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Jewish School Of Paris
The School of Paris (french: École de Paris) refers to the French and émigré artists who worked in Paris in the first half of the 20th century. The School of Paris was not a single art movement or institution, but refers to the importance of Paris as a center of Western art in the early decades of the 20th century. Between 1900 and 1940 the city drew artists from all over the world and became a centre for artistic activity. ''School of Paris'' was used to describe this loose community, particularly of non-French artists, centered in the cafes, salons and shared La Ruche (residence), workspaces and galleries of Montparnasse. Before World War I the name was also applied to artists involved in the many collaborations and overlapping new art movements, between post-Impressionists and pointillism and Orphism, Fauvism and Cubism. In that period the artistic ferment took place in Montmartre and the well-established art scene there. But Picasso moved away, the war scattered almost ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marc Chagall
Marc Chagall; russian: link=no, Марк Заха́рович Шага́л ; be, Марк Захаравіч Шагал . (born Moishe Shagal; 28 March 1985) was a Russian-French artist. An early modernism, modernist, he was associated with several major art movement, artistic styles and created works in a wide range of artistic formats, including painting, drawings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Born in the Russian Empire, today Belarus, he was of Russian Jews, Jewish origin. Before World War I, he travelled between Saint Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his idea of Eastern Europe and Jewish folk culture. He spent the wartime years in Belarus, becoming one of the country's most distinguished artists and a member of the modernist avant-garde, founding the Vitebsk Museum of Modern Art, Vitebsk Arts College before leaving again for Paris in 1923 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ossip Zadkine
Ossip Zadkine (russian: Осип Цадкин; 28 January 1888 – 25 November 1967) was a Belarusian-born French artist. He is best known as a sculptor, but also produced paintings and lithographs. Early years and education Zadkine was born on 28 January 1888 as Yossel Aronovich Tsadkin (russian: Иосель Аронович Цадкин) in the city of Vitsebsk, Russian Empire (now Belarus). He was born to a baptized Jewish father and a mother named Zippa-Dvoyra, who he claimed to be of Scottish origin. Archival materials state that Iosel-Shmuila Aronovich Tsadkin was of Jewish faith and studied in the Vitebsk City Technical School between 1900 and 1904, including two years in one class with would-be artists Marc Chagall (then Movsha Shagal) and Victor Mekler (then Avigdor Mekler). Archival materials contradict Zadkine himself and states that his father did not convert to the Russian Orthodox religion and his mother was not of a Scottish extraction. He had 5 siblings: siste ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pinchus Krémègne
Pinchus Krémègne, aka Pinchus Kremegne ( he, פנחס קרמין; russian: Пинхус Кремень; 28 July 1890 – 5 April 1981), was a Lithuanian Jewish-French artist, primarily known as a sculptor, painter and lithographer. He was a native of Zhaludak near Lida, and was a friend of both Chaïm Soutine and Michel Kikoine. He studied sculpture at the Vilnius Academy of Art. He became a target of the pogroms because he was a Jew and fled to Paris in 1912. In Paris, Kremegne joined the group of painters of Montparnasse and soon became one of the respected residents of La Ruche. In 1915, he gave up sculpture in order to dedicate himself to painting. It was he who encouraged Soutine to come to Paris. He left Paris to live in a small town in the Pyrenees called Ceret. This village, which is a little inland from Collioure, attracted other painters such as Soutine. Although Soutine did not like the town very much, he completed many paintings there over a couple of years. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moïse Kisling
Moïse Kisling (born Mojżesz Kisling; 22 January 1891 – 29 April 1953) was a Polish-born French painter. He moved to Paris in 1910 at the age of 19, and became a French citizen in 1915, after serving and being wounded with the French Foreign Legion in World War I. He emigrated to the United States in 1940, after the fall of France, and returned there in 1946. Early life and education Born in Kraków, Austria-Hungary on 22 January 1891 to Jewish Parents. He studied at the Academy of Fine Arts in Krakow with Jozef Pankiewicz. His teachers encouraged the young man to go to Paris, France, considered the international center for artistic creativity in the early 20th century. In 1910, Kisling moved to Montmartre in Paris initially living on Rue des Beaux-Arts, and a few years later to Montparnasse. At the outbreak of World War I, he volunteered for service in the French Foreign Legion. After being seriously wounded in 1916 in the Battle of the Somme, he was awarded French citize ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michel Kikoine
Michel Kikoïne ( be, Міхаіл Кікоін; russian: Михаил Кико́ин, ''Michail Kikóin''; 31 May 1892 – 4 November 1968) was a Lithuanian Jewish-French painter. Life Kikoine was born in Rechytsa, present-day Belarus. The son of a Jewish banker in the small southeastern town of Gomel, he was barely into his teens when he began studying at "Kruger's School of Drawing" in Minsk. There he met Chaïm Soutine, with whom he had a lifelong friendship. At age 16, he and Soutine were studying at the Vilnius Academy of Art and in 1911 he moved to join the growing artistic community gathering in the Montparnasse Quarter of Paris, France. This artistic community included his friend Soutine as well as fellow Belarus painter, Pinchus Kremegne who also had studied at the Fine Arts School in Vilnia. For a time, the young artist lived at La Ruche while studying at the École nationale supérieure des Beaux-Arts. In 1914, he married a young lady from Vilnia with whom h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tsuguharu Foujita
was a Japanese–French painter and printmaker born in Tokyo, Japan, who applied Japanese ink techniques to Western style paintings. At the height of his fame in Paris, during the 1920s, he was known for his portraits of nudes using an opalescent white ink with fine black outlines and his pictures of cats. He returned to Japan in 1933, and served as a war artist for the Imperial Japan during World War II. After the war, Foujita returned to France, where he became a French citizen and converted to Christianity. He was buried in The Chapel of our Lady of Peace, which he had helped build and is painted with his frescoes. Since his death, Foujita's work has become increasingly appreciated in Japan. Early life in Japan Foujita was born in 1886 in , a former ward of Tokyo that is now part of the . He was the son of , an Army Medical Director. Immediately after graduating secondary school, Foujita wished to study in France. But Foujita's father consulted with his colleague, the Japa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chaïm Soutine
Chaïm Soutine (13 January 1893 – 9 August 1943) was a Belarusian painter who made a major contribution to the expressionist movement while living and working in Paris. Inspired by classic painting in the European tradition, exemplified by the works of Rembrandt, Chardin and Courbet, Soutine developed an individual style more concerned with shape, color, and texture than representation, which served as a bridge between more traditional approaches and the developing form of Abstract Expressionism. Early life Soutine was born Chaim-Iche Solomonovich Sutin, in Smilavičy (Yiddish: סמילאָוויץ, romanized: Smilovitz) in the Minsk Governorate of the Russian Empire (present-day Belarus). He was Jewish and the tenth of eleven children born to parents Zalman (also reported as Solomon and Salomon) Moiseevich Sutin (1858–1932) and Sarah Sutina (née Khlamovna) (died in 1938). From 1910 to 1913 he studied in Vilnius at a small art academy. In 1913, with his friends Pinchus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tate Gallery
Tate is an institution that houses, in a network of four art galleries, the United Kingdom's national collection of British art, and international modern and contemporary art. It is not a government institution, but its main sponsor is the UK Department for Digital, Culture, Media and Sport. The name "Tate" is used also as the operating name for the corporate body, which was established by the Museums and Galleries Act 1992 as "The Board of Trustees of the Tate Gallery". The gallery was founded in 1897 as the National Gallery of British Art. When its role was changed to include the national collection of modern art as well as the national collection of British art, in 1932, it was renamed the Tate Gallery after sugar magnate Henry Tate of Tate & Lyle, who had laid the foundations for the collection. The Tate Gallery was housed in the current building occupied by Tate Britain, which is situated in Millbank, London. In 2000, the Tate Gallery transformed itself into the c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albert Gleizes
Albert Gleizes (; 8 December 1881 – 23 June 1953) was a French artist, theoretician, philosopher, a self-proclaimed founder of Cubism and an influence on the School of Paris. Albert Gleizes and Jean Metzinger wrote the first major treatise on Cubism, ''Du "Cubisme"'', 1912. Gleizes was a founding member of the Section d'Or group of artists. He was also a member of '' Der Sturm'', and his many theoretical writings were originally most appreciated in Germany, where especially at the Bauhaus his ideas were given thoughtful consideration. Gleizes spent four crucial years in New York, and played an important role in making America aware of modern art. He was a member of the Society of Independent Artists, founder of the Ernest-Renan Association, and both a founder and participant in the Abbaye de Créteil. Gleizes exhibited regularly at Léonce Rosenberg's ''Galerie de l’Effort Moderne'' in Paris; he was also a founder, organizer and director of Abstraction-Création. From the mi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Metzinger
Jean Dominique Antony Metzinger (; 24 June 1883 – 3 November 1956) was a major 20th-century French painter, theorist, writer, critic and poet, who along with Albert Gleizes wrote the first theoretical work on Cubism. His earliest works, from 1900 to 1904, were influenced by the neo-Impressionism of Georges Seurat and Henri-Edmond Cross. Between 1904 and 1907 Metzinger worked in the Divisionist and Fauvist styles with a strong Paul Cézanne, Cézannian component, leading to some of the first Proto-Cubism, proto-Cubist works. From 1908 Metzinger experimented with the faceting of form, a style that would soon become known as Cubism. His early involvement in Cubism saw him both as an influential artist and an important theorist of the movement. The idea of moving around an object in order to see it from different view-points is treated, for the first time, in Metzinger's ''Note sur la Peinture'', published in 1910.Jean Metzinger, October–November 1910, "Note sur la peinture" Pan: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Matisse
Henri Émile Benoît Matisse (; 31 December 1869 – 3 November 1954) was a French visual artist, known for both his use of colour and his fluid and original draughtsmanship. He was a drawing, draughtsman, printmaking, printmaker, and sculpture, sculptor, but is known primarily as a painter. Matisse is commonly regarded, along with Pablo Picasso, as one of the artists who best helped to define the revolutionary developments in the visual arts throughout the opening decades of the twentieth century, responsible for significant developments in painting and sculpture. The intense colourism of the works he painted between 1900 and 1905 brought him notoriety as one of the Fauvism, Fauves (French language, French for "wild beasts"). Many of his finest works were created in the decade or so after 1906, when he developed a rigorous style that emphasised flattened forms and decorative pattern. In 1917, he relocated to a suburb of Nice on the French Riviera, and the more relaxed style of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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