James Lowe (musician)
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James Lowe (musician)
Thaddeus James Lowe (born 1943) is an American musician and record producer, best known as the lead singer of 1960s psychedelic rock band The Electric Prunes and as an audio engineer and producer with Todd Rundgren and the band Sparks (band), Sparks. Life and career Lowe was born in San Luis Obispo, California, and grew up in West Los Angeles. He spent time as a teenager living in Hawaii and began playing Hawaiian music, before returning to California. There, he performed in a folk music, folk duo, married in 1963, and worked at Rocketdyne, a rocket engine production company in Los Angeles, while performing after work. He was influenced by the bands of the "British Invasion" and surf music pioneer Dick Dale, and formed a garage band, the Sanctions, in 1965, by recruiting Mark Tulin (bass, keyboards), Ken Williams (lead guitar), Michael "Quint" Weakley (drums), and various other short-term members. The group developed into Jim and the Lords, and then became the Electric Prune ...
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San Luis Obispo, California
San Luis Obispo (; Spanish for " St. Louis the Bishop", ; Chumash: ''tiłhini'') is a city and county seat of San Luis Obispo County, in the U.S. state of California. Located on the Central Coast of California, San Luis Obispo is roughly halfway between the San Francisco Bay Area in the north and Greater Los Angeles in the south. The population was 47,063 at the 2020 census. San Luis Obispo was founded by the Spanish in 1772, when Saint Junípero Serra established Mission San Luis Obispo de Tolosa. The town grew steadily through the Mexican period before a rapid expansion of San Luis Obispo following the American Conquest of California. San Luis Obispo is a popular tourist destination, known for its historic architecture, vineyards, and hospitality, as well as for being home to California Polytechnic State University, San Luis Obispo. History The earliest human inhabitants of the local area were the Chumash people. One of the earliest villages lies south of San Luis Obispo an ...
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Reprise Records
Reprise Records is an American record label founded in 1960 by Frank Sinatra. It is owned by Warner Music Group, and operates through Warner Records, one of its flagship labels. Artists currently signed to Reprise Records include Enya, Michael Bublé, Eric Clapton, Stevie Nicks, Neil Young, Deftones, Mastodon (band), Mastodon, Lindsey Buckingham, Josh Groban, Disturbed (band), Disturbed, Idina Menzel, My Chemical Romance, Gerard Way, Green Day, Dwight Yoakam, and Never Shout Never. Company history Beginnings Reprise Records was formed in 1960 by Frank Sinatra in order to allow more artistic freedom for his own recordings. Soon thereafter, he garnered the nickname "The Chairman of the Board". Because of dissatisfaction with Capitol Records, and after trying to buy Norman Granz's Verve Records, the first album Sinatra released on Reprise was ''Ring-a-Ding-Ding!'' As CEO of Reprise, Sinatra recruited several artists for the fledgling label, such as fellow Rat Pack members Dean Ma ...
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Nazz
The Nazz was an American rock band formed in Philadelphia in 1967. The group was founded by guitarist and principal songwriter Todd Rundgren and bassist Carson Van Osten. Drummer Thom Mooney and vocalist/keyboardist Robert "Stewkey" Antoni joined soon after. The group is best known for their debut single "Open My Eyes”, and "Hello It's Me". Their name was derived from the Yardbirds' song "The Nazz Are Blue". Between 1968 and 1969, the Nazz released two albums (''Nazz'' and ''Nazz Nazz''). Following the group's disbandment in 1969, a collection of archival Nazz recordings was compiled and released under the title ''Nazz III'', and Rundgren recorded a solo version of "Hello It's Me" that reached number 5 on the U.S. charts. History Name and formation Nazz was formed in Philadelphia in 1967. The group's original managers Jack Warfield and Jerry Bartoff owned a record store in downtown Philadelphia, and the Nazz first rehearsed in a storage room above the record store. The group's ...
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Nazz (album)
''Nazz'' is the debut album by American rock group Nazz. It was released in 1968. The album spawned two singles, "Open My Eyes" and "Hello It's Me", with the latter reaching number 66 on the Billboard Pop Singles chart. "Open My Eyes" failed to chart but came to be regarded as a psychedelic rock classic, appearing on several compilations of the genre. "Hello It's Me" became a hit when Nazz guitarist Todd Rundgren re-recorded it for his 1972 solo album ''Something/Anything?''. The track "Open My Eyes" was accompanied by a promo video, directed by Ray Dennis Steckler. ''Nazz'' peaked at number 118 on Billboard's Pop Albums chart. The album was remastered and rereleased in 2006 with bonus tracks by Sanctuary Records Group. Background and recording Following a showcase at the Boston Tea Party in January 1968, The Nazz were signed by Screen Gems-Columbia. In April 1968 the band entered the eight-track recording studio I. D. Sound Studios in Hollywood, California. By this time the ban ...
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Bill Traut
William Raymond Traut (March 20, 1929 – June 5, 2014) was an American jazz musician, rock music producer, manager and record label executive. He co-founded the Dunwich and Wooden Nickel record labels, and produced The Shadows of Knight, The American Breed, the Siegel-Schwall Band, and Styx, among others. Biography Traut began his career in music as a jazz saxophonist, playing with local bands in and around Chicago in the late 1940s and 1950s. Bill Traut, ''Classic Garage Rock Library''
Retrieved 11 August 2017
He graduated in law from the , and played regularly with pianist

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Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ...
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Recording Engineer
An audio engineer (also known as a sound engineer or recording engineer) helps to produce a recording or a live performance, balancing and adjusting sound sources using equalization, dynamics processing and audio effects, mixing, reproduction, and reinforcement of sound. Audio engineers work on the "technical aspect of recording—the placing of microphones, pre-amp knobs, the setting of levels. The physical recording of any project is done by an engineer... the nuts and bolts." Sound engineering is increasingly seen as a creative profession where musical instruments and technology are used to produce sound for film, radio, television, music and video games. Audio engineers also set up, sound check and do live sound mixing using a mixing console and a sound reinforcement system for music concerts, theatre, sports games and corporate events. Alternatively, ''audio engineer'' can refer to a scientist or professional engineer who holds an engineering degree and who designs, dev ...
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David Axelrod (musician)
David Axelrod (April 17, 1931 – February 5, 2017) was an American composer, arranger, and producer. After starting out as a staff producer for record companies specializing in jazz, Axelrod became known by the mid-1960s in soul and jazz circles for his recording skills. In 1968, Axelrod embarked on a solo career and released several albums during the 1970s that showcased his characteristic sound, which combined heavily microphoned drums and baroque orchestration, and avant garde themes ranging from the environment to heightened mental awareness. With his early solo projects, Axelrod was one of the first recording artists to fuse elements of jazz, rock, and R&B. One of his most important records, ''Song of Innocence'' (1968), featured instrumental interpretations of 18th-century poet William Blake's poetry collection of the same name done in a contemporary musical vein, leading one critic at the time to coin the term " jazz fusion" and numerous hip hop producers to sample t ...
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Mass In F Minor
''Mass in F Minor'' is the third studio album by American rock band The Electric Prunes, released in 1968. It consists of a musical setting of the mass sung in Latin and Greek and arranged in the psychedelic style of the band, and was written and arranged by David Axelrod. Background and recording Following the limited commercial success of the Electric Prunes' previous album, '' Underground'', the band's manager Lenny Poncher and their producer Dave Hassinger, whose company owned the rights to the band name, agreed with Reprise Records that their third album would be written and arranged by David Axelrod, a classically trained musician. The album was planned to combine religious and classical elements with psychedelic rock, in a religious-based rock-opera concept album. Axelrod was given carte blanche by Hassinger to do what he wanted with the Electric Prunes. When the existing band – singer James Lowe, guitarists Ken Williams and Mike Gannon, bassist Mark Tulin, ...
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Underground (The Electric Prunes Album)
''Underground'' is the second studio album by the American garage rock band, The Electric Prunes, and was released in 1967 on Reprise Records. It would be the final album of any materialized input by band members until the 1969 "New Improved" Electric Prunes were formed. The album was a moderate chart hit, but, without a hit-ready single, the band could not repeat their past success. In 2011, it was included in '' NME's'' "The 100 Greatest Albums You've Never Heard" list, chosen by Andrew VanWyngarden of MGMT. Background The album, ''Underground'', brought changes to the band once recording began. Limited lyrical input plagued the band's creative process on their debut. Only one track, composed by Mark Tulin and James Lowe, called "Lovin'" was included on their first album. This changed with this album because Dave Hassinger, the group's producer, was not as active in the sessions resulting in nine of the 12 tracks becoming the band's own material. With so much more musical f ...
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The Electric Prunes (album)
''The Electric Prunes'', sometimes referred to as ''I Had Too Much to Dream (Last Night)'', is the 1967 debut album by the American garage rock band, the Electric Prunes, released on Reprise Records. The first track, "I Had Too Much to Dream (Last Night)", was a hit and became the band's signature tune. The album also contains another notable psychedelic rock composition, "Get Me to the World on Time". The album was listed in the book ''1001 Albums You Must Hear Before You Die''. Background The success of the Electric Prunes' single, "I Had Too Much to Dream (Last Night)", which charted at number 11 in the U.S. and at number 49 in the UK, prompted the band to tour more and to record adverts. The band was featured in publicity photos for the November 1967 issue of ''Teen Pin-Ups''. They also recorded an advert for the Vox wah-wah pedal and promoted use of the equipment in the ''Vox Teen Beat'' magazine. Following the band's extensive promotional campaign, a second single, "Get Me ...
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Get Me To The World On Time
"Get Me to the World on Time" is a song written by Annette Tucker and Jill Jones for the American garage rock band, The Electric Prunes. The song was released in May 1967 following the success of the band's previous single, "I Had Too Much to Dream (Last Night)". Although the follow-up did not have the same success, "Get Me to the World on Time" still charted at number 27 on the Billboard Hot 100. The single also fared slightly better in the UK, where it reached number 42. History Recording The song was recorded at American Recording Company with multiple sound effects, and recording techniques which were highly complex. Similar to "I Had Too Much to Dream (Last Night)", the composition begins in low-range tones until the sudden shift. Singer James Lowe explained that the opening to the track is actually " roducerDave Hassinger groaning through a mike, into the tremolo of a Fender amp. It creates pulse-like overtones that sound like strings". Vocals by Lowe were initially soft un ...
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