Jockey-Club De Paris
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Jockey-Club De Paris
The Jockey Club de Paris is a traditional gentlemen's club and is regarded as the most prestigious of private clubs in Paris. It is best remembered as a gathering place of the elite of nineteenth-century French society. Today it is decidedly but not exclusively aristocratic. The club seat is at 2, rue Rabelais in Paris, near the Champs-Elysées and it hosts the International Federation of Racing Authorities. It has no more official links to the horse-racing industry organisations which are separate professional bodies. Reciprocities with other clubs * Circolo della Caccia (Rome) * Knickerbocker Club (New York) * Metropolitan Club (Washington) * Turf Club (Lisbon) * Cercle Royal du Parc (Brussels) * Boodle's (London) * Jockey Club für Österreich (Wien) * Turf Club (London) * Nuevo Club (Madrid) * Somerset Club (Boston) * Pacific-Union Club (San Francisco) * Círculo de Armas (Buenos Aires) * Australian Club (Sydney) * Melbourne Club (Melbourne) * New Club (Edinburgh) * ...
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French Second Empire
The Second French Empire (; officially the French Empire, ), was the 18-year Imperial Bonapartist regime of Napoleon III from 14 January 1852 to 27 October 1870, between the Second and the Third Republic of France. Historians in the 1930s and 1940s often disparaged the Second Empire as a precursor of fascism. That interpretation is no longer widely held, and by the late 20th century they were giving it as an example of a modernising regime. Historians have generally given the Empire negative evaluations on its foreign policy, and somewhat more positive evaluations of domestic policies, especially after Napoleon III liberalised his rule after 1858. He promoted French business and exports. The greatest achievements included a grand railway network that facilitated commerce and tied the nation together with Paris as its hub. This stimulated economic growth and brought prosperity to most regions of the country. The Second Empire is given high credit for the rebuilding of Paris w ...
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Lumière Brothers
Lumière is French for 'light'. Lumiere, Lumière or Lumieres may refer to: *Lumières, the philosophical movement in the Age of Enlightenment People *Auguste and Louis Lumière, French pioneers in film-making Film and TV * Institut Lumière, a French organization for the preservation of French cinema * ''Lumière'' (film), 1976 French drama film * Lumiere (database), an online database of admission results for films released in Europe *Lumières Award, an annual French film awards ceremony * Lumiere TV, a premium television service available in Cyprus, that broadcasts movies and series * Télé Lumière, a Christian television station in Lebanon and the Arab World. Also affiliate station Noursat * Lumière Film Festival, a film festival in Lyon, France ** Lumière Award (film festival award), an award presented at the Lumière Film Festival * ''Lumière! L'aventure commence'', a 2017 film edited by Thierry Frémaux. *Lumière, a character in Disney's ''Beauty and the Beast'' * ...
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In Search Of Lost Time
''In Search of Lost Time'' (french: À la recherche du temps perdu), first translated into English as ''Remembrance of Things Past'', and sometimes referred to in French as ''La Recherche'' (''The Search''), is a novel in seven volumes by French author Marcel Proust. This early 20th-century work is his most prominent, known both for its length and its theme of involuntary memory. The most famous example of this is the "episode of the madeleine", which occurs early in the first volume. The novel gained fame in English in translations by C. K. Scott Moncrieff and Terence Kilmartin as ''Remembrance of Things Past'', but the title ''In Search of Lost Time'', a literal rendering of the French, became ascendant after D. J. Enright adopted it for his revised translation published in 1992. ''In Search of Lost Time'' follows the narrator's recollections of childhood and experiences into adulthood in the late 19th-century and early 20th-century high-society France, while reflecting on ...
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Corps De Ballet
In ballet, the ''corps de ballet'' (; French for "body of the ballet") is the group of dancers who are not principal dancers or soloists. They are a permanent part of the ballet company and often work as a backdrop for the principal dancers. A ''corps de ballet'' works as one, with synchronized movements and corresponding positioning on the stage. Specific roles are sometimes made for the ''corps de ballet'', such as Swan Lake, the Snow Corps de Ballet and the Flower Corps in ''The Nutcracker''. See also *Ballet dancer A ballet dancer ( it, ballerina fem.; ''ballerino'' masc.) is a person who practices the art of classical ballet. Both females and males can practice ballet; however, dancers have a strict hierarchy and strict gender roles. They rely on yea ... References * Ballet occupations Ballet terminology it:Glossario della danza classica#Corps de ballet {{ballet-dance-stub ...
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Richard Wagner
Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the ''Gesamtkunstwerk'' ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle ''Der Ring des Nibelungen'' (''The Ring of the Nibelung''). His compositions, particularly those of his later period, are notable for their complex textures, ...
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Tannhäuser (opera)
''Tannhäuser'' (; full title , "Tannhäuser and the Minnesängers' Contest at Wartburg") is an 1845 opera in three acts, with music and text by Richard Wagner ( WWV 70 in the catalogue of the composer's works). It is based on two German legends: Tannhäuser, the mythologized medieval German Minnesänger and poet, and the tale of the Wartburg Song Contest. The story centres on the struggle between sacred and profane love, as well as redemption through love, a theme running through most of Wagner's work. The opera remains a staple of major opera house repertoire in the 21st century. Composition history Sources The libretto of ''Tannhäuser'' combines mythological elements characteristic of German ''Romantische Oper'' (Romantic opera) and the medieval setting typical of many French Grand Operas. Wagner brings these two together by constructing a plot involving the 14th-century Minnesingers and the myth of Venus and her subterranean realm of Venusberg. Both the historical and the ...
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Marcel Proust
Valentin Louis Georges Eugène Marcel Proust (; ; 10 July 1871 – 18 November 1922) was a French novelist, critic, and essayist who wrote the monumental novel ''In Search of Lost Time'' (''À la recherche du temps perdu''; with the previous English title translation of ''Remembrance of Things Past''), originally published in French in seven volumes between 1913 and 1927. He is considered by critics and writers to be one of the most influential authors of the 20th century. Background Proust was born on 10 July 1871 at the home of his great-uncle in the Paris Borough of Auteuil (the south-western sector of the then-rustic 16th arrondissement), two months after the Treaty of Frankfurt formally ended the Franco-Prussian War. His birth took place at the very beginning of the Third Republic, during the violence that surrounded the suppression of the Paris Commune, and his childhood corresponded with the consolidation of the Republic. Much of ''In Search of Lost Time'' concerns the ...
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Salon (gathering)
A salon is a gathering of people held by an inspiring host. During the gathering they amuse one another and increase their knowledge through conversation. These gatherings often consciously followed Horace's definition of the aims of poetry, "either to please or to educate" (Latin: ''aut delectare aut prodesse''). Salons in the tradition of the French literary and philosophical movements of the 17th and 18th centuries were carried on until as recently as the 1920s in urban settings. Historical background The salon was an Italian invention of the 16th century, which flourished in France throughout the 17th and 18th centuries. The salon continued to flourish in Italy throughout the 19th century. In 16th-century Italy, some brilliant circles formed in the smaller courts which resembled salons, often galvanized by the presence of a beautiful and educated patroness such as Berta Zuckerkandl, Isabella d'Este or Elisabetta Gonzaga. Salons were an important place for the exchange of i ...
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French Third Republic
The French Third Republic (french: Troisième République, sometimes written as ) was the system of government adopted in France from 4 September 1870, when the Second French Empire collapsed during the Franco-Prussian War, until 10 July 1940, after the Fall of France during World War II led to the formation of the Vichy government. The early days of the Third Republic were dominated by political disruptions caused by the Franco-Prussian War of 1870–1871, which the Republic continued to wage after the fall of Emperor Napoleon III in 1870. Harsh reparations exacted by the Prussians after the war resulted in the loss of the French regions of Alsace (keeping the Territoire de Belfort) and Lorraine (the northeastern part, i.e. present-day department of Moselle), social upheaval, and the establishment of the Paris Commune. The early governments of the Third Republic considered re-establishing the monarchy, but disagreement as to the nature of that monarchy and the rightful occ ...
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Second French Empire
The Second French Empire (; officially the French Empire, ), was the 18-year Empire, Imperial Bonapartist regime of Napoleon III from 14 January 1852 to 27 October 1870, between the French Second Republic, Second and the French Third Republic, Third Republic of France. Historians in the 1930s and 1940s often disparaged the Second Empire as a precursor of fascism. That interpretation is no longer widely held, and by the late 20th century they were giving it as an example of a modernising regime. Historians have generally given the Empire negative evaluations on its foreign policy, and somewhat more positive evaluations of domestic policies, especially after Napoleon III liberalised his rule after 1858. He promoted French business and exports. The greatest achievements included a grand History of rail transport in France#Success under the Second Empire, railway network that facilitated commerce and tied the nation together with Paris as its hub. This stimulated economic growth a ...
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Opéra Garnier
The Palais Garnier (, Garnier Palace), also known as Opéra Garnier (, Garnier Opera), is a 1,979-seatBeauvert 1996, p. 102. opera house at the Place de l'Opéra in the 9th arrondissement of Paris, France. It was built for the Paris Opera from 1861 to 1875 at the behest of Emperor Napoleon III. Initially referred to as ''le nouvel Opéra de Paris'' (the new Paris Opera), it soon became known as the Palais Garnier, "in acknowledgment of its extraordinary opulence" and the architect Charles Garnier's plans and designs, which are representative of the Napoleon III style. It was the primary theatre of the Paris Opera and its associated Paris Opera Ballet until 1989, when a new opera house, the Opéra Bastille, opened at the Place de la Bastille. The company now uses the Palais Garnier mainly for ballet. The theatre has been a ''monument historique'' of France since 1923. The Palais Garnier has been called "probably the most famous opera house in the world, a symbol of Paris like No ...
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