Jimmy Nottingham
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Jimmy Nottingham
James Edward Nottingham, Jr. (December 15, 1925 – November 16, 1978), also known as Sir James, was an American jazz trumpeter and flugelhorn player. He was born in New York, United States, and started performing professionally in 1943 in Brooklyn with Cecil Payne and Max Roach. He served in the Navy in 1944-45, where he played in Willie Smith's band. It was while working with Lionel Hampton (1945–47), that he earned his reputation as a high-note player. Following this, in 1947 he worked with Charlie Barnet, Lucky Millinder (and again c. 1950), Count Basie (1948–50), and Herbie Fields. He played Latin jazz from 1951–53, and was hired by CBS as a staff musician in 1954. He worked for more than 20 years at CBS, and played jazz music in his spare time, co-leading a band with Budd Johnson (1962),Yanow, Scott (2002)"Nottingham, Jimmy."''Grove Music Online''. Oxford University Press. Retrieved 3 December 2022. and as a sideman with many orchestras, including those of Dizzy G ...
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Encyclopedia Of Popular Music
''The Encyclopedia of Popular Music'' is an encyclopedia created in 1989 by Colin Larkin. It is the "modern man's" equivalent of the '' Grove Dictionary of Music'', which Larkin describes in less than flattering terms.''The Times'', ''The Knowledge'', Christmas edition, 22 December 2007- 4 January 2008. It was described by ''The Times'' as "the standard against which all others must be judged". History of the encyclopedia Larkin believed that rock music and popular music were at least as significant historically as classical music, and as such, should be given definitive treatment and properly documented. ''The Encyclopedia of Popular Music'' is the result. In 1989, Larkin sold his half of the publishing company Scorpion Books to finance his ambition to publish an encyclopedia of popular music. Aided by a team of initially 70 contributors, he set about compiling the data in a pre-internet age, "relying instead on information gleaned from music magazines, individual expertise ...
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Oliver Nelson
Oliver Edward Nelson (June 4, 1932 – October 28, 1975) was an American jazz saxophonist, clarinetist, arranger, composer, and bandleader. His 1961 Impulse! album '' The Blues and the Abstract Truth'' (1961) is regarded as one of the most significant recordings of its era. The centerpiece of the album is the definitive version of Nelson's composition, " Stolen Moments". Other important recordings from the early 1960s are '' More Blues and the Abstract Truth'' and ''Sound Pieces'', both also on Impulse!. Biography Early life and career Oliver Nelson was born into a musical family in St. Louis, Missouri, United States. His brother was a saxophonist who played with Cootie Williams in the 1940s, and his sister sang and played piano. Nelson began learning to play the piano when he was six and started on the saxophone at eleven. Beginning in 1947 he played in "territory" bands in and around Saint Louis before joining the Louis Jordan band where he stayed from 1950 to 1951, playing alto ...
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Maynard Ferguson
Walter Maynard Ferguson CM (May 4, 1928 – August 23, 2006) was a Canadian jazz trumpeter and bandleader. He came to prominence in Stan Kenton's orchestra before forming his own big band in 1957. He was noted for his bands, which often served as stepping stones for up-and-coming talent, his versatility on several instruments, and his ability to play in a high register. Biography Early life and education Ferguson was born in Verdun (now part of Montreal), Quebec, Canada. Encouraged by his mother and father (both musicians), he started playing piano and violin at the age of four. At nine years old, he heard a cornet for the first time in his local church and asked his parents to buy one for him. When he was thirteen, he soloed with the Canadian Broadcasting Corporation Orchestra. He was heard frequently on the CBC, notably featured on a "Serenade for Trumpet in Jazz" written for him by Morris Davis. He won a scholarship to the Conservatoire de musique du Québec à Montréal whe ...
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Blues - The Common Ground
Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture. The blues form is ubiquitous in jazz, rhythm and blues, and rock and roll, and is characterized by the call-and-response pattern (the blues scale and specific chord progressions) of which the twelve-bar blues is the most common. Blue notes (or "worried notes"), usually thirds, fifths or sevenths flattened in pitch, are also an essential part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove. Blues as a genre is also characterized by its lyrics, bass lines, and instrumentation. Early traditional blues verses consisted of a single line repeated four times. It was only in the first decades of the 20th century that the most common current structure ...
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Kenny Burrell
Kenneth Earl Burrell (born July 31, 1931) is an American jazz guitarist known for his work on numerous top jazz labels: Prestige, Blue Note, Verve, CTI, Muse, and Concord. His collaborations with Jimmy Smith were notable, and produced the 1965 ''Billboard'' Top Twenty hit Verve album '' Organ Grinder Swing''. He has cited jazz guitarists Charlie Christian, Oscar Moore, and Django Reinhardt as influences, along with blues guitarists T-Bone Walker and Muddy Waters.Cohassey, John. "Kenny Burrell: Guitarist, Educator." ''Contemporary Musicians. Profiles of the People in Music.'' Ed. Julia M. Rubiner. Vol. 11. Detroit, MI: Gale Research, 1994. 29–31. PrintNash, Sunny. "Kenny Burrell Biography." ''PRLog,'' May 13, 2009. Burrell is a professor and Director of Jazz Studies at the UCLA Herb Alpert School of Music. Early life Burrell was born in Detroit. Both his parents played instruments,Sallis, James. "Middle Ground: Herb Ellis, Howard Roberts, Jim Hall, Kenny Burrell, Joe Pass, Ta ...
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The Count Basie Story
''Count Basie Story'' is a double album by pianist, composer and bandleader Count Basie featuring tracks originally performed by his orchestra in the 1930s and 1940s rerecorded in 1960 as a celebration of its 25th anniversary and first released on the Roulette Records, Roulette label. Selections from the 2-LP set were also released as Roulette's ''The Best of Basie'' in 1962 and ''The Best of Basie Vol. 2'' in 1964. The album was rereleased with bonus tracks in 2004 to commemorate Basie's 100th birthday.Bowers, J.All About Jazz Review September 25, 2004 Reception AllMusic awarded the album 3½ stars and its review by Scott Yanow states, "These sides were hotly contested when originally issued because of the contrast in accents between the 1937 band and the later one. The sound is so different that it cannot be compared to the pure and bluesy dance band swing of the originals; it is amped up and brassy, with charts (written by Royal or Neal Hefti) that stress tempo and sophisticate ...
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Latin Explosion
Latin (, or , ) is a classical language belonging to the Italic branch of the Indo-European languages. Latin was originally a dialect spoken in the lower Tiber area (then known as Latium) around present-day Rome, but through the power of the Roman Republic it became the dominant language in the Italian region and subsequently throughout the Roman Empire. Even after the fall of Western Rome, Latin remained the common language of international communication, science, scholarship and academia in Europe until well into the 18th century, when other regional vernaculars (including its own descendants, the Romance languages) supplanted it in common academic and political usage, and it eventually became a dead language in the modern linguistic definition. Latin is a highly inflected language, with three distinct genders (masculine, feminine, and neuter), six or seven noun cases (nominative, accusative, genitive, dative, ablative, and vocative), five declensions, four verb conjuga ...
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Joe Cain
Joseph Stillwell Cain, Jr. (''Joe Cain'') (October 10, 1832 – April 17, 1904) is largely credited with initiating the modern way of observing Mardi Gras and its celebrations in Mobile, Alabama, following the Civil War. "Joe Cain Articles" (newspaper story), Joe Danborn & Cammie East, ''Mobile Register'', 2001, webpage: CMW-history. In 1868, while Mobile was still under Union occupation, Joe Cain paraded through the streets of Mobile, dressed in improvised costume as a fictional "Chickasaw" chief named ''Slacabamorinico''. The choice was an attempt to insult to U.S. Army forces in that it was believed by some that the Chickasaw tribe had never been defeated in war. Joe was joined at some point by six other Confederate veterans, parading in a decorated coal wagon, playing drums and horns, and the group became the "L. C. Minstrel Band", now commonly referred to as the "Lost Cause Minstrels" of Mobile. Life and work Joseph Stillwell Cain, Jr. was born on October 1 ...
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Hello There, Universe
''Hello There, Universe'' is an album by American pianist, vocalist and composer Mose Allison released on the Atlantic label in 1970.Mose Allison discography
accessed September 25, 2015


Reception

awarded the album 3 stars with its review by Scott Yanow calling it "a gap-filler rather than an essential recording".


Track listing

''All compositions by Mose Allison except as indicated'' # "Somebody Gotta Move" – 2:13 # "Monsters of the Id" – 4:53 # "I Don't Want Much" – 2:37 # "Hello There, Universe" – 3:48 # "No Exit" – 3:39 # "Wild Man on the Loose" – 2:24 # "
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Mose Allison
Mose John Allison Jr. (November 11, 1927 – November 15, 2016) was an American jazz and blues pianist, singer, and songwriter. He became notable for playing a unique mix of blues and modern jazz, both singing and playing piano. After moving to New York in 1956, he worked primarily in jazz settings, playing with jazz musicians like Stan Getz, Al Cohn, and Zoot Sims, along with producing numerous recordings. He is described as having been "one of the finest songwriters in 20th-century blues."Bogdanov, Vladimir; Woodstra, Chris, eds. (2003). ''All Music Guide to the Blues: The Definitive Guide to the Blues''. Hal Leonard. p. 7. His songs were strongly dependent on evoking moods, with his individualistic, "quirky", and subtle ironic humor.Komara, Edward; Lee, Peter, eds. (2006). ''The Blues Encyclopedia''. Routledge. p. 22. His writing influence on R&B had well-known fans recording his songs, among them Pete Townshend, who recorded his "Young Man Blues" for the Who's ''Live at Leeds ...
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Clark Terry
Clark Virgil Terry Jr. (December 14, 1920 – February 21, 2015) was an American swing and bebop trumpeter, a pioneer of the flugelhorn in jazz, and a composer and educator. He played with Charlie Barnet (1947), Count Basie (1948–51), Duke Ellington (1951–59), Quincy Jones (1960), and Oscar Peterson (1964–96). He was with The Tonight Show Band on ''The Tonight Show'' from 1962 to 1972. His career in jazz spanned more than 70 years, during which he became one of the most recorded jazz musicians, appearing on over 900 recordings. Terry also mentored Quincy Jones, Miles Davis, Herbie Hancock, Wynton Marsalis, Pat Metheny, Dianne Reeves, and Terri Lyne Carrington.Terry, C. ''Clark: The Autobiography of Clark Terry'', University of California Press (2011). Early life Terry was born to Clark Virgil Terry Sr. and Mary Terry in St. Louis, Missouri, on December 14, 1920. Yanow, Scott Clark Terry biographyat Allmusic. He attended Vashon High School and began his professional care ...
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