Joe Arroyo
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Joe Arroyo
Álvaro José Arroyo González (also known as Joe Arroyo or El Joe; 1 November 1955 – 26 July 2011) was a Colombian salsa and tropical music singer, composer and songwriter. He was considered one of the greatest performers of Caribbean music in his country and Latin America. Life and career 1955–1971: Early life Joe Arroyo was born and raised in the neighborhood Nariño in Cartagena. Arroyo's singing career began very early, when at the age of eight he sang in brothels in Tesca, a red-light zone in his hometown. In the beginning he sang with groups like "Los Caporales del Magdalena", "Manuel Villanueva y su Orquesta", "La Protesta" and "Super Combo Los Diamantes", in 1971 he recorded with "La Promiscua". As is mentioned, pronounced, remarked, and showed by him in some of his songs "...''En la Plaza de Majagual, Sincelejo''..." Joe did concerts as a young singer in this city, place, downtown. 1971–2000: Early career In 1971 Arroyo had his biggest opportunity of beco ...
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Cartagena, Colombia
Cartagena ( , also ), known since the colonial era as Cartagena de Indias (), is a city and one of the major ports on the northern coast of Colombia in the Caribbean Coast Region, bordering the Caribbean sea. Cartagena's past role as a link in the route to West Indies provides it with important historical value for world exploration and preservation of heritage from the great commercial maritime routes. As a former Spanish colony, it was a key port for the export of Bolivian silver to Spain and for the import of enslaved Africans under the asiento system. It was defensible against pirate attacks in the Caribbean. The city's strategic location between the Magdalena and Sinú Rivers also gave it easy access to the interior of New Granada and made it a main port for trade between Spain and its overseas empire, establishing its importance by the early 1540s. Modern Cartagena is the capital of the Bolívar Department, and had a population of 1,028,736, according to the 2018 ce ...
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Tropical Music
Tropical music ( es, música tropical) is a term in the Latin music, Latin music industry that refers to music genres deriving from or influenced by the Spanish-speaking areas of the Caribbean. It includes the islands of Music of Cuba, Cuba, Music of Puerto Rico, Puerto Rico, The Music of the Dominican Republic, Dominican Republic, and the Caribbean coastal regions of Music of Colombia, Colombia and Music of Venezuela, Venezuela. In the 1940s and 1950s, the term tropical music was created to cover all music from the hispanophone Caribbean excluding Cuban music, which had its own category and niche within the American (and to a lesser extent European) music market. However, later in the 20th century after the Cuban Revolution, tropical music gained a broader meaning and began to be used in order to distinguish Caribbean genres such as cumbia and son cubano from inland genres such as tejano (music), tejano and norteño (music), norteño. Characteristics Due to its geographical roots ...
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Latin Recording Academy Person Of The Year
The Latin Recording Academy Person of the Year is an award presented annually by the Latin Recording Academy, the same organization that distributes the Latin Grammy Awards, to commend musicians of Ibero-American heritage for their "artistic achievements in the Latin music industry as well as their humanitarian efforts". Award recipients are honored during "Latin Grammy Week", a string of galas just prior to the annual Latin Grammy Awards ceremony. The award was first presented to Cuban American musician and producer Emilio Estefan in 2000 for increasing public awareness of Latin music. Eight years later his wife, singer Gloria Estefan, became the first female award recipient. She had previously received the MusiCares Person of the Year award in 1994, a similar honor presented by the National Academy of Recording Arts and Sciences, the same organization that distributes the Grammy Awards. Spanish singer Julio Iglesias received the second award in 2001. Ranchera singer Vicente Fern ...
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El Joe, La Leyenda
''The Joe, the leyend'' (Spanish: ''El Joe, la leyenda'') is a 119-episode Colombian television biopic. It is inspired by the life and works of singer Joe Arroyo. Jair Romero starred as Joe Arroyo. Mauro Castillo and Estefanía Borges also starred as Wilson Manyoma and Jacqueline Ramón, respectively. Produced by Guillermo Restrepo, the TV show was a RCN Televisión production. It was originally broadcast from 30 May to 20 December 2011. Positively reviewed in Colombia, ''El Joe, la leyenda'' was honored with the Premios India Catalina award for best soap opera. Plot Joe Arroyo started his singing career in the 1970s, with local performances in the Colombian Caribbean region. Musician Julio Estrada (aka Fruko) discovered Arroyo's talent during Barranquilla's Carnival and asked him to be a part of the Fruko y sus Tesos band. He would then go on to form the orchestra La Verdad in 1981. Arroyo is depicted in the first episodes as a young, attractive and courageous man that du ...
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RCN TV
RCN may refer to: * ''Radio Cadena Nacional (other)'', a broadcast network in Colombia ** RCN Radio ** RCN TV * RCN Corporation (formerly Residential Communications Network), a cable television, telephone, and Internet service provider in the United States * Radiowe Centrum Nadawcze, Polish designation for a broadcasting transmitter * Reality Check Network, a software based warez magazine that existed from 1995 to 1997 * UWC Red Cross Nordic, a United World College in Norway * Reformed Church of Newtown, a church in Queens, NY * Republic of Cinnabar Navy, the setting of the RCN Series of science fiction novels by David Drake * Royal Canadian Navy * Royal College of Nursing, a professional membership organisation of the United Kingdom * Rundstrecken Challenge Nürburgring is a motorsport event series mainly on the Nürburgring * American River Airpark American River Airpark ( IATA: RCN) is a privately owned airfield on Kangaroo Island in the Australian state of South Austr ...
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Rolling Stone
''Rolling Stone'' is an American monthly magazine that focuses on music, politics, and popular culture. It was founded in San Francisco, San Francisco, California, in 1967 by Jann Wenner, and the music critic Ralph J. Gleason. It was first known for its coverage of rock music and political reporting by Hunter S. Thompson. In the 1990s, the magazine broadened and shifted its focus to a younger readership interested in youth-oriented television shows, film actors, and popular music. It has since returned to its traditional mix of content, including music, entertainment, and politics. The first magazine was released in 1967 and featured John Lennon on the cover and was published every two weeks. It is known for provocative photography and its cover photos, featuring musicians, politicians, athletes, and actors. In addition to its print version in the United States, it publishes content through Rollingstone.com and numerous international editions. Penske Media Corporation is the c ...
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Zouk (musical Movement)
Zouk is a musical movement pioneered by the French Antillean band Kassav' in the early 1980s. It was originally characterized by a fast tempo (120–145 bpm), a percussion-driven rhythm and a loud horn section. The fast zouk béton of Martinique and Guadeloupe faded away during the 1980s. Musicians from Martinique and Guadeloupe added MIDI instrumentation to their compas style, which developed into zouk-love. Zouk-love is effectively the French Lesser Antilles' compas.Popular Musics of the Non Western World. Peter Manuel, New York Oxford University Press, 1988, p74 Zouk gradually became indistinguishable from the genre known as compas. This light compas influenced the Cape-Verdean new generation. Zouk béton The original fast carnival style of zouk, best represented by the band Kassav', became known as "zouk béton", "zouk chiré" or "zouk hard". Zouk béton is considered a synthesis of various French Antillean dance music styles of the 20th century: kadans (cadence), konp ...
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Compas
Compas, also known as compas direct or compas direk (; Haitian Creole: ''konpa'', ''kompa'' or ''kompa dirèk''), is a modern méringue dance music genre of Haiti. The genre was popularized following the creation of Ensemble Aux Callebasses in (1955), which became Ensemble Nemours Jean-Baptiste In 1957. The frequent tours of the many Haitian bands have cemented the style in all the Caribbean. Therefore, compas is the main music of several countries such as Dominica and the French Antilles. Whether it is called zouk, where French Antilles artists of Martinique and Guadeloupe have taken it, or compas in places where Haitian artists have toured, this méringue style is influential in part of the Caribbean, Portugal, Cape Verde, France, part of Canada, South and North America. Etymology and characteristics The word "Compas" means "measure" in Spanish or "rhythm", and one of the most distinctive characteristics of compas is the consistent pulsating tanbou beat, a trait common to ma ...
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Soca Music
Soca music is a genre of music defined by Lord Shorty, its inventor, as the "Soul of Calypso", which has influences of African and East Indian rhythms. It was originally spelt "sokah" by its inventor but through an error in a local newspaper when reporting on the new music it was erroneously spelt "soca"; Lord Shorty confirmed the error but chose to leave it that way to avoid confusion. It is a genre of music that originated in Trinidad and Tobago in the early 1970s and developed into a range of styles during the 1980s and after. Soca was initially developed by Lord Shorty in an effort to revive traditional calypso, the popularity of which had been flagging amongst younger generations in Trinidad due to the rise in popularity of reggae from Jamaica and soul and funk from the United States. Soca is an offshoot of Calypso/Kaiso, with influences from East Indian rhythms and hooks. Soca has evolved since the 1980s primarily through musicians from various Anglophone Caribbean count ...
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Porro
The porro is a musical style and dance from the Caribbean region of Colombia. It is a Colombian cumbia rhythm that developed into its own subgenre. It was originally a folkloric expression from the Sinú River area that evolved into a ballroom dance. It is played mostly by brass bands or orchestras, and danced in couples. This genre influenced some of the greatest Latin American bands of the 1960s, with songs such as "Pachito E'ché" (originally from Wolfgang Alejandro Tovar García, then interpreted by Benny Moré), "Se va el Caimán", and "Me voy pa'Cataca" (originally from José María Peñaranda, then interpreted by La Sonora Matancera.) Types The two types of folkloric porro are porro palitiao and porro tapao. Porro palitiao The term "palitiao" is derived from the way the bombo drum is struck along its rim to produce the sound of a cowbell. This type of porro is associated with the Sinú River, and its surrounding cities and towns. Most would agree on San Pelayo, Col ...
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Cumbia
Cumbia refers to a number of musical rhythms and folk dance traditions of Latin America, generally involving musical and cultural elements from American Indigenous peoples, enslaved Africans during colonial times, and Europeans. Examples include: * Colombian cumbia, is a musical rhythm and traditional folk dance from Colombia. It has elements of three different cultures, American Indigenous, African, and Spanish, being the result of the long and intense meeting of these cultures during the Conquest and the Colony. * Panamanian cumbia, Panamanian folk dance and musical genre, developed by enslaved people of African descent during colonial times and later syncretized with American Indigenous and European cultural elements. Regional adaptations of Colombian cumbia Argentina * Argentine cumbia * Cumbia villera, a subgenre of Argentine cumbia born in the slums * Fantasma, a 2001 group formed by Martín Roisi and Pablo Antico * Cumbia santafesina, a musical genre emerged in Santa Fe, ...
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