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Jeffrey Lawton
Jeffrey Lawton, FRNCM (11 December 1938 – 4 May 2018), was a tenor best known as an international opera singer. He began his career as a student at the Royal Manchester College of Music and from 1982 to 1987 was principal tenor with the Welsh National Opera Company. Lawton also sang with Opera North and the Scottish Opera. On one occasion in 1990 he substituted for the ill Plácido Domingo in the role of Otello at the Royal Opera, London under Carlos Kleiber. As well as singing at various British festivals and the BBC Proms at the Royal Albert Hall, other pursuits included president of the Wagner Society Manchester and patron of the Oldham Choral Society. Lawton was a tutor and a Fellow of the Royal Northern College of Music ( FRNCM). Selected performances Welsh National Opera * ''Otello'' - Otello, 1986 * ''The Trojans'' - Aeneas, 1987 * ''Die Frau ohne Schatten'' - The Emperor, 1989 * ''Tristan und Isolde'' - Tristan, 1993 Opera North * ''Wozzeck'' - Captain, 1993 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
FRNCM
The Royal Northern College of Music (RNCM) is a conservatoire located in Manchester, England. It is one of four conservatoires associated with the Associated Board of the Royal Schools of Music. In addition to being a centre of music education, RNCM is one of the UK's busiest and most diverse public performance venues. History The RNCM has a history dating back to the 19th century and the establishment of the Royal Manchester College of Music (RMCM). In 1858, Sir Charles Hallé founded the Hallé orchestra in Manchester, and by the early 1890s had raised the idea of a music college in the city. Following an appeal for support, a building on Ducie Street was secured, Hallé was appointed Principal and Queen Victoria conferred the Royal title. The RMCM opened its doors to 80 students in 1893, rising to 117 by the end of the first year. Less than four decades later, in 1920, the Northern School of Music was established (initially as a branch of the Matthay School of Music), and for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Trojans
''Les Troyens'' (; in English: ''The Trojans'') is a French grand opera in five acts by Hector Berlioz. The libretto was written by Berlioz himself from Virgil's epic poem the ''Aeneid''; the score was composed between 1856 and 1858. ''Les Troyens'' is Berlioz's most ambitious work, the summation of his entire artistic career, but he did not live to see it performed in its entirety. Under the title ''Les Troyens à Carthage'', the last three acts were premièred with many cuts by Léon Carvalho's company, the Théâtre Lyrique, at their theatre (now the Théâtre de la Ville) on the Place du Châtelet in Paris on 4 November 1863, with 21 repeat performances. After decades of neglect, today the opera is considered by some music critics as one of the finest ever written. Composition history Berlioz began the libretto on 5 May 1856 and completed it toward the end of June 1856. He finished the full score on 12 April 1858. Berlioz had a keen affection for literature, and he had ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Othello
''Othello'' (full title: ''The Tragedy of Othello, the Moor of Venice'') is a tragedy written by William Shakespeare, probably in 1603, set in the contemporary Ottoman–Venetian War (1570–1573) fought for the control of the Island of Cyprus, a possession of the Venetian Republic since 1489. The port city of Famagusta finally fell to the Ottomans in 1571 after a protracted siege. The story revolves around two characters, Othello and Iago. Othello is a Moorish military commander who was serving as a general of the Venetian army in defence of Cyprus against invasion by Ottoman Turks. He has recently married Desdemona, a beautiful and wealthy Venetian lady much younger than himself, against the wishes of her father. Iago is Othello's malevolent ensign, who maliciously stokes his master's jealousy until the usually stoic Moor kills his beloved wife in a fit of blind rage. Due to its enduring themes of passion, jealousy, and race, ''Othello'' is still topical and popular and is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elektra (opera)
''Elektra'', Opus number, Op. 58, is a one-act opera by Richard Strauss, to a German-language libretto by Hugo von Hofmannsthal, which he adapted from his 1903 drama ''Elektra''. The opera was the first of many collaborations between Strauss and Hofmannsthal. It was first performed at the Semperoper, Königliches Opernhaus in Dresden on 25 January 1909. It was dedicated to his friends Natalie and Willy Levin. History While based on ancient Greek mythology and Sophocles' tragedy ''Electra (Sophocles play), Electra'', the opera is highly Modernism, modernist and Expressionist music, expressionist in style. Hofmannsthal's and Strauss's adaptation of the story focuses tightly on Electra, Elektra, thoroughly developing her character by single-mindedly expressing her emotions and psychology as she meets with other characters, mostly one at a time. (The order of these conversations closely follows Sophocles' play.) The other characters are Clytemnestra, Klytaemnestra, her mother and o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Siegfried (opera)
''Siegfried'' (), WWV 86C, is the third of the four music dramas that constitute ''Der Ring des Nibelungen'' (''The Ring of the Nibelung''), by Richard Wagner. It premiered at the Bayreuth Festspielhaus on 16 August 1876, as part of the first complete performance of ''The Ring'' cycle. Background and context The libretto of ''Siegfried'' was drafted by Wagner in November–December 1852, based on an earlier version he had prepared in May–June 1851 and originally entitled ''Jung-Siegfried'' (''Young Siegfried''), later changed to ''Der junge Siegfried''. The musical composition was commenced in 1856, but not finally completed until 1871.Millington, (n.d.) The libretto arose from Wagner's gradual reconception of the project he had initiated with his libretto ''Siegfrieds Tod'' (''Siegfried's Death'') which was eventually to be incarnated as ''Götterdämmerung'', the final section of the Ring cycle. Having grappled with his text for ''Siegfrieds Tod'', and indeed having under ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Ring Des Nibelungen
(''The Ring of the Nibelung''), WWV 86, is a cycle of four German-language epic music dramas composed by Richard Wagner. The works are based loosely on characters from Germanic heroic legend, namely Norse legendary sagas and the '' Nibelungenlied''. The composer termed the cycle a "Bühnenfestspiel" (stage festival play), structured in three days preceded by a ("preliminary evening"). It is often referred to as the ''Ring'' cycle, Wagner's ''Ring'', or simply ''The Ring''. Wagner wrote the libretto and music over the course of about twenty-six years, from 1848 to 1874. The four parts that constitute the ''Ring'' cycle are, in sequence: * ''Das Rheingold'' (''The Rhinegold'') * '' Die Walküre'' (''The Valkyrie'') * '' Siegfried'' * '' Götterdämmerung'' (''Twilight of the Gods'') Individual works of the sequence are often performed separately, and indeed the operas contain dialogues that mention events in the previous operas, so that a viewer could watch any of them wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Meistersinger Von Nürnberg
(; "The Master-Singers of Nuremberg"), WWV 96, is a music drama, or opera, in three acts, by Richard Wagner. It is the longest opera commonly performed, taking nearly four and a half hours, not counting two breaks between acts, and is traditionally not cut. With Hans von Bülow conducting, it was first performed on 21 June 1868 at the National Theatre Munich, National Theater in Munich, today home of Bavarian State Opera. The story is set in Nuremberg in the mid-16th century. At the time, Nuremberg was a free imperial city and one of the centers of the Renaissance in Northern Europe. The story revolves around the city's guild of ''Meistersinger'' (Master Singers), an association of amateur poets and musicians who were primarily Master craftsman, master craftsmen of various trades. The master singers had developed a craftsmanlike approach to music-making, with an intricate system of rules for composing and performing songs. The work draws much of its atmosphere from its depictio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Grimes
''Peter Grimes'', Op. 33, is an opera in three acts by Benjamin Britten, with a libretto by Montagu Slater based on the section "Peter Grimes", in George Crabbe's long narrative poem '' The Borough''. The "borough" of the opera is a fictional small town that bears some resemblance to Crabbe's – and later Britten's – home of Aldeburgh, Suffolk, on England's east coast. The work was conceived while Britten was living in the US in the early years of the Second World War and completed when he returned to Britain in 1943. It was first performed at Sadler's Wells in London on 7 June 1945, conducted by Reginald Goodall, and was a critical and popular success. It is still widely performed, both in Britain and internationally, and has become part of the standard repertoire. Among the tenors who have performed the title role in the opera house, or on record, or both are Britten's partner Peter Pears, who sang the part at the premiere, and Allan Clayton, Ben Heppner, Jonas Kaufmann, P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Greek Passion (opera)
''The Greek Passion'' (Czech ''Řecké pašije'') is an opera in four acts by Bohuslav Martinů. The English-language libretto, by the composer, is based on Jonathan Griffin's translation of the novel ''The Greek Passion'' (or ''Christ Recrucified'') by Nikos Kazantzakis. Background The opera exists in two versions. Martinů wrote the original version from 1954 to 1957. He offered this original version of the opera in 1957 to the Royal Opera House, Covent Garden, where the music director, Rafael Kubelík, and the general administrator, David Webster, had approved the score for production. However, following intervention by Sir Arthur Bliss, the company then demurred on the production and did not stage the work at the time. The composer then produced a second version of the opera first performed, at the Zurich Opera, Zürich, on 9 June 1961, after Martinů's death in 1959. The second version was first produced in the UK at Welsh National Opera on 29 April 1981, conducted by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Kuhhandel
''Der Kuhhandel '' (''A Kingdom for a Cow'' or ''Arms and the Cow'') is an operetta by Kurt Weill. The German libretto was written by Robert Vambery. Genesis Kurt Weill and Robert Vambery were both refugees from Nazi Germany. They met in Paris in 1933 and began work on the operetta in 1934. Following the completion of the libretto, attempts to interest theatre managers in Paris and Zürich in staging the operetta proved abortive, and Weill turned to other projects, leaving most of the musical numbers complete but unorchestrated. The German word Kuhhandel means "cattle trading". In German slang of the 1930s it referred to manoeuverings by politicians. Performances and versions In early 1935, Weill and Vambery collaborated with Reginald Arkell (book) and Desmond Carter (lyrics) on a three-act English-language musical comedy version of the operetta called ''A Kingdom for a Cow''. This premiered on 28 June 1935 at the Savoy Theatre, London, under the baton of Muir Mathieson and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tannhäuser (opera)
''Tannhäuser'' (; full title , "Tannhäuser and the Minnesängers' Contest at Wartburg") is an 1845 opera in three acts, with music and text by Richard Wagner ( WWV 70 in the catalogue of the composer's works). It is based on two German legends: Tannhäuser, the mythologized medieval German Minnesänger and poet, and the tale of the Wartburg Song Contest. The story centres on the struggle between sacred and profane love, as well as redemption through love, a theme running through most of Wagner's work. The opera remains a staple of major opera house repertoire in the 21st century. Composition history Sources The libretto of ''Tannhäuser'' combines mythological elements characteristic of German ''Romantische Oper'' (Romantic opera) and the medieval setting typical of many French Grand Operas. Wagner brings these two together by constructing a plot involving the 14th-century Minnesingers and the myth of Venus and her subterranean realm of Venusberg. Both the historical and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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