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James Whiteside (dancer)
James B. Whiteside (born 1984), is an American ballet dancer, choreographer, model, drag queen, and recording artist. He is a former principal dancer with Boston Ballet and is currently a principal dancer with American Ballet Theatre. Early life and training Whiteside was born in Fairfield, Connecticut. He grew up in Fairfield and in Bridgeport. He began his dance training at the D’Valda & Sirico Dance and Music Centre when he was nine years old. He began training in jazz, tap, and acrobatic dance and did not begin studying classical ballet until he was a teenager. He later attended the Virginia School of the Arts and trained under the direction of Petrus Bosman and David Keener. Career Ballet In 2002 he joined Boston Ballet II, eventually joining the corps de ballet of Boston Ballet in 2003. He was promoted to soloist in 2006, first soloist in 2008, and principal dancer with Boston Ballet in 2009. Whiteside left Boston Ballet and joined American Ballet Theatre as a solo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fairfield, Connecticut
Fairfield is a town in Fairfield County, Connecticut, United States. It borders the city of Bridgeport and towns of Trumbull, Easton, Weston, and Westport along the Gold Coast of Connecticut. Located within the New York metropolitan area, it is around 43 miles northeast of Midtown Manhattan. As of 2020 the town had a population of 61,512. History Colonial era In 1635, Puritans and Congregationalists in the Massachusetts Bay Colony, were dissatisfied with the rate of Anglican reform, and sought to establish an ecclesiastical society subject to their own rules and regulations. The Massachusetts General Court granted them permission to settle in the towns of Windsor, Wethersfield, and Hartford which is an area now known as Connecticut. On January 14, 1639, a set of legal and administrative regulations called the Fundamental Orders was adopted and established Connecticut as a self-ruling entity. By 1639, these settlers had started new towns in the surrounding areas. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Bayadère
''La Bayadère'' ("the temple dancer") ( ru. «Баядерка», ''Bayaderka'') is a ballet, originally staged in four acts and seven tableaux by French choreographer Marius Petipa to the music of Ludwig Minkus. The ballet was staged especially for the benefit performance of the Russian ''Prima ballerina'' Ekaterina Vazem, who created the principal role of Nikiya. ''La Bayadère'' was first presented by the Imperial Ballet at the Imperial Bolshoi Kamenny Theatre in St. Petersburg, Russia, on . From the first performance the ballet was universally hailed by contemporary critics as one of the choreographer Petipa's supreme masterpieces, particularly the scene from the ballet known as ''The Kingdom of the Shades'', which became one of the most celebrated pieces in all of classical ballet. By the turn of the 20th century, ''The Kingdom of the Shades'' scene was regularly extracted from the full-length work as an independent showpiece, and it has remained so to the present day. Nea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Sleeping Beauty (ballet)
''The Sleeping Beauty'' ( rus, Спящая красавица, Spyashchaya krasavitsa ) is a ballet in a prologue and three acts, first performed in 1890. The music was composed by Pyotr Ilyich Tchaikovsky (Opus 66). The score was completed in 1889, and is the second of his three ballets. The original scenario was conceived by Ivan Vsevolozhsky, and is based on Charles Perrault's '' La Belle au bois dormant''. The choreographer of the original production was Marius Petipa. The premiere performance took place at the Mariinsky Theatre in St. Petersburg on January 15, 1890. The work has become one of the classical repertoire's most famous ballets. History Tchaikovsky was approached by the Director of the Imperial Theatres in St. Petersburg, Ivan Vsevolozhsky on 25 May 1888 about a possible ballet adaptation on the subject of the story of ''Undine''. It was later decided that Charles Perrault's '' La Belle au bois dormant'' would be the story for which Tchaikovsky would co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romeo And Juliet (Cranko)
''Romeo and Juliet'' is ballet created by John Cranko to Sergei Prokofiev's eponymous score for the Stuttgart Ballet in 1962 and first seen in America in 1969. The Joffrey Ballet presented the first American production of Cranko's choreography in its 1984–1985 season, including performances in New York City at the New York State Theater and in Washington, D.C. at the Kennedy Center. Casts Stuttgart Ballet * Original *Marcia Haydée ''Juliet'' *Ray Barra ''Romeo'' * American premiere *Marcia Haydée ''Juliet'' * Richard Cragun ''Romeo'' Joffrey Ballet * 1985 * Patricia Miller ''Juliet'' * Deborah Dawn ''Rosalind'' * Charlene Gehm ''Lady Capulet'' * James Canfield ''Romeo'' * Luis Perez ''Mercutio'' * Jerel Hilding ''Tybalt'' * Tom Mossbrucker ''Paris'' Reviews NY Times by Anna Kisselgoff Anna Kisselgoff (born 12 January 1938) is a dance critic and cultural news reporter for ''The New York Times''. She began at the ''Times'' as a dance critic and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swan Lake
''Swan Lake'' ( rus, Лебеди́ное о́зеро, r=Lebedínoye ózero, p=lʲɪbʲɪˈdʲinəjə ˈozʲɪrə, link=no ), Op. 20, is a ballet composed by Russian composer Pyotr Ilyich Tchaikovsky in 1875–76. Despite its initial failure, it is now one of the most popular ballets of all time. The scenario, initially in two acts, was fashioned from Russian and German folk tales and tells the story of Odette, a princess turned into a swan by an evil sorcerer's curse. The choreographer of the original production was Julius Reisinger (Václav Reisinger). The ballet was premiered by the Bolshoi Ballet on at the Bolshoi Theatre in Moscow. Although it is presented in many different versions, most ballet companies base their stagings both choreographically and musically on the 1895 revival of Marius Petipa and Lev Ivanov, first staged for the Imperial Ballet on 15 January 1895, at the Mariinsky Theatre in St. Petersburg. For this revival, Tchaikovsky's score was revised by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Nutcracker
''The Nutcracker'' ( rus, Щелкунчик, Shchelkunchik, links=no ) is an 1892 two-act ballet (""; russian: балет-феерия, link=no, ), originally choreographed by Marius Petipa and Lev Ivanov with a score by Pyotr Ilyich Tchaikovsky (Op. 71). The libretto is adapted from E. T. A. Hoffmann's 1816 short story "The Nutcracker and the Mouse King". Although the original production was not a success, the 20-minute suite that Tchaikovsky extracted from the ballet was. The complete ''Nutcracker'' has enjoyed enormous popularity since the late 1960s and is now performed by countless ballet companies, primarily during the Christmas season, especially in North America. Major American ballet companies generate around 40% of their annual ticket revenues from performances of ''The Nutcracker''. The ballet's score has been used in several film adaptations of Hoffmann's story. Tchaikovsky's score has become one of his most famous compositions. Among other things, the score is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giselle
''Giselle'' (; ), originally titled ''Giselle, ou les Wilis'' (, ''Giselle, or The Wilis''), is a romantic ballet (" ballet-pantomime") in two acts with music by Adolphe Adam. Considered a masterwork in the classical ballet performance canon, it was first performed by the Ballet du Théâtre de l'Académie Royale de Musique at the Salle Le Peletier in Paris on 28 June 1841, with Italian ballerina Carlotta Grisi as Giselle. It was an unqualified triumph. It became hugely popular and was staged at once across Europe, Russia, and the United States. The ghost-filled ballet tells the tragic, romantic story of a beautiful young peasant girl named Giselle and a disguised nobleman named Albrecht, who fall in love, but when his true identity is revealed by his rival, Hilarion, Giselle goes mad and dies of heartbreak. After her death, she is summoned from her grave into the vengeful, deadly sisterhood of the Wilis, the ghosts of unmarried women who died after being betrayed by their lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serenade (ballet)
''Serenade'' is a ballet by George Balanchine to Tchaikovsky's 1880 '' Serenade for Strings in C'', Op. 48. Serenade is credited as being George Balanchine's first full-length ballet in America. Using the students of his newly formed School of American Ballet, Balanchine choreographed this ballet for an American audience that had not been widely exposed to ballet before.Bird, "Principles of Choreography as Exemplified in the Works of George Balanchine" (1980). Master's Theses. 1851 Students of the School of American Ballet gave the first performance on Sunday, 10 June 1934 on the Felix M. Warburg estate in White Plains, N.Y., where '' Mozartiana'' had been danced the previous day. It was then presented by the Producing Company of the School of American Ballet on 6 December at the Avery Memorial Theatre of the Wadsworth Atheneum with sets by the painter William Littlefield. Balanchine presented the ballet as his response to the generous sponsorships he received during his immig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tschaikovsky Pas De Deux
''Tchaikovsky Pas de Deux'' is a ballet choreographed by George Balanchine to a composition by Pyotr Ilyich Tchaikovsky originally intended for act 3 of ''Swan Lake'' (Op. 20, 1875–76). With costumes by Barbara Karinska and lighting by Jack Owen Brown, it was first presented by New York City Ballet at the City Center of Music and Drama, New York, on 29 March 1960. Robert Irving conducted the New York City Ballet Orchestra. The dancers were Violette Verdy and Conrad Ludlow. Background In 1877, Anna Sobeshchanskaya, ''prima ballerina'' of the Bolshoi Theater in Moscow, made her debut in the dual role of Odette/Odile in ''Swan Lake''. After three performances, she was so dissatisfied with the choreography of Julius Reisinger that she asked for new material for the role of Odile in act 3. With permission from the producers, she traveled from Moscow to Saint Petersburg to ask Marius Petipa, ballet master of the Imperial Theaters, to set a ''pas de deux'' for Odile and Siegfried to re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coppélia
''Coppélia'' (sometimes subtitled: ''La Fille aux Yeux d'Émail'' (The Girl with the Enamel Eyes)) is a comic ballet from 1870 originally choreographed by Arthur Saint-Léon to the music of Léo Delibes, with libretto by Charles-Louis-Étienne Nuitter. Nuitter's libretto and mise-en-scène was based upon E. T. A. Hoffmann's short story ''Der Sandmann'' (''The Sandman''). In Greek, ''κοπέλα'' (or ''κοπελιά'' in some dialects) means ''young woman''. ''Coppélia'' premiered on 25 May 1870 at the Théâtre Impérial de l'Opéra, with the 16-year-old Giuseppina Bozzacchi in the principal role of Swanhilda and ballerina Eugénie Fiocre playing the part of Frantz ''en travesti''. The costumes were designed by Paul Lormier and Alfred Albert, the scenery by Charles-Antoine Cambon (Act I, scene 1; Act II, scene 1), and Édouard Desplechin and Jean-Baptiste Lavastre (Act I, scene 2). The ballet's first flush of success was interrupted by the Franco-Prussian War and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theme And Variations (ballet)
''Theme and Variations'' is a ballet choreographed by George Balanchine to the final movement of Tchaikovsky's Orchestral Suite No. 3. The ballet was made for Ballet Theatre (now American Ballet Theatre), and premiered on November 26, 1947, at the City Center 55 Street Theater, with the two leads danced by Alicia Alonso and Igor Youskevitch. The ballet was well-received and was revived by other ballet companies. In 1970, Balanchine incorporated the choreography of ''Theme and Variations'' to ''Suite No. 3'' (now titled '' Tschaikovsky Suite No. 3''), performed by the New York City Ballet. Production Balanchine's ''Theme and Variations'' is set to the final movement of Tchaikovsky's Orchestral Suite No. 3. It was commissioned by Lucia Chase for Ballet Theatre (now American Ballet Theatre). The sets and costumes of the original production were designed by Woodman Thompson. The ballet is plotless and abstract. Like ''Ballet Imperial'' (now titled '' Tschaikovsky Piano Concerto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
