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Johann Aloys Miksch
Johann (Nepomuk) Aloys Miksch (19 July 1765 – 24 September 1845); sometimes spelled ''Mie(c)ksch'' or ''Johannes'') was a Bohemian singer, (tenor) and singing teacher. Life Born in St. Georgenthal in Bohemia, in 1777 Miksch became boys' choir of the Dresden court chapel, where he received lessons in singing as well as on the piano and organ. He received his first piano and singing lessons from his father, a cantor and organist in St. Georgenthal. Miksch also studied composition under the ''Kapellmeister'' Schuster and in 1783 found employment with the Catholic court church music as a baritone. At the age of 20, he made his first appearance as an opera singer in Dresden. In 1786, he became a ceremonial singer at the Katholische Hofkirche. In 1797, he became tenor of the Italian Opera in Dresden. After he had become vocally ill due to incorrect voice training, he took singing lessons with the church singer and castrato Vincenzo Caselli. Inspired by him, he now devoted himself ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Aloys Miksch (1765-1845)
Johann (Nepomuk) Aloys Miksch (19 July 1765 – 24 September 1845); sometimes spelled ''Mie(c)ksch'' or ''Johannes'') was a Bohemian singer, (tenor) and singing teacher. Life Born in St. Georgenthal in Bohemia, in 1777 Miksch became boys' choir of the Dresden court chapel, where he received lessons in singing as well as on the piano and organ. He received his first piano and singing lessons from his father, a cantor and organist in St. Georgenthal. Miksch also studied composition under the ''Kapellmeister'' Schuster and in 1783 found employment with the Catholic court church music as a baritone. At the age of 20, he made his first appearance as an opera singer in Dresden. In 1786, he became a ceremonial singer at the Katholische Hofkirche. In 1797, he became tenor of the Italian Opera in Dresden. After he had become vocally ill due to incorrect voice training, he took singing lessons with the church singer and castrato Vincenzo Caselli. Inspired by him, he now devoted himself ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clara Schumann
Clara Josephine Schumann (; née Wieck; 13 September 1819 – 20 May 1896) was a German pianist, composer, and piano teacher. Regarded as one of the most distinguished pianists of the Romantic era, she exerted her influence over the course of a 61-year concert career, changing the format and repertoire of the piano recital by lessening the importance of purely virtuosic works. She also composed solo piano pieces, a piano concerto ( her Op. 7), chamber music, choral pieces, and songs. She grew up in Leipzig, where both her father Friedrich Wieck and her mother Mariane were pianists and piano teachers. In addition, her mother was a singer. Clara was a child prodigy, and was trained by her father. She began touring at age eleven, and was successful in Paris and Vienna, among other cities. She married the composer Robert Schumann, and the couple had eight children. Together, they encouraged Johannes Brahms and maintained a close relationship with him. She premiered many works by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Biographisches Lexikon Des Kaiserthums Oesterreich
''Biographisches Lexikon des Kaiserthums Oesterreich'' (English, ''Biographical Encyclopedia of the Austrian Empire'') (abbreviated ''Wurzbach'' from the author's surname) is a 60-volume work, edited and published by Constantin von Wurzbach, containing about 24,254 critical biographies of notable personages in every walk of life and from all parts of the Austro-Hungarian monarchy who were born, lived or worked there during the period 1750–1850. See also * ''Österreichisches Biographisches Lexikon 1815–1950'' (ÖBL) References External links *ws Text at German-language Wikisource *alo Biographisches Lexikon des Kaiserthums Oesterreichat Austrian Literature Online **ws Volume 1 (1856): A – Blumenthal ** [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Constantin Von Wurzbach
Constantin Wurzbach Ritter von Tannenberg (11 April 1818 – 17 August 1893) was an Austrian biographer, lexicographer and author. Biography He was born in Laibach, Carniola (present-day Ljubljana, Slovenia).He later went on to complete a course in philosophy and published poetry in local periodicals, inspired by the work of Nikolaus Lenau and Anastasius Grün. At the request of his father, he began studying jurisprudence at Graz, which he, however, abandoned after two years. Instead, he joined the Austrian army and served in a Galician infantry regiment at Cracow from 1837. As a cadet, he continued to publish poems under the pseudonym ''W. Constant''. In 1841 he was promoted to the rank of second lieutenant (''Unterleutnant'') and transferred to Lemberg (Lviv). At the same time, he studied philosophy at the Lemberg University and in 1843 became the first active officer in the Austrian army to obtain a doctorate. By the end of the year, Wurzbach left the army and took ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Peregrino Benelli
Antonio is a masculine given name of Etruscan origin deriving from the root name Antonius. It is a common name among Romance language-speaking populations as well as the Balkans and Lusophone Africa. It has been among the top 400 most popular male baby names in the United States since the late 19th century and has been among the top 200 since the mid 20th century. In the English language it is translated as Anthony, and has some female derivatives: Antonia, Antónia, Antonieta, Antonietta, and Antonella'. It also has some male derivatives, such as Anthonio, Antón, Antò, Antonis, Antoñito, Antonino, Antonello, Tonio, Tono, Toño, Toñín, Tonino, Nantonio, Ninni, Totò, Tó, Tonini, Tony, Toni, Toninho, Toñito, and Tõnis. The Portuguese equivalent is António (Portuguese orthography) or Antônio (Brazilian Portuguese). In old Portuguese the form Antão was also used, not just to differentiate between older and younger but also between more and less important. In Galician th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Morlacchi
Francesco Giuseppe Baldassare Morlacchi (14 June 1784 – 28 October 1841) was an Italian composer of more than twenty operas. During the many years he spent as the royal Royal Kapellmeister in Dresden, he was instrumental in popularizing the Italian style of opera. Biography Born in Perugia, Morlacchi was from a family of musicians. He composed from a very young age, first studying with his uncle Giovanni Mazzetti and later with Luigi Caruso in Perugia. He later studied at Loreto with Zingarelli (1803-4). Finally, he ended up in Bologna at the school of Stanislao Mattei (1805) where he met Gioacchino Rossini. Morlacchi was quickly successful as an opera composer. His first operatic works were written in 1807, and were a ''farce'' and a comic opera. His first truly effective theatre work was the ''opera seria'' ''Corradino'' (Parma, 1808), and led to commissions from opera houses in Rome and Milan. In 1810 he was brought to Dresden by contralto Marietta Marcolini, and in 1811 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich Ferdinand Mannstein
Heinrich Ferdinand Mannstein, real name Heinrich Ferdinand Steinmann, (16 September 1806 – 3 August 1872) was a German singing teacher, writer and music critic. Life Born in Berggießhübel, Mannstein attended the Dresden Kreuzschule and the St. Thomas School, Leipzig as Gymnasiast. At the insistence of his father, he devoted himself to studying theology at the Leipzig University, while also studying music. After some arguments at home, but also due to the general circumstances of his time, he finally joined the singing choir of the court theatre in Dresden in 1829. Soon after Johann Aloys Miksch took over and completed Mannstein's training as a singer, he left the stage for good to work as a singing teacher and writer. Beyond that Mannstein, developed extensive journalistic activities. His music-critical works are still today an important source for the history of music in Dresden in the middle of the 19th century and offer in this way deepened insights into the then cultiv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Masonic Lodge
A Masonic lodge, often termed a private lodge or constituent lodge, is the basic organisational unit of Freemasonry. It is also commonly used as a term for a building in which such a unit meets. Every new lodge must be warranted or chartered by a Grand Lodge, but is subject to its direction only in enforcing the published constitution of the jurisdiction. By exception the three surviving lodges that formed the world's first known grand lodge in London (now merged into the United Grand Lodge of England) have the unique privilege to operate as ''time immemorial'', i.e., without such warrant; only one other lodge operates without a warrant – the Grand Stewards' Lodge in London, although it is not also entitled to the "time immemorial" title. A Freemason is generally entitled to visit any lodge in any jurisdiction (i.e., under any Grand Lodge) in amity with his own. In some jurisdictions this privilege is restricted to Master Masons (that is, Freemasons who have attained the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henriette Grabau-Bünau
Eleonore ''Henriette'' Magdalena Grabau-Bünau, also Henriette Grabau or Henriette Bünau, (29 March 1805 – 28 November 1852) was a German operatic alto and mezzo-soprano. For twelve years she was the main singer at the Leipzig Gewandhaus and from 1843 to 1849 she was the first teacher at the University of Music and Theatre Leipzig, Leipzig Conservatory. Life Childhood and education in Bremen and Dresden Born in Bremen, Grabau was the daughter of the teacher and organist of the Church of Our Lady, Bremen and St. Remberti (Bremen), St. Remberti in Bremen and of Margarethe Anna Adelheid Arensberg. His father founded the ''Grabau'schen Singverein'' in 1811. Grabau grew up with five siblings and received her first voice and piano lessons from her father and from the Bremen music director Wilhelm Friedrich Riem. her brother Georg Christian (1806-1854) was organist in Verden an der Aller, Verden, her brother Andreas Grabau, Andreas (1808-1885) a famous cellist in Leipzig and fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Friederike Funk
Friederike Funk, married name La Grua bzw. Funk La Grua (14 November 1796 - after 1863) was a German operatic soprano and Royal Saxon Kammersinger in Dresden. Life Born in Meissen, the daughter of a postmaster from her hometown received her vocal training from Johann Aloys Miksch in Dresden from 1813. In May 1816, she received her first engagement at the Dresdner Hoftheater under the direction of Francesco Morlacchi. Afterwards, accompanied by her brother and at the behest of the Saxon king she spent two years in Italy to perfect her voice. She received this royal scholarship through the mediation of Morlacchi. In Italy she performed among others in Naples and St. Carlo and took lessons in Naples with Niccolò Antonio Zingarelli and Luigi Mosca. In the autumn of 1818, now engaged at the Italian and German Operas in Dresden, she sang the title role in Rossini's ''Elisabetta, regina d'Inghilterra'', and in 1822 Agathe in Weber's ''Der Freischütz''. In 1824, she sang Eglantine in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agnese Schebest
Agnese Schebest, ''née'' ''Agnese Šebesta'', also ''Agnese Schebesta'' (10 February 1813 – 22 December 1869) was an Austrian operatic mezzo-soprano. She lived as a singing teacher in Munich and Stuttgart. Life and career Schebest was born in Vienna, the daughter of a Czech-born chief of the Austrian army. She moved to Prague as a child with her parents due to a professional change in her father's assignment. The latter died as a result of an injury while blasting the fortifications of Alessandria as early as 1816. She lived with her mother in Terezin, where she attracted attention as a child at church concerts. At the age of eleven she got singing lessons free of charge with Kammersänger Johann Aloys Miksch and acting lessons with the actress Friederike Vohs in Dresden. At the Dresden court opera she sang early as choirist and comprimaria. Schebest made her opera debut in 1830 as Benjamin in Méhul's ''Joseph'' at the Dresden court stage. As a result, she got a job th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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