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Jimmy Ryan’s (jazz Club)
Jimmy Ryan's was a jazz club in New York City, USA, located at 53 West 52nd Street from 1934 to 1962 and 154 West 54th Street from 1962–1983. It was a venue for performances of Dixieland jazz.''Jazz A-Z'', by Peter Clayton & Peter Gammond, Guinness Books (Guinness Superlatives Ltd.) (1986); History The location at 52nd Street was one of a row of brownstones with clubs operating in basements. As the last surviving jazz club on 52nd Street, its brownstone — along with all the other brownstones on the north side of the street — were demolished in 1962 to make way for construction of the new CBS Building. CBS had given Jimmy Ryan $9,000 to relocate. The club was owned by partners Matthew C. (Matty) Walsh (1914–2006) and Jimmy Ryan (1911–1963). Walsh, Ryan's brother-in-law, continued ownership following Ryan's death in July 1963 at the French Hospital. Gilbert J. Pincus (1907–1980) — who served as doorman from 1942 to 1962 at the original location and from a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Club
A jazz club is a venue where the primary entertainment is the performance of live jazz music, although some jazz clubs primarily focus on the study and/or promotion of jazz-music. Jazz clubs are usually a type of nightclub or bar, which is licensed to sell alcoholic beverages. Jazz clubs were in large rooms in the eras of Orchestral jazz and big band jazz, when bands were large and often augmented by a string section. Large rooms were also more common in the Swing era, because at that time, jazz was popular as a dance music, so the dancers needed space to move. With the transition to 1940s-era styles like Bebop and later styles such as soul jazz, small combos of musicians such as quartets and trios were mostly used, and the music became more of a music to listen to, rather than a form of dance music. As a result, smaller clubs with small stages became practical. In the 2000s, jazz clubs may be found in the basements of larger residential buildings, in storefront locations or in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezz Mezzrow
Milton Mesirow (November 9, 1899 – August 5, 1972), better known as Mezz Mezzrow, was an American jazz clarinetist and saxophonist from Chicago, Illinois. He is remembered for organizing and financing recording sessions with Tommy Ladnier and Sidney Bechet. He recorded with Bechet as well and briefly acted as manager for Louis Armstrong. Mezzrow is equally known as a colorful character, as portrayed in his autobiography, ''Really the Blues'' (which takes its title from a Bechet composition), co-written with Bernard Wolfe and published in 1946. Music career According to one biographer: "As a juvenile delinquent, ezzrowwas in and out of reformatory schools and prisons where he was exposed to jazz and blues music. He began to play the clarinet and decided to adopt the African American culture as his own. He became a ubiquitous figure on the Chicago jazz scene of the 1920s and ran in the circles of musicians that included King Oliver, Louis Armstrong, Sidney Bechet, Jimmy Noon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pee Wee Russell
Charles Ellsworth "Pee Wee" Russell (March 27, 1906 – February 15, 1969), was an American jazz musician. Early in his career he played clarinet and saxophones, but he eventually focused solely on clarinet. With a highly individualistic and spontaneous clarinet style that "defied classification", Russell began his career playing traditional jazz, but throughout his career incorporated elements of newer developments such as swing, bebop and free jazz. Writing in 1961, the poet Philip Larkin commented: "No one familiar with the characteristic excitement of his solos, their lurid, snuffling, asthmatic voicelessness, notes leant on till they split, and sudden passionate intensities, could deny the uniqueness of his contribution to jazz." Early life Pee Wee Russell was born in Maplewood, Missouri, United States, and grew up in Muskogee, Oklahoma. As a child, he first studied violin, but "couldn't get along with it", then piano, disliking the scales and chord exercises, and then dru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hot Lips Page
Oran Thaddeus "Hot Lips" Page (January 27, 1908 – November 5, 1954) was an American jazz trumpeter, singer, and bandleader. He was known as a scorching soloist and powerful vocalist. Page was a member of Walter Page's Blue Devils, Artie Shaw's Orchestra and Count Basie's Orchestra, and he worked with Ma Rainey, Bessie Smith and Ida Cox.Thedeadrockstarsclub.com Retrieved April 30, 2019. He was one of the five musicians booked for the opening night at Birdland with in 1949. Life and career Oran Thadeus Page was born in |
Pops Foster
George Murphy "Pops" Foster (May 19, 1892 – October 30, 1969) was an American jazz musician, best known for his vigorous slap bass playing of the string bass. He also played the tuba and trumpet professionally. Biography Foster was born to Charley and Annie Foster, who "was nearly fullblooded Cherokee," on a plantation near McCall in Ascension Parish near Donaldsonville in south Louisiana, United States. His family moved to New Orleans when he was about 10 years of age. His older brother, Willard Foster, began playing banjo and guitar; George started out on a cello then switched to string bass. Foster married twice: to Bertha Foster in 1912 and Alma Foster in 1936. Pops Foster was playing professionally by 1907 and worked with Jack Carey, Kid Ory, Armand Piron, King Oliver and other prominent hot bands of the era. In 1921, he moved to St. Louis, Missouri, to play with the Charlie Creath and Dewey Jackson bands, in which he would be active for much of the decade. He also jo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Milt Gabler
Milton Gabler (May 20, 1911 – July 20, 2001) was an American record producer, responsible for many innovations in the recording industry of the 20th century. These included being the first person to deal in record reissues, the first to sell records by mail order, and the first to credit all the musicians on the recordings. He was also a successful songwriter, writing the lyrics for a number of standards, including "In a Mellow Tone," "Danke Schoen," and "L-O-V-E." Early life Gabler was born to a Jewish family in Harlem, New York, the son of Susie (née Kasindorf) and Julius Gabler. His father was an Austrian Jewish immigrant from Vienna, and his mother's family were Jewish immigrants from Russia, including Rostov. At 15, he began working in his father's business, the Commodore Radio Corporation, a radio shop located on East 42nd Street in New York City. Career 1930s By the mid-1930s, Gabler renamed the business the Commodore Music Shop, and it became a focal point for ja ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roy Eldridge
David Roy Eldridge (January 30, 1911 – February 26, 1989), nicknamed "Little Jazz", was an American jazz trumpeter. His sophisticated use of harmony, including the use of tritone substitutions, his virtuosic solos exhibiting a departure from the dominant style of jazz trumpet innovator Louis Armstrong, and his strong impact on Dizzy Gillespie mark him as one of the most influential musicians of the swing era and a precursor of bebop. Biography Early life Eldridge was born on the North Side of Pittsburgh, Pennsylvania on January 30, 1911, to parents Alexander, a wagon teamster, and Blanche, a gifted pianist with a talent for reproducing music by ear, a trait that Eldridge claimed to have inherited from her. Eldridge began playing the piano at the age of five; he claims to have been able to play coherent blues licks at even this young age. The young Eldridge looked up to his older brother, Joe Eldridge (born Joseph Eldridge, 1908, North Side of Pittsburgh, Pennsylvania, di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zutty Singleton
Arthur James "Zutty" Singleton (May 14, 1898 – July 14, 1975) was an American jazz drummer. Career Singleton was born in Bunkie, Louisiana, United States, and raised in New Orleans. According to his ''Jazz Profiles'' biography, his unusual nickname, acquired in infancy, is the Creole word for "cute". by Steven A. Cerra, a Jazz Profiles Retrieved 28 April 2017. He was working professionally with Steve Lewis by 1915. He served with the in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Kaminsky (musician)
Max Kaminsky (September 7, 1908 – September 6, 1994) was an American jazz trumpeter and bandleader. Biography Kaminsky was born in Brockton, Massachusetts, near Boston, to a Jewish family. He began his career in Boston in 1924 and, by 1928, was working in Chicago with George Wettling and Frank Teschemacher at the Cinderella Ballroom and in New York for a brief period in 1929 with Red Nichols. He was primarily known for performing in the Dixieland idiom. At one time he played for the Original Dixieland Jass Band. From about 1933–1938, he worked in commercially oriented dance bands, at the same time recording with Eddie Condon and Benny Carter's The Chocolate Dandies (jazz combos), Chocolate Dandies (1933) and with Mezz Mezzrow (1933–34). He played with Tommy Dorsey (1936, 1938) and Artie Shaw (briefly in 1938), performed and recorded with Bud Freeman (1939–40) and worked again with Shaw (1941–43), who led a navy band with which Kaminsky toured the Oceania, South Pacific. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sidney Bechet
Sidney Bechet (May 14, 1897 – May 14, 1959) was an American jazz saxophonist, clarinetist, and composer. He was one of the first important soloists in jazz, and first recorded several months before trumpeter Louis Armstrong. His erratic temperament hampered his career, and not until the late 1940s did he earn wide acclaim. Bechet spent much of his later life in France. Biography Early life Bechet was born in New Orleans in 1897 to a middle-class Creole of color family. Bechet's father Omar was both a shoemaker and a flute player, and all four of his brothers were musicians as well. His older brother, Leonard Victor Bechet, was a full-time dentist and a part-time trombonist and bandleader. Bechet learned and mastered several musical instruments that were kept around the house (he began on the cornet), mostly by teaching himself; he decided to specialize in the clarinet (which he played almost exclusively until about 1919). At the age of six, he started to perform w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sidney De Paris
Sidney De Paris (May 30, 1905 – September 13, 1967) was an American jazz trumpeter. His brother was Wilbur de Paris. He was a member of Charlie Johnson's Paradise Ten (1926–1931), worked with Don Redman (1932–1936 and 1939), followed by periods with Zutty Singleton (1939–1941), Benny Carter (1940–41), and Art Hodes (1941). De Paris recorded with Jelly Roll Morton (1939) and Sidney Bechet (1940), and was part of the Panassie sessions in 1938. From 1947, and throughout the 1950s, he performed almost exclusively with his brother, Wilbur. He suffered from ill health in the latter years of his life, before he died in September 1967, at the age of 62. Partial discography * "I've Found A New Baby" b/w "Black And Blue" - Commodore Records 78 rpm 552 (1940s) - as De Paris Brothers Orchestra featuring Wilbur de Paris, with Edmond Hall, Clyde Hart, Billy Taylor and Specs Powell * ''Deparis Dixie'' (Blue Note, 1944) * ''Jamming in Jazz'' (Blue Note, 1944) * ''Sidney Deparis' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
