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Jingwei
Jingwei () is a bird in Chinese mythology, who was transformed from Yandi's daughter Nüwa.Yang & An (2005), 154–155. She is also a goddess in Chinese mythology. After she drowned when playing in the Eastern Sea, she metamorphosed into a bird called Jingwei. Jingwei is determined to fill up the sea, so she continuously carries a pebble or twig in her mouth and drops it into the Eastern Sea. Classic version The story is recorded in the ''Shanhaijing'': The poet Tao Qian mentioned Jingwei in his ''Thirteen Poems upon Reading the Guideways through Mountains and Seas'', where he made an association between Jingwei and Xingtian in their persistence to overcome tragedies but also mentions their inability to be free from it:Strassberg, 18. " ingweibites hold of twigs, determined to fill up the deep-blue sea. Xingtian dances wildly with spear and shield, his old ambitions still burn fiercely. After blending with things, no anxieties should remain. After metamorphosing, all one's r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Xingtian
Xingtian (, also Hsing T'ien) is a Chinese deity who fights against the Supreme Divinity, not giving up even after the event of his decapitation. Losing the fight for supremacy, he was beheaded and his head buried in Changyang Mountain. Nevertheless, headless, with a shield in one hand and a battle axe in the other, he continues the fight, using his nipples as eyes and his bellybutton as a mouth.Yang, 217 Description Xingtian was an official under Yandi. Yandi fought against Huangdi for the position of supreme god, but he lost the conflict. Xingtian still continued the fight after Yandi's defeat, but was defeated and decapitated by Huangdi. Eventually, he regenerated himself and continued his defiance, which was expressed by a martial dance.Strassberg, 171. Literature Xingtian appears in chapter 7 of the ''Classic of Mountains and Seas'', which states that he fought and lost against the supreme god to become the supreme divinity. The god decapitated Xingtian and buried his head on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Birds In Chinese Mythology
Birds in Chinese mythology and legend are of numerous types and very important in this regard. Some of them are obviously based on real birds, other ones obviously not, and some in-between. The crane is an example of a real type of bird with mythological enhancements. Cranes are linked with immortality, and may be transformed ''xian'' immortals, or ferry an immortal upon their back. The Vermilion Bird is iconic of the south. Sometimes confused with the Fenghuang, the Vermilion Bird of the south is associated with fire. The Peng was a gigantic bird phase of the gigantic Kun fish. The Jingwei is a mythical bird which tries to fill up the ocean with twigs and pebbles symbolizing indefatigable determination. The Qingniao was the messenger or servant of Xi Wangmu. Names and translation Written and spoken Chinese varieties have different character graphs and sounds representing mythological and legendary birds of China. Characters The Chinese characters or graphs used have varied ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Mythology
Chinese mythology () is mythology that has been passed down in oral form or recorded in literature in the geographic area now known as Greater China. Chinese mythology includes many varied myths from regional and cultural traditions. Much of the mythology involves exciting stories full of fantastic people and beings, the use of magical powers, often taking place in an exotic mythological place or time. Like many mythologies, Chinese mythology has in the past been believed to be, at least in part, a factual recording of history. Along with Chinese folklore, Chinese mythology forms an important part of Chinese folk religion. Many stories regarding characters and events of the distant past have a double tradition: ones which present a more historicized or euhemerized version and ones which present a more mythological version. Many myths involve the creation and cosmology of the universe and its deities and inhabitants. Some mythology involves creation myths, the origin of things, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classic Of Mountains And Seas, 1597, Plate XXV (detail)
A classic is an outstanding example of a particular style; something of lasting worth or with a timeless quality; of the first or highest quality, class, or rank – something that exemplifies its class. The word can be an adjective (a ''classic'' car) or a noun (a ''classic'' of English literature). It denotes a particular quality in art, architecture, literature, design, technology, or other cultural artifacts. In commerce, products are named 'classic' to denote a long-standing popular version or model, to distinguish it from a newer variety. ''Classic'' is used to describe many major, long-standing sporting events. Colloquially, an everyday occurrence (e.g. a joke or mishap) may be described in some dialects of English as 'an absolute classic'. "Classic" should not be confused with ''classical'', which refers specifically to certain cultural styles, especially in music and architecture: styles generally taking inspiration from the Classical tradition, hence classicism. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yan Emperor
The Yan Emperor () or the Flame Emperor was a legendary ancient Chinese ruler in pre-dynastic times. Modern scholarship has identified the Sheep's Head Mountains (''Yángtóu Shān'') just north of Baoji in Shaanxi Province as his homeland and territory. A long debate has existed over whether or not the Yan Emperor was the same person as the legendary Shennong. An academic conference held in China in 2004 achieved general consensus that the Yan Emperor and Shennong were the same person. Another possibility is that the term "flame emperor" was a title, held by dynastic succession of tribal lords, with Shennong being known as ''Yandi'' perhaps posthumously. Accordingly, the term "flame emperor''s''" would be generally more correct. The succession of these flame emperors, from Shennong, the first Yan Emperor, until the time of the last Yan Emperor's defeat by the Yellow Emperor, may have been some 500 years. Historical records No written records are known to exist from the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nüwa
Nüwa, also read Nügua, is the mother goddess of Chinese mythology. She is credited with creating humanity and repairing the Pillar of Heaven. As creator of mankind, she molded humans individually by hand with yellow clay. In the Huainanzi, there is described a great battle between deities that broke the pillars supporting Heaven and caused great devastation. There was great flooding, and Heaven had collapsed. Nüwa was the one who patched the holes in Heaven with five colored stones, and she used the legs of a tortoise to mend the pillars. There are many instances of her in literature across China which detail her in creation stories, and today remains a figure important to Chinese culture. Name The character ''nü'' ( zh, t=女, l=female) is a common prefix on the names of goddesses. The proper name is ''wa'', also read as ''gua'' ( zh, t=媧). The Chinese character is unique to this name. Birrell translates it as 'lovely', but notes that it "could be construed as 'fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Donghai (Chinese Mythology)
The East Sea (), one of the Four Seas, is identified as the body of water east of the mainland according to ancient Chinese geography. In Chinese literature, the Four Seas are a metaphor for the boundaries of China. It contains modern day East China Sea as well as the Yellow Sea and Bohai Sea. In Chinese mythology, East Sea is the domain of Ao Guang, the ''Donghai Longwang'' (東海龍王), or "the Dragon King of the Eastern Sea", who is responsible for controlling its storms and tides. Supposedly, the Dragon King resides in a large "Dragon Palace", the ''Donghai Longgong'' (東海龍宮), located at its bottom. See also *Dragon King *Mulberry fields (idiom) In China, at least since the middle of Tang dynasty, the phrase mulberry fields is a metonymy for the land which was or will be covered by oceans.Joseph Needham, as cited by Robert F. Campany, said that this subject gave a notion of the Taoist belie ... References Asia in mythology Locations in Chinese mythology Seas of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shanhaijing
The ''Classic of Mountains and Seas'', also known as ''Shan Hai Jing'', formerly romanized as the ''Shan-hai Ching'', is a Chinese classic text and a compilation of mythic geography and beasts. Early versions of the text may have existed since the 4th century BCE, but the present form was not reached until the early Han dynasty. It is largely a fabulous geographical and cultural account of pre-Qin China as well as a collection of Chinese mythology. The book is divided into eighteen sections; it describes over 550 mountains and 300 channels. Authorship The exact author(s) of the book and the time it was written are still undetermined. It was originally thought that mythical figures such as Yu the Great or Boyi wrote the book. However, the consensus among modern Sinologists is that the book was not written at a single time by a single author, but rather by numerous people from the period of the Warring States to the beginning of the Han dynasty. The first known editor of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Li (unit)
''Li'' (, ''lǐ'', or , ''shìlǐ''), also known as the Chinese mile, is a traditional Chinese unit of distance. The li has varied considerably over time but was usually about one third of an English mile and now has a standardized length of a half-kilometer (). This is then divided into 1,500 chi or "Chinese feet". The character 里 combines the characters for "field" ( 田, ''tián'') and "earth" ( 土, ''tǔ''), since it was considered to be about the length of a single village. As late as the 1940s, a "li" did not represent a fixed measure but could be longer or shorter depending on the ''effort'' required to cover the distance. There is also another ''li'' (Traditional: 釐, Simplified: 厘, ''lí'') that indicates a unit of length of a ''chi'', but it is used much less commonly. This ''li'' is used in the People's Republic of China as the equivalent of the ''centi-'' prefix in metric units, thus ''limi'' ( 厘米, límǐ) for centimeter. The tonal difference makes i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tao Yuanming
Tao Yuanming (; 365–427), also known as Tao Qian (; also T'ao Ch'ien in Wade-Giles), was a Chinese poet and politician who was one of the best-known poets during the Six Dynasties, Six Dynasties period. He was born during the Eastern Jin dynasty (265–420), Jin dynasty (317-420) and died during the Liu Song dynasty, Liu Song (420-479) dynasty (Jin-Song transition). Tao Yuanming spent much of his life in reclusion, living in the countryside, farming, reading, drinking wine, receiving the occasional guest, and writing poems in which he often reflected on the pleasures and difficulties of life, as well as his decision to withdraw from civil service. Tao's simple and direct style was somewhat at odds with the norms for literary writing in his time. Relatively well-known as a recluse poet in the Tang dynasty (618-907), during the Song dynasty, Northern Song dynasty (960-1127), influential literati figures such as Su Shi (1037-1101) declared him a paragon of authenticity and spon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chengyu
''Chengyu'' () are a type of traditional Chinese idiomatic expression, most of which consist of four characters. ''Chengyu'' were widely used in Classical Chinese and are still common in vernacular Chinese writing and in the spoken language today. According to the most stringent definition, there are about 5,000 ''chéngyǔ'' in the Chinese language, though some dictionaries list over 20,000. ''Chéngyǔ'' are considered the collected wisdom of the Chinese culture, and contain the experiences, moral concepts, and admonishments from previous generations of Chinese. Nowadays, ''chéngyǔ'' still play an important role in Chinese conversations and education. Chinese idioms are one of four types of formulaic expressions (熟语/熟語, ''shúyǔ''), which also include collocations (惯用语/慣用語 ''guànyòngyǔ''), two-part allegorical sayings (歇后语/歇後語 ''xiēhòuyǔ''), and proverbs (谚语/諺語 ''yànyǔ''). They are often referred to as Chinese idioms or fou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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