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Just Can't Get Enough (Depeche Mode Song)
"Just Can't Get Enough" is a song by English electronic music band Depeche Mode. It was their third single, released on 7 September 1981, a month before the release of their debut studio album, '' Speak & Spell''. It was recorded during the summer of that year at Blackwing Studios, and was the band's first single to be released in the United States, on 18 February 1982. A riff-driven synth-pop song, "Just Can't Get Enough" was the final single to be written by founding member Vince Clarke, who left the band in November 1981. The single version of "Just Can't Get Enough" is the same version that appears on the UK version of ''Speak & Spell''. The 12-inch single featured a "Schizo Mix", which is an extended version with additional synth parts adding a sinister feel to the track. This version appears on the US version of ''Speak & Spell'', the UK re-release of ''Speak & Spell'', the re-release of ''The Singles 81→85'' and ''Remixes 81–04''. In addition, the single's B-side, "A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Depeche Mode
Depeche Mode are an English electronic music band formed in Basildon, Essex, in 1980. The band currently consists of Dave Gahan (lead vocals and co-songwriting) and Martin Gore (keyboards, guitar, co-lead vocals and main songwriting). Depeche Mode, originally formed by the lineup of Gahan, Gore, Andy Fletcher (musician), Andy Fletcher and Vince Clarke, released their debut album ''Speak & Spell (album), Speak & Spell'' in 1981, bringing the band onto the British New wave music, new wave scene. After founding member Clarke left following the release of the album, they recorded ''A Broken Frame'' as a trio. Gore took over as main songwriter and later, in 1982, Alan Wilder replaced Clarke, establishing a lineup that continued for 13 years. The band's last albums of the 1980s, ''Black Celebration'' and ''Music for the Masses'', established them as a dominant force within the electronic music scene. A highlight of this era was the band's June 1988 concert at the Rose Bowl (stadium), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Remixes 81–04
''Remixes 81–04'' is a remix album by English electronic music band Depeche Mode, released on 25 October 2004. It was the band's first release since Daniel Miller's independent label Mute Records was acquired by industry major EMI in 2002. It features well-known remixes from the band's back catalogue, as well as previously unavailable mixes. There are three versions of ''Remixes 81–04''. The main version has two CDs. The limited-edition version has the same two CDs, plus a bonus CD with mostly new remixes. There is also a one-CD release with selections from all three discs. The booklet, found in all three versions, features an essay by Paul Morley. A specialSecret Website (now offline) could be unlocked with the CDs. During the promotion of the limited three-CD edition of ''Remixes 81–04'', the above-mentioned site was launched for fans who bought the bundle, which featured exclusive goodies. There was a special digital download-only bundle titled ''Remixes 81···04 R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Productores De Música De España
Productores de Música de España (English: Spanish Music Producers, shortened as Promusicae) is the national organisation responsible for the music charts of Spain. It is a trade association that represents more than 90% of the Spanish recorded music industry. It is the International Federation of the Phonographic Industry (IFPI) group for Spain. Promusicae is based in Madrid, Spain at Calle MarÃa de Molina, 39. History Promusicae began in 1958 as a representative of the IFPI in Spain under the name of the Spanish Group of the International Federation of the Phonographic Industry (), although not officially an association, since Spanish law during the Franco regime did not recognize the right of association until 1977. In 1978, it was registered as an association under the name Spanish Phonographic Association () (AFE). In 1982, with the emergence and popularization of the music video, the AFE changed its name to Phonographic and Videographic Association of Spain () (AFYVE). F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kent Music Report
The Kent Music Report was a weekly record chart of Australian music singles and albums which was compiled by music enthusiast David Kent from May 1974 through to January 1999. The chart was re-branded the Australian Music Report (AMR) in July 1987. From June 1988, the Australian Recording Industry Association, which had been using the top 50 portion of the report under licence since mid-1983, chose to produce their own listing as the ARIA Charts. Before the Kent Report, ''Go-Set'' magazine published weekly Top-40 Singles from 1966, and Album charts from 1970 until the magazine's demise in August 1974. David Kent later published Australian charts from 1940 to 1973 in a retrospective fashion, using state by state chart data obtained from various Australian radio stations. Background Kent had spent a number of years previously working in the music industry at both EMI and Phonogram records and had developed the report initially as a hobby. The Kent Music Report was first release ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mini-album
A mini-LP or mini-album is a short vinyl record album or LP, usually retailing at a lower price than an album that would be considered full-length. It is distinct from an EP due to containing more tracks and a slightly longer running length. A mini-LP is not to be confused with the Japanese CDs issued in a "mini LP sleeve" or "paper jacket". In South Korea, a mini album () is a type of music release that contains 4-7 songs. It is shorter than a full album but longer than a single album. It is usually synonymous with extended play, however, some music distributors may classify mini albums with 7 or more songs as an album. Artists often use the chronological placement of a mini album in their discography as part of the title of the release. For example, '' 2NE1 1st Mini Album'' or '' Taste of Love: The 10th Mini Album''. History Mini-LPs became popular in the early 1980s with record companies who targeted consumers who were reluctant to buy full-length and full-priced albums ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Radio Veronica
Radio Veronica was an offshore radio station that began broadcasting in 1960, and broadcast offshore for over fourteen years. It was set up by independent radio, TV and household electrical retailers in the Netherlands to stimulate the sales of radio receivers by providing an alternative to the Netherlands state-licensed stations in Hilversum. Broadcasts began on 21 April 1960. The station announced itself as VRON (Vrije Radio Omroep Nederland; Free Radio Station f theNetherlands) but changed to Radio Veronica, after the poem "Het Zwarte Schaap Veronica" — The Black Sheep Veronica — by the children's poet Annie M. G. Schmidt. After the station's closure, some of its staff applied for a broadcasting licence and continued as a legal organisation with the same name. The original Radio Veronica became the most popular station in the Netherlands. It broadcast from a former lightship ''Borkum Riff'' anchored off the Dutch coastline. The ship was fitted with a horizo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Love, In Itself
"Love, in Itself" is Depeche Mode's ninth UK single (released on 19 September 1983), and the final single from the album ''Construction Time Again''. The song peaked at number 21 on the UK Singles Chart. The "Love, in Itself" single contains three mixes of the song. "Love, in Itself • 2" is the single edit of "Love, in Itself". "Love, in Itself • 3" is the 12″ version. "Love, in Itself • 4" is a Lounge-inspired version of the song that features piano prominently. The B-side is "Fools", which was written by Alan Wilder. Music video The video for "Love, in Itself" was directed by Clive Richardson. It also featured Martin Gore playing acoustic guitar. Formats and track listings These are the formats and track listings of major single releases of "Love, in Itself": 7″: Mute/7Bong4 (UK) # "Love, in Itself • 2" – 4:00 # "Fools" – 4:14 12″: Mute/12Bong4 (UK) # "Love, in Itself • 3" – 7:18 # "Fools" (Bigger) – 7:39 # "Love, in Itself • 4" – 4:38 12†... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hammersmith Odeon
The Hammersmith Apollo, currently called the Eventim Apollo for sponsorship reasons, and formerly known as the Hammersmith Odeon, is a live entertainment performance venue, originally built as a cinema called the Gaumont Palace. Located in Hammersmith, London, it is an art deco Grade II* listed building. The venue has hosted numerous concerts by major stars, including the Beatles, Queen, The Rolling Stones, David Bowie, Iron Maiden, Bruce Springsteen, Bob Marley, Ella Fitzgerald and Duke Ellington amongst many others. History Designed by Robert Cromie, who also renovated the Prince of Wales Theatre, in the Art Deco style, it opened in 1932 as the Gaumont Palace, with a seating capacity of nearly 3,500 people, being renamed the Hammersmith Odeon in 1962. It has had a string of names and owners, most recently AEG Live and Eventim UK. It became a Grade II listed building in 1990. The venue was later refurbished and renamed Labatt's Apollo following a sponsorship deal with L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Festival Hall
The Royal Festival Hall is a 2,700-seat concert, dance and talks venue within Southbank Centre in London. It is situated on the South Bank of the River Thames, not far from Hungerford Bridge, in the London Borough of Lambeth. It is a Grade I listed building, the first post-war building to become so protected (in 1981). The London Philharmonic Orchestra, the Philharmonia Orchestra, the Orchestra of the Age of Enlightenment, the London Sinfonietta, Chineke! and Aurora are resident orchestras at Southbank Centre. The hall was built as part of the Festival of Britain for London County Council, and was officially opened on 3 May 1951. When the LCC's successor, the Greater London Council, was abolished in 1986, the Festival Hall was taken over by the Arts Council, and managed together with the Queen Elizabeth Hall and Purcell Room (opened 1967) and the Hayward Gallery (1968), eventually becoming an independent arts organisation, now known as the Southbank Centre, in April 1998. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Southbank Centre
Southbank Centre is a complex of artistic venues in London, England, on the South Bank of the River Thames (between Hungerford Bridge and Waterloo Bridge). It comprises three main performance venues (the Royal Festival Hall including the National Poetry Library, the Queen Elizabeth Hall and the Purcell Room), together with the Hayward Gallery, and is Europe’s largest centre for the arts. It attracted 4.36 million visitors during 2019. Over two thousand paid performances of music, dance and literature are staged at Southbank Centre each year, as well as over two thousand free events and an education programme, in and around the performing arts venues. In addition, three to six major art exhibitions are presented at the Hayward Gallery yearly, and national touring exhibitions reach over 100 venues across the UK. Location Southbank Centre's site, which formerly extended to 21 acres (85,000 m2) from County Hall to Waterloo Bridge, is fronted by The Queen’s Walk. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Australian Singles Chart
The ARIA Charts are the main Australian music sales charts, issued weekly by the Australian Recording Industry Association. The charts are a record of the highest selling songs and albums in various genres in Australia. ARIA became the official Australian music chart in June 1988, succeeding the Kent Music Report, which had been Australia's national music sales charts since 1974. History The ''Go-Set'' charts were Australia's first national singles and albums charts, published from 5 October 1966 until 24 August 1974. Succeeding ''Go-Set'', the Kent Music Report began issuing the national top 100 charts in Australia from May 1974. The compiler, David Kent, also published Australia's national charts from 1940 to 1974 in a retrospective fashion using state-based data. In mid-1983, the Australian Recording Industry Association commenced licensing the Kent Music Report chart. The first printed national top 50 chart available in record stores, branded the ''Countdown'' chart, was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance Club Songs
Dance Club Songs is a chart published weekly by '' Billboard'' magazine in the United States. It is a national look over of club disc jockeys to determine the most popular songs being played in nightclubs across the country. It was launched as the Disco Action Top 30 chart on August 28, 1976, and became the first chart by ''Billboard'' to document the popularity of dance music. The first number-one song on the chart for the issue dated August 28, 1976, was "You Should Be Dancing" by the Bee Gees, spending five weeks atop the chart and the group's only number-one song on the chart. In January 2017, ''Billboard'' proclaimed Madonna as the most successful artist in the history of the chart, ranking her first in their list of the 100 top all-time dance artists. Madonna holds the record for the most number-one songs with 50. Katy Perry holds the record for having eighteen consecutive number-one songs. Perry's third studio album, '' Teenage Dream'' (2010), became the first album in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
