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Jeremy Gardiner
Jeremy Gardiner (born 26 April 1957) is a contemporary landscape painter who has been based in the United Kingdom and the United States. His work has been featured in books. It has also been reviewed in ''The Boston Globe'', '' Miami Herald'', ''The New York Times'', and British newspapers including ''The Guardian'' and ''The Observer''. Early life and education Jeremy Gardiner was born in Münster, Germany. He was educated at Newcastle University, UK (BA Hons in ''Fine Art'', 1975–79) and the Royal College of Art in London (MA in ''Painting'', 1980–83), where he was awarded a John Minton Scholarship. Work themes Gardiner seeks to capture the genius loci or a sense of place, with his artworks having been compared with those of Paul Nash and Graham Sutherland. His paintings are the product of a long engagement with coastal landscapes in Britain. He has continued the approach to landscapes of 20th-century St Ives modernist artists such as Peter Lanyon, Ben Nicholson, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dorset
Dorset ( ; archaically: Dorsetshire , ) is a county in South West England on the English Channel coast. The ceremonial county comprises the unitary authority areas of Bournemouth, Christchurch and Poole and Dorset (unitary authority), Dorset. Covering an area of , Dorset borders Devon to the west, Somerset to the north-west, Wiltshire to the north-east, and Hampshire to the east. The county town is Dorchester, Dorset, Dorchester, in the south. After the Local Government Act 1972, reorganisation of local government in 1974, the county border was extended eastward to incorporate the Hampshire towns of Bournemouth and Christchurch. Around half of the population lives in the South East Dorset conurbation, while the rest of the county is largely rural with a low population density. The county has a long history of human settlement stretching back to the Neolithic era. The Roman conquest of Britain, Romans conquered Dorset's indigenous Durotriges, Celtic tribe, and during the Ear ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fine Art
In European academic traditions, fine art is developed primarily for aesthetics or creative expression, distinguishing it from decorative art or applied art, which also has to serve some practical function, such as pottery or most metalwork. In the aesthetic theories developed in the Italian Renaissance, the highest art was that which allowed the full expression and display of the artist's imagination, unrestricted by any of the practical considerations involved in, say, making and decorating a teapot. It was also considered important that making the artwork did not involve dividing the work between different individuals with specialized skills, as might be necessary with a piece of furniture, for example. Even within the fine arts, there was a hierarchy of genres based on the amount of creative imagination required, with history painting placed higher than still life. Historically, the five main fine arts were painting, sculpture, architecture, music, and poetry, with p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victoria Art Gallery
The Victoria Art Gallery is a public art museum in Bath, Somerset, England. It was opened in 1900 to commemorate Queen Victoria's diamond jubilee. It is a Grade II* listed building and houses over 1,500 objects of art including a collection of oil paintings from British artists dating from 1700 onwards. The ground floor was at one time a public library. The gallery The building was designed in 1897 by John McKean Brydon, and has been designated as a Grade II* listed building. It originally was partly used as a public library but was converted in 1990 to house and display only art works. The building is constructed of limestone ashlar rendered in its upper half and occupies a corner site. It is a two storey building with an attic tower with a lead-covered dome. There are nine bays on Bridge Street and one on Grand Parade and each floor consists mainly of one large rectangular room. A flight of stone steps rises to the circular entrance hall which leads to the former library. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jurassic Coast
The Jurassic Coast is a World Heritage Site on the English Channel coast of southern England. It stretches from Exmouth in East Devon to Studland Bay in Dorset, a distance of about , and was inscribed on the World Heritage List in mid-December 2001. The site spans 185 million years of geological history, coastal erosion having exposed an almost continuous sequence of rock formation covering the Triassic, Jurassic and Cretaceous periods. At different times, this area has been desert, shallow tropical sea and marsh, and the fossilised remains of the various creatures that lived here have been preserved in the rocks. Natural features seen on this stretch of coast include arches, pinnacles and stack rocks. In some places the sea has broken through resistant rocks to produce coves with restricted entrances and, in one place, the Isle of Portland is connected to the land by a barrier beach. In some parts of the coast, landslides are common. These have exposed a wide range of fossils, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Tunnard
John Samuel Tunnard (7 May 1900 – 12 December 1971) was an English Modernist designer and painter. He was the cousin of landscape architect Christopher Tunnard. Life Tunnard was born in Sandy, Bedfordshire, and educated at Charterhouse School. He studied design at the Royal College of Art (1919–1923). In 1926, he married a fellow student, Mary May Robertson. During the 1920s he worked in various textile design jobs in Manchester — for Tootal, Broadhurst, Lee & Co, the carpet manufacturers, H&M Southwell, and John Lewis Partnership. He took up painting seriously in 1928, and taught design at the Central School of Arts and Crafts, London, from 1929. In 1931 he exhibited at the Royal Academy and with the London Group, which he joined in 1934. In 1933 the Tunnards moved to Cadgwith, Cornwall, where they ran a business making printed silks. From the mid-1930s, he became friends with Julian Trevelyan, Henry Moore, John Betjeman and Humphrey Spender. During World War II he c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ben Nicholson
Benjamin Lauder Nicholson, Order of Merit, OM (10 April 1894 – 6 February 1982) was an English painter of abstract art, abstract compositions (sometimes in low relief), landscape and still-life. Background and training Nicholson was born on 10 April 1894 in Denham, Buckinghamshire, the son of the painters William Nicholson (artist), Sir William Nicholson and Mabel Pryde, and brother of the artist Nancy Nicholson, the architect Christopher Nicholson and to Anthony Nicholson. His maternal grandmother Barbara Pryde (née Lauder) was a niece of the famous artist brothers Robert Scott Lauder and James Eckford Lauder. The family moved to London in 1896. Nicholson was educated at Tyttenhangar Lodge Preparatory School, Seaford, East Sussex, Seaford, at Heddon Court, Hampstead and then as a boarder at Gresham's School, Holt, Norfolk. He trained as an artist in London at the Slade School of Fine Art between 1910 and 1911, where he was a contemporary of Paul Nash (artist), Paul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Lanyon
George Peter Lanyon (8 February 1918 – 31 August 1964) was a British painter of landscapes leaning heavily towards abstraction. Lanyon was one of the most important artists to emerge in post-war Britain. Despite his early death at the age of forty-six he achieved a body of work that is amongst the most original and important reappraisals of modernism in painting to be found anywhere. Combining abstract values with radical ideas about landscape and the figure, Lanyon navigated a course from Constructivism through Abstract Expressionism to a style close to Pop. He also made constructions, pottery and collage. Lanyon took up gliding as a pastime and used the resulting experience extensively in his paintings. He died in Taunton, Somerset, as the result of injuries received in a gliding accident and is buried in St. Uny's Church, Lelant. In September 2010 Peter Lanyon’s work was honoured with a large-scale retrospective exhibition: Peter Lanyon 9 October 2010 – 23 Janua ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
St Ives, Cornwall
St Ives ( kw, Porth Ia, meaning "Ia of Cornwall, St Ia's cove") is a seaside town, civil parish and port in Cornwall, England. The town lies north of Penzance and west of Camborne on the coast of the Celtic Sea. In former times it was commercially dependent on fishing. The decline in fishing, however, caused a shift in commercial emphasis, and the town is now primarily a popular seaside resort, notably achieving the title of Best UK Seaside Town from the British Travel Awards in both 2010 and 2011. St Ives was incorporated by Royal Charter in 1639. St Ives has become renowned for its number of artists. It was named best seaside town of 2007 by ''The Guardian'' newspaper. History Early history The origin of St Ives is attributed in legend to the arrival of the Irish saint Ia of Cornwall, in the 5th century. The parish church bears her name, and the name St Ives derives from it. The Sloop Inn, which lies on the wharf was a fisherman's pub for many centuries and is dated to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Graham Sutherland
Graham Vivian Sutherland (24 August 1903 – 17 February 1980) was a prolific English artist. Notable for his paintings of abstract landscapes and for his portraits of public figures, Sutherland also worked in other media, including printmaking, tapestry and glass design. Printmaking, mostly of romantic landscapes, dominated Sutherland's work during the 1920s. He developed his art by working in watercolours before switching to using oil paints in the 1940s. A series of surreal oil painting depicting the Pembrokeshire landscape secured his reputation as a leading British modern artist. He served as an official war artist in the Second World War, painting industrial scenes on the British home front. After the war, Sutherland embraced figurative painting, beginning with his 1946 work, ''The Crucifixion''. Subsequent paintings combined religious symbolism with motifs from nature, such as thorns. Such was Sutherland's standing in post-war Britain that he was commissioned to design ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Nash (artist)
Paul Nash (11 May 1889 – 11 July 1946) was a British surrealist painter and war artist, as well as a photographer, writer and designer of applied art. Nash was among the most important landscape artists of the first half of the twentieth century. He played a key role in the development of Modernism in English art. Born in London, Nash grew up in Buckinghamshire where he developed a love of the landscape. He entered the Slade School of Art but was poor at figure drawing and concentrated on landscape painting. Nash found much inspiration in landscapes with elements of ancient history, such as burial mounds, Iron Age hill forts such as Wittenham Clumps and the standing stones at Avebury in Wiltshire. The artworks he produced during World War I are among the most iconic images of the conflict. After the war Nash continued to focus on landscape painting, originally in a formalized, decorative style but, throughout the 1930s, in an increasingly abstract and surreal manner. In his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Genius Loci
In classical Roman religion, a ''genius loci'' (plural ''genii locorum'') was the protective spirit of a place. It was often depicted in religious iconography as a figure holding attributes such as a cornucopia, patera (libation bowl) or snake. Many Roman altars found throughout the Western Roman Empire were dedicated to a particular ''genius loci''. The Roman imperial cults of the Emperor and the imperial house developed in part in connections with the sacrifices made by neighborhood associations ''( vici)'' to the local ''genius''. These 265 local districts had their cult organised around the ''Lares Compitales'' (guardian spirits or ''lares'' of the crossroads), which the emperor Augustus transformed into ''Lares Augusti'' along with the ''Genius Augusti''. The emperor's ''genius'' is then regarded as the ''genius loci'' of the Roman Empire as a whole. Roman examples of these ''genii'' can be found, for example, at the church of St. Giles, Tockenham, Wiltshire where the geni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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