Joe Cocker (1972 Album)
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Joe Cocker (1972 Album)
''Joe Cocker'' is the third studio album by Joe Cocker, released in 1972 in Europe as ''Something to Say'' on Cube Records, and in the USA as ''Joe Cocker'' on A&M Records. It contains the hit single "High Time We Went", that was released in the summer of 1971. ''Joe Cocker'' signalled Cocker's change of direction into a more jazzy, blues style. The album reached no. 30 in the US album charts. However, although it received a positive response from the press, it made no impression on the British and European charts. It is an unusual LP among Joe Cocker albums, in that he wrote the lyrics to six songs. Five of them were co-written with Chris Stainton between 1969 and 1972. "Something To Say" was written with Nichols. However, the album's main claim to fame might be that one of its tracks, "Woman to Woman", was the basis for Tupac Shakur's successful hit single " California Love". The album, re-titled as ''Something to Say'', was originally released on CD in 1990 by Castle Comm ...
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Joe Cocker
John Robert "Joe" Cocker (20 May 1944 – 22 December 2014) was an English singer known for his gritty, bluesy voice and dynamic stage performances that featured expressive body movements. Most of his best known singles were recordings of songs written by other song writers, though he composed a number of songs for most of his albums as well, often in conjunction with songwriting partner Chris Stainton. His first album featured a recording of the Beatles' "With a Little Help from My Friends", which brought him to near-instant stardom. The song reached number one in the UK in 1968, became a staple of his many live shows (Woodstock and the Isle of Wight in 1969, the Party at the Palace in 2002) and was also known as the theme song for the late 1980s American TV series ''The Wonder Years''. He continued his success with his second album, which included a second Beatles song: "She Came In Through the Bathroom Window". A hastily thrown together 1970 US tour led to the live double ...
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All Things Must Pass
''All Things Must Pass'' is the third studio album by English rock musician George Harrison. Released as a triple album in November 1970, it was Harrison's first solo work after the break-up of the Beatles in April that year. It includes the hit singles "My Sweet Lord" and "What Is Life", as well as songs such as "Isn't It a Pity" and the title track that had been overlooked for inclusion on releases by the Beatles. The album reflects the influence of Harrison's musical activities with artists such as Bob Dylan, the Band, Delaney & Bonnie and Friends and Billy Preston during 1968–70, and his growth as an artist beyond his supporting role to former bandmates John Lennon and Paul McCartney. ''All Things Must Pass'' introduced Harrison's signature slide guitar sound and the spiritual themes present throughout his subsequent solo work. The original vinyl release consisted of two LPs of songs and a third disc of informal jams titled ''Apple Jam''. Several commentators interpret ...
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Sampling (music)
In sound and music, sampling is the reuse of a portion (or sample) of a sound recording in another recording. Samples may comprise elements such as rhythm, melody, speech, sounds or entire bars of music, and may be layered, equalized, sped up or slowed down, repitched, looped, or otherwise manipulated. They are usually integrated using hardware ( samplers) or software such as digital audio workstations. A process similar to sampling originated in the 1940s with '' musique concrète'', experimental music created by splicing and looping tape. The mid-20th century saw the introduction of keyboard instruments that played sounds recorded on tape, such as the Mellotron. The term ''sampling'' was coined in the late 1970s by the creators of the Fairlight CMI, a synthesizer with the ability to record and play back short sounds. As technology improved, cheaper standalone samplers with more memory emerged, such as the E-mu Emulator, Akai S950 and Akai MPC. Sampling is a foundation of ...
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Riff
A riff is a repeated chord progression or refrain in music (also known as an ostinato figure in classical music); it is a pattern, or melody, often played by the rhythm section instruments or solo instrument, that forms the basis or accompaniment of a musical composition. Though riffs are most often found in rock music, heavy metal music, Latin, funk, and jazz, classical music is also sometimes based on a riff, such as Ravel's Boléro. Riffs can be as simple as a tenor saxophone honking a simple, catchy rhythmic figure, or as complex as the riff-based variations in the head arrangements played by the Count Basie Orchestra. David Brackett (1999) defines riffs as "short melodic phrases", while Richard Middleton (1999) defines them as "short rhythmic, melodic, or harmonic figures repeated to form a structural framework". Rikky Rooksby states: "A riff is a short, repeated, memorable musical phrase, often pitched low on the guitar, which focuses much of the energy and excitement ...
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Billboard Hot 100
The ''Billboard'' Hot 100 is the music industry standard record chart in the United States for songs, published weekly by '' Billboard'' magazine. Chart rankings are based on sales (physical and digital), radio play, and online streaming in the United States. The weekly tracking period for sales was initially Monday to Sunday when Nielsen started tracking sales in 1991, but was changed to Friday to Thursday in July 2015. This tracking period also applies to compiling online streaming data. Radio airplay, which, unlike sales figures and streaming, is readily available on a real-time basis, is also tracked on a Friday to Thursday cycle effective with the chart dated July 17, 2021 (previously Monday to Sunday and before July 2015, Wednesday to Tuesday). A new chart is compiled and officially released to the public by ''Billboard'' on Tuesdays but post-dated to the following Saturday. The first number-one song of the ''Billboard'' Hot 100 was " Poor Little Fool" by Ricky Ne ...
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Cover Version
In popular music, a cover version, cover song, remake, revival, or simply cover, is a new performance or recording by a musician other than the original performer or composer of the song. Originally, it referred to a version of a song released around the same time as the original in order to compete with it. Now, it refers to any subsequent version performed after the original. History The term "cover" goes back decades when cover version originally described a rival version of a tune recorded to compete with the recently released (original) version. Examples of records covered include Paul Williams' 1949 hit tune "The Hucklebuck" and Hank Williams' 1952 song "Jambalaya". Both crossed over to the popular hit parade and had numerous hit versions. Before the mid-20th century, the notion of an original version of a popular tune would have seemed slightly odd – the production of musical entertainment was seen as a live event, even if it was reproduced at home via a cop ...
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Woman To Woman (Joe Cocker Song)
"Woman to Woman" is a song written by Joe Cocker and Christopher Stainton. It was released on Cocker's 1972 album ''Joe Cocker'' and reached the top in the singles chart of Spain. The song was billed as Joe Cocker with The Chris Stainton Band. Other recordings and samples The song has been recorded by other artists. It has also been heavily sampled in hip hop, for example, "Funky" by Ultramagnetic MCs (1987), "Knick Knack Patty Wack" by EPMD (1989), "Blast from the Past" by Ultramagnetic MCs (1992), "New Jack Swing II" by Wreckx-N-Effect, "California Love" by Tupac featuring Dr. Dre and Roger Troutman (1995), "Honey" by Moby (1999), "Astro Black" by Quasimoto (2000), "He's Unbelievable" by Sarah Connor (October 29, 2002), and "We Keep It Rockin'" by Maino featuring Swizz Beatz, Jadakiss, Jim Jones and Joell Ortiz (2010). Video game soundtrack It was also included in the soundtrack for the video game '' Grand Theft Auto: San Andreas'', on the K-DST radio station, where Tommy ...
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Chips Moman
Lincoln Wayne "Chips" Moman (June 12, 1937 – June 13, 2016) was an American record producer, guitarist, and songwriter. He is known for working in R&B, pop music and country music, operating American Sound Studios and producing hit albums like Elvis Presley's 1969 ''From Elvis in Memphis'' and the 1985 debut album for The Highwaymen. Moman won a Grammy Award for co-writing " (Hey Won't You Play) Another Somebody Done Somebody Wrong Song", a 1975 hit for B.J. Thomas. Music career Early years Moman was born in LaGrange, Georgia.Edd Hurt, "Chips Moman: The Cream Interview", ''Nashville Cream'', August 17, 2012
Retrieved 15 June 2016
After moving to

Dan Penn
Dan Penn (born Wallace Daniel Pennington, November 16, 1941) is an American songwriter, singer, musician, and record producer, who co-wrote many soul hits of the 1960s, including "The Dark End of the Street" and "Do Right Woman, Do Right Man" with Chips Moman and "Cry Like a Baby" with Spooner Oldham. Penn also produced many hits, including " The Letter", by The Box Tops. He has been described as a white soul and blue-eyed soul singer. Penn has released relatively few records featuring his own vocals and musicianship, preferring the relative anonymity of songwriting and producing. Early life and career Penn grew up in Vernon, Alabama, United States, and spent much of his teens and early twenties in the Quad Cities–Muscle Shoals area.''Dan Penn''


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Gregg Allman
Gregory LeNoir Allman (December 8, 1947 – May 27, 2017) was an American musician, singer and songwriter. He was known for performing in the Allman Brothers Band. Allman grew up with an interest in rhythm and blues music, and the Allman Brothers Band fused it with rock music, jazz, and country at times. He wrote several of the band's biggest songs, including "Whipping Post", "Melissa", and "Midnight Rider". Allman also had a successful solo career, releasing seven studio albums. He was born and spent much of his childhood in Nashville, Tennessee, before relocating to Daytona Beach, Florida and then Macon, Georgia. He and his brother, Duane Allman, formed the Allman Brothers Band in 1969, which reached mainstream success with their 1971 live album ''At Fillmore East''. Shortly thereafter, Duane was killed in a motorcycle crash. The band continued, with '' Brothers and Sisters'' (1973) their most successful album. Allman began a solo career with ''Laid Back'' the same year, a ...
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Midnight Rider
"Midnight Rider" is a song by the American rock band the Allman Brothers Band. It was the second single from their second studio album, ''Idlewild South'' (1970), released on Capricorn Records. The song was primarily written by vocalist Gregg Allman, who first began composing it at a rented cabin outside Macon, Georgia. He enlisted the help of roadie Robert Kim Payne to complete the song's lyrics. He and Payne broke into Capricorn Sound Studios to complete a demo of the song. While the original Allman Brothers release of the song did not chart, "Midnight Rider" was much more successful in cover versions. Gregg Allman's solo version of the song, released in 1973, was its biggest chart success; it was a top 20 hit in the U.S. and Canada. A cover by Jamaican singer Paul Davidson represented its biggest peak in the United Kingdom, where it hit number ten. Country artist Willie Nelson also recorded a version of the song that peaked at number six on U.S. country charts. Background " ...
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Rebop Kwaku Baah
Anthony "Rebop" Kwaku Baah (13 February 1944 – 12 January 1983) was a Ghanaian percussionist who worked with the 1970s rock groups Traffic and Can. Biography Baah was born on 13 February 1944, in Konongo, Gold Coast. In 1969, Baah performed on Randy Weston's album ''African Rhythms''. In the same year he worked with Nick Drake on the song "Three Hours", posthumously released in 2004 on the compilation album '' Made to Love Magic''. He then joined the English band Traffic in 1971, having met them in Sweden during a tour. He appeared on the albums ''Welcome to the Canteen'', '' The Low Spark of High Heeled Boys'', ''Shoot Out at the Fantasy Factory'', '' On the Road'', and ''When the Eagle Flies''. In 1973 he performed in the all-star ''Eric Clapton's Rainbow Concert''. After Traffic disbanded in 1974, he played on Steve Winwood’s self-titled debut solo album, which was released in 1977. Also in 1977, he joined the German band Can along with former Traffic bassist Rosko ...
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