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Johannes Weyrauch
Johannes Weyrauch (20 February 1897 − 1 May 1977) was a German composer and cantor. Life Childhood Weyrauch was born on 20 February 1897 in Leipzig. His mother, Maria Große, who had received a thorough musical education and worked in several cantor houses, introduced her son to sacred music at an early age. His father, Friedrich Louis Weyrauch, was a merchant by profession and was able to finance his son's attendance of the . Through his stepbrother (from his father's first marriage), Weyrauch got in touch with the music of Richard Wagner, which had a decisive influence on his musical life: :''My brother sent me into the Ring when I was 14 years old - with the success that I became Wagner mad. A pedagogical, irreparable mistake, because since that time I have had no proper relationship with most operas.'' Parallel to his schooling at the Gymnasium, Weyrauch became a pupil of Helene Caspar, a music teacher and writer known around the turn of the 19th and 20th centuries, who i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Composer
A composer is a person who writes music. The term is especially used to indicate composers of Western classical music, or those who are composers by occupation. Many composers are, or were, also skilled performers of music. Etymology and Definition The term is descended from Latin, ''compōnō''; literally "one who puts together". The earliest use of the term in a musical context given by the ''Oxford English Dictionary'' is from Thomas Morley's 1597 ''A Plain and Easy Introduction to Practical Music'', where he says "Some wil be good descanters ..and yet wil be but bad composers". 'Composer' is a loose term that generally refers to any person who writes music. More specifically, it is often used to denote people who are composers by occupation, or those who in the tradition of Western classical music. Writers of exclusively or primarily songs may be called composers, but since the 20th century the terms 'songwriter' or ' singer-songwriter' are more often used, particularl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude Debussy
(Achille) Claude Debussy (; 22 August 1862 – 25 March 1918) was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries. Born to a family of modest means and little cultural involvement, Debussy showed enough musical talent to be admitted at the age of ten to France's leading music college, the Conservatoire de Paris. He originally studied the piano, but found his vocation in innovative composition, despite the disapproval of the Conservatoire's conservative professors. He took many years to develop his mature style, and was nearly 40 when he achieved international fame in 1902 with the only opera he completed, '' Pelléas et Mélisande''. Debussy's orchestral works include ''Prélude à l'après-midi d'un faune'' (1894), ''Nocturnes'' (1897–1899) and ''Images'' (1905–1912). His music was to a considerable extent a r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Volkslied
Volkslied (literally: folk song) is a genre of popular songs in German which are traditionally sung. While many of them were first passed orally, several collections were published from the late 18th century. Later, some popular songs were also included in this classification. History The earliest songs in German appeared in the 12th century. Art songs were created by minstrels and meistersinger while cantastoria (''Bänkelsänger'') sang songs in public that were orally transmitted. Song collections were written from the late 15th century, such as ''Lochamer-Liederbuch'' and ''Glogauer Liederbuch''. Georg Forster's ''Frische teutsche Liedlein'' was first printed in 1536. In the period of Sturm und Drang, poets and authors became interested in that which they saw as simple, close to nature, original, and unspoiled (nach dem ). Johann Gottfried Herder coined the term 'Volkslied' in the late 18th century, and published ''Von deutscher Art und Kunst'' (On German ways and artist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich Schütz
Heinrich Schütz (; 6 November 1672) was a German early Baroque composer and organist, generally regarded as the most important German composer before Johann Sebastian Bach, as well as one of the most important composers of the 17th century. He is credited with bringing the Italian style to Germany and continuing its evolution from the Renaissance into the Early Baroque. Most of his surviving music was written for the Lutheran church, primarily for the Electoral Chapel in Dresden. He wrote what is traditionally considered the first German opera, ''Dafne'', performed at Torgau in 1627, the music of which has since been lost, along with nearly all of his ceremonial and theatrical scores. Schütz was a prolific composer, with more than 500 surviving works. He is commemorated as a musician in the Calendar of Saints of some North American Lutheran churches on 28 July with Johann Sebastian Bach and George Frideric Handel. Early life Schütz was born in Köstritz, the eldest son of C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German Youth Movement
The German Youth Movement (german: Die deutsche Jugendbewegung) is a collective term for a cultural and educational movement that started in 1896. It consists of numerous associations of young people that focus on outdoor activities. The movement included German Scouting and the Wandervogel. By 1938, 8 million children had joined associations that identified with the movement. Wandervogel In 1896 the ''Wandervogel'', a popular movement of youth groups who protested against industrialization, was founded in Berlin, and its members soon derived many vital concepts from the ideas of earlier social critics and Romantics, ideas that had extensive influence on many fields at the onset of the 20th century. To escape the repressive and authoritarian German society at the end of the 19th century, its values increasingly transformed by industrialism, imperial militarism, as well as by British and Victorian influence, groups of young people searched for free space to develop a healthy lif ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hedwig Andersen
Hedwig Andersen (9 June 1866 in Memel, East Prussia − 29 March 1957 in Schönborn near Eutin) was with Clara Schlaffhorst founder of the , a method of respiration, speech and voice therapy. Life As the daughter of a master rope maker she grew up in Memel. She trained as a piano teacher in Sondershausen in Thuringia. Student of the singing teacher Julius Hey, through whom she met Clara Schlaffhorst, who was also a student of his. They translated the book "The Art of Breathing" by Leo Kofler into German. This resulted in the joint research and teaching of breathing, voice and movement. In 1910 she began teaching in Berlin. In 1916 Schlaffhorst and Andersen founded the "School for the Art of Breathing and Singing", the first training school in Rothenburg an der Fulda. This was later moved to Hustedt/Südheide (1926-1942) and Seefeld/Pomerania (1942-1945). After the death of Clara Schlaffhorst and the escape from Pomerania she was taken in by the former student Annemarie Fischer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clara Schlaffhorst
Clara Schlaffhorst (16 October 1863 in Memel, East Prussia, today Klaipėda in Lithuania – 1945) was with Hedwig Andersen Hedwig Andersen (9 June 1866 in Memel, East Prussia − 29 March 1957 in Schönborn near Eutin) was with Clara Schlaffhorst founder of the , a method of respiration, speech and voice therapy. Life As the daughter of a master rope maker she grew ... founder of the , a method of respiration, speech and voice therapy. Publications * ''Atmung and Stimme''. * ''Atmung Stimme Bewegung''. on GoogleBooks References External links * {{DEFAULTSORT:Schlaffhorst, Clara 19th-century German women singers[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Litolff
Henry Charles Litolff (7 August 1818 – 5 August 1891) was a British virtuoso pianist, composer of Romantic music, and music publisher. A prolific composer, he is today known mainly for a single brief work – the scherzo from his Concerto Symphonique No. 4 in D minor – and remembered as the founder of the ''Collection Litolff'' (today part of Edition Peters), a highly regarded publishing imprint of classical music scores. Biography Litolff was born in London in 1818 to a Scottish mother, Sophie (''née'' Hayes), and a father, Martin Louis Litolff, from the French province of Alsace. The father, a violinist, had been previously taken prisoner of war while serving as a band musician in the Napoleonic army during the Peninsular War. His father taught the boy Henry the rudiments of music, and in 1830, when he was twelve, he played for the renowned virtuoso pianist Ignaz Moscheles, who was so impressed that he gave him free lessons starting that same year. Litolff began to con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erlangen
Erlangen (; East Franconian German, East Franconian: ''Erlang'', Bavarian language, Bavarian: ''Erlanga'') is a Middle Franconian city in Bavaria, Germany. It is the seat of the administrative district Erlangen-Höchstadt (former administrative district Erlangen), and with 116,062 inhabitants (as of 30 March 2022), it is the smallest of the eight major cities (''Town#Germany, Großstadt'') in Bavaria. The number of inhabitants exceeded the threshold of 100,000 in 1974, making Erlangen a major city according to the statistical definition officially used in Germany. Together with Nuremberg, Fürth, and Schwabach, Erlangen forms one of the three metropolises in Bavaria. With the surrounding area, these cities form the Nuremberg Metropolitan Region, European Metropolitan Region of Nuremberg, one of 11 metropolitan areas in Germany. The cities of Nuremberg, Fürth, and Erlangen also form a triangle on a map, which represents the heartland of the Nuremberg conurbation. An element of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Function (music)
In music, function (also referred to as harmonic function) is a term used to denote the relationship of a chord"Function", unsigned article, ''Grove Music Online'', . or a scale degree to a tonal centre. Two main theories of tonal functions exist today: * The German theory created by Hugo Riemann in his ''Vereinfachte Harmonielehre'' of 1893, which soon became an international success (English and Russian translations in 1896, French translation in 1899), and which is the theory of functions properly speaking."It was Riemann who coined the term 'function' in ''Vereinfachte Harmonielehre'' (1893) to describe relations between the dominant and subdominant harmonies and the referential tonic: he borrowed the word from mathematics, where it was used to designate the correlation of two variables, an 'argument' and a 'value'". Brian Hyer, "Tonality", ''Grove Music Online'', . Riemann described three abstract tonal "functions", tonic, dominant and subdominant, denoted by the letters T, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arnold Schering
Arnold Schering (2 April 1877 in Breslau, German Empire – 7 March 1941 in Berlin) was a German musicologist. He grew up in Dresden as the son of an art publisher. He learned violin at the from which he graduated in 1896. Thereafter he studied violin at the Berlin School of Music under Joseph Joachim. From 1898 until 1902 he studied music in Berlin and Leipzig and wrote his dissertation on the instrumental concertos of Antonio Vivaldi (in German, ''Geschichte des Instrumentalkonzertes bei Antonio Vivaldi'') and this work was influential in resurrecting the music of this composer. Fred K. Prieberg: ''Handbuch Deutsche Musiker 1933–1945'', CD-Rom-Lexikon, Kiel 2004, pages 6.084–6.086. In 1907 he made his habilitation and was made a professor of music in 1915. In 1920 Schering gathered evidence that composer Johann Sebastian Bach usually used 12 singers in his cantatas and other vocal works. This insight eventually became influential in the early music movement. From 1928 onward ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
