Jason Lollar
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Jason Lollar
Jason Lollar is an American luthier, musician, and co-founder of Lollar Pickups. A 1979 graduate of the Roberto-Venn School of Luthiery, Jason is the author of ''Basic Pickup Winding and Complete Guide to Making Your Own Pickup Winder'', now in its third edition, and a contributor to Bart Hopkin's ''Getting a Bigger Sound: Pickups and Microphones for Your Musical Instrument''. In addition to designing and producing archtop, solid-body electric, and lap steel guitars, Jason is a noted authority on electric pickups and builder of hand-wound electro-magnetic pickups. History In the early 1990s, Lollar was building archtop guitars with his custom-made P-90 pickups, which he had been making since 1979 in small quantities. The pickups soon became so popular that top musicians were asking for them. After publishing ''Basic Pickup Winding'' in 1995, he founded Lollar Pickups with his wife, Stephanie. Lollar is an expert in the design and manufacturing of pickups a variety of pickups ...
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Luthier
A luthier ( ; AmE also ) is a craftsperson who builds or repairs string instruments that have a neck and a sound box. The word "luthier" is originally French and comes from the French word for lute. The term was originally used for makers of lutes, but it came to be used already in French for makers of most bowed and plucked stringed instruments such as members of the violin family (including violas, cellos, and double basses) and guitars. Luthiers, however, do not make harps or pianos; these require different skills and construction methods because their strings are secured to a frame. The craft of luthiers, lutherie (rarely called "luthiery", but this often refers to stringed instruments other than those in the violin family), is commonly divided into the two main categories of makers of stringed instruments that are plucked or strummed and makers of stringed instruments that are bowed. Since bowed instruments require a bow, the second category includes a subtype know ...
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Lollar Pickups
Lollar Pickups is a Tacoma Washington-based company that creates handmade pickups for electric guitars, the bass, and steel guitars. The company was founded in 1995 by luthier Jason Lollar, a 1979 graduate of the Roberto-Venn School of Luthiery, and author of ''Basic Pickup Winding and Complete Guide to Making Your Own Pickup Winder'' was also a contributor to Bart Hopkin's ''Getting a Bigger Sound: Pickups and Microphones for Your Musical Instrument''. Jimmy Herring and James Williamson are known to use Lollar Pickups. Products ''Lollar Pickups'' are made in the U.S. The company produces pickups including single coil, gold foil, P-90s, Charlie Christian, and humbuckers for Stratocaster, Telecaster, Humbucker, Fender Jazzmaster, Fender Precision bass, Fender Mustang, Fender Mustang bass The Fender Mustang Bass is an electric guitar, electric bass guitar model produced by Fender Musical Instruments Corporation, Fender. Two variants, the Musicmaster Bass and the Bronco Ba ...
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Roberto-Venn School
{{Infobox university , name = Roberto-Venn School of Luthiery , established = 1975 , type = Private , city = Phoenix , state = Arizona , country = United States , website www.roberto-venn.com} The Roberto-Venn School of Luthiery is a private, for-profit school focused on guitar repair and construction and located in Phoenix, Arizona. It has graduated over 1200 students in its over 35 years of operation. History The idea for a guitar making school grew out of a 1968 Glendale Community College course in guitar making taught by Carl Samuels. This course led to an apprenticeship program that John Roberts started back in 1969 called the Juan Roberto Guitar Works. Before this, Roberts found himself in the jungles of Nicaragua, flying airplanes for a wood import company. Much of the rosewood and mahogany used at the school was collected with the help of the Miskito Indians and shipped to Phoenix, where Roberts began his guitar making endeavor. John Roberts died in the summer of ...
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Bart Hopkin
Bart Hopkin is a builder of experimental musical instruments and a writer and publisher on the subject. Hopkin runs the website windworld.com, which provides resources regarding unusual instruments. Hopkin published the magazine ''Experimental Musical Instruments'' for 15 years and published several books and CDs specialized in a specialisation of certain types of instruments, such as wind chimes, plosive aerophones and marimbas. For these publications, Hopkin regularly asks experts on the subject to co-write the books, such as Carl Dean for the book about how to build and tune marimbas. ''Getting a Bigger Sound'' is a book Bart Hopkin wrote with Robert Cain and Jason Lollar about amplification of sound sources with several types of pickups ranging from piezo disc pickups to common pickups often used in electric guitars. Jason Lollar is a known builder of hand-wound electro-magnetic pickups. Besides writing, he has also built several experimental musical instruments such as wood ...
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Pickup (music Technology)
A pickup is a transducer that captures or senses mechanical vibrations produced by musical instruments, particularly stringed instruments such as the electric guitar, and converts these to an electrical signal that is amplified using an instrument amplifier to produce musical sounds through a loudspeaker in a speaker enclosure. The signal from a pickup can also be recorded directly. Most electric guitars and electric basses use magnetic pickups. Acoustic guitars, upright basses and fiddles often use a piezoelectric pickup. Magnetic pickups A typical magnetic pickup is a transducer (specifically a variable reluctance sensor) that consists of one or more permanent magnets (usually alnico or ferrite) wrapped with a coil of several thousand turns of fine enameled copper wire. The magnet creates a magnetic field which is focused by the pickup's pole piece or pieces. The permanent magnet in the pickup magnetizes the guitar string above it. This causes the string to generate a ma ...
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P-90
The P-90 (sometimes written P90) is a single coil electric guitar pickup produced by Gibson since 1946. Gibson is still producing P-90s, and there are outside companies that manufacture replacement versions. Compared to other single coil designs, such as the ubiquitous Fender single coil, the bobbin for a P-90 is wider but shorter. The Fender style single coil is wound in a taller bobbin but the wires are closer to the individual poles. This makes the P-90 produce a different type of tone, somewhat warmer with less edge and brightness. As with other single-coil pickups, the P-90 is subject to mains hum unless some form of hum cancelling is used. History Around 1940 Gibson offered a new bridge pickup cased in metal for the ES-100/125 series as an alternative to the classic Charlie Christian pickup. Officially, P-90 pickups were introduced in 1946, when Gibson resumed guitar production after World War II. The name refers to the part number as designated by Gibson. They were ...
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Fender Stratocaster
The Fender Stratocaster, colloquially known as the Strat, is a model of electric guitar designed from 1952 into 1954 by Leo Fender, Bill Carson, George Fullerton, and Freddie Tavares. The Fender Musical Instruments Corporation has continuously manufactured the Stratocaster since 1954. It is a double- cutaway guitar, with an extended top "horn" shape for balance. Along with the Gibson Les Paul, Gibson SG, and Fender Telecaster, it is one of the most-often emulated electric guitar shapes. "Stratocaster" and "Strat" are trademark terms belonging to Fender. Guitars that duplicate the Stratocaster by other manufacturers are sometimes called ''S-Type'' or ''ST-type'' guitars. The guitar introduced into the popular market several features that were innovative for electric guitars in the mid-1950s. The distinctive body shape, which has become commonplace among electric guitars, was revolutionary for the time period, and for the first time a mass-market electric guitar did not significan ...
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Fender Telecaster
The Fender Telecaster, colloquially known as the Tele , is an electric guitar produced by Fender. Together with its sister model the Esquire, it is the world's first mass-produced, commercially successful Les Paul had built a prototype solid body electric guitar known as "The Log" in the 1940s, but could not market his invention. Gibson produced the Gibson Les Paul guitar in 1952 after bringing on Paul to help design a commercial model to compete with Fender. Likewise, Paul Bigsby and Merle Travis designed and built a solid-body electric in 1948, but this was a one-off guitar. solid-body electric guitar. Its simple yet effective design and revolutionary sound broke ground and set trends in electric guitar manufacturing and popular music. Introduced for national distribution as the Broadcaster in the autumn of 1950 as a two-pickup version of its sister model, the single-pickup Esquire, the pair were the first guitars of their kind manufactured on a substantial scale. A trad ...
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Humbucker
A humbucking pickup, humbucker, or double coil, is a type of guitar pickup that uses two wire coils to cancel out the noisy interference picked up by coil pickups. In addition to electric guitar pickups, humbucking coils are sometimes used in dynamic microphones to cancel electromagnetic hum. Humbuckers are one of the two main types of guitar pickup, the other being single coil. History The "humbucking coil" was invented in 1934 by Electro-Voice, an American professional audio company based in South Bend, Indiana that Al Kahn and Lou Burroughs incorporated in 1930 for the purpose of manufacturing portable public address equipment, including microphones and loudspeakers. The twin coiled guitar pickup invented by Arnold Lesti in 1935 is arranged as a humbucker, and the patent USRE20070 describes the noise cancellation and current summation principles of such a design. This "Electric Translating Device" employed the solenoid windings of the pickup to magnetize the steel strin ...
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Fender Jazzmaster
The Fender Musical Instruments Corporation, Fender Jazzmaster is an electric guitar designed as a more expensive sibling of the Fender Stratocaster. First introduced at the 1958 NAMM Show, it was initially marketed to jazz guitarists, but found favor among surf rock guitarists in the early 1960s. Its appearance is similar to the Fender Jaguar, Jaguar, though it is Timbre, tonally and physically different in many technical ways, including pickup design, scale length and controls. Development The Jazzmaster's contoured "offset-waist" body was designed for comfort while playing the guitar in a seated position, as many jazz and blues artists prefer to do. A full Scale length (string instruments), scale length, 'lead guitar, lead' and 'rhythm guitar, rhythm' circuit switching with independent volume and tone controls, a 'floating tremolo' with tremolo lock, and a uniquely designed bridge were other keys to the guitar's character. The tremolo lock can be manually activated to keep ...
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Fender Precision Bass
The Fender Precision Bass (often shortened to "P-Bass") is a model of electric bass guitar manufactured by Fender Musical Instruments Corporation. In its standard, post-1957 configuration, the Precision Bass is a solid body, four-stringed instrument usually equipped with a single split-coil humbucking pickup and a one-piece, 20-fret maple neck with rosewood or maple fingerboard. Its prototype, designed by Leo Fender in 1950, was brought to market in 1951. It was the first electric bass guitar to earn widespread attention and use, remaining among the best-selling and most-imitated electric bass guitars with considerable effect on the sound of popular music. Background The double bass is among the largest and most physically cumbersome instruments which are regularly still transported by the player themselves on their own. It is also hard to hear in large bands or those that use amplified instruments, and it requires specialized skills to play that are distinct from those requir ...
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Fender Mustang
The Fender Mustang is a solid body electric guitar produced by the Fender Musical Instruments Corporation. It was introduced in 1964 as the basis of a major redesign of Fender's student models, the Musicmaster and Duo-Sonic. It was produced until 1982 and reissued in 1990. In the 1990s, the Mustang attained cult status largely as a result of its use by a number of alternative rock bands, in particular grunge bands, most notably played by Nirvana frontman Kurt Cobain. The Mustang features two single-coil pickups, an unusual pickup switching configuration, and a unique vibrato system. It was originally available in two scale lengths: and . History The Mustang has an offset waist, reminiscent of the Jazzmaster, but its overall styling closely followed the existing student models the Musicmaster and Duo-Sonic, the slight waist offset being the main change. After the release of the Mustang, the Musicmaster and Duo-Sonic were redesigned using the Mustang body. The new ...
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