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Jeanne D'Arc (1900 Film)
''Joan of Arc'' (french: Jeanne d'Arc) is a 1900 French silent film directed by Georges Méliès, based on the life of Joan of Arc. Plot In the village of Domrémy, the young Joan is visited by Saint Michael, Saint Catherine, and Saint Margaret, who exhort her to fight for her country. Her father Jacques d'Arc, mother Isabelle Romée, and uncle beg her to stay at home, but she leaves them and travels to Vaucouleurs, where she meets with the governor, Captain Robert de Baudricourt. The dissipated Baudricourt initially scorns Joan's ideals, but her zeal eventually wins him over, and he gives her authority to lead French soldiers. Joan and her army lead a triumphal procession into Orléans, followed by a large crowd. Then, in Reims Cathedral, Charles VII is crowned King of France. At the Siege of Compiègne, Joan is taken prisoner while her army attempts to storm the castle. In prison, Joan has another dream in which she sees her visions again. Taken to the interrogation, J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georges Méliès
Marie-Georges-Jean Méliès (; ; 8 December 1861 – 21 January 1938) was a French illusionist, actor, and film director. He led many technical and narrative developments in the earliest days of cinema. Méliès was well known for the use of special effects, popularizing such techniques as substitution splices, multiple exposures, time-lapse photography, dissolves, and hand-painted colour. He was also one of the first filmmakers to use storyboards. His films include ''A Trip to the Moon'' (1902) and '' The Impossible Voyage'' (1904), both involving strange, surreal journeys somewhat in the style of Jules Verne, and are considered among the most important early science fiction films, though their approach is closer to fantasy. The 2011 film '' Hugo'' was inspired by the life and work of Méliès. Early life and education Marie-Georges-Jean Méliès was born 8 December 1861 in Paris, son of Jean-Louis Méliès and his Dutch wife, Johannah-Catherine Schuering. His father ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trial Of Joan Of Arc
Joan of Arc was a young French woman who said she had been sent to help Charles VII during the Hundred Years' War, which led to her capture by the English-allied Burgundians during the siege of Compiègne in 1430. She was sold to the English, who had her put on trial by a pro-English church court at Rouen, Normandy in 1431. The court found her guilty of heresy and she was burned at the stake. The verdict was later nullified at Joan's rehabilitation trial, which was overseen by the Inquisitor-General, Jean Bréhal, in 1456. Considered a French national heroine, she was declared a saint by the Roman Catholic Church in 1920. The trial is one of the most famous in history, becoming the subject of many books and films. Background and context In the spring of 1429, acting in obedience to what she said was the command of God, Joan inspired the Dauphin's armies in a series of stunning military victories which lifted the Siege of Orléans and destroyed a large percentage of the rem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Dreyfus Affair (film Series)
''The Dreyfus Affair'' (french: L'affaire Dreyfus), also known as ''Dreyfus Court-Martial'', is an 1899 series of eleven short silent films by Georges Méliès. Each of the eleven one-minute installments reconstructs an event from the real-life Dreyfus affair, which was still in progress while the series was being made. The series follows the case from Alfred Dreyfus's arrest on suspicion of espionage, through his imprisonments on Devil's Island and in Rennes, to his trial and conviction for treason; related events are also included, including the suicide of a main Dreyfus accuser, an unknown gunman's attempt to murder Dreyfus's attorney, and a public conflict between pro- and anti-Dreyfus factions. The series was acted in a restrained, realistic style vastly unlike Méliès's better-known fantasy films; the scenes were staged and advertised to suggest accurately that Dreyfus was innocent of espionage and had been framed. The real-life Dreyfus Affair attracted immense attenti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medium Shot
In a movie a medium shot, mid shot (MS), or waist shot is a camera angle shot from a medium distance. Use Medium shots are favored in sequences where dialogues or a small group of people are acting, as they give the viewer a partial view of the background, such as when the shot is 'cutting the person in half' and also show the subjects' facial expressions in the context of their body language. Medium shots are also used when the subject in the shot is delivering information, such as news presenters. It is also used in interviews. It is the most common shot in movies, and it usually follows the first establishing shots of a new scene or location. A normal lens that sees what the human eye see, is usually used for medium shots. Definition The medium shot shows equality between subjects and background. The dividing line between what constitutes a long shot and medium shot is not definite, nor is the line between medium shot and close-up. In some standard texts and professio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Long Shot
In photography, filmmaking and video production, a wide shot (sometimes referred to as a full shot or long shot) is a shot that typically shows the entire object or human figure and is usually intended to place it in some relation to its surroundings. These are typically shot now using wide-angle lenses (an approximately 25 mm lens in 35 mm photography and 10 mm lens in 16 mm photography). However, due to sheer distance, establishing shots and extremely wide shots can use almost any camera type. History This type of filmmaking was a result of filmmakers trying to retain the sense of the viewer watching a play in front of them, as opposed to just a series of pictures. The wide shot has been used since films have been made as it is a very basic type of cinematography. In 1878, one of the first true motion pictures, ''Sallie Gardner at a Gallop'', was released. Even though this wouldn't be considered a film in the current motion picture industry, it was a hu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canonization
Canonization is the declaration of a deceased person as an officially recognized saint, specifically, the official act of a Christian communion declaring a person worthy of public veneration and entering their name in the canon catalogue of saints, or authorized list of that communion's recognized saints. Catholic Church Canonization is a papal declaration that the Catholic faithful may venerate a particular deceased member of the church. Popes began making such decrees in the tenth century. Up to that point, the local bishops governed the veneration of holy men and women within their own dioceses; and there may have been, for any particular saint, no formal decree at all. In subsequent centuries, the procedures became increasingly regularized and the Popes began restricting to themselves the right to declare someone a Catholic saint. In contemporary usage, the term is understood to refer to the act by which any Christian church declares that a person who has died is a sa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beatification
Beatification (from Latin ''beatus'', "blessed" and ''facere'', "to make”) is a recognition accorded by the Catholic Church of a deceased person's entrance into Heaven and capacity to intercede on behalf of individuals who pray in their name. ''Beati'' is the plural form, referring to those who have undergone the process of beatification; they possess the title of "Blessed" (abbreviation "Bl.") before their names and are often referred to in English as "a Blessed" or, plurally, "Blesseds". History Local bishops had the power of beatifying until 1634, when Pope Urban VIII, in the apostolic constitution ''Cœlestis Jerusalem'' of 6 July, reserved the power of beatifying to the Holy See. Since the reforms of 1983, as a rule, one miracle must be confirmed to have taken place through the intercession of the person to be beatified. Miracles are almost always unexplainable medical healings, and are scientifically investigated by commissions comprising physicians and theologian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Robert-Houdin
The Théâtre Robert-Houdin, initially advertised as the Théâtre des Soirées Fantastiques de Robert-Houdin, was a Paris theatre dedicated primarily to the performance of stage illusions. Founded by the famous magician Jean-Eugène Robert-Houdin in 1845 at No. 164 Galerie Valois as part of the Palais-Royal, it moved in 1852 to a permanent home at No. 8, Boulevard des Italiens. The theatre's later directors, before its demolition in 1924, included Robert-Houdin's protégé Hamilton and the illusionist and film innovator Georges Méliès. When he first founded the theatre, Robert-Houdin was known primarily for his guest appearances as a magician and his clever mechanical inventions. Eager to solidify his work as a stage performer, he leased assembly rooms in the Palais-Royal and had them converted into a small but elegant proscenium theatre auditorium. In setting his stage, Robert-Houdin deliberately set himself apart from conventional stage-magic traditions; he eschewed the u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinderella (1899 Film)
''Cinderella'' (french: Cendrillon) is an 1899 French film directed by Georges Méliès, based on the fairy tale by Charles Perrault. It was released by Méliès's Star Film Company and is numbered 219–224 in its catalogues, where it is advertised as a ''grande féerie extraordinaire en 20 tableaux''. Cast The casts of Méliès's films are in many cases unidentified. Most of the following listing is based on cast identifications made by the film scholars Georges Sadoul, Jacques Malthête, and Laurent Mannoni. * Mlle Barral as Cinderella. Barral had also acted in Méliès's bedroom farce '' The Bridegroom's Dilemma'' earlier that year. *Bleuette Bernon as the Fairy Godmother. Méliès discovered Bernon in the 1890s, when she was performing as a singer at the cabaret L'Enfer. Her appearance in ''Cinderella'' is contemporaneous with her performances at the Eldorado cabaret. She also appeared as Phoebe, the woman on the crescent moon, in Méliès's famous ''A Trip to the Moon'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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