Joga A Chave
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Joga A Chave
"Joga a chave" (English: "Throw me the key") is a samba song composed in 1952 by Brazilian composer and singer Adoniran Barbosa (real name João Rubinato) with the radio-journalist Osvaldo Moles. History The song tells about a man who had a habit to drink and always used to return home late at night. His wife always locked him out, and he asked his love to throw him the key, because it was all bad outside and so he won't continue to disturb her sleep. Others versions * 1990 — Demônios da Garoa * 2012 — Dona Zaíra See also * Trem das Onze * Samba Italiano * Samba do Arnesto * Tiro ao Álvaro "Tiro ao Álvaro" is a samba song composed in 1960 by Brazilian composer and singer Adoniran Barbosa (real name João Rubinato) with the radio-journalist Osvaldo Moles. In his style of the "paulista" samba, it has humorous lyrics written in a p ... References Brazilian songs Portuguese-language songs Samba songs Songs written by Adoniran Barbosa 1952 songs {{Bra ...
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Adoniran Barbosa
Adoniran Barbosa, artistic name of João Rubinato (6 August 1910 – 23 November 1982), was a noted Brazilian São Paulo style samba singer and composer. Biography Early years João Rubinato was the seventh child of Francesco (Fernando) Rubinato and Emma Ricchini, Italian immigrants from Cavarzere (province of Venice). His parents had settled in Valinhos, a rural town in the state of São Paulo, about 70 km from the city of São Paulo. In 2010, two bridges were named after Rubinato: one located in Valinhos, Brazil, where the singer was born, and another in Cavarzere, Italy, where his parents came from. He is said to have been a rather reluctant student, and started working at an early age (which required falsifying his birth date). His first job was a sweeper boy and general helper at a railway company in the nearby town of Jundiaí. In 1924 he moved to Santo André, a town in the Greater São Paulo area, where he went through many jobs — loom operator, painter, plumb ...
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Trem Das Onze
"Trem das Onze" (English: "The 11 o’clock Train") is a samba composition by Brazilian singer-songwriter Adoniran Barbosa. Released in 1964 and made famous that same year by the samba group Demônios da Garoa, it is one of the best known Brazilian popular songs and considered some of the most representative cultural symbols of the city of São Paulo. In the song, Barbosa portrays in his signature-style witty and somewhat tragicomic lyrics the drama of a lover who lives in the distant Jaçanã suburb of São Paulo, and who cannot stay longer with his beloved woman because the last train will be departing soon, at 11 p.m., and his mother won't sleep until he gets home. The song is an example of both the classic paulista samba, the variant of samba developed in São Paulo, and the use of a composition structure known as " samba-de-breque" (literally ''brake samba''), where the instrumental accompaniment stops suddenly, giving room to a brief commentary in spoken word about the l ...
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Samba Songs
Samba (), also known as samba urbano carioca (''urban Carioca samba'') or simply samba carioca (''Carioca samba''), is a Brazilian music genre that originated in the Afro-Brazilian communities of Rio de Janeiro in the early 20th century. Having its roots in Brazilian folk traditions, especially those linked to the primitive rural samba of the colonial and imperial periods, it is considered one of the most important cultural phenomena in Brazil and one of the country's symbols. Present in the Portuguese language at least since the 19th century, the word "samba" was originally used to designate a "popular dance". Over time, its meaning has been extended to a "batuque-like circle dance", a dance style, and also to a "music genre". This process of establishing itself as a musical genre began in the 1910s and it had its inaugural landmark in the song " Pelo Telefone", launched in 1917. Despite being identified by its creators, the public, and the Brazilian music industry as "samba", ...
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