Jimmie Nicol
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Jimmie Nicol
James George Nicol (born 3 August 1939) is an English drummer and business entrepreneur. He is best known for replacing Ringo Starr in the Beatles for eight concerts of the Beatles' 1964 world tour during the height of Beatlemania, elevating him from relative obscurity to worldwide fame and then back again in the space of a fortnight. Nicol had hoped that his association with the Beatles would greatly enhance his career but instead found that the spotlight moved away from him once Starr returned to the group, and in 1965 his subsequent lack of commercial success culminated in bankruptcy. In 1967, after having worked with a number of different bands which included a successful relationship with the Spotnicks, he left the music business to pursue a variety of entrepreneurial ventures. Over the decades, Nicol increasingly shied away from media attention, preferring not to discuss his connection to the Beatles nor seeking financial gain from it. He has a son, Howard, who is a BAF ...
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London
London is the capital and largest city of England and the United Kingdom, with a population of just under 9 million. It stands on the River Thames in south-east England at the head of a estuary down to the North Sea, and has been a major settlement for two millennia. The City of London, its ancient core and financial centre, was founded by the Romans as '' Londinium'' and retains its medieval boundaries.See also: Independent city § National capitals The City of Westminster, to the west of the City of London, has for centuries hosted the national government and parliament. Since the 19th century, the name "London" has also referred to the metropolis around this core, historically split between the counties of Middlesex, Essex, Surrey, Kent, and Hertfordshire, which largely comprises Greater London, governed by the Greater London Authority.The Greater London Authority consists of the Mayor of London and the London Assembly. The London Mayor is distinguished fr ...
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Larry Parnes
Laurence Maurice Parnes (3 September 1929 – 4 August 1989) was a British pop manager and impresario. He was the first major British rock manager, and his stable of singers included many of the most successful British rock and roll singers of the late 1950s and early 1960s. Parnes' reputation was later damaged by testimony from many of the artists he managed in the late fifties and early sixties who alleged they were exploited. Early years Parnes was born to a Jewish family in Willesden, London, England. After leaving school he began work in a clothing store, and by the age of 18 ran a women's clothing shop in Romford, Essex. He then bought a share in a bar in Romilly Street, Soho. He agreed to invest in a touring play, ''The House of Shame'', which became both successful and notorious in 1954 after its publicist, John Kennedy, persuaded two actresses to stand outside the theatre dressed as prostitutes. Music management In 1956, with John Kennedy, Parnes began to manage young ...
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Flamingo Jazz Club
The Flamingo Club was a jazz nightclub in Soho, London, between 1952 and 1969. It was located at 33–37 Wardour Street from 1957 onwards and played an important role in the development of British rhythm and blues and modern jazz. During the 1960s, the Flamingo was one of the first clubs to employ fully amplified stage sound and used sound systems provided by ska musicians from the Caribbean. The club had a wide social appeal and was a favourite haunt for musicians, including The Who. No 37 Wardour Street was previously the address of the Shim Sham Club, which opened in 1935 and was known as "London's miniature Harlem". The 1950s The club first opened in August 1952 under the ownership of Jeffrey Kruger, a London-born jazz fan, and his father Sam Kruger. Its first premises were in the basement of the Mapleton Restaurant at 39 Coventry Street, near Leicester Square. Jeffrey Kruger's intention was to provide a centre for high quality music in comfortable surroundings. It was p ...
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The Merseybeats
The Merseybeats (also related vocal duo The Merseys) are an English beat band that emerged from the Liverpool Merseybeat scene in the early 1960s, performing at the Cavern Club along with the Beatles, Gerry and the Pacemakers, and other similar artists. The current line-up is: Tony Crane MBE (founding member) lead vocals and lead guitar, Billy Kinsley (founding member) lead vocals and rhythm guitar, Bob Packham (joined 1974) backing vocals and bass guitar (born Robert Packham, 17 July 1944, Anfield, Liverpool) (ex The Galvinsers), and Lou Rosenthal (joined 2000) drums. History The Merseybeats Originally called the Mavericks, the band was formed by Tony Crane and Billy Kinsley in late 1960. They became the Pacifics in September 1961. They were renamed the Mersey Beats in February 1962 by Bob Wooler, MC at the Cavern Club. In April 1962, they became the Merseybeats. By now Crane and Kinsley had joined up with guitarist Aaron Williams and drummer John Banks. They signed a reco ...
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Julian "Cannonball" Adderley
Julian Edwin "Cannonball" Adderley (September 15, 1928August 8, 1975) was an American jazz alto saxophonist of the hard bop era of the 1950s and 1960s. Adderley is perhaps best remembered for the 1966 soul jazz single "Mercy, Mercy, Mercy", which was written for him by his keyboardist Joe Zawinul and became a major crossover hit on the pop and R&B charts. A cover version by the Buckinghams, who added lyrics, also reached No. 5 on the charts. Adderley worked with Miles Davis, first as a member of the Davis sextet, appearing on the seminal records ''Milestones'' (1958) and ''Kind of Blue'' (1959), and then on his own 1958 album '' Somethin' Else''. He was the elder brother of jazz trumpeter Nat Adderley, who was a longtime member of his band. Early life and career Julian Edwin Adderley was born on September 15, 1928, in Tampa, Florida to high school guidance counselor and cornet player Julian Carlyle Adderley and elementary school teacher Jessie Johnson. Elementary school clas ...
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Phil Seamen
Philip William Seamen (28 August 1926 – 13 October 1972) was an English jazz drummer. With a background in big band music, Seamen played and recorded in a wide range of musical contexts with virtually every key figure of 1950s and 1960s British jazz. Notable examples included Joe Harriott, Tubby Hayes, Stan Tracey, Ronnie Scott, Denny Termer, Dick Morrissey, Harold McNair, Don Rendell, Victor Feldman, Dizzy Reece, Tony Coe, Tony Lee, and George Chisholm, among others. Later in his career he worked with Alexis Korner and Georgie Fame, and had a spell with Ginger Baker's Air Force, the leader of the band being Seamen's foremost disciple. Addiction to alcohol and other drugs hampered his career.Phil Seamen Biography
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Theatre Royal Stratford East
The Theatre Royal Stratford East is a 460 seat Victorian producing theatre in Stratford in the London Borough of Newham. Since 1953, it has been the home of the Theatre Workshop company, famously associated with director Joan Littlewood, whose statue is outside the theatre (see image at left). History The theatre was designed by architect James George Buckle, and commissioned by Charles Dillon, né Silver, adoptive son of the actor-manager Charles Dillon (died 1881) in 1884. It is the architect's only surviving work, built on the site of a wheelwright's shop on Salway Road, close to the junction with Angel Lane. It opened on 17 December 1884 with a revival of '' Richelieu'' by Edward Bulwer-Lytton. Two years later, Dillon sold it to Albert O'Leary Fredericks, his sister's brother-in-law and one of the original backers of the scheme. In 1887 the theatre was renamed Theatre Royal and Palace of Varieties and side extensions were added in 1887. The stage was enlarged in 1891, by ...
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Fings Ain't Wot They Used T'Be
''Fings Ain't Wot They Used T'be'' is a 1960 West End musical comedy about Cockney low-life characters in the 1950s, including spivs, prostitutes, teddy-boys and corrupt policemen. The work is more of a play with music than a conventional musical. The original play, by Frank Norman, who though born in Bristol lived his adult life in London, was intended to be a straight theatrical piece, but was supplemented with music and lyrics by Lionel Bart, who also grew up in London's East End. Production background Norman initially wrote the piece as a play (with no music), but after Joan Littlewood read it, she asked Bart to write the music and lyrics. It was first performed by Theatre Workshop, produced and directed by Littlewood in February 1959 at their home, the Theatre Royal Stratford East. It subsequently played at the Garrick Theatre in London's West End, starting on 11 February 1960. It ran for 886 performances. The cast featured Maurice Kaufmann, Wallas Eaton, Miriam Karlin, ...
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Lionel Bart
Lionel Bart (1 August 1930 – 3 April 1999) was a British writer and composer of pop music and musicals. He wrote Tommy Steele's "Rock with the Caveman" and was the sole creator of the musical '' Oliver!'' (1960). With ''Oliver!'' and his work alongside theatre director Joan Littlewood at Theatre Royal, Stratford East, he played an instrumental role in the 1960s birth of the British musical theatre scene after an era when American musicals had dominated the West End. Best known for creating the book, music and lyrics for ''Oliver!'', Bart was described by Andrew Lloyd Webber as "the father of the modern British musical". In 1963 he won the Tony Award for Best Original Score for ''Oliver!'', and the 1968 film version of the musical won a total of 6 Academy Awards including the Academy Award for Best Picture. Some of his other compositions include the theme song to the James Bond film '' From Russia with Love'', and the songs " Living Doll" by Cliff Richard, "Far Away" by Sh ...
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Pit Band
A pit orchestra is a type of orchestra that accompanies performers in musicals, operas, ballets, and other shows involving music. The terms was also used for orchestras accompanying silent movies when more than a piano was used. In performances of operas and ballets, the pit orchestra is typically similar in size to a symphony orchestra, though it may contain smaller string and brass sections, depending upon the piece. Such orchestras may vary in size from approximately 30 musicians (early Baroque and Classical opera) to as many as 90–100 musicians (Wagnerian opera). However, because of financial, spatial, and volume concerns, current musical theatre pit orchestras are considerably smaller (at most 20–30 musicians, including not more than ten string players). Description Typically, pit orchestras play in a lowered area in front of the stage called an orchestra pit. Inside the pit, the conductor stands facing towards the stage with their back towards the audience to coordi ...
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Tommy Steele
Sir Thomas Hicks (born 17 December 1936), known professionally as Tommy Steele, is an English entertainer, regarded as Britain's first teen idol and rock and roll star. After being discovered at the 2i's Coffee Bar in Soho, London, Steele recorded a string of hit singles including "Rock with the Caveman" (1956) and the chart-topper "Singing the Blues" (1957). Steele's rise to fame was dramatised in ''The Tommy Steele Story'' (1957), the soundtrack of which was the first British album to reach number one on the UK Albums Chart. With collaborators Lionel Bart and Mike Pratt, Steele received the 1958 Ivor Novello Award for Most Outstanding Song of the Year for "A Handful of Songs". He starred in further musical films including '' The Duke Wore Jeans'' (1958) and ''Tommy the Toreador'' (1959), the latter spawning the hit "Little White Bull". Steele shifted away from rock and roll in the 1960s, becoming an all-round entertainer. He originated the part of Kipps in ''Half a Sixpence' ...
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Teddy Boy
The Teddy Boys or Teds were a mainly British youth subculture of the mid 1950s to mid 1960s who were interested in rock and roll and R&B music, wearing clothes partly inspired by the styles worn by dandies in the Edwardian period, which Savile Row tailors had attempted to re-introduce in Britain after the Second World War. History A mainly British phenomenon, the Teddy Boy subculture started among teenagers in London in the early 1950s, and rapidly spread across the UK, becoming strongly associated with American rock and roll music. After World War II, male youths in delinquent gangs who had adopted Edwardian-era fashion were sometimes known as "Cosh Boys", or "Edwardians". But the name ''Teddy Boy'' was coined when a 23 September 1953 '' Daily Express'' newspaper report headline shortened ''Edwardian'' to ''Teddy''. Nevertheless, the term had previously been used in Edwardian England to refer to members of the Territorial Army (see for example '' The Swoop!'' written b ...
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