Jack Cole (choreographer)
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Jack Cole (choreographer)
Jack Cole (April 27, 1911 – February 17, 1974) was an American dancer, choreographer, and theatre director known as "the Father of Theatrical Jazz Dance". Early life Jack Cole made his professional dance debut with Denishawn at Lewisohn Stadium in New York City in August 1930. He began his training as a modern dancer only six weeks prior, studying with Ruth St. Denis and Ted Shawn. He was entranced by the Asian influences their dance school utilized in its choreography and costuming. He also performed briefly with Humphrey-Weidman, and was influenced by the pioneering modernists Doris Humphrey and Charles Weidman."Jack Cole biography"
filmreference.com, retrieved April 6, 2010
Eager to make a living as a dancer during the Depression, he soon left the

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New Brunswick, New Jersey
New Brunswick is a city (New Jersey), city in and the county seat, seat of government of Middlesex County, New Jersey, Middlesex County, in the U.S. state of New Jersey.New Jersey County Map
New Jersey Department of State. Accessed July 10, 2017.
The city is the home of Rutgers University. The city is both a regional commercial hub for Central Jersey, central New Jersey and a prominent and growing commuter town for residents commuting to New York City within the New York metropolitan area. New Brunswick is on the Northeast Corridor, Northeast Corridor rail line, southwest of Manhattan. The city is located on the southern banks of the Raritan River in the Raritan Valley region. For 2020 United States census, 2020, New Brunswick had a population of 55,266 residents,
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Gentlemen Prefer Blondes Movie Trailer Screenshot (34)
A gentleman (Old French: ''gentilz hom'', gentle + man) is any man of good and courteous conduct. Originally, ''gentleman'' was the lowest rank of the landed gentry of England, ranking below an esquire and above a yeoman; by definition, the rank of ''gentleman'' comprised the younger sons of the younger sons of peers, and the younger sons of a baronet, a knight, and an esquire, in perpetual succession. As such, the connotation of the term ''gentleman'' captures the common denominator of gentility (and often a coat of arms); a right shared by the peerage and the gentry, the constituent classes of the British nobility. Therefore, the English social category of ''gentleman'' corresponds to the French ''gentilhomme'' (nobleman), which in Great Britain meant a member of the peerage of England. In that context, the historian Maurice Keen said that the social category of gentleman is "the nearest, contemporary English equivalent of the ''noblesse'' of France." In the 14th century, th ...
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Man Of La Mancha
''Man of La Mancha'' is a 1965 musical with a book by Dale Wasserman, music by Mitch Leigh, and lyrics by Joe Darion. It is adapted from Wasserman's non-musical 1959 teleplay ''I, Don Quixote'', which was in turn inspired by Miguel de Cervantes and his 17th-century novel ''Don Quixote''. It tells the story of the "mad" knight Don Quixote as a play within a play, performed by Cervantes and his fellow prisoners as he awaits a hearing with the Spanish Inquisition. The work is not and does not pretend to be a faithful rendition of either Cervantes' life or ''Don Quixote''. Wasserman complained repeatedly about people taking the work as a musical version of ''Don Quixote''. The original 1965 Broadway production ran for 2,328 performances and won five Tony Awards, including Best Musical. The musical has been revived four times on Broadway, becoming one of the most enduring works of musical theatre.
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Jamaica (musical)
''Jamaica'' is a musical with a book by Yip Harburg and Fred Saidy, lyrics by Harburg, and music by Harold Arlen. It is set on a small island off the coast of Jamaica, and tells about a simple island community fighting to avoid being overrun by American commercialism. Arlen's music parodies the popular form of Calypso, which was in vogue in the 1950s, largely as a result of the popularity of Harry Belafonte, for whom the musical originally was written. Belafonte withdrew from the production due to illness, and the musical was tailored around the talents of Lena Horne. Harburg was blacklisted in Hollywood at the time of the writing of the musical,Lorenz, Kathleen Phillis"Spotlight on E.Y. "Yip" Harburg". 42ndstmoon.com and the satire is unusually pointed. Many of the topics raised in the songs, including evolution, nuclear energy, and consumerism, remain topical today. Productions The musical opened in Philadelphia. Later, it moved to Broadway, opening at the Imperial Theatre ...
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Donnybrook!
''Donnybrook!'' is a musical, with music and lyrics by Johnny Burke and book by Robert E. McEnroe. It is based on the 1952 film ''The Quiet Man''. Production ''Donnybrook!'' opened on Broadway at the 46th Street Theatre on May 18, 1961 and closed on July 15, 1961 after 68 performances and 2 previews. The director and choreographer was Jack Cole, with sets and costumes by Rouben Ter-Arutunian. The cast featured Art Lund (as John Enright), Joan Fagan (as Ellen Roe Danaher), Eddie Foy Jr., Susan Johnson (as Kathy Carey) and Philip Bosco (Will Danaher). The original actress for the role of Ellen, Kipp Hamilton Kipp Hamilton (born Rita Marie Hamilton; August 16, 1934 – January 29, 1981) was an American actress. She was the younger sister of producer Joe Hamilton and the sister-in-law of Carol Burnett. Early life and family She was born Rita Mari ..., left prior to opening due to a "respiratory ailment." Fagan was the stand-by for the role. Overview John Enright, an ...
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Kean (musical)
''Kean'' is a musical with a book by Peter Stone and music and lyrics by Robert Wright and George Forrest. Using material by Jean-Paul Sartre and Alexandre Dumas, père as its source, it centers on the adventures of Edmund Kean, considered the greatest Shakespearean actor of the early 19th century, focusing primarily mainly on his wild behavior offstage. Trouble ensues as Kean desperately tries to juggle the two women in his life - the Danish Ambassador's wife, Elena, and a young aspiring actress, Anna. After one preview, the Broadway production, directed and choreographed by Jack Cole, opened on November 2, 1961 at the Broadway Theatre, where it ran for 92 performances. The cast included Roderick Cook, Alfred Drake, Larry Fuller, Christopher Hewett, Joan Weldon, and Lee Venora. Drake was nominated for the Tony Award for Best Actor in a Musical, and the show was nominated for Best Conductor and Musical Director. An original cast recording was released by Columbia Records. ...
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A Funny Thing Happened On The Way To The Forum
''A Funny Thing Happened on the Way to the Forum'' is a musical with music and lyrics by Stephen Sondheim and book by Burt Shevelove and Larry Gelbart. Inspired by the farces of the ancient Roman playwright Plautus (254–184 BC), specifically ''Pseudolus'', ''Miles Gloriosus'', and ''Mostellaria'', the musical tells the bawdy story of a slave named Pseudolus and his attempts to win his freedom by helping his young master woo the girl next door. The plot displays many classic elements of farce, including puns, the slamming of doors, cases of mistaken identity (frequently involving characters disguising themselves as one another), and satirical comments on social class. The title derives from a line often used by vaudeville comedians to begin a story: "A funny thing happened on the way to the theater". The musical's original 1962 Broadway run won several Tony Awards, including Best Musical and Best Author (Musical). ''A Funny Thing'' has enjoyed several Broadway and West End ...
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Kismet (musical)
''Kismet'' is a musical adapted by Charles Lederer and Luther Davis from the 1911 play of the same name by Edward Knoblock, with lyrics and musical adaptation (as well as some original music) by Robert Wright and George Forrest. The music was mostly adapted from several pieces composed by Alexander Borodin. The story concerns a wily poet who talks his way out of trouble several times; meanwhile, his beautiful daughter meets and falls in love with the young caliph. The musical was first produced on Broadway in 1953 and won the Tony Award for best musical in 1954. It was also successful in London's West End and has been given several revivals. A 1955 film version was produced by Metro-Goldwyn-Mayer. Background The musical was commissioned by Edwin Lester, founder and director of the Los Angeles Civic Light Opera, who conceived of a musical based on the 1911 play '' Kismet'' by Edward Knoblock.Rooney, David''Kismet'' ''Variety'', February 10, 2006, accessed November 28, 2011 ...
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Foxy (musical)
''Foxy'' is a musical with a Musical theatre#Introduction and definitions, book by Ian McLellan Hunter and Ring Lardner Jr., lyrics by Johnny Mercer, and music by Robert Emmett Dolan. Based on Ben Jonson's ''Volpone'', it transports the original play's setting of early-17th century Renaissance Venice to the Yukon during the Klondike Gold Rush, gold rush of 1898. When Prospecting, prospector Jim Fox confides in buddies Bedrock, Shortcut, and Buzzard that he's discovered a mother lode in the Klondike River, they set off to claim it as their own. Foxy and con man Doc Mosk join forces to swindle the greedy trio out of their stolen wealth. The two arrive in the Yukon with an enormous chest they claim is filled with gold and announce that Foxy is dying and looking to name an heir. As expected, the three begin to cater to their pal's every whim in the hope they'll be selected. Subplots focus on Doc's affair with local madam Brandy; destitute Celia, who decides to sell herself to the highe ...
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Zenda (musical)
''Zenda'' is a musical with a book by Everett Freeman, lyrics by Lenny Adelson, Sid Kuller, and Martin Charnin, and music by Vernon Duke. Premise Based on the 1894 Anthony Hope novel ''The Prisoner of Zenda'', it sets the action in contemporary times and transforms the protagonist into British song-and-dance man Richard Rassendyl, who is invited to perform at the wedding of Princess Flavia and King Rudolph of Zenda. Rassendyl unknowingly is related to the King due to his grandmother's romantic escapades years before, and when his royal highness is incapacitated by a general who wishes to seize power, look-alike Rassendyl is recruited to impersonate him. Complications ensue when the imposter finds himself attracted to the bride-to-be and the king's mistress Athena makes her presence known. Hope's original ending was changed to allow the two pairs of star-crossed lovers to live happily ever after. Production Theatre producer Edwin Lester commissioned the project specifically fo ...
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Carnival In Flanders (musical)
''Carnival in Flanders'' is a musical with a book by Preston Sturges, lyrics by Johnny Burke, and music by Jimmy Van Heusen. Based on the 1934 French comedy film '' La Kermesse Héroïque'', it is set in 1616 in the small Flemish village of Flackenburg, where a Spanish duke and his entourage descend upon the community. The mayor plays dead, hoping that his ruse will force the visitors to depart, but the duke sets his sights on the man's "widow" and begins to woo her. The musical had a brief run on Broadway in 1953. The musical is the source of the song "Here's That Rainy Day", which has become a standard. Background Harold Arlen was approached to write the score, but the task ultimately fell to Van Heusen and Burke. Bing Crosby was providing much of the financing for the production and had great faith in the songwriting team,
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Alive And Kicking (musical)
''Alive and Kicking'' is a musical revue with sketches by Ray Golden, I.A.L. Diamond, Henry Morgan, Jerome Chodorov, Joseph Stein, Will Glickman, John Murray, and Michael Stewart; music by Hal Borne, Irma Jurist, Sammy Fain, Hoagy Carmichael, Harold Rome, Sonny Burke, Leo Schumer, and Ray Golden; and lyrics by Paul Francis Webster, Ray Golden, Harold J. Rome, Leonard Gershe, Sid Kuller, and Michael Stewart. Production The revue had a pre-Broadway tryout at the Shubert Theatre in Boston in December 1949 and in Hershey, Pennsylvania, in January 1950. The production opened on Broadway at the Winter Garden Theatre on January 17, 1950, and closed on February 25, 1950, after 46 performances. The production was directed by Robert H. Gordon and choreographed by Jack Cole (who also performed), with scenic design and costumes by Raoul Pène Du Bois. The cast included David Burns, Jack Cassidy, Jack Gilford, Carl Reiner, Bobby Van, and Gwen Verdon, who made her New York stage debu ...
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