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Jacobus Barbireau
Jacobus Barbireau (also Jacques or Jacob; also Barbirianus) (1455 – 7 August 1491) was a Franco-Flemish Renaissance composer from Antwerp. He was considered to be a superlative composer both by his contemporaries and by modern scholars; however, his surviving output is small, and he died young. Life Until the 1960s, he was confused with another somewhat older composer named Barbingant. Barbireau was probably born in Antwerp, and both of his parents were citizens there. By 1482, he had attained the title of Master of Arts, so he likely went to university in the 1470s. He wanted to study with the humanist and musician Rodolphus Agricola, who was active at Ferrara in the 1470s and later Heidelberg, and several letters written by Agricola to Barbireau have survived; one of them gives useful clues about Barbireau's life. According to it, Barbireau was already active as a composer by 1484, and implies that his fame had not yet spread outside of his native Antwerp. Barbireau may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mass (music)
The Mass ( la, missa) is a form of sacred musical composition that sets the invariable portions of the Christian Eucharistic liturgy (principally that of the Catholic Church, the Anglican Communion, and Lutheranism), known as the Mass. Most Masses are settings of the liturgy in Latin, the sacred language of the Catholic Church's Roman Rite, but there are a significant number written in the languages of non-Catholic countries where vernacular worship has long been the norm. For example, there have been many Masses written in English for a United States context since the Second Vatican Council, and others (often called "communion services") for the Church of England. Masses can be ''a cappella'', that is, without an independent accompaniment, or they can be accompanied by instrumental ''obbligatos'' up to and including a full orchestra. Many masses, especially later ones, were never intended to be performed during the celebration of an actual mass. History Middle Ages The earli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustave Reese
Gustave Reese ( ; 29 November 1899 – 7 September 1977) was an American musicologist and teacher. Reese is known mainly for his work on medieval and Renaissance music, particularly with his two publications ''Music in the Middle Ages'' (1940) and ''Music in the Renaissance'' (1954); these two books remain the standard reference works for these two eras, with complete and precise bibliographical material, allowing for almost every piece of music mentioned to be traced back to a primary source. Early life and education Reese was born in New York City on 29 November 1899. He was an avid scholar and had interests in many areas outside music, including art, architecture, and literature. He studied law at New York University, graduating in 1921. Though he was admitted to the New York State Bar, he opted to re-enroll and pursue a Bachelor of Music from NYU, which he received in 1930. Career In 1927, however, he was already teaching classes at the university in medieval and Renaiss ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Macmillan Publishers
Macmillan Publishers (occasionally known as the Macmillan Group; formally Macmillan Publishers Ltd and Macmillan Publishing Group, LLC) is a British publishing company traditionally considered to be one of the 'Big Five' English language publishers. Founded in London in 1843 by Scottish brothers Daniel and Alexander MacMillan, the firm would soon establish itself as a leading publisher in Britain. It published two of the best-known works of Victorian era children’s literature, Lewis Carroll's ''Alice's Adventures in Wonderland'' (1865) and Rudyard Kipling's ''The Jungle Book'' (1894). Former Prime Minister of the United Kingdom, Harold Macmillan, grandson of co-founder Daniel, was chairman of the company from 1964 until his death in December 1986. Since 1999, Macmillan has been a wholly owned subsidiary of Holtzbrinck Publishing Group with offices in 41 countries worldwide and operations in more than thirty others. History Macmillan was founded in London in 1843 by Daniel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grove Music Online
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Institute Of Musicology
The American Institute of Musicology (AIM) is a musicological organization that researches, promotes and produces publications on early music. Founded in 1944 by Armen Carapetyan, the AIM's chief objective is the publication of modern editions of medieval, Renaissance and early Baroque compositions and works of music theory. Among the series it produces are the ''Corpus mensurabilis musicae'' (CMM), ''Corpus Scriptorum de Musica'' (CSM) and ''Corpus of Early Keyboard Music'' (CEKM). In CMM specifically, the AIM has published the entire surviving ''oeuvres'' of a considerable amount of composers, most notably the complete works of Guillaume de Machaut and Guillaume Du Fay, among many others. The CSM, which focuses on music theory, has published the treatises of important theorists such as Guido of Arezzo and Jean Philippe Rameau. The breadth and quality of publications produced by the AIM constitutes a central contribution to the study, practice and performance of early music. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of People From Antwerp
This is a list of notable people from Antwerp, who were either born in Antwerp, or spent part of their life there. Born in Antwerp Pre-16th century *Lionel of Antwerp, 1st Duke of Clarence, son of Edward III of England (1338–1368) *Jacobus Barbireau, composer (1455–1491) * Lucas Adriaens, painter (1459–1493) *Daniel Bomberg, printer (c. 1475 – 1549) *Joachim Sterck van Ringelbergh, scholar, humanist, mathematician, and astrologer (c. 1499 – c. 1556) 16th century *Hieronymus Cockx, painter and engraver (1510–1570). *Hubert Waelrant, composer, teacher, and music editor of the Renaissance (c. 1517–1595) *Frans Floris, painter (1520–1570) *Abraham Ortelius, cartographer and geographer (1527–1598) *Jacques Jonghelinck, sculptor and medalist (1530–1606) *Emanuel van Meteren, historian and consul in London (1535–1612) *Denis Calvaert, painter (1540–1619). *Cornelis van Aarsens, statesman (1545–1627) *Gillis van Coninxloo, painter of forest landscapes (15 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Renaissance Composers
This is a list of composers active during the Renaissance period of European history. Since the 14th century is not usually considered by music historians to be part of the musical Renaissance, but part of the Middle Ages, composers active during that time can be found in the List of Medieval composers. Composers on this list had some period of significant activity after 1400, before 1600, or in a few cases they wrote music in a Renaissance idiom in the several decades after 1600. Timeline Burgundian The ''Burgundian School'' was a group of composers active in the 15th century in what is now northern and eastern France, Belgium, and the Netherlands, centered on the court of the Dukes of Burgundy. The school also included some English composers at the time when part of modern France was controlled by England. The ''Burgundian School'' was the first phase of activity of the Franco-Flemish School, the central musical practice of the Renaissance in Europe. Franco-Flemish The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johannes Ockeghem
Johannes Ockeghem ( – 6 February 1497) was a Franco-Flemish composer and singer of early Renaissance music. Ockeghem was the most influential European composer in the period between Guillaume Du Fay and Josquin des Prez, and he was—with his colleague Antoine Busnois—the leading European composer in the second half of the 15th century. He was an important proponent of the early Franco-Flemish School. Ockeghem was well associated with other leading composers of the time, and spent most of his career serving the French royal court under Charles VII, Louis XI and Charles VIII. Numerous poets and musicians lamented his death, including Erasmus, Guillaume Crétin, Jean Molinet and Josquin, who composed the well known ''Nymphes des bois'' for him. It is thought that Ockeghem's extant works represent only a small part of his entire ''oeuvre'', including around 14 masses, 20 chansons and less than 10 motets—though the exact numbers vary due to attribution uncertainties. His be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tessitura
In music, tessitura (, pl. ''tessiture'', "texture"; ) is the most acceptable and comfortable vocal range for a given singer or less frequently, musical instrument, the range in which a given type of voice presents its best-sounding (or characteristic) timbre. This broad definition is often interpreted to refer specifically to the pitch range that most frequently occurs within a given part of a musical piece. Hence, in musical notation, ''tessitura'' is the ambitus, or a narrower part of it, in which that particular vocal (or less often instrumental) part lies—whether high or low, etc. However, the tessitura of a part or voice is not decided by the extremes of its range, but rather by the share of this total range which is most used. Hence, it is referred to as the "heart" of a range. For example, throughout the entirety of Wagner's ''Ring'', the music written for the tenor role of Siegfried ranges from C to C, but the tessitura is described as high because the phrases are mos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bicinia
In music of the Renaissance and early Baroque eras, a bicinium (pl. bicinia) was a composition for only two parts, especially one for the purpose of teaching counterpoint or singing. The term has had two usages in music history: # Recently, the term has come to mean any composition at all from the Renaissance or early Baroque period for two vocal or instrumental parts. # Historically, a bicinium referred specifically to a two-part composition used as a teaching tool, most often in Protestant, German-speaking areas. The term was first used in Poland, by Jan z Lublina in a treatise of 1540. Volumes of bicinia were published in the next several decades in Germany, the Low Countries, and even in Italy, as the usefulness of bicinia as teaching aids became apparent. In addition, Martin Luther had strongly expressed that children should learn both music and the psalms: bicinia with German texts from the Psalms fulfilled his purpose. Students could be expected to master singing a sing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Texture (music)
In music, texture is how the tempo, melodic, and harmonic materials are combined in a musical composition, determining the overall quality of the sound in a piece. The texture is often described in regard to the density, or thickness, and range, or width, between lowest and highest pitches, in relative terms as well as more specifically distinguished according to the number of voices, or parts, and the relationship between these voices (see Common types below). For example, a thick texture contains many 'layers' of instruments. One of these layers could be a string section or another brass. The thickness also is changed by the amount and the richness of the instruments playing the piece. The thickness varies from light to thick. A piece's texture may be changed by the number and character of parts playing at once, the timbre of the instruments or voices playing these parts and the harmony, tempo, and rhythms used. The types categorized by number and relationship of parts are an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
