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Jauchzet Gott In Allen Landen, BWV 51
Johann Sebastian Bach composed the church cantata ("Exult in God in every land" or "Shout for joy to God in all lands") 51, in Leipzig. The work is Bach's only church cantata scored for a solo soprano and trumpet. He composed it for general use (''ogni tempo)'', in other words not for a particular date in the church calendar, although he used it for the 15th Sunday after Trinity: the first known performance was on 17 September 1730 in Leipzig. The work may have been composed earlier, possibly for an occasion at the court of Christian, Duke of Saxe-Weissenfels, for whom Bach had composed the '' Hunting Cantata'' and the '' Shepherd Cantata''. The text was written by an unknown poet who took inspiration from various biblical books, especially from psalms, and included as a closing chorale a stanza from the hymn "Nun lob, mein Seel, den Herren". Bach structured the work in five movements, with the solo voice accompanied by a Baroque instrumental ensemble of a virtuoso trumpet, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Church Cantata (Bach)
Throughout his life as a musician, Johann Sebastian Bach composed cantatas for both secular and sacred use. His church cantatas are cantatas which he composed for use in the Lutheran church, mainly intended for the occasions of the liturgical year. Bach's ''Nekrolog'' mentions five cantata cycles: "Fünf Jahrgänge von Kirchenstücken, auf alle Sonn- und Festtage" (Five year-cycles of pieces for the church, for all Sundays and feast days), which would amount to at least 275 cantatas, Alfred Dörffel. Bach-Gesellschaft Ausgabe Volume 27: '' Thematisches Verzeichniss der Kirchencantaten No. 1–120''. Breitkopf & Härtel, 1878. Introduction, p. VI or over 320 if all cycles would have been ideal cycles.Günther Zedler''Die Kantaten von Johann Sebastian Bach: Eine Einführung in die Werkgattung''.Books on Demand, 2011. p. 24–25/ref> The extant cantatas are around two-thirds of that number, with limited additional information on the ones that went missing or survived as fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epistle To The Galatians
The Epistle to the Galatians is the ninth book of the New Testament. It is a letter from Paul the Apostle to a number of Early Christian communities in Galatia. Scholars have suggested that this is either the Roman province of Galatia in southern Anatolia, or a large region defined by an ethnic group of Celtic people in central Anatolia. The language the letter was originally written in was Koine Greek and later translated into other languages. In this letter, Paul is principally concerned with the controversy surrounding gentile Christians and the Mosaic Law during the Apostolic Age. Paul argues that the gentile Galatians do not need to adhere to the tenets of the Mosaic Law, particularly religious male circumcision, by contextualizing the role of the law in light of the revelation of Christ. The Epistle to the Galatians has exerted enormous influence on the history of Christianity, the development of Christian theology, and the study of the Apostle Paul. The central dispute ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christoph Nichelmann
Christoph Nichelmann (13 August 1717 – 20 July 1762) was a German composer and harpsichordist. He was second keyboard player in the Royal Ensemble of Frederick the Great. Biography Born in Treuenbrietzen, from 1730 on the advice of a relative Nichelmann attended the Thomasschule in Leipzig, where he was accepted by Johann Sebastian Bach. He may have been the soprano that Bach had in mind when he composed his cantata ''Jauchzet Gott in allen Landen''. He studied composition and was taught to play keyboard instruments by Wilhelm Friedemann Bach. In 1733, because of his interest in opera, he went to Hamburg to explore theatrical music in the French and Italian style. There he was a student of Reinhard Keiser, Georg Philipp Telemann and Johann Mattheson. At times he worked as a private secretary for musicians and noble families. In 1739 Nichelmann moved to Berlin, where he continued his studies with Johann Joachim Quantz and Carl Heinrich Graun. In 1742, he decided to travel t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joshua Rifkin
Joshua Rifkin (born April 22, 1944 in New York) is an American conductor, pianist, and musicologist; he is currently a professor of music at Boston University. As a performer he has recorded music by composers from Antoine Busnois to Silvestre Revueltas, and as a scholar has published research on composers from the Renaissance to the 20th century. Rifkin is famed among classical musicians and aficionados for his increasingly influential theory that most of Bach's choral works were sung with only one singer per choral line. Rifkin argued: "So long as we define 'chorus' in the conventional modern sense, then Bach's chorus, with few exceptions, simply did not exist." He is best known by the general public, however, for having played a central role in the ragtime revival in the 1970s, with the three albums he recorded of Scott Joplin's works for Nonesuch Records. Musical career Joplin Rifkin's Joplin albums (the first of which was '' Scott Joplin: Piano Rags'' in November ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Dürr
Alfred Dürr (3 March 1918 – 7 April 2011) was a German musicologist. He was a principal editor of the Neue Bach-Ausgabe, the second edition of the complete works of Johann Sebastian Bach. Professional career Dürr studied musicology and Classical philology at the Georg-August-Universität Göttingen from 1945 to 1950. He wrote his thesis about Bach's early cantatas. From 1951 until his retirement in 1983 he was an employee of the Johann Sebastian Bach Institute in Göttingen, West Germany, from 1962 to 1981 its deputy director. His work involved collaboration with colleagues in East Germany. He was a principal editor of the Neue Bach-Ausgabe, a project which was divided between the Johann Sebastian Bach Institute and the Bach-Archiv Leipzig in East Germany. From 1953 to 1974 Dürr was editor of the '' Bach-Jahrbuch'' (Bach almanach), together with Werner Neumann, the founder and director of the Bach-Archiv Leipzig. Dürr received honorary doctorates of music from the Hum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Octave
In music, an octave ( la, octavus: eighth) or perfect octave (sometimes called the diapason) is the interval between one musical pitch and another with double its frequency. The octave relationship is a natural phenomenon that has been referred to as the "basic miracle of music," the use of which is "common in most musical systems." The interval between the first and second harmonics of the harmonic series is an octave. In Western music notation, notes separated by an octave (or multiple octaves) have the same name and are of the same pitch class. To emphasize that it is one of the perfect intervals (including unison, perfect fourth, and perfect fifth), the octave is designated P8. Other interval qualities are also possible, though rare. The octave above or below an indicated note is sometimes abbreviated ''8a'' or ''8va'' ( it, all'ottava), ''8va bassa'' ( it, all'ottava bassa, sometimes also ''8vb''), or simply ''8'' for the octave in the direction indicated by pl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Weißenfels
Weißenfels (; often written in English as Weissenfels) is the largest town of the Burgenlandkreis district, in southern Saxony-Anhalt, central Germany. It is situated on the river Saale, approximately south of Halle. History Perhaps the first mention of the area, before the town itself was founded occurred in 806 CE, when Charles the Younger (''Karl der Jüngere''), King of the Franks, fought and killed two West Slavic '' Knezy'' (princes) nearby: duke Miliduch of the Sorbs and Nessyta (possibly also a Sorbian leader). Miliduch had led a Sorbian invasion of Austrasia. The settlement arose around a castle on a ford crossing the Saale and received municipal rights in 1185. During the Thirty Years' War, the town was badly damaged and the population fell from 2200 to 960. On 7 November 1632 the body of King Gustavus Adolphus of Sweden was first laid out at Weißenfels after he had been killed the day before at the Battle of Lützen. Shortly afterwards however, the tow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christoph Wolff
Christoph Wolff (born 24 May 1940) is a German musicologist. He is best known for his works on the music, life, and period of Johann Sebastian Bach. Christoph Wolff is an emeritus professor of Harvard University, and was part of the faculty since 1976, and former director of the Bach Archive in Leipzig from 2001 to 2014. Life and career He was born in Solingen, the son of theologian Hans Walter Wolff. He studied organ and historical keyboard instruments, musicology, and art history at the Universities of Berlin, Erlangen, and the Music Academy of Freiburg, receiving a performance diploma in 1963 and a PhD in 1966. Wolff taught music history at Erlangen, Toronto, Princeton, and Columbia Universities before joining the Harvard faculty in 1976 as Professor of Music and retiring in 2014. He was also on the graduate faculty of the Juilliard School from 2010–2018. A member of the American Academy of Arts and Sciences, the American Philosophical Society, the Saxon Academy of Science ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schloss Neu-Augustusburg In Weißenfels
''Schloss'' (; pl. ''Schlösser''), formerly written ''Schloß'', is the German term for a building similar to a château, palace, or manor house. Related terms appear in several Germanic languages. In the Scandinavian languages, the cognate word ''slot''/''slott'' is normally used for what in English could be either a palace or a castle (instead of words in rarer use such as ''palats''/''palæ'', ''kastell'', or ''borg''). In Dutch, the word ''slot'' is considered to be more archaic. Nowadays, one commonly uses ''paleis'' or ''kasteel''. But in English, the term does not appear, for instance, in the United Kingdom, this type of structure would be known as a stately home or country house. Most ''Schlösser'' were built after the Middle Ages as residences for the nobility, not as true fortresses, although originally, they often were fortified. The usual German term for a true castle is ''burg'', that for a fortress is ''festung'', and — the slightly more archaic term — ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wir Danken Dir, Gott, Wir Danken Dir, BWV 29
(We thank you, God, we thank you), 29, is a sacred cantata by Johann Sebastian Bach. He composed it in Leipzig in 1731 for , the annual inauguration of a new town council, and first performed it on 27 August of that year. The cantata was part of a festive service in the . The cantata text by an unknown author includes in movement 2 the beginning of Psalm 75, and as the closing chorale the fifth stanza of Johann Gramann's "". Bach scored the work in eight movements for four vocal parts and a festive Baroque orchestra of three trumpets, timpani, two oboes, strings, an obbligato organ and basso continuo. The organ dominates the first movement ''Sinfonia'' which Bach derived from a ''Partita'' for violin. The full orchestra accompanies the first choral movement and plays with the voices in the closing chorale, while a sequence of three arias alternating with two recitatives is scored intimately. Bach used the music from the choral movement for both the and of his Mass in B minor. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Gramann
Johann Gramann or Graumann (5 July 1487 – 29 April 1541), also known by his pen name Johannes Poliander, was a German pastor, theologian, teacher, humanist, reformer, and Lutheran leader. Life Gramann was born in Neustadt an der Aisch, Middle Franconia. He worked as rector of the Thomasschule in Leipzig. Poliander was Johann Eck's secretary at the 1519 Leipzig Debate, where he met Martin Luther and joined the Protestant Reformation. Poliander became pastor of Altstadt Church in 1525 in Königsberg (Kaliningrad), capital of the new Duchy of Prussia (a fief of the Crown of Poland), succeeding the fiery Johannes Amandus. The humanist was well-regarded by his peers, including the Catholic Johannes Dantiscus. He wrote secular and religious poetry in German and Latin. He was a strong advocate with Albert, Duke of Prussia, for the creation of the University of Königsberg. He donated his personal collection of 1,000 books to Altstadt's council; this became the foundation of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chorale
Chorale is the name of several related musical forms originating in the music genre of the Lutheran chorale: * Hymn tune of a Lutheran hymn (e.g. the melody of "Wachet auf, ruft uns die Stimme"), or a tune in a similar format (e.g. one of the themes in the Finale of Saint-Saëns's Third Symphony) * Such tune with a harmonic accompaniment (e.g. chorale monody, chorales included in ''Schemellis Gesangbuch'') * Such a tune presented in a homophonic or homorhythmic harmonisation, usually four-part harmony (e.g. Bach's four-part chorales, or the chorale included in the second movement of Mahler's Fifth Symphony) * A more complex setting of a hymn(-like) tune (e.g. chorale fantasia form in Bach's '' Schübler Chorales'', or a combination of compositional techniques in César Franck's ') The chorale originated when Martin Luther translated sacred songs into the vernacular language (German), contrary to the established practice of church music near the end of the first quarter of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
