James Gleeson
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James Gleeson
James Timothy Gleeson (21 November 1915 – 20 October 2008) was an Australian artist. He served on the board of the National Gallery of Australia. Early life Gleeson was born in the Sydney district of Hornsby in 1915 and attended East Sydney Technical College from 1934 to 1936. In 1938 Gleeson studied at Sydney Teachers College, where he gained two years training in general primary school teaching. Salvador Dalí, Max Ernst, André Masson, Sigmund Freud and Carl Jung became major influence in Gleeson's work. Work Gleeson's themes generally delved into the subconscious using literary, mythological or religious subject matter. He was particularly interested in Jung's archetypes of the collective unconscious. In 1944 Gleeson created ''The sower'' referencing Jean-François Millet's 1850 painting of the same title. Rather than showing a landscape with a conglomerate main figure, Gleeson presents an eerie twentieth-century view of a desolated one. He commented on the work's ...
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Brackets
A bracket is either of two tall fore- or back-facing punctuation marks commonly used to isolate a segment of text or data from its surroundings. Typically deployed in symmetric pairs, an individual bracket may be identified as a 'left' or 'right' bracket or, alternatively, an "opening bracket" or "closing bracket", respectively, depending on the Writing system#Directionality, directionality of the context. Specific forms of the mark include parentheses (also called "rounded brackets"), square brackets, curly brackets (also called 'braces'), and angle brackets (also called 'chevrons'), as well as various less common pairs of symbols. As well as signifying the overall class of punctuation, the word "bracket" is commonly used to refer to a specific form of bracket, which varies from region to region. In most English-speaking countries, an unqualified word "bracket" refers to the parenthesis (round bracket); in the United States, the square bracket. Glossary of mathematical sym ...
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Subconscious
In psychology, the subconscious is the part of the mind that is not currently of focal awareness. Scholarly use of the term The word ''subconscious'' represents an anglicized version of the French ''subconscient'' as coined in 1889 by the psychologist Pierre Janet (1859–1947), in his doctorate of letters thesis, ''De l'Automatisme Psychologique''. Janet argued that underneath the layers of critical-thought functions of the conscious mind lay a powerful awareness that he called the subconscious mind.Henri F. Ellenberger, ''The Discovery of the Unconscious'' (1970) In the strict psychological sense, the adjective is defined as "operating or existing outside of consciousness". Locke and Kristof write that there is a limit to what can be held in conscious focal awareness, an alternative storehouse of one's knowledge and prior experience is needed, which they label the subconscious. Psychoanalysis Sigmund Freud used the term "subconscious" in 1893 to describe associations and i ...
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Crustacean
Crustaceans (Crustacea, ) form a large, diverse arthropod taxon which includes such animals as decapods, seed shrimp, branchiopods, fish lice, krill, remipedes, isopods, barnacles, copepods, amphipods and mantis shrimp. The crustacean group can be treated as a subphylum under the clade Mandibulata. It is now well accepted that the hexapods emerged deep in the Crustacean group, with the completed group referred to as Pancrustacea. Some crustaceans (Remipedia, Cephalocarida, Branchiopoda) are more closely related to insects and the other hexapods than they are to certain other crustaceans. The 67,000 described species range in size from '' Stygotantulus stocki'' at , to the Japanese spider crab with a leg span of up to and a mass of . Like other arthropods, crustaceans have an exoskeleton, which they moult to grow. They are distinguished from other groups of arthropods, such as insects, myriapods and chelicerates, by the possession of biramous (two-parted) limbs, and by th ...
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Mollusca
Mollusca is the second-largest phylum of invertebrate animals after the Arthropoda, the members of which are known as molluscs or mollusks (). Around 85,000  extant species of molluscs are recognized. The number of fossil species is estimated between 60,000 and 100,000 additional species. The proportion of undescribed species is very high. Many taxa remain poorly studied. Molluscs are the largest marine phylum, comprising about 23% of all the named marine organisms. Numerous molluscs also live in freshwater and terrestrial habitats. They are highly diverse, not just in size and anatomical structure, but also in behaviour and habitat. The phylum is typically divided into 7 or 8  taxonomic classes, of which two are entirely extinct. Cephalopod molluscs, such as squid, cuttlefish, and octopuses, are among the most neurologically advanced of all invertebrates—and either the giant squid or the colossal squid is the largest known invertebrate species. The gastropod ...
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Inscape (visual Art)
Inscape, in visual art, is a term especially associated with certain works of Chilean artist Roberto Matta, but it is also used in other senses within the visual arts. Though the term ''inscape'' has been applied to stylistically diverse artworks, it usually conveys some notion of representing the artist's psyche as a kind of interior landscape. The word ''inscape'' can therefore be read as a kind of portmanteau, combining ''interior'' (or ''inward'') with ''landscape''. The psychological inscape: surrealist, abstract, and fantastic art According to Professor Claude Cernuschi, writing in a catalogue for a Matta exhibition at Boston College (see external link below), Matta's use of the term ''inscape'' for a series of landscape-like abstract or surrealist paintings reflects "the psychoanalytic view of the mind as a three-dimensional space: the 'inscape'." The 'inscape' concept is particularly apt for Matta's works of the late 1930s. As Dawn Adès (p. 233) writes, "A serie ...
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Surrealism
Surrealism is a cultural movement that developed in Europe in the aftermath of World War I in which artists depicted unnerving, illogical scenes and developed techniques to allow the unconscious mind to express itself. Its aim was, according to leader André Breton, to "resolve the previously contradictory conditions of dream and reality into an absolute reality, a super-reality", or ''surreality.'' It produced works of painting, writing, theatre, filmmaking, photography, and other media. Works of Surrealism feature the element of surprise, unexpected juxtapositions and '' non sequitur''. However, many Surrealist artists and writers regard their work as an expression of the philosophical movement first and foremost (for instance, of the "pure psychic automatism" Breton speaks of in the first Surrealist Manifesto), with the works themselves being secondary, i.e. artifacts of surrealist experimentation. Leader Breton was explicit in his assertion that Surrealism was, above all, a ...
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Sydney Star Observer
The ''Star Observer'' is a free monthly magazine and online newspaper that caters to the lesbian, gay, bisexual, transgender and intersex communities in Australia. Since 20 June 2019 the ''Star Observer'' is owned by media company Out Publications. History and readership The newspaper was initially published by Michael Glynn as a tabloid in 1979 under the name ''The Sydney Star'' and is the oldest and largest publication of its kind in Australia. In 1982 the paper changed its name, becoming ''The Star'' (1982–1985), later undergoing several name changes, including ''Sydney's Star Observer'' (1986–1987), ''Sydney Star Observer'' (1987–2014; 2019 onwards) and ''Star Observer'' (2014-2019). The typical profile of the audience is aged between 23 years and 50 years, with a higher than average income level. With a 2015 audited circulation in excess of 15,000 per month, the publishers at that time claimed a readership exceeding 41,000 readers in print and 100,000+ online. In la ...
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Homosexuality
Homosexuality is romantic attraction, sexual attraction, or sexual behavior between members of the same sex or gender. As a sexual orientation, homosexuality is "an enduring pattern of emotional, romantic, and/or sexual attractions" to people of the same sex. It "also refers to a person's sense of identity based on those attractions, related behaviors, and membership in a community of others who share those attractions." Along with bisexuality and heterosexuality, homosexuality is one of the three main categories of sexual orientation within the heterosexual–homosexual continuum. Scientists do not yet know the exact cause of sexual orientation, but they theorize that it is caused by a complex interplay of genetic, hormonal, and environmental influences and do not view it as a choice. Although no single theory on the cause of sexual orientation has yet gained widespread support, scientists favor biologically based theories. There is considerably more evidence supporti ...
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Homoerotic
Homoeroticism is sexual attraction between members of the same sex, either male–male or female–female. The concept differs from the concept of homosexuality: it refers specifically to the desire itself, which can be temporary, whereas "homosexuality" implies a more permanent state of identity or sexual orientation. It is a much older concept than the 19th-century idea of homosexuality, and is depicted or manifested throughout the history of the visual arts and literature. It can also be found in performative forms; from theatre to the theatricality of uniformed movements (e.g., the Wandervogel and Gemeinschaft der Eigenen). According to the ''Oxford English Dictionary'', it is "pertaining to or characterized by a tendency for erotic emotions to be centered on a person of the same sex; or pertaining to a homo-erotic person." This is a relatively recent dichotomyFlood, 2007, p.307. that has been studied in the earliest times of ancient poetry to modern drama by modern scholars. ...
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Decalcomania
Decalcomania (from french: décalcomanie) is a decorative technique by which engravings and prints may be transferred to pottery or other materials. A shortened version of the term is used for a mass-produced commodity art transfer or product label, known as a "decal". History Decalcomania was first used commercially in England about 1750 and imported into the United States at least as early as 1865. Its invention has been attributed to Simon François Ravenet, an engraver from France who later moved to England and perfected the process, which he called "" (derived from French , "tracing paper"). The first known use of the French term , in Mary Elizabeth Braddon's ''Eleanor's Victory'' (1863), was followed by the English ''decalcomania'' in an 1865 trade show catalog (''The Tenth Exhibition of the Massachusetts Charitable Mechanic Association''); it was popularized during the ceramic transfer craze of the mid-1870s. By around 1875 decalcomania designs printed in colored glazes ...
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Psychedelic Music
Psychedelic music (sometimes called psychedelia) is a wide range of popular music styles and genres influenced by 1960s psychedelia, a subculture of people who used psychedelic drugs such as LSD, psilocybin mushrooms, mescaline, and cannabis to experience synesthesia and altered states of consciousness. Psychedelic music may also aim to enhance the experience of using these drugs and has been found to have a significant influence on psychedelic therapy. Psychedelia embraces visual art, movies, and literature, as well as music. Psychedelic music emerged during the 1960s among folk and rock bands in the United States and the United Kingdom, creating the subgenres of psychedelic folk, psychedelic rock, acid rock, and psychedelic pop before declining in the early 1970s. Numerous spiritual successors followed in the ensuing decades, including progressive rock, krautrock, and heavy metal. Since the 1970s, revivals have included psychedelic funk, neo-psychedelia, and stoner rock as ...
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The Sower (Millet)
''The Sower'' is an oil painting by the French artist Jean-François Millet from 1850. It has been part of collection of the Museum of Fine Arts, Boston, Museum of Fine Arts in Boston since 1917. History Millet moved to Barbizon in 1849, a village in the Fontainebleau forest, outside Paris. There he was part of the artist group of the School of Barbizon, which painted subdued realistic landscapes and motifs in contrast to the traditional romanticism, romantic dramatic landscape and painting. Millet was himself a farmer's son and described with dignity and seriousness the hard-working life of the rural population. His paintings have sometimes been perceived as sentimental. At the time, however, they were considered radical because of their social realism. Large-scale depiction of simple agricultural workers was new and controversial in the Paris' art establishment. Millet was often questioned for his "ugly" motifs. Description The painting depicts a peasant in the act of sowing lan ...
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