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Jesu Kristhu Yuga Peraliya
Jesu may refer to: *Jesus (c. 4 BC – c. AD 30/33), Jewish religious leader and central figure of Christianity **Jesu (name), vocative and poetic form of Jesus' name Music *Jesu (band), a British experimental band formed by Justin Broadrick **Jesu (album), ''Jesu'' (album), a 2004 album by the band Jesu *"Jesu, Joy of Man's Desiring", final movement of Johann Sebastian Bach's ''Herz und Mund und Tat und Leben, BWV 147'' *Jesu, der du meine Seele, BWV 78, ''Jesu, der du meine Seele'', BWV 78, cantata by Bach *"Jesu, meine Freude", hymn by Johann Franck *Jesu, nun sei gepreiset, BWV 41, ''Jesu, nun sei gepreiset'', BWV 41, cantata by Bach *Jesu, meine Freude, BWV 227, ''Jesu, meine Freude'', BWV 227, motet by Bach See also * *Jesus (other) {{disambig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jesus
Jesus, likely from he, יֵשׁוּעַ, translit=Yēšūaʿ, label=Hebrew/Aramaic ( AD 30 or 33), also referred to as Jesus Christ or Jesus of Nazareth (among other names and titles), was a first-century Jewish preacher and religious leader; he is the central figure of Christianity, the world's largest religion. Most Christians believe he is the incarnation of God the Son and the awaited Messiah (the Christ) prophesied in the Hebrew Bible. Virtually all modern scholars of antiquity agree that Jesus existed historically. Research into the historical Jesus has yielded some uncertainty on the historical reliability of the Gospels and on how closely the Jesus portrayed in the New Testament reflects the historical Jesus, as the only detailed records of Jesus' life are contained in the Gospels. Jesus was a Galilean Jew who was circumcised, was baptized by John the Baptist, began his own ministry and was often referred to as "rabbi". Jesus debated with fellow Jews on ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jesu (name)
Two names and a variety of titles are used to refer to Jesus in the New Testament. In Christianity, the two names Jesus and Emmanuel that refer to Jesus in the New Testament have salvific attributes.''Bible explorer's guide'' by John Phillips 2002 page 147''All the Doctrines of the Bible'' by Herbert Lockyer 1988 page 159 After the crucifixion of Jesus the early Church did not simply repeat his messages, but focused on him, proclaimed him, and tried to understand and explain his message. One element of the process of understanding and proclaiming Jesus was the attribution of titles to him.''Jesus: a Gospel portrait'' by Donald Senior 1992 pages 145-147 Some of the titles that were gradually used in the early Church and then appeared in the New Testament were adopted from the Jewish context of the age, while others were selected to refer to, and underscore the message, mission and teachings of Jesus. In time, some of these titles gathered significant Christological signi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jesu (band)
Jesu (pronounced ''"yay-zoo"'') are a British experimental metal band formed in 2003 by Justin Broadrick following the breakup of his band Godflesh. It shares its name with the last song on ''Hymns'', the final album of Godflesh's initial run. Jesu's sound is heavily layered and textured, incorporating a diverse mix of influences. Broadrick himself has stated that "...it's very loosely speaking pop/rock/metal/ electronica ... I'm intentionally writing what I consider to be coherent 'pop' songs". Biography 2004–2008 Jesu's first release, the '' Heart Ache'' EP, was released in 2004 and featured Broadrick performing all of the instruments and vocals alone. It was followed four months later by the full-length ''Jesu'' LP, which featured the addition of bassist Diarmuid Dalton and drummer Ted Parsons, although not every song features both members. A tour of Europe, in support of the album, featured Roderic Mounir of Knut filling in for Ted Parsons on drums. Commenting on the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jesu (album)
''Jesu'' is the first full-length album by British experimental music band Jesu, released through Hydra Head Records on 8 December 2004. Unlike the ''Heart Ache'' EP, where Justin Broadrick executed all instrumentation himself, this release features Ted Parsons on drums, Diarmuid Dalton on bass, and a guest appearance by Paul Neville on guitar on the track "Man/Woman". The album was released in Japan by Daymare Recordings and contains two additional instrumental remixes on a bonus disc. In February 2005, a double vinyl picture disc set was released by Hydra Head, limited to 1000 copies. In 2022, Broadrick said ''Tired of Me'' is one of his favorite songs as it documented the painful moment in his life at the time, which was the dissolution of Godflesh (the musical group he'd led since the 1980s) and the break-up of his long-time romantic relationship. Track listing Personnel ;Jesu * Justin Broadrick – guitar, vocals, bass, programming * Ted Parsons – drums, percussi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jesu, Joy Of Man's Desiring
"Jesu, Joy of Man's Desiring" (or simply "Joy"; German: ''Jesus bleibet meine Freude'') is the most common English title of a piece of music derived from a chorale setting from the cantata ''Herz und Mund und Tat und Leben'', BWV 147 ("Heart and Mouth and Deed and Life"), composed by Johann Sebastian Bach in 1723. The same music on different stanzas of a chorale closes both parts of the cantata. A transcription by the English pianist Myra Hess (1890–1965) was published in 1926 for piano solo and in 1934 for piano duet. It is often performed slowly and reverently at wedding ceremonies, as well as during Christian festive seasons like Christmas and Easter. Background Bach composed a four-part setting with independent orchestral accompaniment of two stanzas of the hymn "", written by Martin Janus in 1661, which was sung to a melody by the violinist and composer Johann Schop, "". The movements conclude the two parts of the cantata. Bach scored the chorale movements (6 and 10) from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jesu, Der Du Meine Seele, BWV 78
(Jesus, who hast wrested my soul), 78 is a church cantata of Johann Sebastian Bach. He composed the chorale cantata in Leipzig for the 14th Sunday after Trinity and first performed it on 10 September 1724. It is based on the hymn by Johann Rist. History and words Bach wrote the cantata in his second year in Leipzig, when he composed an annual cycle of chorale cantatas. For the 14th Sunday after Trinity, 10 September 1724, he chose the chorale of Johann Rist (1641) in 12 stanzas. Rist set the words and probably also the melody. An unknown librettist wrote the poetry for seven movements, retaining the first and last stanza and quoting some of the original lines as part of his own writing in the other movements. Movement 2 corresponds to stanza 2 of the chorale, 6 to 11, 3 to 3–5, 4 to 6–7, and 5 to 8–10. The prescribed readings for the Sunday were from the Epistle to the Galatians, Paul's teaching on "works of the flesh" and "fruit of the Spirit" (), and from the Gospe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jesu, Meine Freude
"" (; Jesus, my joy) is a hymn in German, written by Johann Franck in 1650, with a melody, Zahn No. 8032, by Johann Crüger. The song first appeared in Crüger's hymnal in 1653. The text addresses Jesus as joy and support, versus enemies and the vanity of existence. The poetry is bar form, with irregular lines from 5 to 8 syllables. The melody repeats the first line as the last, framing each of the six stanzas. Several English translations have been made of the hymn, including Catherine Winkworth's "Jesu, priceless treasure" in 1869, and it has appeared in around 40 hymnals. There have been choral and organ settings of the hymn by many composers, including by Johann Sebastian Bach in a motet, BWV 227, for unaccompanied chorus, and a chorale prelude, BWV 610, for organ. In the modern German Protestant hymnal, '' Evangelisches Gesangbuch'', it is No. 396. Text The text is presented in six stanzas of nine lines each. It is in bar form; three lines form the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jesu, Nun Sei Gepreiset, BWV 41
(Jesus, now be praised), , is a church cantata by Johann Sebastian Bach. He composed the chorale cantata in Leipzig for New Year's Day and first performed it on 1 January 1725 as part of his second cantata cycle. It is based on the hymn by Johannes Hermann (1591). History and words Bach wrote the cantata in 1724, his second year as ''Thomaskantor'' in Leipzig, for New Year's Day. The feast also celebrated the naming and circumcision of Jesus. The prescribed readings for the feast day were from the Epistle to the Galatians, by faith we inherit (), and from the Gospel of Luke, the Circumcision and naming of Jesus (). That year, Bach composed a cycle of chorale cantatas, begun on the first Sunday after Trinity of 1724. The cantata is based on the hymn for New Year's Day in three stanzas by Johannes Hermann (1591) who was also a Thomaskantor. Its melody is by Melchior Vulpius, who first published it in his , printed in Jena (1609). The hymn calls Jesus by name first, fitting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jesu, Meine Freude, BWV 227
(Jesus, my joy), 227, is a motet by Johann Sebastian Bach. The longest and most musically complex of Bach's motets, it is set in eleven movements for up to five voices. It is named after the Lutheran hymn "" with words by Johann Franck, first published in 1653. The motet contains the six stanzas of the hymn in its odd-numbered movements. The hymn tune by Johann Crüger appears in all of these movements in different styles of chorale settings. The text of the motet's even-numbered movements is taken from the eighth chapter of the Epistle to the Romans, a passage that influenced key Lutheran teachings. The hymn, written in the first person with a focus on an emotional bond with Jesus, forms a contrasting expansion of the doctrinal biblical text. Bach set both texts alternating with and complementing each other, in a structure of symmetries on different layers. Bach's treatment of Crüger's melody ranges from four-part chorale harmonisations that begin and end the work, to a ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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