Jezebel (album)
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Jezebel (album)
''Jezebel'' is the debut studio album by New Zealand musician, Jon Stevens. The album contained two number one singles and was released in February 1980. It peaked at number 7 on the New Zealand album chart and cemented Stevens’ position as New Zealand’s premier solo male artist of the time. The album was released on iTunes in New Zealand in June 2014. Track listing ;Vinyl, cassette (SBP237419) *A1 "Jezebel" - 3:25 *A2 "In a Stranger's Arms" - 4:05 *A3 "Seeing You (For The First Time)" - 4:54 *A4 "Wages Of Love" - 3:17 *A5 " Montego Bay" - 2:48 *B1 " Don't Let Love Go" (with Sharon O'Neill Sharon Lea O'Neill (born 23 November 1952) is a New Zealand singer-songwriter and pianist, who had an Australasian hit single in 1983 with " Maxine" which reached No. 16 on both the Australian Kent Music Report and Recording Industry Association ...) - 3:22 *B2 "Jo" - 3:48 *B3 "Lady Blue" - 3:02 *B4 "The Honeymoon Is Over" - 3:02 *B5 "Lovin' Arms" - 3:00 *B6 "Ain't No Sunshine" - ...
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Jon Stevens
Jon Stevens (born 8 October 1961) is a New Zealand singer, best known for his work with Noiseworks and ''Jesus Christ Superstar''. Biography 1980–1986: career beginnings and ''Jezebel'' Stevens was born in Upper Hutt, New Zealand, and is of Scottish and Māori descent. His brother is singer Frankie Stevens. He formed his first band while at Heretaunga College. Stevens released his debut studio album ''Jezebel'' on CBS Records in 1980. It peaked at number 7 on the New Zealand charts and was certified Gold. He moved to Australia in 1981 and subsequently became an Australian citizen. In 1982, a self-titled album was released, but was not successful. In 1983, Stevens formed the band the Change with guitarist Stuart Fraser. Over the next few years, additional members were added before renaming themselves as Noiseworks in 1986. 1986–1992: Noiseworks and ''Jesus Christ Superstar'' In 1986, Stevens became the lead singer of the Sydney band Noiseworks. The band released three pl ...
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Pop Music
Pop music is a genre of popular music that originated in its modern form during the mid-1950s in the United States and the United Kingdom. The terms ''popular music'' and ''pop music'' are often used interchangeably, although the former describes all music that is popular and includes many disparate styles. During the 1950s and 1960s, pop music encompassed rock and roll and the youth-oriented styles it influenced. ''Rock'' and ''pop'' music remained roughly synonymous until the late 1960s, after which ''pop'' became associated with music that was more commercial, ephemeral, and accessible. Although much of the music that appears on record charts is considered to be pop music, the genre is distinguished from chart music. Identifying factors usually include repeated choruses and hooks, short to medium-length songs written in a basic format (often the verse-chorus structure), and rhythms or tempos that can be easily danced to. Much pop music also borrows elements from other styles ...
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Rock Music
Rock music is a broad genre of popular music that originated as " rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles in the mid-1960s and later, particularly in the United States and United Kingdom.W. E. Studwell and D. F. Lonergan, ''The Classic Rock and Roll Reader: Rock Music from its Beginnings to the mid-1970s'' (Abingdon: Routledge, 1999), p.xi It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from a number of other genres such as electric blues and folk, and incorporated influences from jazz, classical, and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a time signature using a verse–chorus form, ...
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Columbia Records
Columbia Records is an American record label owned by Sony Music, Sony Music Entertainment, a subsidiary of Sony Corporation of America, the North American division of Japanese Conglomerate (company), conglomerate Sony. It was founded on January 15, 1889, evolving from the Graphophone#Commercialization, American Graphophone Company, the successor to the Volta Laboratory and Bureau#Commercialization of phonograph patents, Volta Graphophone Company. Columbia is the oldest surviving brand name in the recorded sound business, and the second major company to produce records. From 1961 to 1991, its recordings were released outside North America under the name CBS Records International, CBS Records to avoid confusion with EMI's Columbia Graphophone Company. Columbia is one of Sony Music's four flagship record labels, alongside former longtime rival RCA Records, as well as Arista Records and Epic Records. Artists who have recorded for Columbia include AC/DC, Adele, Aerosmith, Julie And ...
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Jon Stevens (album)
''Jon Stevens'' is the second studio album by New Zealand born, Australian musician, Jon Stevens. It was released in 1982. it includes a cover of the Motown track, "Every Little Bit Hurts". Background and content Following the success of Stevens' debut album, ''Jezebel'', he relocated to Australia and became an Australian citizen. He signed a record deal with Australian label Big Time Records. Stevens then travelled to Los Angeles where the album was recorded with American session players. The album yielded two singles, neither of which were successful. Following this, Stevens formed a band called The Change that would go on to become Noiseworks in 1986. Track listing ;Vinyl, cassette (BT 7003) / (SBP237766) * A1 "Lover My Love" (Stevens, Barry, Lawrence) - 4:18 * A2 "Stringin' a Line" (Thomas) - 4:35 * A3 "(The One That You Love Is) Here To Stay" (Stevens, Lawrence) - 3:57 * A4 "How Much Love" (Stevens, Parker) - 3:27 * A5 "Make You Mine, All Mine" (Stevens, Lawrence) - 3:50 ...
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Jezebel (Jon Stevens Song)
"Jezebel" is a song recorded by New Zealand singer-songwriter, Jon Stevens. The song was produced by Steve Robinson. It was released in October 1979 as Stevens' debut single and peaked at number 1 in New Zealand on 2 December 1979 and remained at number 1 for 9 weeks. Track listing ; Vinyl, 7", 45 RPM # "Jezebel" - 3:28 # "Rest Your Love on Me”" - 3:25 Charts Year-end charts See also * List of number-one singles in 1979 (New Zealand) * List of number-one singles from the 1980s (New Zealand) The following lists the number-one singles on the New Zealand Singles Chart during the 1980s. The source for this decade is the Recorded Music NZ chart, the chart history of which can be found on the Recorded Music NZ website or Charts.nz. A to ... References 1979 debut singles 1979 songs Number-one singles in New Zealand Jon Stevens songs CBS Records singles {{1970s-rock-song-stub ...
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Montego Bay (song)
"Montego Bay" is a song co-written and performed by Bobby Bloom about the city in Jamaica of the same name. The song was a top 10 hit for Bloom in the Fall of 1970 on both sides of the Atlantic. It reached No. 3 on the UK Singles Chart, No. 5 on the Canadian ''RPM 100'' Singles Chart, No. 7 on the Australian Go-Set Singles Chart and No. 8 on the US Billboard Hot 100. The song was co-written and produced by Jeff Barry. In the master tape of the song, Bloom breaks into a chorus of "Oh, What a Beautiful Mornin'" at the end of the recording. The song features a whistler, as well as Jamaican instruments in a calypso style. Bloom's recording of the song appeared in the 1997 film '' The Ice Storm''. Chart history Weekly charts ;Freddie Notes & the Rudies cover ;Sugar Cane cover ;Jon Stevens cover ;Quarrington/Worthy cover ;Allniters cover ;Amazulu cover Year-end charts Jon Stevens version In January 1980, New Zealand recording artist Jon Stevens released a version ...
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Don't Let Love Go
"Don't Let Love Go" is a song recorded by New Zealand singer-songwriters, Sharon O'Neill and Jon Stevens. The song was produced by Jay Lewis. It was released in New Zealand as a single in February 1980 and peaked at number 5 in New Zealand in March 1980. The song was included on Stevens' debut solo album, ''Jezebel Jezebel (;"Jezebel"
(US) and
) was the daughte ...
'' (1980).


Track listing

; Vinyl, 7", 45 RPM # "Don't Let Love Go" - 4:02 # "Wages of Love" (Rob Winch) performed by Jon Stevens


Charts


References

1980 singles 1980 song ...
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Studio Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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ITunes
iTunes () is a software program that acts as a media player, media library, mobile device management utility, and the client app for the iTunes Store. Developed by Apple Inc., it is used to purchase, play, download, and organize digital multimedia, on personal computers running the macOS and Windows operating systems, and can be used to rip songs from CDs, as well as play content with the use of dynamic, smart playlists. Options for sound optimizations exist, as well as ways to wirelessly share the iTunes library. Originally announced by Apple CEO Steve Jobs on January 9, 2001, iTunes' original and main focus was music, with a library offering organization and storage of Mac users' music collections. With the 2003 addition of the iTunes Store for purchasing and downloading digital music, and a version of the program for Windows, it became a ubiquitous tool for managing music and configuring other features on Apple's line of iPod media players, which extended to the iPh ...
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Sharon O'Neill
Sharon Lea O'Neill (born 23 November 1952) is a New Zealand singer-songwriter and pianist, who had an Australasian hit single in 1983 with " Maxine" which reached No. 16 on both the Australian Kent Music Report and Recording Industry Association of New Zealand charts. Note: n-lineversion established at White Room Electronic Publishing Pty Ltd in 2007 and was expanded from the 2002 edition.Australian chart peaks: *Top 100 (Kent Music Report) peaks to 19 June 1988: N.B. The Kent Report chart was licensed by ARIA between mid 1983 and 19 June 1988. *Top 100 (ARIA Chart) peaks from January 1990 to December 2010: *"Satin Sheets" (ARIA Chart) peak: *''The Very Best of Collette and Sharon O'Neill'': New Zealand chart peaks: *All except "Don't Let Love Go": *"Don't Let Love Go": Career 1960s–1977: Career beginnings Sharon O'Neill is a self taught musician who learned to play guitar by ear and started composing at an early age, by putting chords to her poetry. She began playing the ...
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Recording Industry Association Of New Zealand
Recorded Music NZ (formerly the Recording Industry Association of New Zealand (RIANZ)) is a non-profit trade association of record producers, distributors and recording artists who sell recorded music in New Zealand. Membership of Recorded Music NZ is open to any owner of recorded music rights operating in New Zealand, inclusive of major labels (such as Sony, Universal and Warner Music Group), independent labels and self-released artists. Recorded Music NZ has over 2000 rights-holders. Prior to June 2013 the association called itself the "Recording Industry Association of New Zealand" (RIANZ). RIANZ and PPNZ Music Licensing merged and renamed themselves "Recorded Music NZ". Recorded Music NZ functions in three areas: * member services (the New Zealand Music Awards, the Official New Zealand Music Charts, music grants and direct services to artists and labels) * music licensing (undertaken independently or, in most cases, via OneMusic, a joint licensing venture between Record ...
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