|
Jean Bosco Mwenda
Jean-Bosco Mwenda, also known as Mwenda wa Bayeke (1930 – September 1990), was a pioneer of Congolese fingerstyle acoustic guitar music. He was also popular in other African countries, particularly in East Africa, and in the late 1950s and early 1960s was briefly based in Nairobi, Kenya, where he had a regular radio show and became a profound influence on a generation of Kenyan guitarists. Background Jean-Bosco Mwenda was born in 1930 at Bunkeya (now part of Lualaba Province) in what was then the Belgian Congo, but lived most of his life in Lubumbashi, where in addition to playing music he had a job in a bank and with the local mining company, managed other bands, and owned a hotel on the Zambian border. He died in September 1990 in a car accident in Zambia. Mwenda used the name Mwenda wa Bayeke, claiming descent from the Sanga noble clan of Bayeke. His music draws on various sources including the traditional music of his Luba/Sanga people. He was one of the few Congolese to ob ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of The Democratic Republic Of The Congo
Congolese music is one of the most influential music forms of the African continent since the 1930s. Congolese musicians had a huge impact on the African musical scene and outside. Many contemporary genres of music were created or heavily influenced by Congolese music. As the genre of music in Kenya Benga or in Colombia Champeta. Democratic Republic of Congo and (Republic of Congo) are contemporary hubs of African music since the 1930s. Congolese rumba joined in 2021, other living traditions such as Jamaican reggae music and Cuban rumba on Unesco's "intangible cultural heritage of humanity" list. Music of the Democratic Republic of the Congo varies in its different forms. Outside Africa, most music from the Democratic Republic of Congo is called '' Soukous'', which most accurately refers instead to a dance popular in the late 1960s. The term ''rumba'' or ''rock-rumba'' is also used generically to refer to Congolese music, though neither is precise nor accurately descriptive. Peo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hugh Tracey
Hugh Travers Tracey was an English ethnomusicologist. He and his wife collected and archived music from Southern and Central Africa. From the 1920s through the 1970s, Tracey made over 35,000 recordings of African folk music. He popularized the mbira (a musical instrument of the Shona people) internationally under the name ''kalimba''. Hugh Tracy saw the importance of music within culture when he worked a tobacco farm in Southern Rhodesia. Here, he experienced music that displayed beliefs and morals, which inspired him to make his filed recordings. He wanted to stop the losing of traditional music and culture from modernity and recoded all of his field recordings from rural areas that still held onto traditional culture and ideas. Life and career Tracey was born in Willand, Devon, in 1903. In the late 1920s Tracey was a farmer in rural Devon, when he decided to travel to Southern Rhodesia, current Zimbabwe. There he continued to work as a farmer, but became deeply interested ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
African Music
Given the vastness of the African continent, its music is diverse, with regions and nations having many distinct musical traditions. African music includes the genres amapiano, Jùjú, Fuji, Afrobeat, Highlife, Makossa, Kizomba, and others. The music and dance of the African diaspora, formed to varying degrees on African musical traditions, include American music like Dixieland jazz, blues, jazz, and many Caribbean genres, such as calypso (see kaiso) and soca. Latin American music genres such as cumbia, conga, rumba, son cubano, salsa music, bomba, samba and zouk were founded on the music of enslaved Africans, and have in turn influenced African popular music. Like the music of Asia, India and the Middle East, it is a highly rhythmic music. The complex rhythmic patterns often involving one rhythm played against another to create a polyrhythm. The most common polyrhythm plays three beats on top of two, like a triplet played against straight notes. Sub-S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
African Fingerstyle Guitar
Fingerstyle guitar is the technique of playing the guitar or bass guitar by plucking the strings directly with the fingertips, fingernails, or picks attached to fingers, as opposed to flatpicking (plucking individual notes with a single plectrum, commonly called a "pick"). The term "fingerstyle" is something of a misnomer, since it is present in several different genres and styles of music—but mostly, because it involves a completely different technique, not just a "style" of playing, especially for the guitarist's picking/plucking hand. The term is often used synonymously with fingerpicking except in classical guitar circles, although fingerpicking can also refer to a specific tradition of folk, blues and country guitar playing in the US. The terms "fingerstyle" and "fingerpicking" also applied to similar string instruments such as the banjo. Music arranged for fingerstyle playing can include chords, arpeggios (the notes of a chord played one after the other, as opposed t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
