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Jimmy Gilmer And The Fireballs
The Fireballs, sometimes billed as Jimmy Gilmer and the Fireballs, were an American rock and roll group, particularly popular at the end of the 1950s and in the early 1960s. The original line-up consisted of George Tomsco (lead guitar), Chuck Tharp (vocals), Stan Lark (bass), Eric Budd (drums), and Dan Trammell (rhythm guitar). The Fireballs were formed in Raton, New Mexico, in 1957 and got their start as an instrumental group featuring the distinctive lead guitar of George Tomsco. They recorded at Norman Petty's studio in Clovis, New Mexico. According to group founders Tomsco and Lark, they took their name after their standing ovation performance of Jerry Lee Lewis's "Great Balls of Fire" at the Raton High School PTA talent contest in New Mexico, USA. They reached the top 40 with the singles "Torquay" (1959), "Bulldog" (1960), and "Quite a Party" (1961). "Quite a Party" peaked at No. 29 in the UK Singles Chart in August 1961. Tharp, Budd, and Trammell left the group in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raton, New Mexico
Raton ( ) is a city and the county seat of Colfax County, New Mexico, Colfax County in northeastern New Mexico. The city is located just south of Raton Pass. The city is also located about 6.5 miles south of the New Mexico–Colorado border and 85 miles west of Texas. History ''Ratón'' is the Spanish language, Spanish word for mouse. Raton Pass had been used by Spanish explorers and Native Americans for centuries to cut through the rugged Rocky Mountains, and the mountain branch of the Santa Fe Trail cuts through the city, along what is now Business I-25. The post office at this location was named Willow Springs from 1877 to 1879, Otero from 1879 to 1880, then renamed Raton in 1880. Raton was founded at the site of Willow Springs, a stop on the Santa Fe Trail. The original for the Raton townsite were purchased from the Maxwell Land Grant in 1880. In 1879, the Atchison, Topeka and Santa Fe Railway bought a local toll road and established a busy rail line. Raton quickly develo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Hot R&B Singles Number Ones Of 1963
In 1963, ''Billboard'' published the Hot R&B Singles chart ranking the top-performing songs in the United States in rhythm and blues (R&B) and related African American-oriented music genres; the chart has undergone various name changes over the decades to reflect the evolution of such genres and since 2005 has been published as Hot R&B/Hip-Hop Songs. During 1963, 21 different singles topped the chart through the issue dated November 23, based on playlists submitted by radio stations and surveys of retail sales outlets. After that issue, ''Billboard'' discontinued the chart, which did not return until the issue dated January 30, 1965. No official explanation has ever been given as to why ''Billboard'' ceased producing R&B charts. Chart historian Joel Whitburn has contended that "there was so much crossover of titles between the R&B and pop singles (Hot 100) charts that ''Billboard'' considered the charts to be too similar". In the issue of ''Billboard'' dated January 5, Esther ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kent Music Report
The Kent Music Report was a weekly record chart of Australian music singles and albums which was compiled by music enthusiast David Kent from May 1974 through to January 1999. The chart was re-branded the Australian Music Report (AMR) in July 1987. From June 1988, the Australian Recording Industry Association, which had been using the top 50 portion of the report under licence since mid-1983, chose to produce their own listing as the ARIA Charts. Before the Kent Report, ''Go-Set'' magazine published weekly Top-40 Singles from 1966, and Album charts from 1970 until the magazine's demise in August 1974. David Kent later published Australian charts from 1940 to 1973 in a retrospective fashion, using state by state chart data obtained from various Australian radio stations. Background Kent had spent a number of years previously working in the music industry at both EMI and Phonogram records and had developed the report initially as a hobby. The Kent Music Report was first release ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adult Contemporary (chart)
The Adult Contemporary chart is published weekly by '' Billboard'' magazine and lists the most popular songs on adult contemporary radio stations in the United States. The chart is compiled based on airplay data submitted to ''Billboard'' by stations that are members of the Adult Contemporary radio panel. The chart debuted in ''Billboard'' magazine on July 17, 1961.Hyatt, Wesley (1999). ''The Billboard Book of Number One Adult Contemporary Hits''. New York City: Billboard Books. . Over the years, the chart has gone under a series of name changes, being called Easy Listening (1961–1962; 1965–1979), Middle-Road Singles (1962–1964), Pop-Standard Singles (1964–1965), Hot Adult Contemporary Tracks (1979–1982) and Adult Contemporary (1983–present). Chart history The ''Billboard'' Easy listening chart, as it was first known, was born of a desire by some radio stations in the late 1950s and early 1960s to continue playing current hit songs but distinguish themselves from b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A-side And B-side
The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay and hopefully become a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as CDs, downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or other material. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tom Paxton
Thomas Richard Paxton (born October 31, 1937) is an American folk singer-songwriter who has had a music career spanning more than fifty years. In 2009, Paxton received a Grammy Lifetime Achievement Award.Power Of Just Plain Folk, Tom Paxton Humbly Garners Life Grammy J. Freedom du Lac, '''', February 7, 2009, p. C01 He is a music educator as well as an advocate for folk singers to combine traditional songs with new compositions. Paxton's songs have been widely recorded, including modern standards such as " |
Bottle Of Wine
"Bottle of Wine" is a song written and recorded by Tom Paxton, which was also a hit for the band The Fireballs, whose version reached #9 on the ''Billboard'' Hot 100 in 1968 and #5 in Canada. It also reached #3 in South Africa. The song, which included only two of Paxton's four verses, with the chorus repeated, appeared on the band's 1967 album, ''Bottle of Wine''. The Fireballs' record was produced by Norman Petty, and was ranked #63 on ''Billboard'' magazine's Top ''Hot 100'' songs of 1968. Other versions *Judy Collins on her 1964 concert album ''The Judy Collins Concert''. *Tom Paxton's original was released on his 1965 album, ''Ain't That News!'' *The Kingston Trio covered the song on their 1965 album 'Stay Awhile' * Joe Brown released a single in 1968. *Sweeney's Men recorded it with the Capitol Showband in 1970. *Doc Watson and Merle Watson in 1973, which reached #71 on the U.S. country chart. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Beatles
The Beatles were an English Rock music, rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the Cultural impact of the Beatles, most influential band of all time and were integral to the development of counterculture of the 1960s, 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat music, beat and 1950s rock and roll, rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band also explored music styles ranging from folk music, folk and Music of India, Indian music to Psychedelic music, psychedelia and hard rock. As Recording practices of the Beatles, pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's Baby boomers, youth and sociocultural movements. Led by primary songwriter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Invasion
The British Invasion was a cultural phenomenon of the mid-1960s, when rock and pop music acts from the United Kingdom and other aspects of British culture became popular in the United States and significant to the rising "counterculture" on both sides of the Atlantic Ocean. Pop and rock groups such as the Beatles, the Rolling Stones, the Zombies, the Kinks, Small Faces, the Dave Clark Five, Herman's Hermits, the Hollies, the Animals, Gerry and the Pacemakers, the Searchers, the Yardbirds, the Who and Them, as well as solo singers like Dusty Springfield, Cilla Black, Petula Clark, Tom Jones and Donovan, were at the forefront of the "invasion". Background The rebellious tone and image of US rock and roll and blues musicians became popular with British youth in the late 1950s. While early commercial attempts to replicate US rock and roll mostly failed, the trad jazz–inspired skiffle craze, with its do it yourself attitude, produced two top ten hits in the US by Lonnie Done ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddy's Buddy
''Buddy's Buddy: Buddy Holly Songs by Jimmy Gilmer'' is an album by singer Jimmy Gilmer, released in June of 1964. The album is a tribute to Buddy Holly who died in a 1959 plane crash along with Ritchie Valens and The Big Bopper. Gilmer was backed by The Fireballs for these recordings, produced by Norman Petty in Clovis, NM. Track listing Side one #"Look at Me" #"Wishing" #"I'm Gonna Love You Too" #"Think It Over" #"Lonesome Tears" #"Maybe Baby" Side two #"Listen to Me" #"Everyday" #"Words of Love "Words of Love" is a song written by Buddy Holly and released as a single in 1957. Original version Holly recorded the song on April 8, 1957. Holly harmonized with himself, by combining tape recordings of each part. The song was not a notable h ..." #" It's So Easy!" #"Little Baby" #" Oh, Boy!" 1964 albums Jimmy Gilmer albums Dot Records albums Albums produced by Norman Petty Buddy Holly tribute albums {{1960s-album-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddy Holly
Charles Hardin Holley (September 7, 1936 – February 3, 1959), known as Buddy Holly, was an American singer and songwriter who was a central and pioneering figure of mid-1950s rock and roll. He was born to a musical family in Lubbock, Texas during the Great Depression, and learned to play guitar and sing alongside his siblings. His style was influenced by gospel music, country music, and rhythm and blues acts, which he performed in Lubbock with his friends from high school. He made his first appearance on local television in 1952, and the following year he formed the group "Buddy and Bob" with his friend Bob Montgomery. In 1955, after opening for Elvis Presley, he decided to pursue a career in music. He opened for Presley three times that year; his band's style shifted from country and western to entirely rock and roll. In October that year, when he opened for Bill Haley & His Comets, he was spotted by Nashville scout Eddie Crandall, who helped him get a contract with Dec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Alexander
Arthur Alexander (May 10, 1940 – June 9, 1993) was an American country soul songwriter and singer. Jason Ankeny, music critic for AllMusic, said Alexander was a "country-soul pioneer" and that, though largely unknown, "his music is the stuff of genius, a poignant and deeply intimate body of work on par with the best of his contemporaries." Alexander's songs were covered by such stars as the Beatles, the Rolling Stones, Bob Dylan, Gerry and the Pacemakers, Otis Redding, Tina Turner, Pearl Jam, and Jerry Lee Lewis. Life Alexander was born in Sheffield, Alabama, United States. Working with Spar Music in Florence, Alabama, Alexander recorded his first single, "Sally Sue Brown", under the name of June Alexander (short for Junior), which was released in 1960 on Jud Phillips' Judd Records. (Phillips is the brother of music pioneer Sam Phillips). A year later, Alexander cut " You Better Move On", at the fledgling FAME Studios, which at that point was located above the City Drug St ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
