Jane Rogers (17th-century Actress)
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Jane Rogers (17th-century Actress)
Jane Rogers (died 1718) was an English stage actress. To distinguish her from her daughter she is sometimes referred to as Jane Rogers the Elder. She first appeared at Theatre Royal, Drury Lane in 1692 in Thomas Shadwell's '' The Volunteers''. Following the split of the United Company in 1695, she remained at Drury Lane with Christopher Rich's company rather than join the breakaways under Thomas Betterton. She benefited from the departed of Anne Bracegirdle with whom she had been competing for roles and became one of the leading members of the company. Sometimes in the 1690s she gave birth to Jane Rogers reportedly following a liaison with fellow actor Robert Wilks. Her daughter later became an actress as part of the Lincoln's Inn Fields company, where she married Christopher Bullock and was consequently known by his surname. The elder Rogers continued at Drury Lane until 1706, when she switched to the new Queen's Theatre in the Haymarket. She then returned to Drury Lane where ...
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Stage Actress
An actor or actress is a person who portrays a character in a performance. The actor performs "in the flesh" in the traditional medium of the theatre or in modern media such as film, radio, and television. The analogous Greek term is (), literally "one who answers".''Hypokrites'' (related to our word for hypocrite) also means, less often, "to answer" the tragic chorus. See Weimann (1978, 2); see also Csapo and Slater, who offer translations of classical source material using the term ''hypocrisis'' (acting) (1994, 257, 265–267). The actor's interpretation of a rolethe art of actingpertains to the role played, whether based on a real person or fictional character. This can also be considered an "actor's role," which was called this due to scrolls being used in the theaters. Interpretation occurs even when the actor is "playing themselves", as in some forms of experimental performance art. Formerly, in ancient Greece and the medieval world, and in England at the time of Willi ...
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The Female Virtuosos
''The Female Virtuosos'' is a 1693 comedy play by the English writer Thomas Wright. It is based on the 1672 play ''Les Femmes Savantes'' by the French writer Molière about two young sisters who try and get out of a marriage arrangement with a foppish idiot so they can marry the men they love. It was staged by the United Company at the Dorset Garden Theatre in London. The cast included Cave Underhill as Sir Maurice Meanwell, George Bright as Sir Timothy Witless, John Bowman as Sir Maggot Jingle, George Powell as Clerimont, John Hodgson as Meanwell, Joseph Haines as Bully, Frances Maria Knight as Mrs Leigh Lovewitt, Anne Bracegirdle as Mariana, Susanna Mountfort as Catchat, Elinor Leigh as Lady Meanwell and Jane Rogers as Lucy. Thomas Doggett wrote and performed the prologue. Incidental music was provided by Henry Purcell. It was revived in 1721 by the Lincoln's Inn Fields Theatre to run against Colley Cibber's ''The Refusal "The Refusal" (German: "Die Abweisung"), al ...
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The Unhappy Kindness
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a ...
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Ibrahim, The Thirteenth Emperor Of The Turks
''Ibrahim, the Thirteenth Emperor of the Turks'' is a she-tragedy written by Mary Pix, first performed in 1696. Pix's first play, it purported to describe incidents in the life of Ibrahim of the Ottoman Empire, Ibrahim, Sultan of the Ottoman Empire. The numbering is correct only if Mehmed the Conqueror is regarded as the first emperor, and the disputed reign of his son Cem Sultan, Cem is counted as well. The play has been called a "Protofeminism, proto-feminist depiction of the power-struggle between a sultan and a Seraglio, seraglian woman". Plot The play focuses on Emperor Ibrahim and his rape of Morena. Sheker Para (Ibrahim's mistress) seeks revenge after being rejected by Amurat. She encourages Ibrahim to seduce Morena, a young woman who is engaged to Amurat. Morena rejects Ibrahim's advances so he orders her to be dragged to a chamber, where he violently rapes her. Afterwards, a Mufti describes how terribly Morena has been treated by Ibrahim. The injured Morena takes poiso ...
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Pausanius (play)
Pausanias ( /pɔːˈseɪniəs/; grc-gre, Παυσανίας; c. 110 – c. 180) was a Greek traveler and geographer of the second century AD. He is famous for his ''Description of Greece'' (, ), a lengthy work that describes ancient Greece from his firsthand observations. ''Description of Greece'' provides crucial information for making links between classical literature and modern archaeology. Biography Not much is known about Pausanias apart from what historians can piece together from his own writing. However, it is mostly certain that he was born c. 110 AD into a Greek family and was probably a native of Lydia in Asia Minor. From c. 150 until his death in 180, Pausanias travelled through the mainland of Greece, writing about various monuments, sacred spaces, and significant geographical sites along the way. In writing ''Description of Greece'', Pausanias sought to put together a lasting written account of "all things Greek", or ''panta ta hellenika''. Living in the ...
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The Lost Lover (play)
''The Lost Lover; or The Jealous Husband: A Comedy'', Delarivier Manley's first published play, was performed in March 1696 at Theatre Royal, Drury Lane. The performance ran only three nights. The original cast included Benjamin Johnson, John Verbruggen, Hildebrand Horden, George Powell, Colley Cibber, William Pinkethman, Joseph Haines, Mary Kent, Jane Rogers, Frances Maria Knight, Susanna Verbruggen and Margaret Mills.Van Lennep p.459 Characters As listed in the original script: Men *Sir Rustic Good-Heart, an ill-bred country gentleman *Wilmore, Rustic's son *Wildman, Rustic's friend *Sir Amorous Courtall *Smyrna, a Turkey Merchant *Pulse, a Physician *Knowlittle, a Fortune-teller *Timothy, his Man *Ready, servant to Wildman Women *Lady Young-Love, an Old, vain, conceited Lady *Marina, her daughter *Belira, secret mistress to Wilmore *Orinda, an affected poetess A poet is a person who studies and creates poetry. Poets may describe themselves as such or be described ...
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Love's Last Shift
''Love's Last Shift, or The Fool in Fashion'' is an English Restoration comedy by Colley Cibber from 1696. The play is regarded as an early herald of a shift in audience tastes away from the intellectualism and sexual frankness of Restoration comedy and towards the conservative certainties and gender role backlash of sentimental comedy. It is often described as "opportunistic" (Hume), containing as it does something for everybody: daring Restoration comedy sex scenes, sentimental reconciliations, and broad farce. Character list Men:Cibber, Colley. Love's last shift: or, the fool in fashion. A comedy, as it is acted at the Theatre Royal in Drury-Lane, by Their Majesties servants. Written by C. Cibber. London, 1735. Eighteenth Century Collections Online. Gale. 27 Sept. 2009 . * Sir William Wisewoud, a rich old gentleman who fancies himself a great master of his passion, which he only is in trivial matters * Loveless, of a debauched life, grew weary of his wife in six months; l ...
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Philaster (Settle Play)
Philaster may refer to: *Philastrius Philastrius (also Philaster or Filaster) Bishop of Brescia, was one of the bishops present at a synod held in Aquileia in 381. Augustine of Hippo met him at Milan about 383, or perhaps a little later (St. Augustine, ''Ep.'' ccxxii). He composed a c ... (died 390s), bishop of Brescia in the fourth century * ''Philaster'' (play), play by Francis Beaumont and John Fletcher, published in 1620 * ''Philaster'' (genus), a genus of ciliates in the family Philasteridae {{disambiguation ...
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Agnes De Castro (play)
''Agnes de Castro'' is a 1695 tragedy by the English writer Catharine Trotter. Based on the novel of the same title by Aphra Behn, it was first staged by John Rich's company at the Theatre Royal, Drury Lane. The original Drury Lane cast included Thomas Simpson as King, George Powell as Prince, John Verbruggen as Alvaro, Colley Cibber as Lorenzo, John Mills as Pedro, Jane Rogers as Agnes de Castro, Mary Kent as Bianca and Frances Maria Knight as Elvira. The prologue was written by William Wycherley.Van Lennep p.455 The published version was dedicated to the Duke of Dorset Duke of Dorset was a title in the Peerage of Great Britain. It was created in 1720 for the politician Lionel Sackville, 7th Earl of Dorset. History The Sackville family descended from Sir Richard Sackville. His only surviving son, Thomas Sa .... References Bibliography * Van Lennep, W. ''The London Stage, 1660-1800: Volume One, 1660-1700''. Southern Illinois University Press, 1960. 1695 plays W ...
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Oroonoko (play)
''Oroonoko: or, the Royal Slave'' is a work of prose fiction by Aphra Behn (1640–1689), published in 1688 by William Canning and reissued with two other fictions later that year. It was also adapted into a play. The eponymous hero is an African prince from Fort Amsterdam, Ghana, Coramantien who is tricked into slavery and Atlantic slave trade, sold to European colonists in Surinam (Dutch colony), Surinam where he meets the narrator. Behn's text is a first-person account of Oroonoko's life, love, rebellion, and execution. Behn, often cited as the first known professional female writer, was a successful playwright, poet, translator and essayist. She began writing prose fiction in the 1680s, probably in response to the consolidation of theatres that led to a reduced need for new plays. Published less than a year before she died, ''Oroonoko'' is sometimes described as one of List of claimed first novels in English, the first novels in English. Interest in ''Oroonoko'' has increa ...
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Bonduca (opera)
''Bonduca'' is a Literature in English#Jacobean literature, Jacobean tragi-comedy in the Beaumont and Fletcher canon, generally judged by scholars to be the work of John Fletcher (playwright), John Fletcher alone. It was acted by the King's Men (playing company), King's Men c. 1613, and published in 1647 in the Beaumont and Fletcher folios, first Beaumont and Fletcher folio. The play is a dramatisation of the story of Boudica, the British Celtic queen who led a revolt against the Ancient Rome, Romans in 60–61 AD. Critics, however, have classified ''Bonduca'' as a "historical romance," rather than a history play comparable to those written by William Shakespeare, Shakespeare; historical accuracy was not Fletcher's primary concern. The play constantly shifts between comedy and tragedy. The principal hero is not Bonduca herself, but rather Caratach (Caratacus), who is anachronistically depicted as her general, despite having been exiled from Britain almost a decade prior. Nennius ...
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The Mock Marriage
''The English Moor, or the Mock Marriage'' is a Caroline era stage play, a comedy written by Richard Brome, noteworthy in its use of the stage device of blackface make-up. Registered in 1640, it was first printed in 1659, and, uniquely among the plays of Brome's canon, also survives in a manuscript version. Date The play was entered into the Stationers' Register on 4 August 1640, along with five other Brome plays, by Andrew Crooke; but it was not printed for another two decades. The title page of the 1659 first edition states that ''The English Moor'' was acted by Queen Henrietta's Men. Brome began writing for that company in 1637, once the London theatres had re-opened after a long closure during the bubonic plague epidemic of 1636–37. ''The English Moor'' may have been the first play that the Queen's Men staged in their new venue, the Salisbury Court Theatre, when they debuted there on 2 October 1637. Though this is not an absolute certainty, it is plausible; since Brome's p ...
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