the traditions separated and evolved into distinct forms. Hindustani music emphasizes improvisation and exploration of all aspects of a raga, while Carnatic performances tend to be short composition-based. However, the two systems continue to have more common features than differences. The roots of the classical music of India are found in the Vedic literature of Hinduism and the ancient ''Natyashastra'', the classic Sanskrit text on performing arts by Bharata Muni., Quote: "The tradition of Indian classical music and dance known as ''Sangeeta'' is fundamentally rooted in the sonic and musical dimensions of the Vedas (Sama veda), Upanisha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swapan Chaudhuri
Pandit Swapan Chaudhuri (born 30 March 1945), is an Indian tabla player. He has accompanied several musicians of Indian classical music, including, Pandit Ravi Shankar, Ustad Ali Akbar Khan, Ustad Vilayat Khan, Pandit Bhimshen Joshi, Pandit Jasraj., Ustad Amjad Ali Khan and many more. He also taught his sons tabla. Awards He received American Academy of Artists Award and was nominee to Percussive Arts Society Hall of Fame. In 1996, Swapan Chaudhuri received the Sangeet Natak Academy Award from the President of India, the highest awards for Classical Music in India. In 2019, he received the Padma Shri, one of India's highest honor from the Indian government. See also *Zakir Hussain *Shankar Ghosh *Chandra Nath Shastri *Anindo Chatterjee *Kumar Bose *Yogesh Samsi *Ravi Shankar References External links faculty webpageat ''California Institute of the Arts The California Institute of the Arts (CalArts) is a private art university in Santa Clarita, California. It was incor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shankar Ghosh
Pandit Shankar Ghosh (10 October 1935 – 22 January 2016) was an Indian tabla player from the Farukhabad gharana of Hindustani classical music. He was an occasional Hindustani classical singer where he followed the Patiala gharana. He was awarded the 1999-2000 Sangeet Natak Akademi Award in Tabla, the highest Indian recognition given to practicing artists, by Sangeet Natak Akademi, India's National Academy of Music, Dance & Drama. He was at the ICU of the super-speciality hospital on E M Bypass, since mid-December and underwent angioplasty on 14 December 2015. He had been admitted to the hospital following heart ailments, was in coma for past 40 days and died on 22 January 2016. Early life and training He started learning training ''taleem'' in 1953 under Jnan Prakash Ghosh of Calcutta (now Kolkata), who pioneered the concept of tabla ensembles, which employed numerous tabla players playing the same pieces; a tradition later taken forward by Shankar himself. Career He sta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tabla
A tabla, bn, তবলা, prs, طبلا, gu, તબલા, hi, तबला, kn, ತಬಲಾ, ml, തബല, mr, तबला, ne, तबला, or, ତବଲା, ps, طبله, pa, ਤਬਲਾ, ta, தபலா, te, తబలా, ur, , group="nb", name="nb" is a pair of twin hand drums from the Indian subcontinent, that are somewhat similar in shape to the bongos. Since the 18th century, it has been the principal percussion instrument in Hindustani classical music, where it may be played solo, as accompaniment with other instruments and vocals, and as a part of larger ensembles. It is frequently played in popular and folk music performances in India, Bangladesh, Afghanistan, Pakistan, Nepal and Sri Lanka.Tabla Encyclopædia Britannica The tabla is an essential instrument in the |
Charles Gayle
Charles Gayle (born February 28, 1939) is an American free jazz musician. Initially known as a saxophonist who came to prominence in the 1990s after decades of obscurity, Gayle also performs as pianist, bass clarinetist, bassist, and percussionist. Biography Charles Gayle was born in Buffalo, New York. Some of his history has been unclear due to his reluctance to talk about his life in interviews. He briefly taught music at the University at Buffalo before relocating to New York City during the early 1970s. Gayle was homeless for approximately twenty years, playing saxophone on street corners and subway platforms around New York City. He has described making a conscious decision to become homeless: "I had to shed my history, my life, everything had to stop right there, and if you live through this, good, and if you don't, you don't. I can't do the rent, the odd jobs, the little rooms, scratchin', and all that, no!" At the same time, this allowed Gayle to devote most of his tim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madrigals
A madrigal is a form of secular vocal music most typical of the Renaissance (15th–16th c.) and early Baroque (1600–1750) periods, although revisited by some later European composers. The polyphonic madrigal is unaccompanied, and the number of voices varies from two to eight, but usually features three to six voices, whilst the metre of the madrigal varies between two or three tercet A tercet is composed of three lines of poetry, forming a stanza or a complete poem. Examples of tercet forms English-language haiku is an example of an unrhymed tercet poem. A poetic triplet is a tercet in which all three lines follow the same ...s, followed by one or two couplets. Unlike the verse-repeating strophic forms sung to the same music, most madrigals are through-composed, featuring different music for each stanza of lyrics, whereby the composer expresses the emotions contained in each line and in single words of the poem being sung. As written by Italianized Franco–Flemish comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avant-garde Music
Avant-garde music is music that is considered to be at the forefront of innovation in its field, with the term "avant-garde" implying a critique of existing aesthetic conventions, rejection of the status quo in favor of unique or original elements, and the idea of deliberately challenging or alienating audiences. Avant-garde music may be distinguished from experimental music by the way it adopts an extreme position within a certain tradition, whereas experimental music lies outside tradition. Distinctions Avant-garde music may be distinguished from experimental music by the way it adopts an extreme position within a certain tradition, whereas experimental music lies outside tradition. In a historical sense, some musicologists use the term "avant-garde music" for the radical compositions that succeeded the death of Anton Webern in 1945,Paul Du Noyer (ed.), "Contemporary", in the ''Illustrated Encyclopedia of Music: From Rock, Pop, Jazz, Blues and Hip Hop to Classical, Folk, Worl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Zukofsky
Paul Zukofsky (October 22, 1943 – June 6, 2017) was an American violinist and conductor known for his work in the field of contemporary classical music. Career Born in Brooklyn, New York, Paul Zukofsky was the only child of the American objectivist poet Louis Zukofsky and Celia Thaew Zukofsky, a musician and composer. Both parents were children of Yiddish-speaking immigrants from what was then the eastern Russian Empire (now Belarus). Revealing a precocious talent, he began taking music lessons at age three, soon concentrated on the violin, and at seven became a student of Ivan Galamian at the Juilliard School of Music. He made his first orchestral appearance in 1952 with the New Haven Symphony Orchestra, and a formal debut recital at Carnegie Hall in 1956.Slonimsky, Nicolas, ed. (2001). "Zukofsky, Paul", ''Baker's Biographical Dictionary of Musicians'' (9th edn.). New York: Schirmer Books. Vol. 6, p. 4044. . ''The New York Times'' praised his technique, noting he had gone through ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vinko Globokar
Vinko Globokar (born 7 July 1934) is a French-Slovenian avant-garde composer and trombonist. Globokar's music uses unconventional and extended techniques, places great emphasis on spontaneity and creativity, and often relies on improvisation. His extensive output is largely unknown outside of experimental music circles. As a trombonist, he has premiered works by Luciano Berio, Mauricio Kagel, René Leibowitz, Karlheinz Stockhausen, and Toru Takemitsu, as well as his own compositions. Biography Globokar was born in Anderny, Meurthe-et-Moselle, France. In 1947 he moved to Yugoslavia, where he attended DIC in Ljubljana, Slovenia. Here, he played jazz trombone until 1955, at which point he moved to Paris to study at the Conservatoire de Paris. At the Conservatoire, he studied composition with René Leibowitz (a disciple of Arnold Schoenberg) and trombone with André Lafosse. In 1965, he moved to Berlin and began composition lessons with Luciano Berio, whose ''Sequenza V'' he later ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carol Plantamura
Carol Plantamura (born February 8, 1941 in Los Angeles, California) is an American soprano specializing in 17th and 20th century music. She graduated from Occidental College and was an original member of the Rockefeller Foundation-funded Creative Associates at SUNY Buffalo, under the direction of Lukas Foss. She has collaborated with such composers as Luciano Berio, Pierre Boulez, Vinko Globokar, Pauline Oliveros, Lukas Foss, Betsy Jolas, Will Ogdon, Bernard Rands, Frederic Rzewski, and Robert Erickson. Beginning in 1966, she was an original member of the improvising electronic music collective Musica Elettronica Viva in Rome, Italy. From 1971 to 1984, Plantamura was active as a founding member, along with countertenor-composer John Patrick Thomas, cellist Marijke Verberne, and harpsichordist William Christie, of The Five Centuries Ensemble. The group combined early music with contemporary works (many written expressly for the ensemble) in concerts and radio broadcasts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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