|
Jean-Nicolas Bouilly
Jean-Nicolas Bouilly (24 January 1763 – 14 April 1842) was a French playwright, librettist, children's writer, and politician of the French Revolution. He is best known for writing a libretto, supposedly based on a true story, about a woman who disguises herself as a man to rescue her husband from prison, which formed the basis of Beethoven's opera ''Fidelio'' as well as a number of other operas. Life Bouilly was born near Tours, and was briefly a lawyer for the Parlement de Paris. At the outbreak of the Revolution he held office under the new government and was head of the military commission in Tours during the Reign of Terror. In 1795, he served as a member of the Committee of Public Instruction having a considerable share in the organization of primary education, but retired from public life four years later in order to devote himself to literature. Bouilly died in Paris. Works ;Theatre *1790: ''Pierre le Grand'', comedy in 4 acts and in prose,mingled with singing, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joué-lès-Tours
Joué-lès-Tours (, literally ''Joué near Tours'') is a commune in the Indre-et-Loire department in central France. It is the largest suburb of the city of Tours, and is adjacent to it on the southwest. Population Toponymy The name of Joué-lès-Tours appears in its form "Gaudiacus" in the 6th Century. It corresponds to a toponymic type frequently found in Christian Gaule, that gave different variants depending on the region: Joué (west of France), Jouy (center and north), Jouey (east), Gouy (Normandy/Picardy), Gaugeac, Jaujac (south). It is composed of the Christian name "Gaudius", meaning "fortunate", "blessed" (gaudia > joy, in Latin) and with the Gallo-Roman suffix -ACU, meaning "place of", "property of". History Joué-lès-Tours was the site of the 20 December 2014 Tours police station stabbing. Controversy In February 2010 the mayor, Philippe Le Breton, added the word ''laïcité'' underneath the French national motto on the town hall's façade. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'amor Coniugale
''L'amor coniugale'' (Conjugal Love) is an opera in one act by Simon Mayr set to an Italian libretto by Gaetano Rossi. It premiered at Padua's Teatro Nuovo on 26 July 1805. Background and performance history Like Beethoven's ''Fidelio'', the libretto of ''L'amor coniugale'' is based on Jean-Nicolas Bouilly's French libretto for Pierre Gaveaux's 1798 opera '' Léonore, ou l'amour conjugal''. Unlike ''Fidelio'' which focuses on the struggle for political liberty, Mayr's opera, also known as ''Il custode di buon cuore'' (The Good-hearted Jailer) and described in its libretto as a ''farsa sentimentale'', focuses more on the interpersonal relationships between the protagonists and contains comic elements.Lindner, ThomasLiner notes: ''L'amor coniugale''(English version by Neil Coleman), Naxos Records 8660198. Rossi condensed Bouilly's two-act libretto into one act containing 19 scenes and changed the setting from the Napoleonic Wars to 17th century Poland. ''L'amor coniugale'' premi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Du Vaudeville
The Théâtre du Vaudeville was a theatre company in Paris. It opened on 12 January 1792 on rue de Chartres. Its directors, Piis and Barré, mainly put on "petites pièces mêlées de couplets sur des airs connus", including vaudevilles. After the theatre on the rue de Chartres burned down in 1838, the Vaudeville temporarily based itself on boulevard de Bonne-Nouvelle before in 1841 setting up in the Salle de la Bourse on the Place de la Bourse in the 2e arrondissement. This building was demolished in 1869. Eugène Labiche and Henri Meilhac put on several of their works there, and it also hosted Jules Verne's play ''Onze jours de siège'' (1861). Other writers whose works were put on there were Edmond Gondinet, Alexandre Bisson, Théophile Marion Dumersan, Jean-François Bayard, Narcisse Fournier and Gaston Arman de Caillavet. In 1852, ''La Dame aux camélias'' by Alexandre Dumas fils was put on here. For the first time in the era, there were over 100 consecutive perfo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Pain
Marie Joseph Pain (4 August 1773, Paris – March 1830, ibid.) was a 19th-century French playwright, poet and essayist. Biography A member of the , censor and office manager at the Prefecture of the Seine under the Bourbon Restoration, chief editor of the magazine ', he is known as one of the pioneers of vaudevillism. His plays, some of which achieved a major success,Marie Nicolas Bouillet, ''Dictionnaire universel d'histoire et de géographie'', vol.2, 1867, were presented on the most important Parisian stages of his time including the Théâtre du Vaudeville, the Théâtre du Gymnase-Dramatique, and the Théâtre des Variétés. Works . *1792: ''Saint-Far, ou la Délicatesse de l'amour'', comedy in 1 act, in verse *1794: ''Les Chouans, ou La Républicaine de Malestroit'', with François Marie Joseph Riou de Kersalaün *1794: ''Le Naufrage au port'', comedy in 1 act, mingled with vaudevilles *1798: ''Le Roi de pique'', comedy in 1 act and in verse *1798: ''L'Appartement ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles-Henri Plantade
Charles-Henri Plantade (14 October 1764 – 18 December 1839) was a French classical composer and singing professor. His compositions included several operas, numerous romances, sacred music, and a sonata for harp. He taught singing at the Conservatoire de Paris and was the ''maître de chapelle'' to the courts of Louis Bonaparte in Holland and Louis XVIII in France. From 1812 to 1815 he was also the singing master and stage director of the Paris Opéra. Plantade was born in Pontoise and died in Paris at the age of 75. His elder son, Charles-François Plantade, was also a composer. Life and career Plantade was born in Pontoise, a suburb of Paris. According to his obituary in ''Le Ménestrel'', he came from a noble family whose origins were in Languedoc. Plantade began his musical training in singing and the cello at the age of eight when he entered the school for pages in the ''Musique du roi'', the King's personal troupe of musicians. He went on to study singing and composition wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra-Comique
The Opéra-Comique is a Paris opera company which was founded around 1714 by some of the popular theatres of the Parisian fairs. In 1762 the company was merged with – and for a time took the name of – its chief rival, the Comédie-Italienne at the Hôtel de Bourgogne. It was also called the Théâtre-Italien up to about 1793, when it again became most commonly known as the Opéra-Comique. Today the company's official name is Théâtre national de l'Opéra-Comique, and its theatre, with a capacity of around 1,248 seats, sometimes referred to as the Salle Favart (the third on this site), is located at Place Boïeldieu in the 2nd arrondissement of Paris, not far from the Palais Garnier, one of the theatres of the Paris Opéra. The musicians and others associated with the Opéra-Comique have made important contributions to operatic history and tradition in France and to French opera. Its current mission is to reconnect with its history and discover its unique repertoire to ensu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luigi Cherubini
Luigi Cherubini ( ; ; 8 or 14 SeptemberWillis, in Sadie (Ed.), p. 833 1760 – 15 March 1842) was an Italian Classical and Romantic composer. His most significant compositions are operas and sacred music. Beethoven regarded Cherubini as the greatest of his contemporaries. His operas were heavily praised and interpreted by Rossini. Early years Cherubini was born Maria Luigi Carlo Zenobio Salvatore Cherubini in Florence in 1760. There is uncertainty about his exact date of birth. Although 14 September is sometimes stated, evidence from baptismal records and Cherubini himself suggests the 8th is correct. Perhaps the strongest evidence is his first name, Maria, which is traditional for a child born on 8 September, the feast-day of the Nativity of the Virgin. His instruction in music began at the age of six with his father, Bartolomeo, '' maestro al cembalo'' ("Master of the harpsichord", in other words, ensemble leader from the harpsichord). Considered a child prodigy, Cherubini st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comédie Lyrique
This is a glossary list of opera genres, giving alternative names. "Opera" is an Italian word (short for "opera in musica"); it was not at first ''commonly'' used in Italy (or in other countries) to refer to the genre of particular works. Most composers used more precise designations to present their work to the public. Often specific genres of opera were commissioned by theatres or patrons (in which case the form of the work might deviate more or less from the genre norm, depending on the inclination of the composer). Opera genres are not exclusive. Some operas are regarded as belonging to several. Definitions Opera genres have been defined in different ways, not always in terms of stylistic rules. Some, like opera seria, refer to traditions identified by later historians,McClymonds, Marita P and Heartz, Daniel: "Opera seria" in ''The New Grove Dictionary of Opera'', ed. Stanley Sadie (London, 1992) and others, like Zeitoper, have been defined by their own inventors. Other form ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vaudeville (song)
A vaudeville is a French satire, satirical poem or song born of the 17th and 18th centuries. Its name is lent to the French theatre, theatrical entertainment ''comédie en vaudeville'' of the 19th and 20th century. From these vaudeville took its name. The earliest vaudeville was the ''vau de vire'', a Normandy, Norman song of the 15th century, named after the valley of Vire. During the 16th century emerged a style in urban France called the ''voix de ville'' (city voice), whose name may have been a pun on ''vau de vire'', and which was also satirical. The two styles converged and in the 17th and 18th century the term "vaudeville" came to be used for songs satirizing political and court events. In 1717 a collection was published in Paris of over 300 vaudevilles, entitled ''La clef des chansonniers, ou recueil des vaudevilles depuis 100 ans et plus [The singers' key, or collection of Vaudevilles from over 100 years]'', and in 1733 in the same city a club, "Le Caveau", was founded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolas Dalayrac
Nicolas-Marie d'Alayrac (; bapt. 13 June 175326 November 1809), nicknamed the Musician poet, more commonly Nicolas Dalayrac, was a French composer of the Classical period. Intended for a military career, he made the acquaintance of many musicians in the Parisian salons, which convinced him of his true vocation. Among his most popular works, '' Nina, or The Woman Crazed with Love'' (1786), which tackles the theme of madness and arouses real enthusiasm during its creation, premiered on 23 November at the Stroganov Palace. '' The Two Little Savoyards'' (1789), which deals with the rapprochement of social classes, a theme bearing the ideals of the French Revolution, Camille ou le Souterrain (1791), judged as his best production or even Léon ou le Château de Monténéro (1798) who by his leitmotifs announces a new genre. If he forges an international reputation, he remains nevertheless less known in the lyrical field than André Grétry. His first compositions were violin du ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comédie-Française
The Comédie-Française () or Théâtre-Français () is one of the few state theatres in France. Founded in 1680, it is the oldest active theatre company in the world. Established as a French state-controlled entity in 1995, it is the only state theatre in France to have its own permanent troupe of actors. The company's primary venue is the Salle Richelieu, which is a part of the Palais-Royal complex and located at 2, Rue de Richelieu on Place André-Malraux in the 1st arrondissement of Paris. The theatre has also been known as the Théâtre de la République and popularly as "La Maison de Molière" (The House of Molière). It acquired the latter name from the troupe of the best-known playwright associated with the Comédie-Française, Molière. He was considered the patron of French actors. He died seven years before his troupe became known as the Comédie-Française, but the company continued to be known as "La Maison de Molière" even after the official change of name. Histor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
