Jane Boyd
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Jane Boyd
Jane Boyd (born 20 June 1953) is a British artist. She is best known for her work in light-based installation and drawing and has been exhibiting internationally since 1986. Boyd was the first woman to be elected Fellow Commoner in Creative Arts, a two-year fellowship (1981–83) awarded by Trinity College, Cambridge. Her work is represented in a number of public collections including the Victoria & Albert Museum, the Gibberd Gallery and the British Museum. Career Boyd won The Shell Waterloo Painting 1981 prize, a major competitive commission awarded by Shell UK to produce a painting measuring 3 m x 10 m for exhibition above the South Bank exit of London Waterloo station. Filmed by the BBC throughout its progress in the studio and on site, the result was a large canvas entitled ''Generation of Alternatives''. The same year she exhibited in Summer Show 1, along with Andrew Darke, Andy Goldsworthy and Steve Joy at the Serpentine Gallery, London. Boyd concentrated on ...
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Camberwell College Of Arts
Camberwell College of Arts is a public tertiary art school in Camberwell, in London, England. It is one of the six constituent colleges of the University of the Arts London. It offers further and higher education programmes, including postgraduate and PhD awards. The college has retained single degree options within Fine Art, offering specialist Bachelor of Arts courses in painting, sculpture, photography and drawing. It also runs graduate and postgraduate courses in art conservation and fine art as well as design courses such as graphic design, illustration and 3D design. It was established as the Camberwell School of Arts and Crafts in 1898, and adopted its present name in 1989. History The history of the College is closely linked with that of the South London Gallery, with which the College shares its site. The manager of the South London Working Men's College in 1868, William Rossiter, purchased the freehold of Portland House on which the College now stands in 1889. The ...
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Artspace Sydney
Artspace, officially Artspace Visual Arts Centre, formerly stylised ARTSPACE Visual Arts Centre, is a leading international residency-based contemporary art centre, housed in the historic Gunnery Building in Woolloomooloo, fronting Sydney Harbour in Sydney, Australia. Devoted to the development of certain new ideas and practices in contemporary art and culture, since the early 1980s Artspace has been building a critical context for Australian and international artists, curators and writers. Each year, Artspace presents between 24 and 30 gallery projects, hosts over 50 artist residencies, initiates a range of public program and education activities, and publishes a regular projects journal together with cultural theory books and artist monographs. Artspace is supported by the Visual Arts and Crafts Strategy, an initiative of the Australian, State and Territory Governments. It is also assisted by the Government of New South Wales through Create NSW and by the Australia Council, th ...
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Murray Edwards College
Murray Edwards College is a women-only constituent college of the University of Cambridge. It was founded in 1954 as New Hall. In 2008, following a donation of £30 million by alumna Ros Edwards and her husband Steve, it was renamed Murray Edwards College, honouring its first President, Rosemary Murray and the donors. History New Hall was founded in 1954, housing sixteen students in Silver Street where Darwin College now stands. Cambridge then had the lowest proportion of women undergraduates of any university in the United Kingdom and only two other colleges ( Girton and Newnham) admitted female students. In 1962, members of the Darwin family gave their home, "The Orchard", to the College. This new site was located on Huntingdon Road, about a mile from the centre of Cambridge. The architects chosen were Chamberlin, Powell and Bon, who are known for their design of the Barbican in London, and fundraising commenced. The building work began in 1964 and was completed by ...
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Senate House, London
Senate House is the administrative centre of the University of London, situated in the heart of Bloomsbury, London, immediately to the north of the British Museum. The Art Deco building was constructed between 1932 and 1937 as the first phase of a large uncompleted scheme designed for the university by Charles Holden. It consists of 19 floors and is high. During the Second World War, the building's use by the Ministry of Information inspired two works of fiction by English writers. The earliest, Graham Greene's novel ''The Ministry of Fear'' (1943), inspired a 1944 film adaptation directed by Fritz Lang set in Bloomsbury. The description of the Ministry of Truth in George Orwell's novel ''Nineteen Eighty-Four'' (1949) evokes the Senate House. His wife Eileen worked in the building for the Censorship Department of the Ministry of Information. Today the main building houses the University of London's Central Academic Bodies and activities, including the offices of the vice-ch ...
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Arts Council Of Great Britain
The Arts Council of Great Britain was a non-departmental public body dedicated to the promotion of the fine arts in Great Britain. It was divided in 1994 to form the Arts Council of England (now Arts Council England), the Scottish Arts Council (later merged into Creative Scotland), and the Arts Council of Wales. At the same time the National Lottery was established and these three arts councils, plus the Arts Council of Northern Ireland, became distribution bodies. History In January 1940, during the Second World War, the Council for the Encouragement of Music and the Arts (CEMA), was appointed to help promote and maintain British culture. Chaired by Lord De La Warr, President of the Board of Education, the council was government-funded and after the war was renamed the Arts Council of Great Britain. Reginald Jacques was appointed musical director, with Sir Henry Walford Davies and George Dyson also involved. John Denison took over after the war. A royal charter was grante ...
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The Warburg Institute
The Warburg Institute is a research institution associated with the University of London in central London, England. A member of the School of Advanced Study, its focus is the study of cultural history and the role of images in culture – cross-disciplinary and global. It is concerned with the histories of art and science, and their relationship with superstition, magic, and popular beliefs. The researches of the Warburg Institute are historical, philological and anthropological. It is dedicated to the study of the survival and transmission of cultural forms – whether in literature, art, music or science – across borders and from the earliest times to the present including especially the study of the influence of classical antiquity on all aspects of European civilisation. Based originally in Hamburg, Germany, in 1933 the collection was moved to London, where it became incorporated into the University of London in 1944. History Hamburg The institute was formed in Hamburg ...
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Fellow Of The Royal Society Of Arts
The Royal Society for the Encouragement of Arts, Manufactures and Commerce (RSA), also known as the Royal Society of Arts, is a London-based organisation committed to finding practical solutions to social challenges. The RSA acronym is used more frequently than the full legal name (The Royal Society for the Encouragement of Arts, Manufactures and Commerce). The RSA's mission expressed in the founding charter was to "embolden enterprise, enlarge science, refine art, improve our manufacturers and extend our commerce", but also of the need to alleviate poverty and secure full employment. On its website, the RSA characterises itself as "an enlightenment organisation committed to finding innovative practical solutions to today's social challenges". Notable past fellows (before 1914, members) include Charles Dickens, Benjamin Franklin, Stephen Hawking, Karl Marx, Adam Smith, Marie Curie, Nelson Mandela, David Attenborough, Judi Dench, William Hogarth, John Diefenbaker, and Tim ...
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Dora Maar
Henriette Theodora Markovitch (22 November 1907 – 16 July 1997), known as Dora Maar, was a French photographer, painter, and poet. A romantic partner of Pablo Picasso, Maar was depicted in a number of Picasso's paintings, including his ''Portrait of Dora Maar and Dora Maar au Chat.'' Biography Henriette Theodora Markovitch was the only daughter of Josip Marković (aka Joseph Markovitch) (1874–1969), a Croatian architect who studied in Zagreb, Vienna, and then Paris where he settled in 1896, and of his spouse, Catholic-raised Louise-Julie Voisin (1877–1942), originally from Cognac. In 1910, the family left for Buenos Aires where the father obtained several commissions including for the embassy of Austria-Hungary. His achievements earned him the honor of being decorated by Emperor Francis Joseph I, even though he was "the only architect who did not make a fortune in Buenos Aires". In 1926, the family returned to Paris. Dora Maar, a pseudonym she chose, took courses at th ...
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Malet Street
Malet Street is a street in Bloomsbury, in the London Borough of Camden, Central London, England. It runs between Torrington Place and the British Museum, parallel to Gower Street and Tottenham Court Road. History The street is named after Sir Edward Malet who was married to Lady Ermyntrude Sackville Russell, daughter of Francis Russell, 9th Duke of Bedford who owned much of the surrounding area. Buildings It is a small street, but is notable for being the location of Senate House, the main building of the University of London, the London School of Hygiene and Tropical Medicine, Student Central London (formerly the University of London Union), College Hall and the Royal Academy of Dramatic Art. Birkbeck, University of London is also on the street, though its entrance is now in Torrington Square. In 1938, the Institute of Education moved from Southampton Row to the University of London Senate House complex on Malet Street. Image:Senate House UoL.jpg, Senate House Image: ...
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Leverhulme Trust
The Leverhulme Trust () is a large national grant-making organisation in the United Kingdom. It was established in 1925 under the will of the 1st Viscount Leverhulme (1851–1925), with the instruction that its resources should be used to support "scholarships for the purposes of research and education." It is based in London and is a registered charity under English law. Activities Since its foundation in 1925, the Trust has provided funding for research projects, fellowships, studentships, bursaries and prizes; it operates across all the academic disciplines, the intention being to support talented individuals as they realise their personal vision in research and professional training. With annual funding of some £100 million, the Trust is amongst the largest all-subject providers of research funding in the UK. The Trust places special weight on: * the originality of the projects put to them; * the significance of the proposed work; * the ability to judge and take appropri ...
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Diego Velázquez
Diego Rodríguez de Silva y Velázquez (baptized June 6, 1599August 6, 1660) was a Spanish painter, the leading artist in the court of King Philip IV of Spain and Portugal, and of the Spanish Golden Age. He was an individualistic artist of the Baroque period (c.1600–1750). He began to paint in a precise tenebrist style, later developing a freer manner characterized by bold brushwork. In addition to numerous renditions of scenes of historical and cultural significance, he painted scores of portraits of the Spanish royal family and commoners, culminating in his masterpiece ''Las Meninas'' (1656). Velázquez's paintings became a model for 19th-century realist and impressionist painters. In the 20th century, artists such as Pablo Picasso, Salvador Dalí, and Francis Bacon paid tribute to Velázquez by re-interpreting some of his most iconic images. Most of his work entered the Spanish royal collection, and by far the best collection is in the Museo del Prado in Madrid, thoug ...
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Las Meninas
''Las Meninas'' (; ) is a 1656 painting in the Museo del Prado in Madrid, by Diego Velázquez, the leading artist of the Spanish Golden Age. It has become one of the most widely analyzed works in Western painting, due to the way its complex and enigmatic composition raises questions about reality and illusion, and the uncertain relationship it creates between the viewer and the figures depicted. The painting is believed by F. J. Sánchez Cantón to depict a room in the Royal Alcazar of Madrid during the reign of King Philip IV of Spain, and presents several figures, most identifiable from the Spanish court, captured in a particular moment as if in a snapshot. Some of the figures look out of the canvas towards the viewer, while others interact among themselves. The five-year-old Infanta Margaret Theresa is surrounded by her entourage of maids of honour, chaperone, bodyguard, two dwarfs and a dog. Just behind them, Velázquez portrays himself working at a large canvas. Velázq ...
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