Jakob Hassler
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Jakob Hassler
Jakob Hassler (18 December 1569 – 1 January 1622) was a German Renaissance composer. Life He was born in Nuremberg, Germany, the youngest son of Isaak Hassler, and brother of Hans Leo Hassler and Kasper Hassler. The Hasslers were an important Franco-Flemish musical family in Middle Europe during the late Renaissance. Baptized in Nuremberg, Jakob was initially instructed in music, like his brothers, by his father Isaak. Hassler is first identified on the rolls of musicians in Augsburg in 1585, and he was ennobled, along with his two brothers, by Holy Roman Emperor Rudolf II in 1595. In between, Hassler is believed to have traveled to Italy to study at the behest of the aristocratic Fugger family, possibly with Andrea Gabrieli. Hassler's term in the Fugger household was interrupted when he was thrown in jail for impregnating an Augsburg girl named Leonora Ostermair; Hassler was released on bail to marry her on 17 February 1597. In May, Hassler accepted a post in the prestigious ...
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Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally da ...
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Defenestration Of Prague
The Defenestrations of Prague ( cs, Pražská defenestrace, german: Prager Fenstersturz, la, Defenestratio Pragensis) were three incidents in the history of Bohemia in which people were defenestrated (thrown out of a window). Though already existing in Middle French, the word ''defenestrate'' ("out of the window") is believed to have first been used in English in reference to the episodes in Prague in 1618 when the disgruntled Protestant estates threw two royal governors out of a window of the Hradčany Castle and wrote an extensive apologia explaining their action. In the Middle Ages and early modern times, defenestration was not uncommon—the act carried elements of lynching and mob violence in the form of murder committed together. The first governmental defenestration occurred in 1419, second in 1483 and the third in 1618, although the term "Defenestration of Prague" more commonly refers to the third. Often, however, the 1483 event is not recognized as a "significant ...
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German Untitled Nobility
German(s) may refer to: * Germany (of or related to) **Germania (historical use) * Germans, citizens of Germany, people of German ancestry, or native speakers of the German language ** For citizens of Germany, see also German nationality law **Germanic peoples (Roman times) * German language **any of the Germanic languages * German cuisine, traditional foods of Germany People * German (given name) * German (surname) * Germán, a Spanish name Places * German (parish), Isle of Man * German, Albania, or Gërmej * German, Bulgaria * German, Iran * German, North Macedonia * German, New York, U.S. * Agios Germanos, Greece Other uses * German (mythology), a South Slavic mythological being * Germans (band), a Canadian rock band * "German" (song), a 2019 song by No Money Enterprise * ''The German'', a 2008 short film * "The Germans", an episode of ''Fawlty Towers'' * ''The German'', a nickname for Congolese rebel André Kisase Ngandu See also * Germanic (other) * Germa ...
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Renaissance Composers
The Renaissance ( , ) , from , with the same meanings. is a Periodization, period in History of Europe, European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the Early modern period, early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Italian Renaissance painting#Proto-Renaissance painting, Pr ...
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German Baroque Composers
German(s) may refer to: * Germany (of or related to) **Germania (historical use) * Germans, citizens of Germany, people of German ancestry, or native speakers of the German language ** For citizens of Germany, see also German nationality law **Germanic peoples (Roman times) * German language **any of the Germanic languages * German cuisine, traditional foods of Germany People * German (given name) * German (surname) * Germán, a Spanish name Places * German (parish), Isle of Man * German, Albania, or Gërmej * German, Bulgaria * German, Iran * German, North Macedonia * German, New York, U.S. * Agios Germanos, Greece Other uses * German (mythology), a South Slavic mythological being * Germans (band), a Canadian rock band * "German" (song), a 2019 song by No Money Enterprise * ''The German'', a 2008 short film * "The Germans", an episode of ''Fawlty Towers'' * ''The German'', a nickname for Congolese rebel André Kisase Ngandu See also * Germanic (other) * Germa ...
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German Classical Composers
German(s) may refer to: * Germany (of or related to) **Germania (historical use) * Germans, citizens of Germany, people of German ancestry, or native speakers of the German language ** For citizens of Germany, see also German nationality law **Germanic peoples (Roman times) * German language **any of the Germanic languages * German cuisine, traditional foods of Germany People * German (given name) * German (surname) * Germán, a Spanish name Places * German (parish), Isle of Man * German, Albania, or Gërmej * German, Bulgaria * German, Iran * German, North Macedonia * German, New York, U.S. * Agios Germanos, Greece Other uses * German (mythology), a South Slavic mythological being * Germans (band), a Canadian rock band * "German" (song), a 2019 song by No Money Enterprise * ''The German'', a 2008 short film * "The Germans", an episode of ''Fawlty Towers'' * ''The German'', a nickname for Congolese rebel André Kisase Ngandu See also * Germanic (other) * Ger ...
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Deutschen Nationalbibliothek
The German National Library (DNB; german: Deutsche Nationalbibliothek) is the central archival library and national bibliographic centre for the Federal Republic of Germany. It is one of the largest libraries in the world. Its task is to collect, permanently archive, comprehensively document and record bibliographically all German and German-language publications since 1913, foreign publications about Germany, translations of German works, and the works of German-speaking emigrants published abroad between 1933 and 1945, and to make them available to the public. The DNB is also responsible for the and several special collections like the (German Exile Archive), and the (German Museum of Books and Writing). The German National Library maintains co-operative external relations on a national and international level. For example, it is the leading partner in developing and maintaining bibliographic rules and standards in Germany and plays a significant role in the development of ...
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Neue Deutsche Biographie
''Neue Deutsche Biographie'' (''NDB''; literally ''New German Biography'') is a biographical reference work. It is the successor to the ''Allgemeine Deutsche Biographie'' (ADB, Universal German Biography). The 26 volumes published thus far cover more than 22,500 individuals and families who lived in the German language area. NDB is published in German by the Historical Commission at the Bavarian Academy of Sciences and Humanities and printed by Duncker & Humblot in Berlin. The index and full-text articles of the first 25 volumes are freely available online via the website ''German Biography'' (''Deutsche Biographie'') and the Biographical Portal. Scope NDB is a comprehensive reference work, similar to ''Dictionary of National Biography'', ''Dictionary of American Biography'', ''American National Biography'', ''Dictionary of Canadian Biography'', ''Dictionary of Australian Biography'', ''Dictionary of New Zealand Biography'', '' Diccionario Biográfico Español'', ''Dictionary of ...
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Canzona
The canzona is an Italian musical form derived from the Franco-Flemish and Parisian chansons, and during Giovanni Gabrieli's lifetime was frequently spelled canzona, though both earlier and later the singular was spelled either canzon or canzone with the plural canzoni. The use of canzone as the plural is sometimes found in Italian, but is not common. English (and often German) uses the form canzona, with canzonas as the plural. Background The canzona is an instrumental musical form that differs from the similar forms of ricercare and fantasia in its livelier, markedly rhythmic material and separation into distinct sections. At first based on the Franco-Flemish polyphonic songs (chansons) that gave it its name, the instrumental canzona was soon independently composed, not least by Gabrieli in his brass canzonas and by Girolamo Frescobaldi in his keyboard canzonas. As a form, the canzona would influence the fugue, and the ensemble canzonas were the direct ancestors of the 17th-centu ...
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Fugue
In music, a fugue () is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the course of the composition. It is not to be confused with a ''fuguing tune'', which is a style of song popularized by and mostly limited to early American (i.e. shape note or "Sacred Harp") music and West Gallery music. A fugue usually has three main sections: an exposition, a development and a final entry that contains the return of the subject in the fugue's tonic key. Some fugues have a recapitulation. In the Middle Ages, the term was widely used to denote any works in canonic style; by the Renaissance, it had come to denote specifically imitative works. Since the 17th century, the term ''fugue'' has described what is commonly regarded as the most fully developed procedure of imitative counterpoint. Most fugues open with a short ma ...
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Toccata
Toccata (from Italian ''toccare'', literally, "to touch", with "toccata" being the action of touching) is a virtuoso piece of music typically for a keyboard or plucked string instrument featuring fast-moving, lightly fingered or otherwise virtuosic passages or sections, with or without imitative or fugal interludes, generally emphasizing the dexterity of the performer's fingers. Less frequently, the name is applied to works for multiple instruments (the opening of Claudio Monteverdi's opera ''L'Orfeo'' being a notable example). History Renaissance The form first appeared in the late Renaissance period. It originated in northern Italy. Several publications of the 1590s include toccatas, by composers such as Claudio Merulo, Andrea and Giovanni Gabrieli, Adriano Banchieri, and Luzzasco Luzzaschi. These are keyboard compositions in which one hand, and then the other, performs virtuosic runs and brilliant cascading passages against a chordal accompaniment in the other hand. Among the ...
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Ricercar
A ricercar ( , ) or ricercare ( , ) is a type of late Renaissance and mostly early Baroque instrumental composition. The term ''ricercar'' derives from the Italian verb which means 'to search out; to seek'; many ricercars serve a preludial function to "search out" the key or mode of a following piece. A ricercar may explore the permutations of a given motif, and in that regard may follow the piece used as illustration. The term is also used to designate an etude or study that explores a technical device in playing an instrument, or singing. In its most common contemporary usage, it refers to an early kind of fugue, particularly one of a serious character in which the subject uses long note values. However, the term has a considerably more varied historical usage. Among the best-known ricercars are — for harpsichord — the two contained in Bach's ''Musical Offering'', and Domenico Gabrielli's set of seven for solo cello. The latter set contains what are considered to be some ...
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