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Jacques De Vismes
Anne-Pierre-Jacques de Vismes, or Devismes, (1745, Paris – 1819, Caudebec-en-Caux) was a French writer and administrator.Pitou 1990, p. 546. Closely associated with the powerful interests of the Ferme Générale (Tax Farm), he managed to get himself appointed head of the Académie Royale de Musique in 1778 with the support of his sister, Adelaide de Vismes, lady-in-waiting of Queen Marie Antoinette and the wife of the influential former ''fermier-general'', Jean-Benjamin de La Borde. His attempts to reform this aging institution that was the Paris Opera faced continued opposition from the artistic staff. In 1780, financial difficulties finally brought him down and the opera was put under direct and permanent guardianship of royal power through the Menus-Plaisirs du Roi. Biography Anne-Pierre-Jacques de Vismes du Valgay was the son of Martin de Vismes, ', and Louise Legendre. He had two brothers: Joseph de Vismes, a soldier, and Alphonse de Vismes, a playwright, as well as one s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caudebec-en-Caux
Caudebec-en-Caux (, literally ''Caudebec in Caux'') is a former commune in the Seine-Maritime department in the Normandy region in northern France. On 1 January 2016, it was merged into the new commune of Rives-en-Seine. Geography Caudebec-en-Caux is located W.N.W. of Rouen, on the right bank of the River Seine. The tidal bore in the estuary of the Seine which is known as the ''mascaret'' in French, but locally as the ''barre'', used to be well seen at this point. The development of the industrial polder towards Harfleur has changed the geometry of the estuary so that mascaret now seems to be a phenomenon of the past. Since 1977 Caudebec has been served by the Pont de Brotonne, one of three bridges built across the Seine, downstream from Rouen since 1960, to replace the many ferries so making vehicular access between the Pays de Caux and the Autoroute A13 easier. History Caudebec is one of numerous places in Normandy having names which are clearly derived from a Scandinavian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Paisiello
Giovanni Paisiello (or Paesiello; 9 May 1740 – 5 June 1816) was an Italian composer of the Classical era, and was the most popular opera composer of the late 1700s. His operatic style influenced Mozart and Rossini. Life Paisiello was born in Taranto in the Apulia region and educated by the Jesuits there. He became known for his beautiful singing voice and in 1754 was sent to the Conservatorio di S. Onofrio at Naples, where he studied under Francesco Durante, and eventually became assistant master. For the theatre of the Conservatorio, which he left in 1763, he wrote some intermezzi, one of which attracted so much notice that he was invited to write two operas, ''La Pupilla'' and ''Il Mondo al Rovescio'', for Bologna, and a third, ''Il Marchese di Tidipano'', for Rome. His reputation now firmly established, he settled for some years at Naples, where, despite the popularity of Niccolò Piccinni, Domenico Cimarosa and Pietro Guglielmi, of whose triumphs he was bitterly jealous, h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jeanne-Hippolyte Moyroud
Jeanne-Hippolyte Devismes (January 4, 1770, Lyon — January 12, 1836, Caudebec-en-CauxArchives department of Seine-Maritime, État civil, décès de 1836.) (née Jeanne-Hippolyte Moyroud) was a French composer. She studied the piano with Daniel Steibelt and married the director of the Académie Royale de Musique (the Paris Opéra), Anne-Pierre-Jacques Devismes du Valgay Anne-Pierre-Jacques de Vismes, or Devismes, (1745, Paris – 1819, Caudebec-en-Caux) was a French writer and administrator.Pitou 1990, p. 546. Closely associated with the powerful interests of the Ferme Générale (Tax Farm), he managed to get hims .... Her only known works are a song, "La Dame Jacinthe", and an opera, ''Praxitėle'', which was first staged at the Paris Opéra on 24 July 1800. The work was a success and ran for 16 performances. The score has not survived complete. Sources *Jacqueline Letzer and Robert Adelson ''Women Writing Opera: Creativity and Controversy in the Age of the French Revolution'' (C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Libretto
A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the text of major liturgical works, such as the Mass (liturgy), Mass, requiem and sacred cantata, or the story line of a ballet. ''Libretto'' (; plural ''libretti'' ), from Italian, is the diminutive of the word ''wiktionary:libro#Italian, libro'' ("book"). Sometimes other-language equivalents are used for libretti in that language, ''livret'' for French works, ''Textbuch'' for German and ''libreto'' for Spanish. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word ''libretto'' to refer to the 15 to 40 page books which were on sale to 19th century ballet audiences in Paris and contained a ve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra-comique
The Opéra-Comique is a Paris opera company which was founded around 1714 by some of the popular theatres of the Parisian fairs. In 1762 the company was merged with – and for a time took the name of – its chief rival, the Comédie-Italienne at the Hôtel de Bourgogne. It was also called the Théâtre-Italien up to about 1793, when it again became most commonly known as the Opéra-Comique. Today the company's official name is Théâtre national de l'Opéra-Comique, and its theatre, with a capacity of around 1,248 seats, sometimes referred to as the Salle Favart (the third on this site), is located at Place Boïeldieu in the 2nd arrondissement of Paris, not far from the Palais Garnier, one of the theatres of the Paris Opéra. The musicians and others associated with the Opéra-Comique have made important contributions to operatic history and tradition in France and to French opera. Its current mission is to reconnect with its history and discover its unique repertoire to ensu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Du Palais-Royal
The Théâtre du Palais-Royal () is a 750-seat Parisian theatre at 38 rue de Montpensier, located at the northwest corner of the Palais-Royal in the Galerie de Montpensier at its intersection with the Galerie de Beaujolais. Brief history Originally known as the Théâtre des Beaujolais, it was a puppet theatre with a capacity of about 750 that was built in 1784 to the designs of the architect Victor Louis. In 1790 it was taken over by Mademoiselle Montansier and became known as the Théâtre Montansier. She began using it for plays and Italian operas translated into French and the following year hired Louis to enlarge the stage and auditorium, increasing its capacity to 1300. After Napoleon's decree on the theatres in 1807 introduced significant constraints on the types of pieces that could be performed, it was used for lighter fare, such as acrobatics, rope dancing, performing dogs, and Neapolitan puppets. In 1812 the theatre was converted into a café with shows. Afte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conseil D'État (France)
In France, the Council of State (french: Conseil d'État, links=no, ) is a governmental body that acts both as legal adviser to the executive branch and as the supreme court for administrative justice. Established in 1799 by Napoleon as a successor to the King's Council (''Conseil du Roi''), it is located in the Palais-Royal in Paris and is primarily made up of top-level legal officers. The Vice President of the Council of State ranks as the ninth most important civil servant in France. Members of the Council of State are part of a Grand Corps of the French State (''Grand corps de l'État''). The Council of State mainly recruits from among the top-ranking students graduating from the École nationale d'administration. Composition A General Session of the Council of State is presided over by the Prime Minister or, in their absence, the Minister of Justice. However, since the real presidency of the Council is held by the Vice-President, the Vice President of the Council of State ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Frédéric Phélypeaux, Count Of Maurepas
Jean-Frédéric Phélypeaux, Count of Maurepas (9 July 1701 – 21 November 1781) was a French statesman and Count of Maurepas. Biography Early years He was born at Versailles, of a family of administrative nobility, the son of Jérôme Phélypeaux, secretary of state for the marine and the royal household. Under the guidance of his father, his grandfather and his cousin Louis Phélypeaux, marquis de La Vrillière, Jean-Frederic was trained from childhood to be secretary of state to the king of France. Jean-Frederic had right en survivance to the position of secretary of state, under Philippe II, as his father Jerome had purchased the office with the right of inheritance.Rule, John C., “Jean-Frederic Phelypeaux, comte de Pontchartrain et Maurepas: Reflections on His Life and His Papers”, The Journal of the Louisiana Historical Association Vol 6: 1965, p 365-377 In 1718 at the age of 17, Jean became the minister of the royal household and Comte de Maurepas under the guardi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cabal
A cabal is a group of people who are united in some close design, usually to promote their private views or interests in an ideology, a state, or another community, often by intrigue and usually unbeknownst to those who are outside their group. The use of this term usually carries negative connotations of political purpose, conspiracy and secrecy. It can also refer to a secret plot or a clique, or it may be used as a verb (to form a cabal or secretly conspire). The term is frequently employed as an antisemitic dog whistle, as evidenced both by its Hebrew origin and by its evocation of centuries-old antisemitic tropes. Etymology The term ''cabal'' is derived from Kabbalah (a word that has numerous spelling variations), the Jewish mystical and spiritual interpretation of the Hebrew scripture (קַבָּלָה). In Hebrew, it means "reception" or "acceptance", denoting the ''sod'' (secret) level of Jewish exegesis. In European culture (Christian Cabala, Hermetic Qabalah) it becam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epigram
An epigram is a brief, interesting, memorable, and sometimes surprising or satirical statement. The word is derived from the Greek "inscription" from "to write on, to inscribe", and the literary device has been employed for over two millennia. The presence of wit or sarcasm tends to distinguish non-poetic epigrams from aphorisms and adages, which tend to lack those qualities. Ancient Greek The Greek tradition of epigrams began as poems inscribed on votive offerings at sanctuariesincluding statues of athletesand on funerary monuments, for example "Go tell it to the Spartans, passersby...". These original epigrams did the same job as a short prose text might have done, but in verse. Epigram became a literary genre in the Hellenistic period, probably developing out of scholarly collections of inscriptional epigrams. Though modern epigrams are usually thought of as very short, Greek literary epigram was not always as short as later examples, and the divide between "ep ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guerre Des Bouffons
The ("Quarrel of the Comic Actors"), also known as the ("War of the Comic Actors"), was the name given to a battle of musical philosophies that took place in Paris between 1752 and 1754. The controversy concerned the relative merits of French and Italian opera. It was also known as the ("War of the Corners"), with those favoring French opera in the King's corner, and those favoring Italian opera in the Queen's corner. It was sparked by the reaction of literary Paris to a performance of Giovanni Battista Pergolesi's short intermezzo ''La serva padrona'' at the Académie royale de musique in Paris on 1 August 1752. ''La serva padrona'' was performed by an itinerant Italian troupe of comic actors, known as ''buffoni'' (''bouffons'' in French, hence the name of the quarrel). In the controversy that followed, critics such as Jean-Jacques Rousseau and Friedrich Melchior Grimm, along with other writers associated with the ''Encyclopédie'', praised Italian opera buffa. They attacked ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
