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Jerico-Jim Crow
''Jerico-Jim Crow'' is a 1964 musical, with a book written by Langston Hughes and William Hairston. It was a pioneering work in the urban contemporary gospel musical style, based on the themes of the Civil Rights Movement in the United States. According to Hughes scholar and biographer Arnold Rampersad, Hughes "virtually pioneered" the black gospel musical, first with ''Black Nativity'' (1961) and then with ''Jericho-Jim Crow''. ''Jerico-Jim Crow'' premiered on Sunday, January 5, 1964, at the Sanctuary Theatre, New York City. It was co-directed by Alvin Ailey and William Hairston and conducted by Hugh Porter, with Marion Joseph Franklin, Jr as associate musical director and musical accompanist, the musical was favorably reviewed in ''The New York Times'' by Richard F. Shepard, who said: "This rousing production is an unabashedly sentimental and tuneful history of the Negro struggle up from slavery." A cast recording was released in 1964 by Folkways Records. Porter, Hugh.Langston ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Hairston
William is a male given name of Germanic languages, Germanic origin.Hanks, Hardcastle and Hodges, ''Oxford Dictionary of First Names'', Oxford University Press, 2nd edition, , p. 276. It became very popular in the English language after the Norman conquest of England in 1066,All Things William"Meaning & Origin of the Name"/ref> and remained so throughout the Middle Ages and into the modern era. It is sometimes abbreviated "Wm." Shortened familiar versions in English include Will (given name), Will, Wills (given name), Wills, Willy, Willie, Bill (given name), Bill, and Billy (name), Billy. A common Irish people, Irish form is Liam. Scottish people, Scottish diminutives include Wull, Willie or Wullie (as in Oor Wullie or the play Douglas (play)#Theme and response, ''Douglas''). Female forms are Willa, Willemina, Wilma (given name), Wilma and Wilhelmina (given name), Wilhelmina. Etymology William is related to the given name ''Wilhelm'' (cf. Proto-Germanic ᚹᛁᛚᛃᚨᚺᛖᛚ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gilbert Price
Gilbert Price (September 10, 1942 – January 2, 1991) was an American operatic baritone and actor. Price was a protégé of Langston Hughes. He was a life member of New York's famed Actors Studio. Price first gained notice in 1964, for his performances in Hughes' Off-Broadway production of '' Jerico-Jim Crow.'' For his work, Price received a Theatre World Award. Early life Price was born on September 10, 1942, in New York City of African-American heritage. In 1960, he graduated from Erasmus Hall High School, where he stood out for both his talent and gentle, easygoing manner. It has been written that while he was a protégé of Langston Hughes, Hughes had become smitten with the young Price. Unpublished love poems by Hughes were addressed to a man Hughes called ''Beauty''; it has been posited these poems referred to Price. Career Price made guest appearances on several television talk and variety shows including ''The Ed Sullivan Show'', Red Skelton, Garry Moore and ''The Merv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Off-Broadway Musicals
An off-Broadway theatre is any professional theatre venue in New York City with a seating capacity between 100 and 499, inclusive. These theatres are smaller than Broadway theatres, but larger than off-off-Broadway theatres, which seat fewer than 100. An "off-Broadway production" is a production of a play, musical, or revue that appears in such a venue and adheres to related trade union and other contracts. Some shows that premiere off-Broadway are subsequently produced on Broadway. History The term originally referred to any venue, and its productions, on a street intersecting Broadway in Midtown Manhattan's Theater District, the hub of the American theatre industry. It later became defined by the League of Off-Broadway Theatres and Producers as a professional venue in Manhattan with a seating capacity of at least 100, but not more than 499, or a production that appears in such a venue and adheres to related trade union and other contracts. Previously, regardless of the size ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1964 Musicals
Events January * January 1 – The Federation of Rhodesia and Nyasaland is dissolved. * January 5 - In the first meeting between leaders of the Roman Catholic and Orthodox churches since the fifteenth century, Pope Paul VI and Patriarch Athenagoras I of Constantinople meet in Jerusalem. * January 6 – A British firm, the Leyland Motors, Leyland Motor Corp., announces the sale of 450 buses to the Cuban government, challenging the United States blockade of Cuba. * January 9 – ''Martyrs' Day (Panama), Martyrs' Day'': Armed clashes between United States troops and Panamanian civilians in the Panama Canal Zone precipitate a major international crisis, resulting in the deaths of 21 Panamanians and 4 U.S. soldiers. * January 11 – United States Surgeon General Luther Terry reports that smoking may be hazardous to one's health (the first such statement from the U.S. government). * January 12 ** Zanzibar Revolution: The predominantly Arab government of Zanzibar is overthrown b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
We Shall Overcome
"We Shall Overcome" is a gospel song which became a protest song and a key anthem of the American civil rights movement. The song is most commonly attributed as being lyrically descended from "I'll Overcome Some Day", a hymn by Charles Albert Tindley that was first published in 1901. The modern version of the song was first said to have been sung by tobacco workers led by Lucille Simmons during the 1945–1946 Charleston Cigar Factory strike in Charleston, South Carolina. In 1947, the song was published under the title "We Will Overcome" in an edition of the ''People's Songs Bulletin'' (a publication of People's Songs, an organization of which Pete Seeger was the director), as a contribution of and with an introduction by Zilphia Horton, then-music director of the Highlander Folk School of Monteagle, Tennessee (an adult education school that trained union organizers). Horton said she had learned the song from Simmons, and she considered it to be her favorite song. According to H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ezekiel Saw The Wheel
"Ezekiel Saw the Wheel" is an African American spiritual arranged by William L. Dawson. It has been recorded by such artists as Woody Guthrie, Paul Robeson, John Lee Hooker, the Dixie Hummingbirds, the Tillers, the Fisk Jubilee Singers, The Charioteers and Gold City. The song recounts the Old Testament prophet Ezekiel's divine vision, described at the start of the eponymous book. Bing Crosby included the song in a medley on his album ''101 Gang Songs'' (1961). Lyrics :Ezekiel saw the wheels; :Way in the middle of the air. :Ezekiel saw the wheels; :Way in the middle of the air. :''Chorus'' ::And the big wheel run by Faith, good Lord; ::And the little wheel run by the Grace of God; ::In the wheel in the wheel good Lord; ::Way in the middle of the air. :Who's that yonder dressed in white? :Way in the middle of the air. :It must be the children of the Israelites: :Way in the middle of the air. :''Chorus'' ::And the big wheel run by Faith, good Lord; ::And the little wheel ru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Go Down Moses
"Go Down Moses" is a spiritual phrase that describes events in the Old Testament of the Bible, specifically Exodus 5:1: "And the LORD spake unto Moses, Go unto Pharaoh, and say unto him, Thus saith the LORD, Let my people go, that they may serve me", in which God commands Moses to demand the release of the Israelites from bondage in Egypt. This phrase is the title of one of the most well known African American spirituals of all time. The song discusses themes of freedom, a very common occurrence in spirituals. In fact, the song actually had multiple messages, discussing not only the freedom of the Israelites, but also the freedom of runaway enslaved people, and many enslavers outlawed this song because of those very messages. The opening verse as published by the Jubilee Singers in 1872: The lyrics of the song represent liberation of the ancient Jewish people from Egyptian slavery, a story recounted in the Old Testament. For enslaved African Americans, the story was very powe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oh, Freedom
"Oh, Freedom" is a post-Civil War African-American freedom song. It is often associated with the Civil Rights Movement, with Odetta, who recorded it as part of the "Spiritual Trilogy", on her ''Odetta Sings Ballads and Blues'' album, and with Joan Baez, who performed the song at the 1963 March on Washington. Baez has since performed the song live numerous times, both during her concerts and at other events. The song was first recorded in 1931 by the E. R. Nance Family as "Sweet Freedom". Writer and radio producer Richard Durham used it as an opening in his 1948–1950 radio anthology ''Destination Freedom''.Ashleigh Lawrence-Sanders, March 16, 2018History, Memory, and the Power of Black RadioAAIHS.org Lyrics The song had its roots in the spiritual "Before I'd Be a Slave," which had the central refrain: This was then repeated, with the first two lines changing with each repetition. Modern recordings of this song use these same lyrics, with minor variations in phrasing and st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Battle Hymn Of The Republic
The "Battle Hymn of the Republic", also known as "Mine Eyes Have Seen the Glory" or "Glory, Glory Hallelujah" outside of the United States, is a popular American patriotic song written by the abolitionist writer Julia Ward Howe. Howe wrote her lyrics to the music of the song "John Brown's Body" in November 1861 and first published them in ''The Atlantic Monthly'' in February 1862. The song links the judgment of the wicked at the end of the age (through allusions to biblical passages such as and ) with the American Civil War. History Oh! Brothers The "Glory, Hallelujah" tune was a folk hymn developed in the oral hymn tradition of camp meetings in the southern United States and first documented in the early 1800s. In the first known version, "Canaan's Happy Shore," the text includes the verse "Oh! Brothers will you meet me (3×)/On Canaan's happy shore?" and chorus "There we'll shout and give Him glory (3×)/For glory is His own." This developed into the familiar "Glory, glory, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Brown's Body
"John Brown's Body" (originally known as "John Brown's Song") is a United States marching song about the abolitionist John Brown. The song was popular in the Union during the American Civil War. The tune arose out of the folk hymn tradition of the American camp meeting movement of the late 18th and early 19th century. According to an 1889 account, the original John Brown lyrics were a collective effort by a group of Union soldiers who were referring both to the famous John Brown and also, humorously, to a Sergeant John Brown of their own battalion. Various other authors have published additional verses or claimed credit for originating the John Brown lyrics and tune. The "flavor of coarseness, possibly of irreverence" led many of the era to feel uncomfortable with the earliest "John Brown" lyrics. This in turn led to the creation of many variant versions of the text that aspired to a higher literary quality. The most famous of these is Julia Ward Howe's "Battle Hymn of the Republ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Follow The Drinkin' Gourd
''Follow the Drinking Gourd'' is an African-American folk song first published in 1928. The ''Drinking Gourd'' is another name for the Big Dipper asterism. Folklore has it that enslaved people in the United States used it as a point of reference so they would not get lost. According to legend, the song was used by a conductor of the Underground Railroad, called Peg Leg Joe, to guide some fugitive slaves. While the song may possibly refer to some lost fragment of history, the origin and context remain a mystery. A more recent source challenges the authenticity of the claim that the song was used to help slaves escape to the North and to freedom.Kelley, James. Song, Story, or History: Resisting Claims of a Coded Message in the African American Spiritual "Follow the Drinking Gourd". ''The Journal of Popular Culture'' 41.2 (April 2008): 262–80. History Texas Folklore Society and H. B. Parks ''Follow the Drinking Gourd'' was collected by H. B. Parks, an entomologist and amat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Been 'Buked And I Been Scorned
I, or i, is the ninth letter and the third vowel letter of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''i'' (pronounced ), plural '' ies''. History In the Phoenician alphabet, the letter may have originated in a hieroglyph for an arm that represented a voiced pharyngeal fricative () in Egyptian, but was reassigned to (as in English "yes") by Semites, because their word for "arm" began with that sound. This letter could also be used to represent , the close front unrounded vowel, mainly in foreign words. The Greeks adopted a form of this Phoenician ''yodh'' as their letter ''iota'' () to represent , the same as in the Old Italic alphabet. In Latin (as in Modern Greek), it was also used to represent and this use persists in the languages that descended from Latin. The modern letter ' j' originated as a variation of 'i', and both were used interchangeably for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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