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Jean-Joseph Mouret
Jean-Joseph Mouret (11 April 1682 in Avignon – 22 December 1738 in Charenton-le-Pont) was a French composer whose dramatic works made him one of the leading exponents of Baroque music in his country. Even though most of his works are rarely performed, Mouret's name survives today thanks to the popularity of the Fanfare-Rondeau from his first ''Suite de symphonies'', which has been adopted as the signature tune of the PBS program ''Masterpiece'' and is a popular musical choice in many modern weddings. Life He was the son of Jean Bertrand Mouret, a silk merchant, who gave him a good education and, noting his early gifts for music, favored this choice. He sang with talent, began to compose with success and, around the age of twenty-five, settled in Paris. Talented and endowed with a pleasant character, he was not long in making himself known there and, in 1708, was introduced to Anne, Duchess of Maine, whose salon at Sceaux was a center of courtly society in the declining year ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avignon
Avignon (, ; ; oc, Avinhon, label= Provençal or , ; la, Avenio) is the prefecture of the Vaucluse department in the Provence-Alpes-Côte d'Azur region of Southeastern France. Located on the left bank of the river Rhône, the commune had a population of 93,671 as of the census results of 2017, with about 16,000 (estimate from Avignon's municipal services) living in the ancient town centre enclosed by its medieval walls. It is France's 35th largest metropolitan area according to INSEE with 336,135 inhabitants (2019), and France's 13th largest urban unit with 458,828 inhabitants (2019). Its urban area was the fastest-growing in France from 1999 until 2010 with an increase of 76% of its population and an area increase of 136%. The Communauté d'agglomération du Grand Avignon, a cooperation structure of 16 communes, had 192,785 inhabitants in 2018. Between 1309 and 1377, during the Avignon Papacy, seven successive popes resided in Avignon and in 1348 Pope Clement VI b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Succès De Scandale
''Succès de scandale'' (French for "success from scandal") is a term for any artistic work whose success is attributed, in whole or in part, to public controversy surrounding the work. In some cases the controversy causes audiences to seek out the work for its titillating content, while in others it simply heightens public curiosity. This concept is echoed by the phrase "there is no such thing as bad publicity". ''Belle Époque'' The ''Belle Époque'' ('beautiful era') in Paris, roughly from 1871–1914, was notable for many ''succès de scandale''. This was also where and when the term originated. In the examples below, artists started their careers with some sort of scandal, with some connection to turn-of-the-century Paris. In other cities, provoking a scandal appeared more risky, as Oscar Wilde found out shortly after his relatively "successful" Parisian scandal ('' Salomé'' in 1894, portraying the main character as a necrophile). * '' Le déjeuner sur l'herbe'' ("Lunc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Air (music)
An air ( it, aria; also ''ayr'', ''ayre'' in French) is a song-like vocal or instrumental composition. The term can also be applied to the interchangeable melodies of folk songs and ballads. It is a variant of the musical song form often referred to (in opera, cantata and oratorio) as aria. English lute ayres Lute airs were first produced in the royal court of England toward the end of the 16th century and enjoyed considerable popularity until the 1620s. Probably based on Italian monody and French '' air de cour'', they were solo songs, occasionally with more (usually three) parts, accompanied on a lute.G. J. Buelow, ''History of Baroque Music: Music in the 17th and First Half of the 18th Centuries'', Indiana University Press, 2004 (p. 306). Their popularity began with the publication of John Dowland's (1563–1626) ''First Booke of Songs or Ayres'' (1597). His most famous airs include " Come again", "Flow, my tears", " I saw my Lady weepe", and " In darkness let me dwell". The ge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pirithoüs (opera)
''Pirithoüs'' is an opera by the French composer Jean-Joseph Mouret, first performed at the Académie Royale de Musique (the Paris Opera) on 26 January 1723. It takes the form of a ''tragédie en musique'' in a prologue and five acts. The libretto is by Jean-Louis-Ignace de La Serre. The opera takes its name from the King Pirithous Pirithous (; grc-gre, Πειρίθοος or , derived from ; also transliterated as Perithous), in Greek mythology, was the King of the Lapiths of Larissa in Thessaly, as well as best friend to Theseus. Biography Pirithous was a son of "h ... of Greek mythology. The premiere was considered very successful, although '' Le Mercure'' said that the main scenes wasn't as interesting as hoped for, but overall the opera was lively, pleasureful, and brilliant. Sources Libretto at "Livrets baroques"* ;References French-language operas Tragédies en musique Operas by Jean-Joseph Mouret Operas 1723 operas {{french-opera-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ariane (Mouret)
''Ariane'' (''Ariadne'') is an opera by the French composer Jean-Joseph Mouret, first performed at the Académie Royale de Musique (the Paris Opera) on 6 April 1717. It takes the form of a ''tragédie en musique'' in a prologue and five acts. The libretto is by François Joseph Lagrange-Chancel and Pierre-Charles Roy Pierre-Charles Roy (1683 — 23 October 1764) was a French poet and man of letters, noted for his collaborations with the composers François Francoeur and André Cardinal Destouches, to produce librettos for several opera-ballets, on classical s .... Sources Félix Clément and Pierre Larousse ''Dictionnaire des Opéras'', Paris, 1881 page 48. French-language operas Tragédies en musique Operas by Jean-Joseph Mouret Operas 1717 operas {{french-opera-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Amours De Ragonde
''Les amours de Ragonde'' (''The Loves of Ragonde'', original title: ''Le mariage de Ragonde et de Colin ou La Veillée de Village'') is an opera in three acts by Jean-Joseph Mouret with a libretto by Philippe Néricault Destouches. It was first performed at the Château de Sceaux in December, 1714. It is one of the first French comic operas. Performance history Mouret was in charge of the ''Grandes Nuits de Sceaux'', musical entertainments put on every fortnight by the Duchesse de Maine at her chateau at Sceaux. For the 13th night, in 1714, Mouret and his librettist wrote ''Le mariage de Ragonde et de Colin''. Comedy was something of a novelty in French opera and the work looks forward to the genre of '' opéra comique'' which would become popular in the mid-18th century. Mouret also parodied many famous scenes from the prestigious '' tragédies en musique'' by Jean-Baptiste Lully, including moments from '' Armide'', '' Atys'' and '' Alceste''. The next time the opera was he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Philippe Rameau
Jean-Philippe Rameau (; – ) was a French composer and music theorist. Regarded as one of the most important French composers and music theorists of the 18th century, he replaced Jean-Baptiste Lully as the dominant composer of French opera and is also considered the leading French composer of his time for the harpsichord, alongside François Couperin. Little is known about Rameau's early years. It was not until the 1720s that he won fame as a major theorist of music with his ''Treatise on Harmony'' (1722) and also in the following years as a composer of masterpieces for the harpsichord, which circulated throughout Europe. He was almost 50 before he embarked on the operatic career on which his reputation chiefly rests today. His debut, ''Hippolyte et Aricie'' (1733), caused a great stir and was fiercely attacked by the supporters of Lully's style of music for its revolutionary use of harmony. Nevertheless, Rameau's pre-eminence in the field of French opera was soon acknowledged, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Lyric Tragedy
French (french: français(e), link=no) may refer to: * Something of, from, or related to France ** French language, which originated in France, and its various dialects and accents ** French people, a nation and ethnic group identified with France ** French cuisine, cooking traditions and practices Fortnite French places Arts and media * The French (band), a British rock band * "French" (episode), a live-action episode of ''The Super Mario Bros. Super Show!'' * ''Française'' (film), 2008 * French Stewart (born 1964), American actor Other uses * French (surname), a surname (including a list of people with the name) * French (tunic), a particular type of military jacket or tunic used in the Russian Empire and Soviet Union * French's, an American brand of mustard condiment * French catheter scale, a unit of measurement of diameter * French Defence, a chess opening * French kiss, a type of kiss involving the tongue See also * France (other) * Franch, a surname * Fren ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concert Spirituel
The Concert Spirituel ( en, Spiritual Concert) was one of the first public concert series in existence. The concerts began in Paris in 1725 and ended in 1790. Later, concerts or series of concerts of the same name occurred in Paris, Vienna, London and elsewhere. The series was founded to provide entertainment during the Easter fortnight and on religious holidays when the other spectacles (the Paris Opera, Comédie-Française, and Comédie-Italienne) were closed. The programs featured a mixture of sacred choral works and virtuosic instrumental pieces, and for many years took place in a magnificently-decorated ''Salle des Cent Suisses'' (Hall of the Hundred Swiss Guards) in the Tuileries Palace. They started at six o’clock in the evening and were primarily attended by well-to-do bourgeois, the lower aristocracy, and foreign visitors. In 1784 the concerts were moved to the stage area of the ''Salle des Machines'' (an enormous former opera house in the Tuileries), and in 1790, when t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philippe II, Duke Of Orléans
Philippe II, Duke of Orléans (Philippe Charles; 2 August 1674 – 2 December 1723), was a French prince, soldier, and statesman who served as Regent of the Kingdom of France from 1715 to 1723. He is referred to in French as ''le Régent''. He was the son of Monsieur Philippe I, Duke of Orleans, and Madame Elisabeth Charlotte, Duchess of Orleans. Born at his father's palace at Saint-Cloud, he was known from birth by the title of Duke of Chartres. In 1692, Philippe married his first cousin Françoise Marie de Bourbon, the youngest legitimised daughter (''légitimée de France'') of King Louis XIV and Madame de Montespan. Named regent of France during the minority of Louis XV, his great-nephew and first cousin twice removed, the period of his ''de facto'' rule was known as the Regency (french: la Régence) (1715–1723). The Regency came to an end in February 1723, and the Duke of Orléans died at Versailles in December. Parents In March 1661, Monsieur Ph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre De Marivaux
Pierre Carlet de Chamblain de Marivaux (4 February 1688 – 12 February 1763), commonly referred to as Marivaux, was a French playwright and novelist. He is considered one of the most important French playwrights of the 18th century, writing numerous comedies for the Comédie-Française and the Comédie-Italienne of Paris. His most important works are ''Le Triomphe de l'amour'', ''Le Jeu de l'amour et du hasard'' and ''Les Fausses Confidences''. He also published a number of essays and two important but unfinished novels, ''La Vie de Marianne'' and ''Le Paysan parvenu''. Life His father was a Norman financier whose name from birth was Carlet, but who assumed the surname of Chamblain, and then that of Marivaux. He brought up his family in Limoges and Riom, in the province of Auvergne, where he directed the mint. Marivaux is said to have written his first play, the ''Père prudent et équitable'', when he was only eighteen, but it was not published until 1712, when he was twenty ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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