Junker's Blues
Junker Blues is a piano blues song first recorded in 1940 by Champion Jack Dupree. It formed the basis of several later songs including the 1949 " The Fat Man" by Fats Domino and the 1952 "Lawdy Miss Clawdy" by Lloyd Price. The song is about a drug user's conflict with life and the law, makes references to cocaine, " needles", " reefers", and life in the penitentiary, and contains admonishments against the use of hard drugs. History The song was written sometime in the 1920s by Willie Hall, known as "Drive 'em Down" Hall, a blues and boogie-woogie pianist from New Orleans. Hall never recorded nor received credit for the song. In 1940, Champion Jack Dupree, an American pianist who referred to Hall as his "father", recorded the song for the first time on Okeh Records (OKeh 06152). In 1958, a different version of this song, Junker's Blues, penned by Dupree himself, and which focuses on the allure of hard drugs, appeared on Dupree's first album, ''Blues from the Gutter'', featuring L ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Champion Jack Dupree
William Thomas "Champion Jack" Dupree (July 23, 1909 or July 4, 1910 – January 21, 1992) was an American blues and boogie-woogie pianist and singer. His nickname was derived from his early career as a boxer. Biography Dupree was a New Orleans blues and boogie-woogie pianist, a barrelhouse "professor". His father was from the Belgian Congo and his mother was part African American and Cherokee. His birth date has been given as July 4, July 10, and July 23, 1908, 1909,Dahl, Bill"Champion Jack Dupree: Biography" AllMusic, Retrieved 30 September 2016. or 1910; the researchers Bob Eagle and Eric LeBlanc give July 4, 1910. He was orphaned at the age of eight and sent to the Colored Waifs Home in New Orleans, an institution for orphaned or delinquent boys (about six years previously, Louis Armstrong had also been sent to the Home, after being arrested as a "dangerous and suspicious character"). Dupree taught himself to play the piano there and later apprenticed with Tuts Washington ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Larry Dale
Larry Dale (born Ennis L. Lowery, January 7, 1923 – May 19, 2010) was an American blues singer, guitarist and session musician. Life and career He was born in Hungerford, Texas, United States. During the early 1950s he took initial inspiration on guitar playing from B.B. King, making his first recordings as a sideman for Paul Williams and his Orchestra (on Jax Records), and for Big Red McHouston & His Orchestra. Taking the name Larry Dale, he recorded for the RCA subsidiary Groove Records with a band that included Mickey Baker and pianist Champion Jack Dupree. He also wrote songs using the name Larry Dale Matthews. Dale performed on the New York club circuit with the pianist Bob Gaddy in the 1950s. He was also a frequent session guitarist in the New York studios, playing on all four of Dupree's 1956–58 sessions for RCA's Groove and Vik subsidiaries, and on the best known Dupree LP, 1958's '' Blues from the Gutter'', for Atlantic. His playing on that album inspired Brian ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Smiley Lewis
A smiley, sometimes referred to as a smiley face, is a basic ideogram that represents a smiling face. Since the 1950s it has become part of popular culture worldwide, used either as a standalone ideogram, or as a form of communication, such as emoticons. The smiley began as two dots and a line to represent eyes and a mouth. More elaborate designs in the 1950s emerged, with noses, eyebrows, and outlines. A yellow and black design was used by New York-based radio station WMCA for its ''" Good Guys"'' campaign in the early 1960s. More yellow-and-black designs appeared in the 1960s and '70s, including works by Franklin Loufrani and Harvey Ross Ball.Ethridge, Mark. “Several Firms Claim to Be Originators of Smile Button.” ''Nashua Telegraph''. September 9, 1971. https://newspaperarchive.com/other-articles-clipping-sep-09-1971-3502894/ Today, The Smiley Company holds many rights to the smiley ideogram and has become one of the biggest licensing companies globally. In October o ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Tipitina
"Tipitina" is a song written and made famous by Professor Longhair. The song has been widely covered, and the Professor Longhair version was recorded in 1953 for Atlantic Records. "Tipitina" was first released in 1953. A previously unreleased alternate take (also recorded in 1953) was released on the album ''New Orleans Piano'' in 1972. Although the nature of his contributions are unknown, recording engineer Cosimo Matassa is listed as the song's co-writer along with Roy Byrd, Professor Longhair's legal name. The song, which is considered a New Orleans music standard, was added to the US National Recording Registry in 2011 because of its cultural significance. The subject of "Tipitina" is unknown. According to an interview and a recording by Dr. John (Mac Rebennack) played at the WWOZ Piano Night concert in 2020, Tipitina was a type of or name of a bird. Rebennack said he had never heard of that before or since. The New Orleans music venue, Tipitina's, was named for the song ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Louisiana State Penitentiary
The Louisiana State Penitentiary (known as Angola, and nicknamed the "Alcatraz of the South", "The Angola Plantation" and "The Farm"Sutton, Keith "Catfish".Out There: Angola angling. ''ESPN Outdoors''. May 31, 2006. Retrieved on August 25, 2010.) is a maximum-security prison farm in Louisiana operated by the Louisiana Department of Public Safety & Corrections. It is named "Angola" after the former slave plantation that occupied this territory. The plantation was named after the country of Angola from which many slaves originated before arriving in Louisiana. Angola is the largest maximum-security prison in the United States with 6,300 prisoners and 1,800 staff, including corrections officers, janitors, maintenance, and wardens. Due to these large numbers, it has been given the nickname "a gated community". Located in West Feliciana Parish, the prison is set between oxbow lakes on the east side of a bend of the Mississippi River, thus flanked on three sides by water. It lies ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Junco Partner
"Junco Partner", also known as "Junco Partner (Worthless Man)", is a blues song first recorded by James Waynes in 1951. Profile of James "Wee Willie" Wayne at Black Cat Rockabilly Rockabilly.nl, Retrieved 4 April 2013 It has been recorded and revised by many other artists over several decades, including Louis Jordan, Michael Bloomfield, , Professor Longhair, [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Beat (music)
In music and music theory, the beat is the basic unit of time, the pulse (regularly repeating event), of the ''mensural level'' (or ''beat level''). The beat is often defined as the rhythm listeners would tap their toes to when listening to a piece of music, or the numbers a musician counts while performing, though in practice this may be technically incorrect (often the first multiple level). In popular use, ''beat'' can refer to a variety of related concepts, including pulse, tempo, meter, specific rhythms, and groove. Rhythm in music is characterized by a repeating sequence of stressed and unstressed beats (often called "strong" and "weak") and divided into bars organized by time signature and tempo indications. Beats are related to and distinguished from pulse, rhythm (grouping), and meter: Metric levels faster than the beat level are division levels, and slower levels are multiple levels. Beat has always been an important part of music. Some music genres such as fu ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Wah-wah (music)
Wah-wah (or wa-wa) is an imitative word (or onomatopoeia) for the sound of altering the resonance of musical notes to extend expressiveness, sounding much like a human voice saying the syllable ''wah''. The wah-wah effect is a spectral glide, a "modification of the vowel quality of a tone". Etymology The word is derived from the sound of the effect itself; an imitative or onomatopoeia word. The effect's "wa-wa" sound was noted by jazz player Barney Bigard when he heard Tricky Sam Nanton use the effect on his trombone in the early 1920s. History Acoustic The wah-wah effect is believed to have originated in the 1920s, with brass instrument players finding they could produce an expressive crying tone by moving a mute, or plunger, in and out of the instrument's bell. In 1921, trumpet player Johnny Dunn's use of this style inspired Tricky Sam Nanton to use the mute with the trombone. Electronic By the early 1960s, the sound of the acoustic technique had been emulated with electro ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Rock And Roll
Rock and roll (often written as rock & roll, rock 'n' roll, or rock 'n roll) is a Genre (music), genre of popular music that evolved in the United States during the late 1940s and early 1950s. It Origins of rock and roll, originated from African-American music such as jazz, rhythm and blues, boogie woogie, gospel music, gospel, as well as country music. While rock and roll's formative elements can be heard in blues records from the 1920s and in country records of the 1930s,Peterson, Richard A. ''Creating Country Music: Fabricating Authenticity'' (1999), p. 9, . the genre did not acquire its name until 1954. According to journalist Greg Kot, "rock and roll" refers to a style of popular music originating in the United States in the 1950s. By the mid-1960s, rock and roll had developed into "the more encompassing international style known as rock music, though the latter also continued to be known in many circles as rock and roll."Kot, Greg"Rock and roll", in the ''Encyclopædia Bri ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Rampart Street
Rampart Street (french: rue du Rempart) is a historic avenue located in New Orleans, Louisiana. The section of Rampart Street downriver from Canal Street is designated as North Rampart Street, which forms the inland or northern border of the French Quarter (Vieux Carre). Crossing Esplanade Avenue, the street continues into the Faubourg Marigny neighborhood, then splits off from St. Claude Avenue to become a single-lane, one-way street through residential neighborhoods, and continues into the Bywater neighborhood. With a break at the Industrial Canal, Rampart Street resumes in the Lower Ninth Ward. Upriver from Canal, it is designated as South Rampart Street, and runs through the New Orleans Central Business District and continues to St. Andrew Street. In the 19th century, the "South Rampart Street" designation continued into Uptown New Orleans; this section is now named Danneel Street. History The street gets its name from the wall, or "Rampart" (''Rempart'' in French), that w ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Cosimo Matassa
Cosimo Vincent Matassa (April 13, 1926 – September 11, 2014) was an American recording engineer and studio owner, responsible for many R&B and early rock and roll recordings. Life and career Matassa was born in New Orleans in 1926.Komorowski, Adam. Liner notes. ''The Cosimo Matassa Story'' (CD). In 1944 he began studies as a chemistry major at Tulane University, which he abandoned after completing five semesters of course work. In 1945, at the age of 18, Matassa opened the J&M Recording Studio at the back of his family's shop on Rampart Street, on the border of the French Quarter in New Orleans. In 1955, he moved to the larger Cosimo Recording Studio on Gov. Nichols Street, nearby in the French Quarter. As an engineer and proprietor, Matassa was crucial to the development of the sound of R&B, rock and soul of the 1950s and 1960s, often working with the producers Dave Bartholomew and Allen Toussaint. He recorded many hits, including Fats Domino’s " The Fat Man" (a contende ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |