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Jean-Joseph Vadé
Jean-Joseph Vadé (17 January 1720 – 4 July 1757) was a French chansonnier and playwright of the 18th century. Biography The son of Jacques Vadé, an innkeeper, Jean-Joseph went with his father to Paris in 1725. His studies suffered from his ebullient and lively character, and he could never learn Latin, but he knew how to correct the weakness of his education by reading the best authors on his own. At twenty, he obtained the position of controller of the '' vingtième'' (income tax) in Soissons, then in Laon, where he was noted for his wit and upbeat verve. In 1743, he left Laon to go to Rouen and became secretary of the Duke of Agenois for two years. Finally, he returned to Paris where his friends helped him find a new job in the office of the ''vingtième''. It was around that time that he became known to the public for his effortless and graceful poems. Occasionally a singer, Vadé participated in the singing society La Dominicale. He had a daughter, Marie Françoise ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ham, Somme
Ham (; pcd, Hin) is a commune in the Somme department in Hauts-de-France, northern France. Geography Ham is situated on the D930 and D937 crossroads, some southwest of Saint-Quentin, in the far southeast of the department, near the border with the department of the Aisne. Ham (Somme) station has rail connections to Amiens, Saint-Quentin and Laon. The nearby villages of Estouilly and Saint-Sulpice joined the commune of Ham in 1965 and 1966 respectively. Population The population data given in the table and graph below for 1962 and earlier refer to the commune of Ham excluding Estouilly and Saint-Sulpice. History Mentioned for the first time in 932 as a possession of the seigneur Erard, junior member of the Counts of Ponthieu. The town was later conquered by the Counts of Vermandois in the 12th century. In the 14th century it was owned by a family from Ham itself. From April 7 to June 3, 1917, Ham was home to the Lafayette Escadrille The Castle of Ham The first stone ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Élie Fréron
Élie is the French equivalent of "Elie", "Elias" or "Elijah."''The Complete Baby Name Book'' 1989 Page 92 "It was revived in the seventeenth century by the Puritans, and it's still used, especially by religious Protestant families. Famous name: Elie Wiesel (novelist) Variations: Elia (Italian), Elias (English), Élie (French), ..." French masculine given name * Élie Vinet (1509–1587) French Renaissance humanist * Élie Diodati (1576–1661) Swiss French jurist * Élie Benoist (1640–1728) French Protestant minister and historian of the Edict of Nantes * Élie Bouhéreau (1643–1719) French Huguenot refugee in Ireland and the first librarian of Marsh's Library * Élie, duc Decazes (1780–1860) * Élie Bertrand (1713–1797) Swiss French geologist * Élie Catherine Fréron (1719–1776) French (male) writer and controversialist * Élie Lacoste (1745–1806) French politician during the French Revolution * Élie Halévy (Chalfan) (1760–1826) French Hebrew poet and author ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Callot
Jacques Callot (; – 1635) was a baroque printmaker and draftsman from the Duchy of Lorraine (an independent state on the north-eastern border of France, southwestern border of Germany and overlapping the southern Netherlands). He is an important person in the development of the old master print. He made more than 1,400 etchings that chronicled the life of his period, featuring soldiers, clowns, drunkards, Gypsies, beggars, as well as court life. He also etched many religious and military images, and many prints featured extensive landscapes in their background. Life and training Callot was born and died in Nancy, the capital of Lorraine, now in France. He came from an important family (his father was master of ceremonies at the court of the Duke), and he often describes himself as having noble status in the inscriptions to his prints. At the age of fifteen he was apprenticed to a goldsmith, but soon afterward travelled to Rome where he learned engraving from an expatriate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Teniers The Elder
David Teniers the Elder (158229 July 1649), Flemish painter, was born at Antwerp. Biography Having received his first training in the painter's art from his brother Juliaen, he studied under Rubens in Antwerp, and subsequently under Elsheimer in Rome; he became a member of the Antwerp guild of painters in 1606. Though his ambition led him at times to try his skill in large religious, historical and mythological compositions, his claim to fame depends chiefly on his landscapes and paintings of peasants carousing, of kermesse scenes and the like, which are marked by a healthy sense of humour, and which are not infrequently confused with the early works of his son David. There is a large painting by the elder Teniers at St. Paul's church in Antwerp, representing the ''Works of Charity''. At the Vienna Gallery are four landscapes painted by Teniers under the influence of Elsheimer, and four small mythological subjects, among them ''Vertumnus and Pomona'', and ''Juno, Jupit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Collé
Charles Collé (14 April 1709 – 3 November 1783) was a French dramatist and songwriter. Biography The son of a notary, he was born in Paris. He became interested in the rhymes of Jean Heguanier, the most famous writer of couplets in Paris. From a notary's office, Collé was transferred to that of the receiver-general of finance, where he remained for nearly twenty years. When about seventeen, however, he made the acquaintance of Alexis Piron, and afterwards, through Gallet (1698?–1757), of Panard. The example of these three masters of the vaudeville decided his future but also made him diffident; and for some time he composed nothing but ''amphigouris''—verses whose merit was measured by their unintelligibility. The friendship of the younger Crébillon helped broaden his horizons, and the establishment in 1729 of the famous "Société du Caveau", a drinking-club known for its wit and good company, gave him a field for the display of his fine talent for popular song. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-François De La Harpe
Jean-François de La Harpe (20 November 173911 February 1803) was a French playwright, writer and literary critic. Life La Harpe was born in Paris of poor parents. His father, who signed himself Delharpe, was a descendant of a noble family originally of Vaud. Left an orphan at the age of nine, La Harpe was taken care of for six months by the Sisters of Charity, and his education was provided for by a scholarship at the Collège d'Harcourt, now known as the Lycée Saint-Louis. When nineteen he was imprisoned for some months on the charge of having written a satire against his protectors at the college. He was imprisoned at For-l'Évêque. La Harpe always denied his guilt, but this culminating misfortune of an early life spent entirely in the position of a dependent possibly had something to do with the bitterness he evinced in later life. Citations: * Sainte-Beuve, ''Causeries du lundi'', vol. v In 1763, his tragedy of ''Warwick'' was played before the court. This, his first pla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melchior Grimm
Friedrich Melchior, Baron von Grimm (26 September 172319 December 1807) was a German-born French-language journalist, art critic, diplomat and contributor to the ''Encyclopédie ou Dictionnaire raisonné des sciences, des arts et des métiers''. In 1765 Grimm wrote ''Poème lyrique'', an influential article for the Encyclopédie on lyric and opera librettos. Like Christoph Willibald Gluck and Ranieri de' Calzabigi, Grimm became interested in opera reform. According to Martin Fontius, a German literary theorist, "sooner or later a book entitled ''The Aesthetic Ideas of Grimm'' will have to be written." Early years Grimm was born at Regensburg, the son of Johann Melchior Grimm (1682–1749), a pastor, and Sibylle Margarete Grimm, (''née'' Koch) (1684–1774). He studied at the University of Leipzig, where he came under the influence of Johann Christian Gottsched and of Johann August Ernesti, to whom he was largely indebted for his critical appreciation of classical literatu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parodies
A parody, also known as a spoof, a satire, a send-up, a take-off, a lampoon, a play on (something), or a caricature, is a creative work designed to imitate, comment on, and/or mock its subject by means of satiric or ironic imitation. Often its subject is an original work or some aspect of it (theme/content, author, style, etc), but a parody can also be about a real-life person (e.g. a politician), event, or movement (e.g. the French Revolution or 1960s counterculture). Literary scholar Professor Simon Dentith defines parody as "any cultural practice which provides a relatively polemical allusive imitation of another cultural production or practice". The literary theorist Linda Hutcheon said "parody ... is imitation, not always at the expense of the parodied text." Parody may be found in art or culture, including literature, music, theater, television and film, animation, and gaming. Some parody is practiced in theater. The writer and critic John Gross observes in his ''Oxford Boo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parade (French Street Entertainment)
A ''parade'' is a type of French street entertainment which originated during the Renaissance. It consisted of a group of entertainers, which could include actors, singers, dancers, jugglers, and other types of performers, who took part in parades (in the usual sense of the word) and entertained spectators at those times when the procession stopped moving.Bartlet, M. Elizabeth C., "Parade" in Sadie 1992, vol. 3, p. 850. In the 18th century the term was applied to short improvisational buffooneries, typically incorporating vulgarities, which were performed either on an outdoor platform or a balcony in order to entice passersby into show-booths and theatres at the fairs or on the Boulevard du Temple. The characters were often drawn from the '' commedia dell'arte'' tradition. According to Elizabeth Bartlet "the humour was of the crudest sort, relying on sexual innuendos or even explicit remarks and actions, obscene gestures and references to defecation and other bodily functions." ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
