Juan De Dios Filiberto
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Juan De Dios Filiberto
Juan de Dios Filiberto (8 March 1885 11 November 1964) was an Argentine violinist, conductor, poet and composer who became prominent in the Argentine tango genre. Life and work He was born Óscar Juan de Dios Filiberti in 1885 to Josefa Roballo, a mestizo descendant of one of the founding fathers of Argentina, Martín Rodríguez, and Juan Filiberti, a Genoese immigrant.El Portal del Tango: Juan de Dios Filiberto
Archive from 7 February 2012 (accessed 28 November 2016).
An uncle introduced him to at the age of six, though he was forced to leave school at age nine, entering the labor force as a
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Juan De Dios Filiberto
Juan de Dios Filiberto (8 March 1885 11 November 1964) was an Argentine violinist, conductor, poet and composer who became prominent in the Argentine tango genre. Life and work He was born Óscar Juan de Dios Filiberti in 1885 to Josefa Roballo, a mestizo descendant of one of the founding fathers of Argentina, Martín Rodríguez, and Juan Filiberti, a Genoese immigrant.El Portal del Tango: Juan de Dios Filiberto
Archive from 7 February 2012 (accessed 28 November 2016).
An uncle introduced him to at the age of six, though he was forced to leave school at age nine, entering the labor force as a
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Music Conservatory
A music school is an educational institution specialized in the study, training, and research of music. Such an institution can also be known as a school of music, music academy, music faculty, college of music, music department (of a larger institution), conservatory, conservatorium or conservatoire ( , ). Instruction consists of training in the performance of musical instruments, singing, musical composition, conducting, musicianship, as well as academic and research fields such as musicology, music history and music theory. Music instruction can be provided within the compulsory general education system, or within specialized children's music schools such as the Purcell School. Elementary-school children can access music instruction also in after-school institutions such as music academies or music schools. In Venezuela El Sistema of youth orchestras provides free after-school instrumental instruction through music schools called ''núcleos''. The term "music school" can also ...
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Bandoneón
The bandoneon (or bandonion, es, bandoneón) is a type of concertina particularly popular in Argentina and Uruguay. It is a typical instrument in most tango ensembles. As with other members of the concertina family, the bandoneon is held between the hands, and by pulling and pushing actions force air through bellows and then routing air through particular reeds as by pressing the instrument's buttons. Bandoneons have a different sound from accordions, because bandoneons do not usually have the register switches that are common on accordions. Nevertheless, the tone of the bandoneon can be changed a great deal using varied bellows pressure and overblowing, thus creating potential for expressive playing and diverse timbres. History The Bandonion, so named by the German instrument dealer Heinrich Band (1821–1860), was originally intended as an instrument for religious and popular music of the day, in contrast to its predecessor, German concertina (), which had predominantly be ...
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Eduardo Arolas
Eduardo Arolas (February 24, 1892 – September 29, 1924) was an Argentine tango bandoneon player, leader and composer. Arolas first learned to play the guitar before learning the bandoneon which became his instrument of choice. His nickname was ''El Tigre del bandoneón'' (the tiger of the bandoneon). Arolas composed his first tango in 1909 before he could even read or write music. He went on to play with such early masters as Agustín Bardi and Roberto Firpo. In 1917 Arolas moved to Montevideo where he settled, he played a number of times at the Teatro Casino. From 1920 he resided mainly in Paris where he died alone and alcoholic in 1924. Legacy Arolas is regarded as one of the early masters that helped to define the future of tango music in Argentina. He was avant-garde in his composition and often utilised unconventional instruments such as the saxophone violoncello The cello ( ; plural ''celli'' or ''cellos'') or violoncello ( ; ) is a bowed (sometimes plucked a ...
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Mendoza, Argentina
Mendoza (, ), officially the City of Mendoza ( es, Ciudad de Mendoza) is the capital of the province of Mendoza in Argentina. It is located in the northern-central part of the province, in a region of foothills and high plains, on the eastern side of the Andes. As of the , Mendoza had a population of 115,041 with a metropolitan population of 1,055,679, making Greater Mendoza the fourth largest census metropolitan area in the country. Ruta Nacional 7, the major road running between Buenos Aires and Santiago, runs through Mendoza. The city is a frequent stopover for climbers on their way to Aconcagua (the highest mountain in the Western and Southern Hemispheres) and for adventure travelers interested in mountaineering, hiking, horse riding, rafting, and other sports. In the winter, skiers come to the city for easy access to the Andes. Two of the main industries of the Mendoza area are olive oil production and Argentine wine. The region around Greater Mendoza is the largest win ...
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Guaymallén Department
Guaymallén is a central department of Mendoza Province in Argentina. The provincial subdivision has a population of about 250,000 inhabitants in an area of , and its capital city is Villa Nueva, which is located around from Buenos Aires. History *1858, on May 14 Guaymallén Department was created. *1896, on May 19 Villa Nueva was declared as cabecera (capital) of the departament. Economy The economy of the Guaymallén Department, represented 8.7% of the economy of Mendoza Province. The three main sectors of the economy are banks and financial institutions, the service sector, and industry and manufacturing. Districts Guaymallén Department is divided into 20 districts: * Belgrano * Bermejo * Buena Nueva * Capilla del Rosario * Colonia Segovia * Dorrego *El Sauce El Sauce is a municipality in the La Unión department La Unión () is a department of El Salvador. It is located in the eastern part of the country and its capital is La Unión. It covers a total ...
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José Ingenieros
José Ingenieros (born Giuseppe Ingegnieri, April 24, 1877October 31, 1925) was an Argentine physician, pharmacist, positivist philosopher and essayist. He was born in Palermo (Italy), and graduated from the University of Buenos Aires School of Medicine in 1900. Ingenieros was philosophically influenced by Herbert Spencer and Auguste Comte, and wrote a very important philosophical and social work, "El hombre mediocre" (''The Mediocre Man''), in 1913. Ingenieros founded the Buenos Aires Institute of Criminology in 1907 and the Argentine Psychological Society in 1908; he was elected President of the Argentine Medical Association in 1909. Ingenieros married Eva Rutenberg, in Lausanne, in 1914. Appointed Assistant Dean of the School of Philosophy and Letters of his alma mater, he played a prominent role in the landmark University reform in Argentina, in 1918. He resigned his academic posts in 1919 to join ''Claridad'', a communist organization, and in 1922, formed ''Unión Latino ...
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Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four- course Renaissance guitar, and the ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Counterpoint
In music, counterpoint is the relationship between two or more musical lines (or voices) which are harmonically interdependent yet independent in rhythm and melodic contour. It has been most commonly identified in the European classical tradition, strongly developing during the Renaissance and in much of the common practice period, especially in the Baroque period. The term originates from the Latin ''punctus contra punctum'' meaning "point against point", i.e. "note against note". In Western pedagogy, counterpoint is taught through a system of species (see below). There are several different forms of counterpoint, including imitative counterpoint and free counterpoint. Imitative counterpoint involves the repetition of a main melodic idea across different vocal parts, with or without variation. Compositions written in free counterpoint often incorporate non-traditional harmonies and chords, chromaticism and dissonance. General principles The term "counterpoint" has been us ...
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Conservatorio Nacional Superior De Música (Argentina)
The Conservatorio Nacional Superior de Música is the national music conservatory for Argentina and it is located in Buenos Aires. History Ernesto de la Guardia, a member of the Wagnerian Society of Buenos Aires, first proposed the creation of a national conservatory. He gained support from the president Marcelo Torcuato de Alvear and his wife Regina Pacini a noted soprano, the ''Conservatorio Nacional de Música y Declamación'' (National Conservatory of Music and Recitation) was founded by Argentine musician Carlos López Buchardo, among others, on July 7, 1924. Based upon the School of Lyric and Scenic Art held at the Teatro Colón in Buenos Aires, the conservatory focused on both lyric and theatrical studies, providing instruction in composition, vocal and instrument music, recitation and speech. Carlos López Buchardo became the first director and the first assistant director was . The conservatory began its operations at the Teatro Colón. Within a few years, in 1930 the Cons ...
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Alberto Williams
Alberto Williams (23 November 1862 – 17 June 1952) was an Argentine composer, pianist, pedagogue, and conductor. Life and work Alberto Williams was born in Buenos Aires, in 1862. His maternal grandfather, Amancio Jacinto Alcorta, had been a respected diplomat and economist, and an amateur composer of salon music. Williams began studying the piano at age 8 with Pedro Beck. Six years later, he entered the ''Escuela de Música y Declamación'' (School of Music and Recitation) of the Province of Buenos Aires, where he received piano lessons from Luis José Bernasconi. He received a scholarship from the government of the Province of Buenos Aires in 1882 to study music composition at the Paris Conservatoire, where he was mentored by pianists Georges Mathias and Charles de Bériot, and learned harmony with Emile Durand and counterpoint with Ernest Guiraud. He furthermore took private lessons in composition from César Franck, who apparently became very fond of his student. Will ...
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