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Jacopo Ligozzi
Jacopo Ligozzi (1547–1627) was an Italian painter, illustrator, designer, and miniaturist. His art can be categorized as late-Renaissance and Mannerist styles. Biography Born in Verona, he was the son of the artist Giovanni Ermano Ligozzi, and part of a large family of painters and artisans. After a time in the Habsburg court in Vienna, where he displayed drawings of animal and botanical specimens, he was invited to come to Florence and became one of the court artists for the Medici. Upon the death of Giorgio Vasari in 1574, he became head of the '' Accademia e Compagnia delle Arti del Disegno'', the officially patronized guild of artists, which was often called to advise on diverse projects. He served Francesco I, Ferdinando I, Cosimo II and Ferdinando II, Grand Dukes of Tuscany. For the Medici, he adorned the Grotto of Thetys in the Colossus of the Apennine. He was named director of the grand-ducal ''Galleria dei Lavori'', a workshop providing designs for artworks ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Verona
Verona ( , ; vec, Verona or ) is a city on the Adige River in Veneto, Northern Italy, Italy, with 258,031 inhabitants. It is one of the seven provincial capitals of the region. It is the largest city Comune, municipality in the region and the second largest in northeastern Italy. The metropolitan area of Verona covers an area of and has a population of 714,310 inhabitants. It is one of the main tourist destinations in northern Italy because of its artistic heritage and several annual fairs and shows as well as the Opera, opera season in the Verona Arena, Arena, an ancient Ancient Rome, Roman Amphitheatre, amphitheater. Between the 13th and 14th century the city was ruled by the Scaliger, della Scala Family. Under the rule of the family, in particular of Cangrande I della Scala, the city experienced great prosperity, becoming rich and powerful and being surrounded by new walls. The Della Scala era is survived in numerous monuments around Verona. Two of William Shakespeare's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferdinando II De' Medici, Grand Duke Of Tuscany
Ferdinando II de' Medici (14 July 1610 – 23 May 1670) was grand duke of Tuscany from 1621 to 1670. He was the eldest son of Cosimo II de' Medici and Maria Maddalena of Austria. He was remembered by his contemporaries as a man of culture and science, actively participating in the Accademia del Cimento, the first scientific society in Italy, formed by his younger brother, Leopoldo de' Medici. His 49-year rule was punctuated by the beginning of Tuscany's long economic decline, which was further exacerbated by his successor, Cosimo III de' Medici. He married Vittoria della Rovere, a first cousin, with whom he had two children who reached adulthood: the aforementioned Cosimo III, and Francesco Maria de' Medici, Duke of Rovere and Montefeltro, a cardinal. Reign Ferdinando was only 10 years of age when his father Cosimo II died. Because he had not yet reached maturity, his mother Maria Maddalena and paternal grandmother, Christina of Lorraine, acted as joint regents. His two rege ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Altarpiece
An altarpiece is an artwork such as a painting, sculpture or relief representing a religious subject made for placing at the back of or behind the altar of a Christian church. Though most commonly used for a single work of art such as a painting or sculpture, or a set of them, the word can also be used of the whole ensemble behind an altar, otherwise known as a reredos, including what is often an elaborate frame for the central image or images. Altarpieces were one of the most important products of Christian art especially from the late Middle Ages to the era of the Counter-Reformation. Many altarpieces have been removed from their church settings, and often from their elaborate sculpted frameworks, and are displayed as more simply framed paintings in museums and elsewhere. History Origins and early development Altarpieces seem to have begun to be used during the 11th century, with the possible exception of a few earlier examples. The reasons and forces that led to the developme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pescia
Pescia () is an Italian city in the province of Pistoia, Tuscany, central Italy. It is located in a central zone between the cities Lucca and Florence, on the banks of the river of the same name. History Archaeological excavations have suggested that the Lombards built the first settlement here on the river banks. The name of the city comes in fact from the Lombardic word ' (cognate to ' in German), meaning "river". Lucca occupied and destroyed Pescia during the 13th century, but the town was quickly rebuilt. During the entire Middle Ages Florence and Lucca contended for the city, as the latter was located on the border between the two republics. In 1339, after almost ten years of war, Florence occupied it. The economy of the town was founded on mulberry cultivation and silkworm breeding. Heavily struck by the Black Death, Pescia overcame the demographic and economic depression which had ensued only at the end of the 15th century. At the end of the 17th century, the grand-du ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santa Maria Novella
Santa Maria Novella is a church in Florence, Italy, situated opposite, and lending its name to, the city's main railway station. Chronologically, it is the first great basilica in Florence, and is the city's principal Dominican church. The church, the adjoining cloister, and chapter house contain a multiplicity of art treasures and funerary monuments. Especially famous are frescoes by masters of Gothic and early Renaissance. They were financed by the most important Florentine families, who ensured themselves funerary chapels on consecrated ground. History This church was called S. Maria Novella ('New') because it was built on the site of the 9th-century oratory of Santa Maria delle Vigne. When the site was assigned to the Dominican Order in 1221, they decided to build a new church and adjoining cloister. The church was designed by two Dominican friars, Fra Sisto Fiorentino and Fra Ristoro da Campi. Building began in the mid-13th century (about 1276), and lasted 80 years, end ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Church Of Ognissanti, Florence
The chiesa di San Salvatore di Ognissanti or more simply chiesa di Ognissanti (; "Church of All Saints"), is a Franciscan church located on the piazza of the same name in central Florence, region of Tuscany, Italy. Founded by the lay order of the Umiliati, the church was dedicated to all the saints and martyrs, known and unknown. It is the burial place of the famous Early Renaissance painter, Sandro Botticelli. History It was completed originally during the 1250s, but almost completely rebuilt around 1627 in Baroque-style by the architect Bartolomeo Pettirossi. Soon after, a new façade (1637) was erected using designs by Matteo Nigetti, that conserved the glazed terracotta lunette over the doorway, which while resembling the work of Della Robbia, is now attributed to Benedetto Buglioni. Ognissanti was among the first examples of Baroque architecture to penetrate this Renaissance city. Its three reversed orders of pilasters enclose niches and windows with elaborate cornices. To ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cloister
A cloister (from Latin ''claustrum'', "enclosure") is a covered walk, open gallery, or open arcade running along the walls of buildings and forming a quadrangle or garth. The attachment of a cloister to a cathedral or church, commonly against a warm southern flank, usually indicates that it is (or once was) part of a monastic foundation, "forming a continuous and solid architectural barrier... that effectively separates the world of the monks from that of the serfs and workmen, whose lives and works went forward outside and around the cloister." Cloistered (or ''claustral'') life is also another name for the monastic life of a monk or nun. The English term ''enclosure'' is used in contemporary Catholic church law translations to mean cloistered, and some form of the Latin parent word "claustrum" is frequently used as a metonymic name for ''monastery'' in languages such as German. History of the cloister Historically, the early medieval cloister had several antecedents: the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frescoes
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in appar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mosaics
A mosaic is a pattern or image made of small regular or irregular pieces of colored stone, glass or ceramic, held in place by plaster/mortar, and covering a surface. Mosaics are often used as floor and wall decoration, and were particularly popular in the Ancient Roman world. Mosaic today includes not just murals and pavements, but also artwork, hobby crafts, and industrial and construction forms. Mosaics have a long history, starting in Mesopotamia in the 3rd millennium BC. Pebble mosaics were made in Tiryns in Mycenean Greece; mosaics with patterns and pictures became widespread in classical times, both in Ancient Greece and Ancient Rome. Early Christian basilicas from the 4th century onwards were decorated with wall and ceiling mosaics. Mosaic art flourished in the Byzantine Empire from the 6th to the 15th centuries; that tradition was adopted by the Norman Kingdom of Sicily in the 12th century, by the eastern-influenced Republic of Venice, and among the Rus. Mosaic fell ou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietre Dure
''Pietra dura'' () or ''pietre dure'' () ( see below), called parchin kari or parchinkari ( fa, ) in the Indian Subcontinent, is a term for the inlay technique of using cut and fitted, highly polished colored stones to create images. It is considered a decorative art. The stonework, after the work is assembled loosely, is glued stone-by-stone to a substrate after having previously been "sliced and cut in different shape sections; and then assembled together so precisely that the contact between each section was practically invisible". Stability was achieved by grooving the undersides of the stones so that they interlocked, rather like a jigsaw puzzle, with everything held tautly in place by an encircling 'frame'. Many different colored stones, particularly marbles, were used, along with semiprecious, and even precious stones. It first appeared in Rome in the 16th century, reaching its full maturity in Florence. Pietra dura items are generally crafted on green, white or blac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brill Publishers
Brill Academic Publishers (known as E. J. Brill, Koninklijke Brill, Brill ()) is a Dutch international academic publisher founded in 1683 in Leiden, Netherlands. With offices in Leiden, Boston, Paderborn and Singapore, Brill today publishes 275 journals and around 1200 new books and reference works each year all of which are "subject to external, single or double-blind peer review." In addition, Brill provides of primary source materials online and on microform for researchers in the humanities and social sciences. Areas of publication Brill publishes in the following subject areas: * Humanities: :* African Studies :* American Studies :* Ancient Near East and Egypt Studies :* Archaeology, Art & Architecture :* Asian Studies (Hotei Publishing and Global Oriental imprints) :* Classical Studies :* Education :* Jewish Studies :* Literature and Cultural Studies (under the Brill-Rodopi imprint) :* Media Studies :* Middle East and Islamic Studies :* Philosophy :* Religious Studies ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apennine Colossus
The Apennine Colossus ( it, Colosso Appenninico) is a stone statue, approximately 30 m high,Morgan, Luke (2015), p.12 in the estate of the Villa Demidoff in Vaglia, Tuscany in Italy. Giambologna (Flemish sculptor Jean de Boulogne) created the colossal figure, a personification of the Apennine mountains, in the late 1580s. It was constructed on the grounds of the Villa di Pratolino, a Renaissance villa that fell into disrepair and was replaced by the Villa Demidoff in the 1800s. Description of the sculpture The colossus is about highMorgan, Luke (2015), p.12 and is meant as a personification of the Apennine Mountains. It was the water source for the Pratolino, its fountains and secret water plays. The colossus has the appearance of an elderly man crouched at the shore of a lake and is surrounded by other sculptures depicting mythological themes from Ovid's Metamorphoses including Pegasus, Parnassus or Jupiter. It is presumed that Giambologna was inspired by the description of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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