Jala Jala Y Boogaloo
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Jala Jala Y Boogaloo
''Jala Jala y Boogaloo'' is an album released by the salsa music duet Richie Ray & Bobby Cruz. Released in 1967, the album is influenced not only by Latin rhythms such as the Puerto Rican Jala Jala, but also by beat music. Backed by the lead single "Richie's Jala Jala", the album was an international success, being popular in the United States, Colombia, Puerto Rico and other countries. The album's success led to the release of the follow-up '' Jala Jala Boogaloo Volume II'' with a similar cover and sound. Background With their previous albums, Richie Ray & Bobby Cruz had established themselves as prominent artists in the New York music scene of the 1960s. Following the success of hit singles such as "El Mulato," the duet received a contract with the Tico and Alegre record companies presided by Moris Levy. Moris Pelsman, Levy's partner, designated the famous Pancho Cristal to produce and supervise the duet's new recordings. After releasing ''Se Soltó'' early on that same yea ...
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Salsa Music
Salsa music is a style of Latin American music. Because most of the basic musical components predate the labeling of salsa, there have been many controversies regarding its origin. Most songs considered as salsa are primarily based on son montuno, with elements of Mambo (music), mambo, Latin jazz, Bomba (Puerto Rico), bomba, plena and guaracha. All of these elements are adapted to fit the basic son montuno template when performed within the context of salsa. Originally the name salsa was used to label commercially several styles of Latin dance music, but nowadays it is considered a musical style on its own and one of the staples of Latin American culture. The first self-identified salsa bands were predominantly assembled by Cubans, Cuban and Puerto Ricans, Puerto Rican musicians in New York City in the '70s. The music style was based on the late son montuno of Arsenio Rodríguez, Conjunto Chappottín and Roberto Faz. These musicians included Celia Cruz, Willie ColónRuben Blade ...
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Soul Music
Soul music is a popular music genre that originated in the African American community throughout the United States in the late 1950s and early 1960s. It has its roots in African-American gospel music and rhythm and blues. Soul music became popular for dancing and listening, where U.S. record labels such as Motown, Atlantic and Stax were influential during the Civil Rights Movement. Soul also became popular around the world, directly influencing rock music and the music of Africa. It also had a resurgence with artists like Erykah Badu under the genre neo-soul. Catchy rhythms, stressed by handclaps and extemporaneous body moves, are an important feature of soul music. Other characteristics are a call and response between the lead vocalist and the chorus and an especially tense vocal sound. The style also occasionally uses improvisational additions, twirls, and auxiliary sounds. Soul music reflects the African-American identity, and it stresses the importance of an African-Ameri ...
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1967 Albums
Events January * January 1 – Canada begins a year-long celebration of the 100th anniversary of Confederation, featuring the Expo 67 World's Fair. * January 5 ** Spain and Romania sign an agreement in Paris, establishing full consular and commercial relations (not diplomatic ones). ** Charlie Chaplin launches his last film, ''A Countess from Hong Kong'', in the UK. * January 6 – Vietnam War: USMC and ARVN troops launch ''Operation Deckhouse Five'' in the Mekong Delta. * January 8 – Vietnam War: Operation Cedar Falls starts. * January 13 – A military coup occurs in Togo under the leadership of Étienne Eyadema. * January 14 – The Human Be-In takes place in Golden Gate Park, San Francisco; the event sets the stage for the Summer of Love. * January 15 ** Louis Leakey announces the discovery of pre-human fossils in Kenya; he names the species '' Kenyapithecus africanus''. ** American football: The Green Bay Packers defeat the Kansas City Chiefs 35–10 in the First AF ...
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Afro-Caribbean
Afro-Caribbean people or African Caribbean are Caribbean people who trace their full or partial ancestry to Sub-Saharan Africa. The majority of the modern African-Caribbeans descend from Africans taken as slaves to colonial Caribbean via the trans-Atlantic slave trade between the 15th and 19th centuries to work primarily on various sugar plantations and in domestic households. Other names for the ethnic group include Black Caribbean, Afro or Black West Indian or Afro or Black Antillean. The term Afro-Caribbean was not coined by Caribbean people themselves but was first used by European Americans in the late 1960s. People of Afro-Caribbean descent today are largely of West African ancestry, and may additionally be of other origins, including European, South Asian and native Caribbean descent, as there has been extensive intermarriage and unions among the peoples of the Caribbean over the centuries. Although most Afro-Caribbean people today continue to live in English, Frenc ...
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Santería
Santería (), also known as Regla de Ocha, Regla Lucumí, or Lucumí, is an African diaspora religions, African diasporic religion that developed in Cuba during the late 19th century. It arose through a process of syncretism between the traditional Yoruba religion of West Africa, the Catholic Church, Roman Catholic form of Christianity, and Spiritism. There is no central authority in control of Santería and much diversity exists among practitioners, who are known as ''creyentes'' ("believers"). Santería is polytheism, polytheistic and revolves around deities called ''Orisha, oricha''. Deriving their names and attributes from traditional Yoruba divinities, they are equated with Roman Catholic saints. Each human is believed to have a personal link to a particular oricha who influences their personality. Various myths are told about these oricha, who are regarded as subservient to Olodumare, a transcendent creator deity. Olodumare is believed to be the ultimate source of ''Aá¹£á ...
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Shango
Shango (Yoruba language: Ṣàngó, also known as Changó or Xangô in Latin America; and as Jakuta or Badé) is an Orisha, a deity in Yoruba religion. Genealogically speaking, Shango is a royal ancestor of the Yoruba as he was the third Alaafin of the Oyo Kingdom prior to his posthumous deification. Shango has numerous manifestations, including Airá, Agodo, Afonja, Lubé, and Obomin. He is known for his powerful double axe (Oṣè). He is considered to be one of the most powerful rulers that Yorubaland has ever produced. In the New World, he is syncretized with either Saint Barbara or Saint Jerome. Historical figure Ṣàngó was the third Alafin of Oyo, following Oranmiyan and Ajaka. He brought prosperity to the Oyo Empire. According to Professor Mason's ''Mythological Account of Heroes and Kings'', unlike his peaceful brother Ajaka, he was a powerful and violent ruler. He reigned for seven years which were marked by his continuous campaigns and many battles. His reign end ...
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Counterculture Of The 1960s
The counterculture of the 1960s was an anti-establishment cultural phenomenon that developed throughout much of the Western world in the 1960s and has been ongoing to the present day. The aggregate movement gained momentum as the civil rights movement in the United States continued to grow, and with the intensification of the Vietnam War, it would later become revolutionary to some. As the 1960s progressed, widespread social tensions also developed concerning other issues, and tended to flow along generational lines regarding human sexuality, women's rights, traditional modes of authority, rights of non-white people, end of racial segregation, experimentation with psychoactive drugs, and differing interpretations of the American Dream. Many key movements related to these issues were born or advanced within the counterculture of the 1960s. As the era unfolded, what emerged were new cultural forms and a dynamic subculture that celebrated experimentation, modern incarnations of B ...
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Pacifism
Pacifism is the opposition or resistance to war, militarism (including conscription and mandatory military service) or violence. Pacifists generally reject theories of Just War. The word ''pacifism'' was coined by the French peace campaigner Émile Arnaud and adopted by other peace activists at the tenth Universal Peace Congress in Glasgow in 1901. A related term is '' ahimsa'' (to do no harm), which is a core philosophy in Indian Religions such as Hinduism, Buddhism, and Jainism. While modern connotations are recent, having been explicated since the 19th century, ancient references abound. In modern times, interest was revived by Leo Tolstoy in his late works, particularly in '' The Kingdom of God Is Within You''. Mahatma Gandhi propounded the practice of steadfast nonviolent opposition which he called " satyagraha", instrumental in its role in the Indian Independence Movement. Its effectiveness served as inspiration to Martin Luther King Jr., James Lawson, Mary and Cha ...
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Caribbean Folklore
Many elements of Caribbean folklore (the orally transmitted beliefs, myths, tales, and practices of a group of people) are African in origin, given that slaves brought from Africa's West (or Gold) Coast made up a large majority of those brought to the region. Characters Very popular in terms of Caribbean story-telling, and a direct transfer from West Africa to the Caribbean are the Anancy Stories (Nancy Stories) told throughout the region. ''Ananse'' is the Asante word for spider. The trickster Anancy (also known as Ananci, Ananse, Anansi, Ananci Krokoko, and Brer Nancy), with his quick-witted intelligence and his knack for surviving the odds, often through trickery, is the most popular of this genre of African-Caribbean folk-tale characters, although there are other West African influences in folk story characters, including the hare (chief character in the Yoruba folktales) and the tortoise, which features in the stories of the Ibo people. In addition to these stories, Af ...
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Mozambique (music)
Mozambique refers to two separate styles of music. Cuban-style mozambique Mozambique ( pron.: mo.sam.'βi.ke) is a vigorous style of Cuban music and dance derived, like the conga, from music of Cuban street carnivals or comparsas. It was invented or developed by Pello el Afrokan (Pedro Izquierdo) in 1963. Music Although the rhythm shares many characteristics with Sub-Saharan African music traditions, it does not have anything to do with music from the African nation of Mozambique. The Cuban mozambique features conga drums, bombos (bass drums), cowbells and trombones. Santana on their 1977 album ''Festival (Santana album)">Festival''. Izquierdo's rhythm made its début in 1963 in Havana on the television programme ''Ritmos de Juventud'', with the presenter surrounded by drummers so in tune with each other that they created a piano-like sound, while simultaneously performing the Mozambique dance. Dance The dance consists of bending the knee and lowering the body at the same time ...
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Bolero
Bolero is a genre of song which originated in eastern Cuba in the late 19th century as part of the trova tradition. Unrelated to the older Spanish dance of the same name, bolero is characterized by sophisticated lyrics dealing with love. It has been called the "quintessential Latin American romantic song of the twentieth century". Unlike the simpler, thematically diverse ''canción'', bolero did not stem directly from the European lyrical tradition, which included Italian opera and canzone, popular in urban centers like Havana at the time. Instead, it was born as a form of romantic folk poetry cultivated by a new breed of troubadour from Santiago de Cuba, the ''trovadores''. Pepe Sánchez is considered the father of this movement and the author of the first bolero, "Tristezas", written in 1883. Originally, boleros were sung by individual ''trovadores'' while playing guitar. Over time, it became common for trovadores to play in groups as ''dúos'', ''tríos'', ''cuartetos'', etc ...
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Luiz Bonfá
Luiz Floriano Bonfá (17 October 1922 – 12 January 2001) was a Brazilian guitarist and composer. He was best known for the music he composed for the film ''Black Orpheus''. Biography Luiz Floriano Bonfá was born on October 17, 1922, in Rio de Janeiro. He began studying with Uruguayan classical guitarist Isaías Sávio at the age of 11. These weekly lessons entailed a long, harsh commute (on foot, plus two and half hours on train) from his family home in Santa Cruz, in the western rural outskirts of Rio de Janeiro, to the teacher's home in the hills of Santa Teresa. Given Bonfá's extraordinary dedication and talent for the guitar, Sávio excused the youngster's inability to pay for his lessons. Bonfá first gained widespread exposure in Brazil in 1947 when he was featured on Rio's Rádio Nacional, then an important showcase for up-and-coming talent. He was a member of the vocal group Quitandinha Serenaders in the late 1940s. Some of his first compositions such as "Ranchi ...
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