Jane Martineau
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Jane Martineau
Jane Martineau is a British art historian, and acting editor of ''The Burlington Magazine''. Martineau received a bachelor's degree in 1969. Martineau worked at London's Royal Academy of Arts as curator and editor in the Exhibitions Office from 1982 to 1984, and from 1989 to 1998, was deputy editor of the Grove '' Dictionary of Art'' for six years, and co-curated exhibitions in a freelance capacity on the Gonzaga family (V&A, 1982) and Shakespeare in Art (Ferrara and Dulwich 2003). From 2004, she was associate editor at ''The Burlington Magazine'', rising to acting editor. In 1992, she married fellow art historian William Mostyn-Owen William "Willy" Mostyn-Owen (10 May 1929 – 2 May 2011) was a British art historian. He worked for some years with the art expert Bernard Berenson, and was his bibliographer. He was connected with the auctioneers Christie's for 30 years. Early ... (1929–2011), becoming his third wife. Publications *''Shakespeare in Art'' *''Andrea Mantegna'' ...
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Art Historian
Art history is the study of aesthetic objects and visual expression in historical and stylistic context. Traditionally, the discipline of art history emphasized painting, drawing, sculpture, architecture, ceramics and decorative arts; yet today, art history examines broader aspects of visual culture, including the various visual and conceptual outcomes related to an ever-evolving definition of art. Art history encompasses the study of objects created by different cultures around the world and throughout history that convey meaning, importance or serve usefulness primarily through visual representations. As a discipline, art history is distinguished from art criticism, which is concerned with establishing a relative artistic value upon individual works with respect to others of comparable style or sanctioning an entire style or movement; and art theory or "philosophy of art", which is concerned with the fundamental nature of art. One branch of this area of study is aesthetics, wh ...
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The Burlington Magazine
''The Burlington Magazine'' is a monthly publication that covers the fine and decorative arts of all periods. Established in 1903, it is the longest running art journal in the English language. It has been published by a charitable organisation since 1986. History The magazine was established in 1903 by a group of art historians and connoisseurs which included Roger Fry, Herbert Horne, Bernard Berenson, and Charles Holmes. Its most esteemed editors have been Roger Fry (1909–1919), Herbert Read (1933–1939), and Benedict Nicolson (1948–1978). The journal's structure was loosely based on its contemporary British publication '' The Connoisseur'', which was mainly aimed at collectors and had firm connections with the art trade. ''The Burlington Magazine'', however, added to this late Victorian tradition of market-based criticism new elements of historical research inspired by the leading academic German periodicals and thus created a formula that has remained almost intact to ...
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Royal Academy Of Arts
The Royal Academy of Arts (RA) is an art institution based in Burlington House on Piccadilly in London. Founded in 1768, it has a unique position as an independent, privately funded institution led by eminent artists and architects. Its purpose is to promote the creation, enjoyment and appreciation of the visual arts through exhibitions, education and debate. History The origin of the Royal Academy of Arts lies in an attempt in 1755 by members of the Royal Society of Arts, Society for the Encouragement of Arts, Manufactures and Commerce, principally the sculptor Henry Cheere, to found an autonomous academy of arts. Prior to this a number of artists were members of the Society for the Encouragement of Arts, Manufactures and Commerce, including Cheere and William Hogarth, or were involved in small-scale private art academies, such as the St Martin's Lane Academy. Although Cheere's attempt failed, the eventual charter, called an 'Instrument', used to establish the Royal Academy ...
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Grove Art Online
''Grove Art Online'' is the online edition of ''The Dictionary of Art'', often referred to as the ''Grove Dictionary of Art'', and part of Oxford Art Online, an internet gateway to online art reference publications of Oxford University Press, which also includes the online version of the ''Benezit Dictionary of Artists''. It is a large encyclopedia of art, previously a 34-volume printed encyclopedia first published by Grove in 1996 and reprinted with minor corrections in 1998. A new edition was published in 2003 by Oxford University Press. Scope Written by 6,700 experts from around the world, its 32,600 pages cover over 45,000 topics about art, artists, art critics, art collectors, or anything else connected to the world of art. According to ''The New York Times Book Review'' it is the "most ambitious art-publishing venture of the late 20th century". Almost half the content covers non-Western subjects, and contributors hail from 120 countries. Topics range from Julia Margaret C ...
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William Mostyn-Owen
William "Willy" Mostyn-Owen (10 May 1929 – 2 May 2011) was a British art historian. He worked for some years with the art expert Bernard Berenson, and was his bibliographer. He was connected with the auctioneers Christie's for 30 years. Early life William Mostyn-Owen was born on 10 May 1929 to Lt-Col Roger Arthur Mostyn-Owen (1888-1947) and wife Margaret Eva Dewhurst. The Mostyn-Owen family were military landed gentry of Woodhouse, Shropshire. He had three older brothers and a sister. His brothers all died during the Second World War, and his father died while William was in his teens, so that he inherited the family seat of Woodhouse and the Dewhurst family's Aberuchill Castle, Perthshire, at a young age. He was educated at Eton and Magdalene College, Cambridge. Career After his graduation, Mostyn-Owen worked for the Fogg Museum at Harvard and the Metropolitan Museum of Art in New York City. In the 1950s, he spent six years working closely with Bernard Berenson, the art exp ...
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The Guardian
''The Guardian'' is a British daily newspaper. It was founded in 1821 as ''The Manchester Guardian'', and changed its name in 1959. Along with its sister papers ''The Observer'' and ''The Guardian Weekly'', ''The Guardian'' is part of the Guardian Media Group, owned by the Scott Trust. The trust was created in 1936 to "secure the financial and editorial independence of ''The Guardian'' in perpetuity and to safeguard the journalistic freedom and liberal values of ''The Guardian'' free from commercial or political interference". The trust was converted into a limited company in 2008, with a constitution written so as to maintain for ''The Guardian'' the same protections as were built into the structure of the Scott Trust by its creators. Profits are reinvested in journalism rather than distributed to owners or shareholders. It is considered a newspaper of record in the UK. The editor-in-chief Katharine Viner succeeded Alan Rusbridger in 2015. Since 2018, the paper's main news ...
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Living People
Related categories * :Year of birth missing (living people) / :Year of birth unknown * :Date of birth missing (living people) / :Date of birth unknown * :Place of birth missing (living people) / :Place of birth unknown * :Year of death missing / :Year of death unknown * :Date of death missing / :Date of death unknown * :Place of death missing / :Place of death unknown * :Missing middle or first names See also * :Dead people * :Template:L, which generates this category or death years, and birth year and sort keys. : {{DEFAULTSORT:Living people 21st-century people People by status ...
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British Art Critics
British may refer to: Peoples, culture, and language * British people, nationals or natives of the United Kingdom, British Overseas Territories, and Crown Dependencies. ** Britishness, the British identity and common culture * British English, the English language as spoken and written in the United Kingdom or, more broadly, throughout the British Isles * Celtic Britons, an ancient ethno-linguistic group * Brittonic languages, a branch of the Insular Celtic language family (formerly called British) ** Common Brittonic, an ancient language Other uses *''Brit(ish)'', a 2018 memoir by Afua Hirsch *People or things associated with: ** Great Britain, an island ** United Kingdom, a sovereign state ** Kingdom of Great Britain (1707–1800) ** United Kingdom of Great Britain and Ireland (1801–1922) See also * Terminology of the British Isles * Alternative names for the British * English (other) * Britannic (other) * British Isles * Brit (other) * Briton ( ...
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British Art Historians
British may refer to: Peoples, culture, and language * British people, nationals or natives of the United Kingdom, British Overseas Territories, and Crown Dependencies. ** Britishness, the British identity and common culture * British English, the English language as spoken and written in the United Kingdom or, more broadly, throughout the British Isles * Celtic Britons, an ancient ethno-linguistic group * Brittonic languages, a branch of the Insular Celtic language family (formerly called British) ** Common Brittonic, an ancient language Other uses *''Brit(ish)'', a 2018 memoir by Afua Hirsch *People or things associated with: ** Great Britain, an island ** United Kingdom, a sovereign state ** Kingdom of Great Britain (1707–1800) ** United Kingdom of Great Britain and Ireland (1801–1922) See also * Terminology of the British Isles * Alternative names for the British * English (other) * Britannic (other) * British Isles * Brit (other) * Briton ( ...
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Women Art Historians
Women were professionally active in the academic discipline of art history in the nineteenth century and participated in the important shift early in the century that began involving an "emphatically corporeal visual subject", with Vernon Lee as a notable example. It is argued that in the twentieth century women art historians (and curators), by choosing to study women artists, "dramatically" "increased their visibility". It has been written that women artists pre-1974 were historically one of two groups; women art historians and authors who self-consciously address high school audiences through the publication of textbooks. The relative "newness" of this field of study for women, paired with the possibility of interdisciplinary focus, emphasizes the importance of visibility of all global women in the art history field. Education and employment In the United States professional, academic employment for women art historians was, by the early 1970s, not commensurate with the number o ...
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