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Jan Křtitel Kuchař
Jan Křtitel Kuchař, or also german: Johann Baptist Kucharz (5 March 1751 in Choteč – 18 February 1829 in Prague) was a Czech organist, mandolinist, harpsichordist, music composer, operatic conductor, and teacher. Life and career Soon after his birth, Kuchař's parents moved to Mlázovice, where he lived out his childhood. He achieved basic music knowledge in Vrchlabí with the organist Alex Thám. Later he studied at the Jesuit seminary in Hradec Králové and Jičín. He was a student of the organist Josef Seger in Prague. From 1772 he acted as organist in the Church of St. Henry in Prague. In Prague, he also began teaching music for the noble Hartig, Bucquoy and Příchovský families. He was active in the teaching of singing, piano, organ, and composition. Kuchař was among the first to recognize the genius of W. A. Mozart and started to propagate it. In the year 1786, he most likely played in the ''Stavovské divadlo'' at the premiere of ''The Marriage of Figaro'' and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choteč (Jičín District)
Choteč is a municipality and village in Jičín District in the Hradec Králové Region of the Czech Republic. It has about 200 inhabitants. Demographics Notable people *Jan Křtitel Kuchař Jan Křtitel Kuchař, or also german: Johann Baptist Kucharz (5 March 1751 in Choteč – 18 February 1829 in Prague) was a Czech organist, mandolinist, harpsichordist, music composer, operatic conductor, and teacher. Life and career Soon after ... (1751–1829), musician and composer References External links * Villages in Jičín District {{HradecKrálové-geo-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harpsichord
A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a keyboard. This activates a row of levers that turn a trigger mechanism that plucks one or more strings with a small plectrum made from quill or plastic. The strings are under tension on a soundboard, which is mounted in a wooden case; the soundboard amplifies the vibrations from the strings so that the listeners can hear it. Like a pipe organ, a harpsichord may have more than one keyboard manual, and even a pedal board. Harpsichords may also have stop buttons which add or remove additional octaves. Some harpsichords may have a buff stop, which brings a strip of buff leather or other material in contact with the strings, muting their sound to simulate the sound of a plucked lute. The term denotes the whole family of similar plucked-keyboard instruments, including the smaller virginals, muselar, and spinet. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fugue
In music, a fugue () is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the course of the composition. It is not to be confused with a ''fuguing tune'', which is a style of song popularized by and mostly limited to early American (i.e. shape note or "Sacred Harp") music and West Gallery music. A fugue usually has three main sections: an exposition, a development and a final entry that contains the return of the subject in the fugue's tonic key. Some fugues have a recapitulation. In the Middle Ages, the term was widely used to denote any works in canonic style; by the Renaissance, it had come to denote specifically imitative works. Since the 17th century, the term ''fugue'' has described what is commonly regarded as the most fully developed procedure of imitative counterpoint. Most fugues open with a short ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fantaisie
A fantasia (; also English: ''fantasy'', ''fancy'', ''fantazy'', ''phantasy'', german: Fantasie, ''Phantasie'', french: fantaisie) is a musical composition with roots in improvisation. The fantasia, like the impromptu, seldom follows the textbook rules of any strict musical form. History The term was first applied to music during the 16th century, at first to refer to the imaginative musical "idea" rather than to a particular compositional genre. Its earliest use as a title was in German keyboard manuscripts from before 1520, and by 1536 is found in printed tablatures from Spain, Italy, Germany, and France. From the outset, the fantasia had the sense of "the play of imaginative invention", particularly in lute or vihuela composers such as Francesco Canova da Milano and Luis de Milán. Its form and style consequently ranges from the freely improvisatory to the strictly contrapuntal, and also encompasses more or less standard sectional forms. One of the most important composers in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romanticism
Romanticism (also known as the Romantic movement or Romantic era) was an artistic, literary, musical, and intellectual movement that originated in Europe towards the end of the 18th century, and in most areas was at its peak in the approximate period from 1800 to 1850. Romanticism was characterized by its emphasis on emotion and individualism, clandestine literature, paganism, idealization of nature, suspicion of science and industrialization, and glorification of the past with a strong preference for the medieval rather than the classical. It was partly a reaction to the Industrial Revolution, the social and political norms of the Age of Enlightenment, and the scientific rationalization of nature. It was embodied most strongly in the visual arts, music, and literature, but had a major impact on historiography, education, chess, social sciences, and the natural sciences. It had a significant and complex effect on politics, with romantic thinkers influencing conservatism, libe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Period (music)
The Classical period was an era of classical music between roughly 1750 and 1820. The Classical period falls between the Baroque and the Romantic periods. Classical music has a lighter, clearer texture than Baroque music, but a more sophisticated use of form. It is mainly homophonic, using a clear melody line over a subordinate chordal accompaniment, Blume, Friedrich. ''Classic and Romantic Music: A Comprehensive Survey''. New York: W. W. Norton, 1970 but counterpoint was by no means forgotten, especially in liturgical vocal music and, later in the period, secular instrumental music. It also makes use of ''style galant'' which emphasized light elegance in place of the Baroque's dignified seriousness and impressive grandeur. Variety and contrast within a piece became more pronounced than before and the orchestra increased in size, range, and power. The harpsichord was replaced as the main keyboard instrument by the piano (or fortepiano). Unlike the harpsichord, which plucks str ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philip J
Philip, also Phillip, is a male given name, derived from the Greek (''Philippos'', lit. "horse-loving" or "fond of horses"), from a compound of (''philos'', "dear", "loved", "loving") and (''hippos'', "horse"). Prominent Philips who popularized the name include kings of Macedonia and one of the apostles of early Christianity. ''Philip'' has many alternative spellings. One derivation often used as a surname is Phillips. It was also found during ancient Greek times with two Ps as Philippides and Philippos. It has many diminutive (or even hypocoristic) forms including Phil, Philly, Lip, Pip, Pep or Peps. There are also feminine forms such as Philippine and Philippa. Antiquity Kings of Macedon * Philip I of Macedon * Philip II of Macedon, father of Alexander the Great * Philip III of Macedon, half-brother of Alexander the Great * Philip IV of Macedon * Philip V of Macedon New Testament * Philip the Apostle * Philip the Evangelist Others * Philippus of Croton (c. 6th ce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Clemenza Di Tito
' (''The Clemency of Titus''), K. 621, is an '' opera seria'' in two acts composed by Wolfgang Amadeus Mozart to an Italian libretto by Caterino Mazzolà, after Pietro Metastasio. It was started after most of ' (''The Magic Flute''), the last of Mozart's principal operas, had already been written. The work premiered on 6 September 1791 at the Estates Theatre in Prague. Background In 1791, the last year of his life, Mozart was already well advanced in writing ' by July when he was asked to compose an '' opera seria''. The commission came from the impresario Domenico Guardasoni, who lived in Prague and who had been charged by the Estates of Bohemia with providing a new work to celebrate the coronation of Leopold II, Holy Roman Emperor, as King of Bohemia. The coronation had been planned by the Estates in order to ratify a political agreement between Leopold and the nobility of Bohemia (it had rescinded efforts of Leopold's brother Joseph II to initiate a program to free the ser ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Freemasonry
Freemasonry or Masonry refers to fraternal organisations that trace their origins to the local guilds of stonemasons that, from the end of the 13th century, regulated the qualifications of stonemasons and their interaction with authorities and clients. Modern Freemasonry broadly consists of two main recognition groups: * Regular Freemasonry insists that a volume of scripture be open in a working lodge, that every member profess belief in a Supreme Being, that no women be admitted, and that the discussion of religion and politics be banned. * Continental Freemasonry consists of the jurisdictions that have removed some, or all, of these restrictions. The basic, local organisational unit of Freemasonry is the Lodge. These private Lodges are usually supervised at the regional level (usually coterminous with a state, province, or national border) by a Grand Lodge or Grand Orient. There is no international, worldwide Grand Lodge that supervises all of Freemasonry; each Grand Lod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mandolin
A mandolin ( it, mandolino ; literally "small mandola") is a stringed musical instrument in the lute family and is generally plucked with a pick. It most commonly has four courses of doubled strings tuned in unison, thus giving a total of 8 strings, although five (10 strings) and six (12 strings) course versions also exist. There are of course different types of strings that can be used, metal strings are the main ones since they are the cheapest and easiest to make. The courses are typically tuned in an interval of perfect fifths, with the same tuning as a violin (G3, D4, A4, E5). Also, like the violin, it is the soprano member of a family that includes the mandola, octave mandolin, mandocello and mandobass. There are many styles of mandolin, but the three most common types are the ''Neapolitan'' or ''round-backed'' mandolin, the ''archtop'' mandolin and the ''flat-backed'' mandolin. The round-backed version has a deep bottom, constructed of strips of wood, glued togethe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Strahov Monastery
Strahov Monastery ( cs, Strahovský klášter) is a Premonstratensians, Premonstratensian abbey founded in 1143 by Jindřich Zdík, Bishop John of Prague, and Vladislaus II, Duke of Bohemia. It is located in Strahov (district of Prague), Strahov, Prague, Czech Republic. History The founding of a monastery After his Christian pilgrimage#Holy Land, pilgrimage to the Holy Land in 1138, the List of bishops and archbishops of Olomouc, bishop of Olomouc, Jindřich Zdík, took hold of the idea of founding a monastery of regular canons in Prague. He had the support of the bishops of Prague and Soběslav I, Duke of Bohemia and—after his death—Vladislav II. After Zdík's first unsuccessful attempt to found a Czech variant of the Canons Regular of the Order of the Holy Cross, canons' order at the place called Strahov in 1140, an invitation was issued to the Premonstratensians, whose first representatives arrived from Steinfeld, Rhineland-Palatinate, Steinfeld in the Rhine valley (now Ge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Magic Flute
''The Magic Flute'' (German: , ), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a ''Singspiel'', a popular form during the time it was written that included both singing and spoken dialogue. The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before the composer's premature death. Still a staple of the opera repertory, its popularity was reflected by two immediate sequels, Peter Winter's ''Das Labyrinth oder Der Kampf mit den Elementen. Der Zauberflöte zweyter Theil'' (1798) and a fragmentary libretto by Johann Wolfgang von Goethe titled ''The Magic Flute Part Two''. The allegorical plot was influenced by Schikaneder and Mozart's interest in Freemasonry and concerns the initiation of Prince Tamino. Enlisted by the Queen of the Night to rescue her daughter Pamina from the high priest Sarastro, Tamino comes to a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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