Johannes Hieronymus Kapsberger
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Johannes Hieronymus Kapsberger
Giovanni Girolamo Kapsperger (also: ''Johann(es) Hieronymus Kapsberger'' or ''Giovanni Geronimo Kapsperger''; c. 1580 – 17 January 1651) was an Austrian- Italian virtuoso performer and composer of the early Baroque period. A prolific and highly original composer, Kapsberger is chiefly remembered today for his lute and theorbo (''chitarrone'') music, which was seminal in the development of these as solo instruments. Life Nothing is known about Kapsberger's date and place of birth. His father Colonel Wilhelm (Guglielmo) von Kapsperger was a military official of the Imperial House of Austria, and may have settled in Venice, the city which may have been Kapsberger's birthplace. After 1605 Kapsberger moved to Rome, where he quickly attained a reputation as a brilliant virtuoso. He cultivated connections with various powerful individuals and organizations; and himself organized "academies" in his house, which were counted among the "wonders of Rome". Around 1609 Kapsberger married Gero ...
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Austria
Austria, , bar, Östareich officially the Republic of Austria, is a country in the southern part of Central Europe, lying in the Eastern Alps. It is a federation of nine states, one of which is the capital, Vienna, the most populous city and state. A landlocked country, Austria is bordered by Germany to the northwest, the Czech Republic to the north, Slovakia to the northeast, Hungary to the east, Slovenia and Italy to the south, and Switzerland and Liechtenstein to the west. The country occupies an area of and has a population of 9 million. Austria emerged from the remnants of the Eastern and Hungarian March at the end of the first millennium. Originally a margraviate of Bavaria, it developed into a duchy of the Holy Roman Empire in 1156 and was later made an archduchy in 1453. In the 16th century, Vienna began serving as the empire's administrative capital and Austria thus became the heartland of the Habsburg monarchy. After the dissolution of the H ...
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Rolf Lislevand
Rolf Lislevand (30 December 1961 in Oslo, Norway), is a Norwegian performer of Early music specialising on lute, vihuela, baroque guitar and theorbo. Biography From 1980 to 1984, Lislevand studied classical guitar at the Norwegian Academy of Music. In 1984 he entered the Schola Cantorum Basiliensis in Switzerland, under the tutelage of lutenists Hopkinson Smith and Eugen Dombois up to 1987 when he moved to Italy. From 1990 he was a teacher at the conservatory in Toulouse, France, from 1993 professor at the Music Academy in the German town of Trossingen. Since his first album as main artist with works from the "Libro Quarto d'intvolatura di Chitarrone" by composer Hieronymus Kapsberger, he had gained various awards: ''Diapason d’Or'', '' Choc du Monde de la Musique'', ''10 de Répertoire'', etc. In 1991 he played as part of the sound-track to the French film ''Tous les Matins du Monde'' together with the viol player Jordi Savall, with whom he has had an extensive collaborati ...
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Musicians From Venice
A musician is a person who composes, conducts, or performs music. According to the United States Employment Service, "musician" is a general term used to designate one who follows music as a profession. Musicians include songwriters who write both music and lyrics for songs, conductors who direct a musical performance, or performers who perform for an audience. A music performer is generally either a singer who provides vocals or an instrumentalist who plays a musical instrument. Musicians may perform on their own or as part of a group, band or orchestra. Musicians specialize in a musical style, and some musicians play in a variety of different styles depending on cultures and background. A musician who records and releases music can be known as a recording artist. Types Composer A composer is a musician who creates musical compositions. The title is principally used for those who write classical music or film music. Those who write the music for popular song ...
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1651 Deaths
Events January–March * January 1 – Charles II is crowned King of Scots at Scone ( his first crowning). * January 24 – Parliament of Boroa in Chile: Spanish and Mapuche authorities meet at Boroa, renewing the fragile peace established at the parliaments of Quillín, in 1641 and 1647. * February 22 – St. Peter's Flood: A first storm tide in the North Sea strikes the coast of Germany, drowning thousands. The island of Juist is split in half, and the western half of Buise is probably washed away. * March 4 – St. Peter's Flood: Another storm tide in the North Sea strikes the Netherlands, flooding Amsterdam. * March 6 – The town of Kajaani was founded by Count Per Brahe the Younger. * March 15 – Prince Aisin Gioro Fulin attains the age of 13 and becomes the Shunzhi Emperor of China, which had been governed by a regency since the death of his father Hong Taiji in 1643. * March 26 – The Spanish ship ''San José'', loaded wi ...
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1580s Births
Year 158 ( CLVIII) was a common year starting on Saturday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Tertullus and Sacerdos (or, less frequently, year 911 ''Ab urbe condita''). The denomination 158 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * The earliest dated use of Sol Invictus, in a dedication from Rome. * A revolt against Roman rule in Dacia is crushed. China * Change of era name from ''Yongshou'' to ''Yangxi'' of the Chinese Han Dynasty. Births *Gaius Caesonius Macer Rufinianus, Roman politician (d. 237) Deaths * Wang Yi, Chinese librarian and poet (d. AD 89 AD 89 (LXXXIX) was a common year starting on Thursday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Fulvus and ...
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Cantata
A cantata (; ; literally "sung", past participle feminine singular of the Italian verb ''cantare'', "to sing") is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir. The meaning of the term changed over time, from the simple single-voice madrigal of the early 17th century, to the multi-voice "cantata da camera" and the "cantata da chiesa" of the later part of that century, from the more substantial dramatic forms of the 18th century to the usually sacred-texted 19th-century cantata, which was effectively a type of short oratorio. Cantatas for use in the liturgy of church services are called church cantata or sacred cantata; other cantatas can be indicated as secular cantatas. Several cantatas were, and still are, written for special occasions, such as Christmas cantatas. Christoph Graupner, Georg Philipp Telemann and Johann Sebastian Bach composed cycles of church cantatas for the occasions of the liturgical year. ...
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Pope Urban VIII
Pope Urban VIII ( la, Urbanus VIII; it, Urbano VIII; baptised 5 April 1568 – 29 July 1644), born Maffeo Vincenzo Barberini, was head of the Catholic Church and ruler of the Papal States from 6 August 1623 to his death in July 1644. As pope, he expanded the papal territory by force of arms and advantageous politicking, and was also a prominent patron of the arts and a reformer of Church missions. However, the massive debts incurred during his pontificate greatly weakened his successors, who were unable to maintain the papacy's longstanding political and military influence in Europe. He was also an opponent of Copernicanism and involved in the Galileo affair. He is the last pope to date to take the pontifical name "Urban". Biography Early life He was born Maffeo Vincenzo Barberini in April 1568 to Antonio Barberini, a Florentine nobleman, and Camilla Barbadoro. He was born at Barberino Val d'Elsa in "Tafania" house. His father died when he was only three years old and hi ...
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Villanella
In music, a villanella (; plural villanelle) is a form of light Italian secular vocal music which originated in Italy just before the middle of the 16th century. It first appeared in Naples, and influenced the later canzonetta, and from there also influenced the madrigal. The subject matter is generally rustic, comic, and often satirical; frequently the mannerisms of art music, such as the madrigal, are a subject of parody. The rhyme scheme of the verse in the earlier Neapolitan forms of the villanelle is usually abR abR abR ccR. The villanelle became one of the most popular forms of song in Italy around mid-century. The music of the early villanella (known as the canzone villanesca) is invariably for three unaccompanied voices. The first composers of villanelle were the Neapolitans Giovanni Domenico da Nola and Giovan Tomaso di Maio; later composers, no longer from Naples, included Adrian Willaert, Luca Marenzio, Adriano Banchieri, Orlande de Lassus, and others. References ...
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Litany
Litany, in Christian worship and some forms of Judaic worship, is a form of prayer used in services and processions, and consisting of a number of petitions. The word comes through Latin ''litania'' from Ancient Greek λιτανεία (''litaneía''), which in turn comes from λιτή (''litḗ''), meaning "supplication". Christianity Western Christianity This form of prayer finds its model in Psalm 136: "Praise the Lord, for he is good: for his mercy endures for ever. Praise ye the God of gods . . . the Lord of lords . . . Who alone doth great wonders . . . Who made the heavens", etc., with the concluding words in each verse, "for his mercy endures for ever." The Litany originated in Antioch in the fourth century and from there was taken to Constantinople and through it to the rest of the East...From Constantinople the Litany was taken to Rome and the West. Josef Andreas Jungmann explains how the ''Kyrie'' in the Roman Mass is best seen as a vestige of a litany at the beginn ...
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Mass (music)
The Mass ( la, missa) is a form of sacred musical composition that sets the invariable portions of the Christian Eucharistic liturgy (principally that of the Catholic Church, the Anglican Communion, and Lutheranism), known as the Mass. Most Masses are settings of the liturgy in Latin, the sacred language of the Catholic Church's Roman Rite, but there are a significant number written in the languages of non-Catholic countries where vernacular worship has long been the norm. For example, there have been many Masses written in English for a United States context since the Second Vatican Council, and others (often called "communion services") for the Church of England. Masses can be ''a cappella'', that is, without an independent accompaniment, or they can be accompanied by instrumental ''obbligatos'' up to and including a full orchestra. Many masses, especially later ones, were never intended to be performed during the celebration of an actual mass. History Middle Ages The earli ...
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Motet
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond.Margaret Bent,The Late-Medieval Motet in ''Companion to Medieval & Renaissance Music'', edited by Tess Knighton and David Fallows, 114–19 (Berkeley, California: University of California Press, 1992): 114. . The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts". Etymology In the early 20th century, it was generally believed the name ...
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Basso Continuo
Basso continuo parts, almost universal in the Baroque era (1600–1750), provided the harmonic structure of the music by supplying a bassline and a chord progression. The phrase is often shortened to continuo, and the instrumentalists playing the continuo part are called the ''continuo group''. Forces The composition of the continuo group is often left to the discretion of the performers (or, for a large performance, the conductor), and practice varied enormously within the Baroque period. At least one instrument capable of playing chords must be included, such as a harpsichord, organ, lute, theorbo, guitar, regal, or harp. In addition, any number of instruments that play in the bass register may be included, such as cello, double bass, bass viol, or bassoon. In modern performances of chamber works, the most common combination is harpsichord and cello for instrumental works and secular vocal works, such as operas, and organ and cello for sacred music. A double bass may ...
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