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Jason (opera)
''Jason, ou La toison d'or'' (''Jason, or The Golden Fleece'') is an opera by the French composer Pascal Collasse, first performed at the Académie Royale de Musique (the Paris Opéra) on 15 January 1696. It takes the form of a ''tragédie lyrique'' in a prologue and five acts. The libretto, by Jean-Baptiste Rousseau, is based on the legend of Jason in the epic poem ''Argonautica'' by Apollonius of Rhodes Apollonius of Rhodes ( grc, Ἀπολλώνιος Ῥόδιος ''Apollṓnios Rhódios''; la, Apollonius Rhodius; fl. first half of 3rd century BC) was an ancient Greek author, best known for the ''Argonautica'', an epic poem about Jason and t .... References Sources Libretto at "Livrets baroques"Félix Clément and Pierre Larousse ''Dictionnaire des Opéras'', Paris, 1881. Operas Tragédies en musique French-language operas 1696 operas Operas by Pascal Collasse Operas based on Medea (Euripides play) Works based on the Argonautica {{french-opera-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pascal Collasse
Pascal Collasse (or Colasse) (22 January 1649 (baptised) – 17 July 1709) was a French composer of the Baroque era. Born in Rheims, Collasse became a disciple of Jean-Baptiste Lully during the latter's domination of the French operatic stage. When Lully died in 1687 leaving his tragédie en musique ''Achille et Polyxène'' unfinished, Collasse completed the last four acts of the score. He went on to produce around a dozen operas and ballets, as well as sacred music, including settings of the ''Cantiques spirituels'' of Jean Racine. His plan to establish his own opera house in Lille ended in failure when the theatre burnt down. He dabbled in alchemy with even less success. His musical style is close to that of Lully. Works * ''Achille et Polyxène'', tragédie lyrique, (overture and first act by Jean-Baptiste Lully) 1687 * '' Thétis et Pélée'', tragédie lyrique, 1689 * '' Énée et Lavinie'', tragédie lyrique, 1690 * '' Astrée'', tragédie lyrique, 1691 * ''Le Ballet de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris Opera
The Paris Opera (, ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be known more simply as the . Classical ballet as it is known today arose within the Paris Opera as the Paris Opera Ballet and has remained an integral and important part of the company. Currently called the , it mainly produces operas at its modern 2,723-seat theatre Opéra Bastille which opened in 1989, and ballets and some classical operas at the older 1,979-seat Palais Garnier which opened in 1875. Small scale and contemporary works are also staged in the 500-seat Amphitheatre under the Opéra Bastille. The company's annual budget is in the order of 200 million euros, of which €100M come from the French state and €70M from box office receipts. With this money, the company runs the two houses and supports a large permanent staff, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragédie En Musique
Tragédie en musique (, ''musical tragedy''), also known as tragédie lyrique (, ''lyric tragedy''), is a genre of French opera introduced by Jean-Baptiste Lully and used by his followers until the second half of the eighteenth century. Operas in this genre are usually based on stories from Classical mythology or the Italian romantic epics of Tasso and Ariosto. The stories may not necessarily have a tragic ending – in fact, most do not – but the works' atmospheres are suffused throughout with an affect of nobility and stateliness. The standard ''tragédie en musique'' has five acts. Earlier works in the genre were preceded by an allegorical prologue and, during the lifetime of Louis XIV, these generally celebrated the king's noble qualities and his prowess in war. Each of the five acts usually follows a basic pattern, opening with an aria in which one of the main characters expresses their feelings, followed by dialogue in recitative interspersed with short arias (''petits airs'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Baptiste Rousseau
Jean-Baptiste Rousseau (6 April 1671 – 17 March 1741) was a French playwright and poet, particularly noted for his cynical epigrams. Biography Rousseau was born in Paris, the son of a shoemaker, and was well educated. As a young man, he gained favour with Boileau, who encouraged him to write. Rousseau began with the theatre, for which he had no aptitude. A one-act comedy, ''Le Café'', failed in 1694, and he was not much happier with a more ambitious play, ''Le Flatteur'' (1696), or with the opera ''Venus et Adonis'' (1697). In 1700 he tried another comedy, ''Le Capricieux'', which had the same fate. He then went with Tallard as an attaché to London, and, in days when literature still led to high position, seemed likely to achieve success. His misfortunes began with a club squabble at the Café Laurent, which was much frequented by literary men, and where he indulged in lampoons on his companions. A shower of libellous and sometimes obscene verses was written by or attribu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jason
Jason ( ; ) was an ancient Greek mythological hero and leader of the Argonauts, whose quest for the Golden Fleece featured in Greek literature. He was the son of Aeson, the rightful king of Iolcos. He was married to the sorceress Medea. He was also the great-grandson of the messenger god Hermes, through his mother's side. Jason appeared in various literary works in the classical world of Greece and Rome, including the epic poem ''Argonautica'' and the tragedy ''Medea''. In the modern world, Jason has emerged as a character in various adaptations of his myths, such as the 1963 film '' Jason and the Argonauts'' and the 2000 TV miniseries of the same name. Persecution by Pelias Pelias (Aeson's half-brother) was power-hungry and sought to gain dominion over all of Thessaly. Pelias was the progeny of a union between their shared mother, Tyro ("high born Tyro"), the daughter of Salmoneus, and the sea god Poseidon. In a bitter feud, he overthrew Aeson (the rightful king), kill ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Argonautica
The ''Argonautica'' ( el, Ἀργοναυτικά , translit=Argonautika) is a Greek epic poem written by Apollonius Rhodius in the 3rd century BC. The only surviving Hellenistic epic, the ''Argonautica'' tells the myth of the voyage of Jason and the Argonauts to retrieve the Golden Fleece from remote Colchis. Their heroic adventures and Jason's relationship with the dangerous Colchian princess/sorceress Medea were already well known to Hellenistic audiences, which enabled Apollonius to go beyond a simple narrative, giving it a scholarly emphasis suitable to the times. It was the age of the great Library of Alexandria, and his epic incorporates his research in geography, ethnography, comparative religion, and Homeric literature. However, his main contribution to the epic tradition lies in his development of the love between hero and heroine – he seems to have been the first narrative poet to study "the pathology of love". His ''Argonautica'' had a profound impact on Latin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apollonius Of Rhodes
Apollonius of Rhodes ( grc, Ἀπολλώνιος Ῥόδιος ''Apollṓnios Rhódios''; la, Apollonius Rhodius; fl. first half of 3rd century BC) was an ancient Greek author, best known for the ''Argonautica'', an epic poem about Jason and the Argonauts and their quest for the Golden Fleece. The poem is one of the few extant examples of the epic genre and it was both innovative and influential, providing Ptolemaic Egypt with a "cultural mnemonic" or national "archive of images", and offering the Latin poets Virgil and Gaius Valerius Flaccus a model for their own epics. His other poems, which survive only in small fragments, concerned the beginnings or foundations of cities, such as Alexandria and Cnidus places of interest to the Ptolemies, whom he served as a scholar and librarian at the Library of Alexandria. A literary dispute with Callimachus, another Alexandrian librarian/poet, is a topic much discussed by modern scholars since it is thought to give some insight into t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French-language Operas
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's ''Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created ''tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Paris, Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater foc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1696 Operas
Events January–March * January 21 – The Great Recoinage of 1696, Recoinage Act, passed by the Parliament of England to pull counterfeit silver coins out of circulation, becomes law.James E. Thorold Rogers, ''The First Nine Years of the Bank of England'' (Clarendon Press, 1887 p. 41 * January 27 – In England, the ship HMS ''Royal Sovereign'' (formerly ''HMS Sovereign of the Seas'', 1638) catches fire and burns at Chatham Dockyard, Chatham, after 57 years of service. * January 31 – In the Netherlands, undertakers revolt after funeral reforms in Amsterdam. * January – Colley Cibber's play ''Love's Last Shift'' is first performed in London. * February 8 (January 29 old style) – Peter the Great who had jointly reigned since 1682 with his mentally-ill older half-brother, Tsar Ivan V of Russia, Ivan V, becomes the sole Tsardom of Russia, Tsar of Russia when Ivan dies at the age of 29. * February 15 – A Jacobite assassination plot 1696, p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By Pascal Collasse
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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