JD-990
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JD-990
The Roland JD-990 Super JD is a module version of Roland JD-800 synthesizer with expanded capabilities, which was released in 1993. JD-990 is a multitimbral synthesizer utilizing 'wave-table' sample-based synthesis technology. It is equipped with 6 MB of ROM containing sampled PCM waveforms, four sets of stereo outputs that are assignable to individual, internal, instruments, and standard MIDI in/out/through ports. JD-990 has a large LCD display and programming takes place through a keypad on the front panel of the unit. The unit can generate multi-timbral sounds reminiscent of the vintage analogue synthesizers but is also capable of generation of modern digital textures. There are several expansion boards available for JD-990 that can be installed in the provided expansion slot in the chassis of the unit. Features The JD-990 had the following features which were not available on the JD-800: # Expanded wave ROM (6 MB vs. 3 MB) # Ability to use an 8 MB expansion board from the SR-JV ...
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Roland JD-800
The Roland JD-800 is a digital synthesizer that was manufactured between 1991 and 1996. It features many knobs and sliders for patch editing and performance control — features that some manufacturers, including Roland, had been omitting in the name of streamlining since the inception of the Yamaha DX7. The JD-800 thus became very popular with musicians who wished to take a hands-on approach to patch programming. The introduction in the manual states that Roland's intention with the JD-800 was to "return to the roots of synthesis". Technology The JD-800 employs Linear Arithmetic synthesis (introduced and made famous by the Roland D-50), which combines sample playback with digital synthesis. The JD-800 has 108 built-in waveforms, which can be expanded via PCM cards. The waveforms span a variety of categories such as analog synthesizers, acoustic instruments, and voices. Many of these waveforms are very short and are used primarily for the attack portion of a sound, while longer ...
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Digital Synthesizer
A digital synthesizer is a synthesizer that uses digital signal processing (DSP) techniques to make musical sounds. This in contrast to older analog synthesizers, which produce music using analog electronics, and samplers, which play back digital recordings of acoustic, electric, or electronic instruments. Some digital synthesizers emulate analog synthesizers; others include sampling capability in addition to digital synthesis. History The very earliest digital synthesis experiments were made with computers, as part of academic research into sound generation. In 1973, the Japanese company Yamaha licensed the algorithms for frequency modulation synthesis (FM synthesis) from John Chowning, who had experimented with it at Stanford University since 1971. Yamaha's engineers began adapting Chowning's algorithm for use in a commercial digital synthesizer, adding improvements such as the "key scaling" method to avoid the introduction of distortion that normally occurred in analog sys ...
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Klaus Schulze
Klaus Schulze (4 August 1947 – 26 April 2022) was a German electronic music pioneer, composer and musician. He also used the alias Richard Wahnfried and was a member of the Krautrock bands Tangerine Dream, Ash Ra Tempel, and The Cosmic Jokers before launching a solo career consisting of more than 60 albums released across six decades. Early life Schulze was born in Berlin in 1947. His father was a writer and his mother a ballet dancer. After graduating from high school, he delivered telegrams and studied German at the Technical University of Berlin. He and his wife Elfie had two sons, Maximilian and Richard. Career 1970s In 1969, Schulze was the drummer of one of the early incarnations of Tangerine Dream - one of the most famous bands that got the nickname "Krautrock" in English speaking countries (others included Kraftwerk and Popul Vuh) - for their debut album ''Electronic Meditation''. Before 1969 he was a drummer in a band called Psy Free. He met Edgar Froese from Tan ...
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Reverb
Reverberation (also known as reverb), in acoustics, is a persistence of sound, after a sound is produced. Reverberation is created when a sound or signal is reflected causing numerous reflections to build up and then decay as the sound is absorbed by the surfaces of objects in the space – which could include furniture, people, and air. This is most noticeable when the sound source stops but the reflections continue, their amplitude decreasing, until zero is reached. Reverberation is frequency dependent: the length of the decay, or reverberation time, receives special consideration in the architectural design of spaces which need to have specific reverberation times to achieve optimum performance for their intended activity. In comparison to a distinct echo, that is detectable at a minimum of 50 to 100  ms after the previous sound, reverberation is the occurrence of reflections that arrive in a sequence of less than approximately 50 ms. As time passes, the amplitude of t ...
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Hook (music)
A hook is a musical idea, often a short riff, passage, or phrase, that is used in popular music to make a song appealing and to "catch the ear of the listener". The term generally applies to popular music, especially rock, R&B, hip hop, dance, and pop. In these genres, the hook is often found in, or consists of, the chorus. A hook can be either melodic or rhythmic, and often incorporates the main motif for a piece of music.Davidson, Miriam; Heartwood, Kiya (1996). ''Songwriting for Beginners'', p.7. Alfred Music Publishing. . Definitions One definition of a hook is "a musical or lyrical phrase that stands out and is easily remembered." Definitions typically include some of the following: that a hook is repetitive, attention-grabbing, memorable, easy to dance to, and has commercial potential and lyrics. A hook has been defined as a "part of a song, sometimes the title or key lyric line, that keeps recurring." Alternatively, the term has been defined as and can be something as ...
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Pizzicato
Pizzicato (, ; translated as "pinched", and sometimes roughly as "plucked") is a playing technique that involves plucking the strings of a string instrument. The exact technique varies somewhat depending on the type of instrument : * On bowed string instruments it is a method of playing by plucking the strings with the fingers, rather than using the bow. This produces a very different sound from bowing, short and percussive rather than sustained. * On keyboard string instruments, such as the piano, pizzicato may be employed (although rarely seen in traditional repertoire, this technique has been normalized in contemporary music, with ample examples by George Crumb, Toru Takemitsu, Helmut Lachenmann, and others) as one of the variety of techniques involving direct manipulation of the strings known collectively as "string piano". * On the guitar, it is a muted form of plucking, which bears an audible resemblance to pizzicato on a bowed string instrument with its relatively short ...
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Insomnia (Faithless Song)
"Insomnia" is a song by British musical group Faithless. Released as the band's second single, it became one of their most successful. It was originally released in 1995 and reached number 27 on the UK Singles Chart, topping the UK Dance Chart in the process. When re-released in October 1996, the song achieved a new peak of number three in the United Kingdom and topped the charts of Finland, Norway, and Switzerland, as well as the American and Canadian dance charts. It also featured on Faithless's 1996 debut album, '' Reverence''. "Insomnia" was voted by ''Mixmag'' readers as the fifth greatest dance record of all time in 2013.What is the Greatest Dance Track of All Time?
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Faithless
Faithless are an English band that formed in 1995, with its core members being Rollo, Sister Bliss and Maxi Jazz. Their first album, '' Reverence'', was released in 1996 and their most recent, ''All Blessed'', in 2020. They have sold millions of physical records, and their catalogue was uploaded to streaming sites in 2018. They average almost 3 million streams a month.https://open.spotify.com/artist/5T4UKHhr4HGIC0VzdZQtAE Faithless' records have charted at #1 in numerous countries and they were voted the 4th greatest dance band of all time by ''Mixmag''. Their musical style is often political. ''All Blessed'' uses award-winning photo-journalist Yannis Behrakis' picture of refugees on the front, focusing on immigration as its core theme. Faithless have headlined numerous major festivals in Europe and beyond, including Glastonbury. Their lyrics have been quoted in both the US Senate and the Houses of Parliament. Musical career Faithless' first album ''Reverence'' was conceive ...
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Gettin' High On Your Own Supply
''Gettin' High on Your Own Supply'' is the third studio album by English electronic music group Apollo 440. It was released on 6 September 1999 in the United Kingdom by Stealth Sonic Recordings and Epic Records and in the United States by 550 Music. Track listing Video games * "Stop the Rock" is part of the ''FIFA 2000'' and '' Gran Turismo 3 A-Spec'' video game soundtracks. * "Cold Rock the Mic" was used as a part of the ''Gran Turismo 2'' soundtrack. * "Yo! Future" is used on the soundtrack for ''ATV Offroad Fury ''ATV Offroad Fury'' is a 2001 racing video game developed by Rainbow Studios and published by Sony Computer Entertainment exclusively for the PlayStation 2 in North America and Europe. A sequel, ''ATV Offroad Fury 2'', was released in 2002. Ga ...''. * "Blackbeat" is used on the main intro and Soundtrack for EA Sports F1 2002. An edited version was also used for the intro of ITV's Formula 1 coverage from 2000 to 2002. References {{Authority control Ap ...
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Mirwais Ahmadzaï
Mirwais Ahmadzaï (born 23 October 1960), known mononymously as Mirwais, is a French electronic dance music record producer and songwriter. Born in Switzerland to an Afghan father and an Italian mother, Ahmadzaï was a member of the defunct 1980s group Taxi Girl. He met Madonna in the late 1990s, when he submitted a demo to her then record label, Maverick Records. Life and career Early life Mirwais Ahmadzaï was born in Lausanne, Switzerland to an Afghan father and an Italian mother. The family lived in Kabul, Afghanistan for a while before relocating to Paris. Taxi Girl and Juliette et les indépendants Resultantly becoming known in France for this reason for the better part of two decades, Mirwais was a guitarist in the punk group Taxi Girl for eight years, before forming the acoustic outfit "Juliette et les Indépendants" with his then-girlfriend Juliette. Taxi Girl's first EP, "(S.O.S Mannequin)", was released in early 1980 on Pathé Marconi/EMI. "For a teenager, the lat ...
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Apollo 440
Apollo 440 (also known as Apollo Four Forty or @440) are a British electronic music group formed in Liverpool in 1990. The group has written, recorded, and produced five studio albums, collaborated with and produced other artists, remixed as Apollo 440 and as ambient cinematic alter-ego Stealth Sonic Orchestra, and created music for film, television, advertisements and multimedia. They notched up ten UK top 40 singles with three top-tens, and had a chart presence worldwide. Its name comes from the Apollo program and the frequency of concert pitch — the A note at 440 Hz, often denoted as "A440", and the Sequential Circuits sampler/sequencer, the Studio 440. They changed the writing of their name from Apollo 440 to Apollo Four Forty in 1996, though they switched back for their latest album. To date, Apollo 440's remixes range from U2, P. Diddy/ Jimmy Page, Jean-Michel Jarre and Ennio Morricone. Among their Stealth Sonic Orchestra remixes are a series of Manic Street Preac ...
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The Prodigy
The Prodigy are an English electronic dance music band formed in Braintree, Essex, in 1990 by producer, keyboard player and songwriter Liam Howlett. The original line-up also featured dancer and singer Keith Flint and dancer and occasional live keyboard player Leeroy Thornhill, dancer Sharky and MC and vocalist Maxim. They were pioneers of the breakbeat-influenced genre big beat, and achieved mainstream popularity in the 1990s. Howlett's rock-inspired drum rhythms infused with electronic rave music beats/breaks were combined with Maxim's omnipresent mystique, Thornhill's shuffle dancing style, and Flint's later modern punk appearance. The Prodigy describe their style as electronic punk. The band emerged during the underground rave scene and achieved early success in 1991 with their debut singles "Charly" and "Everybody in the Place", which reached the UK top five. After their debut album ''Experience'' (1992), the band moved from their rave roots and incorporated techno, ...
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