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Jephtha (Handel)
''Jephtha'' ( HWV 70) is an oratorio (1751) by George Frideric Handel with an English language libretto by the Rev. Thomas Morell, based on the story of Jephtha in Judges (Chapter 11) and ''Jephthes, sive Votum'' (''Jeptha, or the Vow'') (1554) by George Buchanan. Whilst writing ''Jephtha'', Handel was increasingly troubled by his gradual loss of sight, and this proved to be his last oratorio. In the autograph score, at the end of the chorus "How dark, O Lord, are thy decrees" he wrote "Reached here on 13 February 1751, unable to go on owing to weakening of the sight of my left eye." The story revolves around Jephtha's rash promise to the Almighty that if he is victorious, he will sacrifice the first creature he meets on his return. He is met by his beloved daughter Iphis. However, an angel intervenes to stop the sacrifice, and Iphis only needs to dedicate her life to the Lord. This is an unusual interpretation of the Bible story, although one which has been current since the Mid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lynne Dawson
Lynne Dawson (born 3 June 1953) is an English soprano. She came to great prominence through her performance as a soloist in ''Libera me'' from Requiem (Verdi), Verdi's Requiem with the BBC Singers at Princess Diana's Funeral of Diana, Princess of Wales, funeral in September 1997. Lynne Dawson has recorded over seventy-five CDs and has a varied concert and operatic repertoire.Lynne Dawson: Full Biography , IMG Artists website. Retrieved 12 May 2007 Biography Born in York and growing up in Yorkshire, Dawson fully expected to continue the farming tradition of her family, and indeed singing was not her first career; she first worked in industry as a translator.''On This Island'', Lynne Dawson, Hyperion Records However, later she studied at both the Guildhall School of Music a ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Frideric Handel By Balthasar Denner
George may refer to: People * George (given name) * George (surname) * George (singer), American-Canadian singer George Nozuka, known by the mononym George * George Washington, First President of the United States * George W. Bush, 43rd President of the United States * George H. W. Bush, 41st President of the United States * George V, King of Great Britain, Ireland, the British Dominions and Emperor of India from 1910-1936 * George VI, King of Great Britain, Ireland, the British Dominions and Emperor of India from 1936-1952 * Prince George of Wales * George Papagheorghe also known as Jorge / GEØRGE * George, stage name of Giorgio Moroder * George Harrison, an English musician and singer-songwriter Places South Africa * George, Western Cape ** George Airport United States * George, Iowa * George, Missouri * George, Washington * George County, Mississippi * George Air Force Base, a former U.S. Air Force base located in California Characters * George (Peppa Pig), a 2-year-old pig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Eliot Gardiner
Sir John Eliot Gardiner (born 20 April 1943) is an English conductor, particularly known for his performances of the works of Johann Sebastian Bach. Life and career Born in Fontmell Magna, Dorset, son of Rolf Gardiner and Marabel Hodgkin, Gardiner's early musical experience came largely through singing with his family and in a local church choir. As a child he grew up with the celebrated Haussmann portrait of J. S. Bach, which had been lent to his parents for safe keeping during the Second World War. A self-taught musician who also played the violin, he began to study conducting at the age of 15. He was educated at Bryanston School, then studied history at King's College, Cambridge, where his tutor was the social anthropologist Edmund Leach."John Eliot Gardiner", in ''Contemporary Musicians'' (1999), Detroit: Gale While an undergraduate at Cambridge he launched his career as a conductor with a performance of Vespro della Beata Vergine by Monteverdi, in King's College Chapel on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stephen Varcoe
Christopher Stephen Varcoe (born 19 May 1949 in Lostwithiel, Cornwall) is an English classical bass-baritone singer, appearing internationally in opera and concert, known for Baroque and contemporary music and a notable singer of Lieder. Professional career Stephen Varcoe was educated at The King's School, Canterbury and King's College, Cambridge, where he sang in the choir. He later completed a PhD at the University of York. In 1977 he won a scholarship from the Gulbenkian Foundation. On the opera stage he appeared in Haydn's ''L'infedeltà delusa'' in Antwerp, in Debussy's '' Fall of the House of Usher'' in Lisbon and London, in John Tavener's opera ''Mary Of Egypt'' for the Aldeburgh Festival, and he performed the part of Plutone in Peri's Euridice at the Drottningholm Festival in Sweden. He also performed the parts of Death in Gustav Holst's chamber opera '' Savitri'', Demetrius in Britten's '' A Midsummer Night's Dream'' and Salieri in Nikolai Rimsky-Korsakov's ''Moz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Chance
Michael Chance CBE (born in Buckinghamshire, United Kingdom 7 March 1955) is an English countertenor and the founder and Artistic Director of The Grange Festival. Chance was born in Penn, Buckinghamshire, into a musical family. After growing up as a chorister at St George's Chapel, Windsor Castle, attending the St George's School, he went on to Eton and later King's College, Cambridge. His first operatic appearance was in the Buxton Festival in Ronald Eyre's staging of Cavalli's ''Giasone'' which was followed by appearances in Lyon, Cologne, and three seasons with Kent Opera. Subsequently, he has performed in the Sydney Opera House, Teatro Colon in Buenos Aires, La Scala Milan, Florence, New York, Lisbon, Oviedo, Leipzig, Paris, Brussels, Amsterdam and with Covent Garden, Glyndebourne, and English National Opera. His roles include the title roles of Orfeo (Gluck), Giasone, Giustino, Rinaldo and Ascanio in Alba, Solomon, Ottone / L’incoronazione di Poppea, Athamas / Semele, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anne Sofie Von Otter
Anne Sofie von Otter (born 9 May 1955) is a Swedish mezzo-soprano. Her repertoire encompasses lieder, operas, oratorios and also rock and pop songs. Early life Von Otter was born in Stockholm, Sweden. Her father was Göran von Otter, a Swedish diplomat in Berlin during World War II. She grew up in Bonn, London and Stockholm. She studied in Stockholm and at the Guildhall School of Music and Drama in London, where her teachers included Vera Rózsa. In 1982, she won second prize in the ARD International Music Competition. From 1983 to 1985, she was an ensemble member of the Basel Opera, where she made her professional operatic début as Alcina in Haydn's ''Orlando paladino''. She made her Royal Opera House, Covent Garden, début in 1985 and her La Scala debut in 1987. Her Metropolitan Opera début was in December 1988 as Cherubino in '' The Marriage of Figaro''. Career Her recording of Grieg songs won the 1993 '' Gramophone'' Record of the Year, the first time in the awar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Covert Garden Theatre Edited
Secrecy is the practice of hiding information from certain individuals or groups who do not have the "need to know", perhaps while sharing it with other individuals. That which is kept hidden is known as the secret. Secrecy is often controversial, depending on the content or nature of the secret, the group or people keeping the secret, and the motivation for secrecy. Secrecy by government entities is often decried as excessive or in promotion of poor operation; excessive revelation of information on individuals can conflict with virtues of privacy and confidentiality. It is often contrasted with social transparency. Secrecy can exist in a number of different ways: encoding or encryption (where mathematical and technical strategies are used to hide messages), true secrecy (where restrictions are put upon those who take part of the message, such as through government security classification) and obfuscation, where secrets are hidden in plain sight behind complex idiosyncrati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chemosh
Chemosh ( Moabite: 𐤊𐤌𐤔 ''Kamāš''; he, כְּמוֹשׁ ''Kəmōš'' ; Eblaite: 𒅗𒈪𒅖 ''Kamiš'', Akkadian: 𒅗𒄠𒈲 ''Kâmuš'') was the god of the Moabites. He is most notably attested in the Mesha Stele and the Hebrew Bible. Although he is most readily associated with the Moabites, the Book of Judges () suggests that he may have been the national deity of the Ammonites additionally, despite the people's former patronage of Milcom. Etymology The etymology of "Chemosh" is unknown, although it is believed to be related to the Semitic god Shamash. However, given that he is also known from Ebla as ''Kamish'', it is also speculated he might be a form of the Mesopotamian deity Nergal. In the Bible According to the Hebrew Bible, the worship of this god, "the abomination of Moab," was introduced at Jerusalem by Solomon ( 1 Kings 11:7), but was abolished by Josiah ( 2 Kings 23:13). (Eleventh-century Jewish commentator Rashi quotes a tradition that Solomon's w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moloch
Moloch (; ''Mōleḵ'' or הַמֹּלֶךְ ''hamMōleḵ''; grc, Μόλοχ, la, Moloch; also Molech or Molek) is a name or a term which appears in the Hebrew Bible several times, primarily in the book of Leviticus. The Bible strongly condemns practices which are associated with Moloch, practices which appear to have included child sacrifice. Traditionally, Moloch has been understood as referring to a Canaanite god. However, since 1935, scholars have debated whether or not the term refers to a type of sacrifice on the basis of a similar term, also spelled ''mlk'', which means "sacrifice" in the Punic language. This second position has grown increasingly popular, but it remains contested. Among proponents of this second position, controversy continues as to whether the sacrifices were offered to Yahweh or another deity, and whether they were a native Israelite religious custom or a Phoenician import. Since the medieval period, Moloch has often been portrayed as a bull-hea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recitative
Recitative (, also known by its Italian name "''recitativo''" ()) is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat lines as formally composed songs do. It resembles sung ordinary speech more than a formal musical composition. Recitative can be distinguished on a continuum from more speech-like to more musically sung, with more sustained melodic lines. The mostly syllabic ''recitativo secco'' ("dry", accompanied only by continuo, typically cello and harpsichord) is at one end of the spectrum, through ''recitativo accompagnato'' (using orchestra), the more melismatic arioso, and finally the full-blown aria or ensemble, where the pulse is entirely governed by the music. Secco recitatives can be more improvisatory and free for the singer, since the accompaniment is so sparse; in contrast, when recitative is accompanied by orchestra, the singer must per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
