Jan And Dean Discography
   HOME
*





Jan And Dean Discography
This is the discography for American rock duo Jan and Dean. Albums Studio albums Live albums Select compilation albums Solo albums ;Jan Berry album * ''Second Wave''—One Way 34524 (1997)A Memorial edition of this CD was released in April 2004, after Jan's death ;Dean Torrence solo projects * ''Rock 'N' Roll City''—Realistic – 51-3009 (1983) Released for Radio Shack as "Mike & Dean" for Mike Love from the Beach Boys and Dean Torrence from Jan & Dean * ''Anthology: Legendary Masked Surfer Unmasked''—Varèse Sarabande 3020663492 (2002) * ''The Bamboo Trading Company - From Kitty Hawk To Surf City''—Steelsurf 10221 (2013) * ''The Teammates''— Omnivore (2022) Singles ;Jan & Arnie singles ;Jan & Dean singles Solo singles ;Jan Berry singles * "Tomorrow's Teardrops"/"My Midsummer Night's Dream"—Ripple 6101 (1960)Shown as "Jan Barry" * "Universal Coward"/"I Can't Wait To Love You"—Liberty 55845 (1965)Both tracks from the Jan & Dean album ''Folk 'n Roll'' ( ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Jan And Dean
Jan and Dean was an American rock music, rock duo consisting of William Jan Berry (April 3, 1941 – March 26, 2004) and Dean Ormsby Torrence (born March 10, 1940). In the early 1960s, they were pioneers of the California Sound and vocal surf music styles popularized by the Beach Boys. Among their most successful songs was 1963's "Surf City (song), Surf City", the first surf song ever to reach the #1 spot. Their other charting top 10 singles were "Drag City (song), Drag City" (1963), "Dead Man's Curve (song), Dead Man's Curve" (1964; inducted into the Grammy Hall of Fame in 2008), and "The Little Old Lady from Pasadena" (1964). In 1972, Torrence won the Grammy Award for Grammy Award for Best Recording Package, Best Album Cover for the psychedelic rock band Dobie Gray, Pollution's first eponymous 1971 album, and was nominated three other times in the same category for albums of the Nitty Gritty Dirt Band. In 2013, Torrence's design contribution of the Surf City Allstars' ''In C ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


The New Girl In School
"The New Girl in School" is a song written by Jan Berry, Roger Christian, Brian Wilson, and Bob Norberg for the American rock duet Jan and Dean. It was the B-side of their hit single "Dead Man's Curve". Both songs were released on their album ''Dead Man's Curve / The New Girl In School''. "The New Girl From School" charted at number 37 on the ''Billboard'' Hot 100. Background The song was initially titled "Gonna Hustle You", but Liberty Records made Jan and Dean change the title and lyrics because the label thought the general public would interpret the song as being too raunchy, insinuated by the word "hustle". Jan and Dean then renamed the song to "Get A Chance With You" and changed some of the lyrics, however, the record company still thought the meaning of the song was too suggestive. Jan & Dean retitled the song to "The New Girl in School" and brought in a fourth songwriter, Roger Christian to help rewrite the lyrics. Personnel *Jan Berry – lead and backing vocals *Dean ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Dead Man's Curve (song)
"Dead Man's Curve" is a 1964 hit song by Jan and Dean whose lyrics detail a teen street race gone awry. It reached number eight on the ''Billboard'' Hot 100 singles chart. The song was written and composed by Brian Wilson, Artie Kornfeld, Roger Christian, and Jan Berry at Wilson's mother's house in Santa Monica. It was part of the teenage tragedy song phenomenon of that period, and one of the most popular such selections of all time. "Dead Man's Curve" was added to the Grammy Hall of Fame in 2008. Premise The singer goes out for a leisurely drive one night in his Corvette Sting Ray, when a driver pulls up alongside in his Jaguar XKE and challenges him to a drag race. According to the song, the race starts at Sunset and Vine, traveling westbound on West Sunset Blvd., passing North La Brea Ave., North Crescent Heights Blvd., and North Doheny Dr. The original Schwab's Pharmacy was located just east of Crescent Heights on Sunset. The North Whittier Drive curve, a nearly 90° right ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Drag City (song)
"Drag City" is a 1963 song by Jan and Dean, written by Jan Berry, Roger Christian, and Brian Wilson. It describes the narrator's trip to a drag racing strip and borrows heavily from an earlier Jan and Dean song " Surf City," also co-written by Berry and Wilson. "Drag City" was released as the title track from the album of the same name. It was the first of the duo's seven hit songs in 1964, and charted in the top ten in January. Personnel The musicians on the session included: * Earl Palmer Earl Cyril Palmer (October 25, 1924 – September 19, 2008) was an American drummer. Considered one of the inventors of rock and roll, he is a member of the Rock and Roll Hall of Fame. Palmer was one of the most prolific studio musicians of al ..., drumsScherman, Tony, ''Backbeat: The Earl Palmer Story'', foreword by Wynton Marsalis, Smithsonian Institution Press, Washington D.C., 1999 p. 176 Chart performance References 1963 singles Jan and Dean songs Songs about cars Song ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Honolulu Lulu
"Honolulu Lulu" is a song written by Jan Berry and Roger Christian, and Lou Adler for the American rock band Jan and Dean Jan and Dean was an American rock duo consisting of William Jan Berry (April 3, 1941 – March 26, 2004) and Dean Ormsby Torrence (born March 10, 1940). In the early 1960s, they were pioneers of the California Sound and vocal surf music style .... It was the second hit single from their 1963 album ''Surf City And Other Swingin' Cities'', charting at number 58 on the ''Billboard'' Hot 100. It was also included later on their 1966 album ''Filet of Soul''. Performers *Jan Berry: Lead vocals *Dean Torrence: Backing vocals and harmonies References {{DEFAULTSORT:Honolulu Lulu Jan and Dean songs Songs written by Roger Christian (songwriter) 1963 singles Songs written by Jan Berry 1963 songs Liberty Records singles Songs written by Lou Adler ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  




Surf City (song)
"Surf City" is a 1963 song recorded by American music duo Jan and Dean about a fictitious surf spot where there are "two girls for every boy". Written by Brian Wilson and Jan Berry, it was the first surf song to become a national number-one hit. In 1991, after moving to Huntington Beach, California, Dean Torrence helped convince elected officials that the town be officially nicknamed Surf City, USA. In 2006, the official trademark of "Surf City, USA" was granted to Huntington Beach after several back-and-forth lawsuits between Huntington Beach and Santa Cruz. As of 2009, more than 65 businesses in the city included "Surf City" as part of their name. Background The first draft of the song, with the working title "Goody Connie Won't You Come Back Home", was written by Brian Wilson of the Beach Boys. While at a party with Jan Berry and Dean Torrence, Wilson played them " Surfin' U.S.A." on the piano. Berry and Torrence suggested that they do the song as a single, but Wilson refuse ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Linda (1946 Song)
"Linda" is a popular song written, taking its name from then-one-year-old future star Linda McCartney. It was written by Jack Lawrence and published in 1946. Composition The song was written in 1942 when Lawrence was in the service during World War II, taking its name from the then one-year-old daughter of his attorney, Lee Eastman. (His daughter was Linda Eastman McCartney, future first wife of the Beatle Paul McCartney.) The song did not get published until after Lawrence left the military, and was then recorded by a number of performers, but the biggest hit was by Ray Noble's orchestra (with a vocal by Buddy Clark). Other charted versions were by Charlie Spivak (vocal by Tommy Mercer); Paul Weston (vocal by Matt Dennis); and by Larry Douglas. Recordings The recording by Ray Noble and Buddy Clark was recorded on November 15, 1946, and released by Columbia Records. It first reached the ''Billboard'' charts on March 21, 1947, and lasted thirteen weeks on the chart, peaking ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Frosty The Snowman
"Frosty the Snowman" is a popular Christmas song written by Walter "Jack" Rollins and Steve Nelson, and first recorded by Gene Autry and the Cass County Boys in 1950 and later recorded by Jimmy Durante. It was written after the success of Autry's recording of "Rudolph the Red-Nosed Reindeer" the previous year; Rollins and Nelson shopped the new song to Autry, who recorded "Frosty" in search of another seasonal hit. Like "Rudolph", "Frosty" was subsequently adapted to other media including a popular television special. Song A group of children find a hat and place it on Frosty's head. Frosty laughs and plays with the children until the hot sun threatens to melt him. Frosty says goodbye to the children, reassuring them, "I'll be back again someday." It is generally regarded as a Christmas song, and supposedly takes place in White Plains, New York, or Armonk, New York; Armonk has a parade dedicated to Frosty annually. Covers The song has been covered as an instrumenta ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Who Put The Bomp (in The Bomp, Bomp, Bomp)
"Who Put the Bomp (in the Bomp, Bomp, Bomp)" is a doo-wop style novelty song from 1961 by the American songwriter Barry Mann, who wrote it with Gerry Goffin. It was originally released as a single on the ABC-Paramount label (10237). Lyrics In this song, Mann sings about the frequent use of nonsense lyrics in doo-wop music, and how his girl fell in love with him after listening to several such songs. Examples of the type of song referred to include the Marcels' version of " Blue Moon" (in which they sing "Bomp bomp ba bomp, ba bomp ba bomp bomp" and "dip-de-dip-de-dip") and The Edsels' "Rama-Lama-Ding-Dong", both of which charted earlier the same year.''Top Pop Singles 1955-1996'', © 1997, Record Research Inc.; The spoken section is a reference to the song "Little Darlin'" by the Diamonds. "Boogidy shoo" can be found in the lyrics to "Pony Time" by Chubby Checker, released earlier that year. Mann was backed up by the Halos, a doo-wop group of its own renown that had a single ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  




A Sunday Kind Of Love
"A Sunday Kind of Love" is a popular song composed by Barbara Belle, Anita Leonard, Stan Rhodes, and Louis Prima and was published in 1946. History The song has become a pop and jazz standard, recorded by many artists. The song was first recorded by Claude Thornhill and his Orchestra on November 11, 1946. He released the song as a single in January, 1947 and it became permanently identified as the signature song for its vocalist, Fran Warren. Louis Prima and his Orchestra released his recording of the song in February 1947. The popularity of the up-tempo version by The Del-Vikings released in 1957 increased the song's popularity. Despite having wide acclaim, the song never made the Billboard Top 40. Legacy The song was featured in the jukebox musical ''Jersey Boys'' as well as the film version. Notable recordings * Claude Thornhill and his Orchestra with vocal by Fran Warren. Recorded on November 11, 1946, in New York, and released on Columbia Records 37219. * Louis Prima a ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Heart And Soul (1938 Song)
"Heart and Soul" is a popular song composed by Hoagy Carmichael with lyrics by Frank Loesser. It charted with different artists between 1938 and 1961. A simplified version is a popular piano duet. Musical format The song's A-section is often simplified as a repeating I-vi-IV-V progression and taught to beginning piano students as an easy two-hand duet (), with one person playing the bass and another playing the melody.The Bouncy Joy of 'Heart and Soul'
, , December 31, 2006
Much like the piece "