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Joe Lipman
Joseph P. Lippman (April 23, 1915 - January 21, 2007) was an American composer, arranger, conductor, pianist, and songwriter working in jazz and traditional pop. His musical career was over five decades long, having started at age 19 with the Benny Goodman orchestra in 1934 and writing for television, films, and Broadway in the 1980s. He composed and arranged for Bunny Berigan, Jimmy Dorsey, Sarah Vaughan, Charlie Parker and worked as staff arranger in television for Perry Como and ''Hollywood Palace''. Career Lipman was born Boston, Massachusetts on April 23, 1915.Lee, William. People in Jazz: Jazz Keyboard Improvisors of the 19th & 20th century. pp. 76 He started on the piano at the age of 7. After high school he attended college for two weeks but decided he to become a professional musician. At the age of 19, Lipman moved to New York City and joined the Benny Goodman orchestra on his '' Let's Dance'' radio show in 1934 and 1935 as a pianist. He encountered the arrangements and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boston
Boston (), officially the City of Boston, is the state capital and most populous city of the Commonwealth of Massachusetts, as well as the cultural and financial center of the New England region of the United States. It is the 24th- most populous city in the country. The city boundaries encompass an area of about and a population of 675,647 as of 2020. It is the seat of Suffolk County (although the county government was disbanded on July 1, 1999). The city is the economic and cultural anchor of a substantially larger metropolitan area known as Greater Boston, a metropolitan statistical area (MSA) home to a census-estimated 4.8 million people in 2016 and ranking as the tenth-largest MSA in the country. A broader combined statistical area (CSA), generally corresponding to the commuting area and including Providence, Rhode Island, is home to approximately 8.2 million people, making it the sixth most populous in the United States. Boston is one of the oldest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Let's Dance (radio)
''Let's Dance'' was a Saturday night radio music program broadcast by NBC in the mid-1930s. Sponsored by the National Biscuit Company (initially to promote their new Ritz Crackers), it aired for three full hours, starting at 10:30pm on the East Coast. This late-night timeslot gave the program a much larger audience on the West Coast when heard earlier in the evening. ''Let's Dance'' was a five-hour broadcast from New York, yet calculated so that all time zones heard three hours of music. The East Coast and Central Time zones got only the first three hours. Mountain Time zone listeners tuned into the second, third and fourth hours. Hours three, four and five were heard on the West Coast. The series premiered December 1, 1934, showcasing three different regular bands. The mellow music of Kel Murray (a pseudonym for Murray Kellner) and the Latin rhythms of Xavier Cugat made Benny Goodman's group stand out as "downright thrilling," according to George Simon. It was a turning point for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Mundy
James Mundy (June 28, 1907 – April 24, 1983) was an American jazz tenor saxophonist, arranger, and composer, best known for his arrangements for Benny Goodman, Count Basie, and Earl Hines. Mundy died of cancer in New York City at the age of 75. Discography *1937–1947: ''Jimmy Mundy 1947–1947'' (Classics) *May 1946: "Bumble Boogie" / "One O'Clock Boogie" (Aladdin 131) *June 1946: "I Gotta Put You Down Pt 1" / "I Gotta Put You Down Pt 2" (Aladdin 132) *1958: ''On a Mundy Flight'' (Epic) *2002: ''Fiesta in Brass'' (Golden Era) As arranger ;With Chet Baker *'' Baker's Holiday'' (Limelight, 1965) With Al Hibbler *'' After the Lights Go Down Low'' (Atlantic 1957) With Illinois Jacquet *'' The Soul Explosion'' (Prestige, 1969) With Harry James *''Harry James and His Orchestra 1948–49'' (Big Band Landmarks Vol. X & XI, 1969) With Sonny Stitt *''Sonny Stitt & the Top Brass'' (Atlantic, 1962) *''Little Green Apples'' (Solid State, 1969) *''Come Hither'' (Solid State, 1969) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Freddie Slack
Frederick Charles Slack (August 7, 1910 – August 10, 1965) was an American swing and boogie-woogie pianist and bandleader. Life and career Slack was born in Westby, Wisconsin, United States. He learned to play drums as a boy. Later he took up the xylophone, and at the age of 13 he changed to the piano. He studied with a local teacher throughout high school. At the age of 17, he moved with his parents to Chicago, where he continued his musical training. He met Rosy McHargue, a well-known clarinetist, who took him to hear many leading musicians, including Bix Beiderbecke and Earl Hines. His first job was with Johnny Tobin at the Beach View Gardens. He later moved to Los Angeles, where he worked with Henry Halstead, Earl Burtnett and Lennie Hayton, before joining Ben Pollack in 1934. He played with the Jimmy Dorsey Band in the 1930s and was a charter member of the Will Bradley Orchestra when it formed in 1939. Known to bandmates as "Daddy Slack," he played the piano solo on Brad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Davenport Blues
Davenport Blues is a 1925 song composed and recorded by Bix Beiderbecke and released as a Gennett 78. The song has become a jazz and pop standard. Background "Davenport Blues" was recorded by Bix Beiderbecke and His Rhythm Jugglers at the Gennett studio on Monday, January 26, 1925, in Richmond, Indiana, and released as Gennett 5654 backed with "Toddlin' Blues" as the A side. The band consisted of Tommy Dorsey on trombone, Paul Madeira Mertz on piano, Don Murray on clarinet, Howdy Quicksell on banjo, Tom Gargano on drums, and Bix Beiderbecke on cornet. Hoagy Carmichael was present at the recording session. The title derives from the name of Bix Beiderbecke's hometown of Davenport, Iowa. The instrumental is made up of a four bar introduction, a 16 bar verse followed by a 32 bar chorus, after which the verse and chorus are repeated with a 2 bar extended ending. The same melody is used for the verses, but both choruses have different melodies though nearly identical chords. Only on t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
In A Mist
"In a Mist" is a 1927 composition for piano by Bix Beiderbecke. Background "In a Mist" was first recorded by Beiderbecke as a piano solo on September 9, 1927 in New York and released as OKeh 40916 backed with "Wringin' an' Twistin'" which was recorded with Frankie Trumbauer and Eddie Lang. Bix Beiderbecke performed the composition on piano accompanied by Roy Bargy and Lennie Hayton at Carnegie Hall on October 7, 1928 at a jazz concert presented by Paul Whiteman. Style "In a Mist" mixes elements of late impressionism with early jazz. While written in C-major, the piece is heavily chromatic. Bix mostly plays on the fourth and fifth, often inserting sharp or flat accidentals, while avoiding the tonic to increase tension. Harmonically, the piece features melancholic, rich chords; the swing tempo gives the piece a zippy, joyful quality. These tensions drive the piece, finally settling on a hopeful C-major. Cover versions * Red Norvo, on marimba, 1933. * Frankie Trumbauer, 1934, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bix Beiderbecke
Leon Bismark "Bix" Beiderbecke (March 10, 1903 – August 6, 1931) was an American jazz cornetist, pianist and composer. Beiderbecke was one of the most influential jazz soloists of the 1920s, a cornet player noted for an inventive lyrical approach and purity of tone, with such clarity of sound that one contemporary famously described it like "shooting bullets at a bell. His solos on seminal recordings such as "Singin' the Blues" and " I'm Coming, Virginia" (both 1927) demonstrate a gift for extended improvisation that heralded the jazz ballad style, in which jazz solos are an integral part of the composition. Moreover, his use of extended chords and an ability to improvise freely along harmonic as well as melodic lines are echoed in post-WWII developments in jazz. "In a Mist" (1927) is the best known of Beiderbecke's published piano compositions and the only one that he recorded. His piano style reflects both jazz and classical (mainly impressionist) influences. All five of hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
RCA-Victor
RCA Records is an American record label currently owned by Sony Music Entertainment, a subsidiary of Sony Corporation of America. It is one of Sony Music's four flagship labels, alongside RCA's former long-time rival Columbia Records; also Arista Records, and Epic Records. The label has released multiple genres of music, including pop, classical, rock, hip hop, afrobeat, electronic, R&B, blues, jazz, and country. Its name is derived from the initials of its defunct parent company, the Radio Corporation of America (RCA). RCA Records was fully acquired by Bertelsmann in 1987, making it a part of Bertelsmann Music Group (BMG) and became a part of Sony BMG Music Entertainment after the 2004 merger of BMG and Sony; it was acquired by the latter in 2008, after the dissolution of Sony/BMG and the restructuring of Sony Music. RCA Records is the corporate successor of the Victor Talking Machine Company, founded in 1901, making it the second-oldest record label in American history, aft ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Can't Get Started
"I Can't Get Started", also known as "I Can't Get Started with You" or "I Can't Get Started (with You)", is a popular song. It was written in 1936 by Vernon Duke (music) and Ira Gershwin (lyrics) and introduced that year in the film ''Ziegfeld Follies of 1936'', where it was performed by Bob Hope and Eve Arden. Hal Kemp and his Orchestra recorded it and it had a bit of popularity, rising briefly to 14th place on the recording charts. Bunny Berigan's 1937 version was inducted into the Grammy Hall of Fame. Recordings Ira Gershwin noted in 1959 that "The sheet-music sale of the song never amounted to much... but an early recording by Bunny Berigan—considered by jazz devotees a sort of classic in its field—may have been a challenge (or incentive) for the great number of recordings that have followed. Not a year has gone by, in the past fifteen or so, that up to a dozen or more new recordings haven't been issued." Bunny Berigan Bunny Berigan, a trumpeter with Benny Goodman and Tom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe Bushkin
Joe Bushkin (November 7, 1916 – November 3, 2004) was an American jazz pianist. Life and career Born in New York City, Bushkin began his career by playing trumpet and piano with New York City dance bands, including Frank LaMare's Band at the Roseland Ballroom in Brooklyn. He joined Bunny Berigan's band in 1935, played with Eddie Condon from 1936 to 1937, and with Max Kaminsky and Joe Marsala, before rejoining Berigan in 1938.Feather, Leonard & Gitler, Ira (2007). ''The Biographical Encyclopedia of Jazz''. Oxford University Press.''Down Beat's 88 Keys to Fame''. He then left to join Muggsy Spanier's Ragtime Band in 1939. From the late 1930s through to the late 1940s, he also worked with Tommy Dorsey and Eddie Condon on records, radio and television. He worked on the soundtrack of ''Road to Morocco'' (1942), starring Bing Crosby, and several commercial sessions. Wartime United States army air corp turned him back into a trumpeter; he also recorded with Lester Young on pi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nathaniel Shilkret
Nathaniel Shilkret (December 25, 1889 – February 18, 1982) was an American musician, composer, conductor and musical director. Early career Shilkret (originally named Natan Schüldkraut) was born in New York City, United States, to parents who emigrated from Lemberg (now Lviv in Ukraine).Shilkret, Nathaniel, ed. Shell, Niel and Barbara Shilkret, ''Nathaniel Shilkret: Sixty Years in the Music Business'', Scarecrow Press, Lanham, Maryland, 2005. Shilkret, Nathaniel, Barbara Shilkret, and Niel Shell, ''Feast or Famine: Sixty Years in the Music Business'', archival edition of Shilkret autobiography, 2001 (copies deposited in the New York Public Library for the Performing Arts, The City College of New York Archival Library, The New York Philharmonic Archives, The Victor Archives (SONY)). His father played a number of instruments, and made certain that Nat and his three brothers were all accomplished musicians at an early age. Older brother Lew Shilkret was a fine pianist who also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artie Shaw
Artie Shaw (born Arthur Jacob Arshawsky; May 23, 1910 – December 30, 2004) was an American clarinetist, composer, bandleader, actor and author of both fiction and non-fiction. Widely regarded as "one of jazz's finest clarinetists", Shaw led one of the United States' most popular big bands in the late 1930s through the early 1940s. Though he had numerous hit records, he was perhaps best known for his 1938 recording of Cole Porter's "Begin the Beguine." Before the release of "Beguine," Shaw and his fledgling band had languished in relative obscurity for over two years and, after its release, he became a major pop artist within short order. The record eventually became one of the era's defining recordings. Musically restless, Shaw was also an early proponent of what became known much later as Third Stream music, which blended elements of classical and jazz forms and traditions. His music influenced other musicians, such as Monty Norman in England, with the vamp of the James Bond ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
