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Jorge Romero Brest
Jorge Aníbal Romero Brest (October 2, 1905 – February 12, 1989) was an influential art critic in Argentina, who helped popularize avant-garde art in his country. Life and work Born in Buenos Aires in 1905, Romero Brest enjoyed multiple interests in his youth, and excelled in a variety of sports. His father, Enrique Romero Brest, established the National Institute of Physical Education. Jorge Brest began writing for his father's sports magazine, ''Revista de Educación Física''. His research for these articles familiarized him with André Dunoyer de Segonzac's illustrations on the subject, and he developed an intellectual interest in art. He enrolled at the University of Buenos Aires in 1926, earned a law degree in 1933, and married Amelia Rossi.Archivo Romero Brest: Autobiografía His int ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buenos Aires
Buenos Aires ( or ; ), officially the Autonomous City of Buenos Aires ( es, link=no, Ciudad Autónoma de Buenos Aires), is the capital and primate city of Argentina. The city is located on the western shore of the Río de la Plata, on South America's southeastern coast. "Buenos Aires" can be translated as "fair winds" or "good airs", but the former was the meaning intended by the founders in the 16th century, by the use of the original name "Real de Nuestra Señora Santa María del Buen Ayre", named after the Madonna of Bonaria in Sardinia, Italy. Buenos Aires is classified as an alpha global city, according to the Globalization and World Cities Research Network (GaWC) 2020 ranking. The city of Buenos Aires is neither part of Buenos Aires Province nor the Province's capital; rather, it is an autonomous district. In 1880, after decades of political infighting, Buenos Aires was federalized and removed from Buenos Aires Province. The city limits were enlarged to include t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David (Michelangelo)
''David'' is a masterpiece of Renaissance sculpture, created in marble between 1501 and 1504 by the Italian artist Michelangelo. ''David'' is a marble statue of the Biblical figure David, a favoured subject in the art of Florence. ''David'' was originally commissioned as one of a series of statues of prophets to be positioned along the roofline of the east end of Florence Cathedral, but was instead placed in a public square, outside the Palazzo Vecchio, the seat of civic government in Florence, in the Piazza della Signoria, where it was unveiled on 8 September 1504. The statue was moved to the Galleria dell'Accademia, Florence, in 1873, and later replaced at the original location by a replica. Because of the nature of the figure it represented, the statue soon came to symbolize the defence of civil liberties embodied in the Republic of Florence, an independent city-state threatened on all sides by more powerful rival states and by the hegemony of the Medici family. The ey ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abstract Art
Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. Western art had been, from the Renaissance up to the middle of the 19th century, underpinned by the logic of perspective and an attempt to reproduce an illusion of visible reality. By the end of the 19th century many artists felt a need to create a new kind of art which would encompass the fundamental changes taking place in technology, science and philosophy. The sources from which individual artists drew their theoretical arguments were diverse, and reflected the social and intellectual preoccupations in all areas of Western culture at that time. Abstract art, non-figurative art, non-objective art, and non-representational art are all closely related terms. They have similar, but perhaps not identical, meanings. Abstraction indicates a departure from reality in depiction of imagery in art. This departure ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramón Gómez Cornet
Ramón Gómez Cornet (1 March 1898 - 9 April 1964) was an Argentine painter. He was one of the forerunners of the modern Argentine painting. Biography Ramón Gómez Cornet was the son of Ramon Gomez, former Minister of Interior on Hipólito Yrigoyen's government and National Senator for Santiago del Estero province, and Rosario Palacio Achával Cornet. Began his studies at the Normal School in his province to continue them in the Colegio Marista of Lujan later passing to the School Charles Magne. Gómez showed his artistic abilities since a young age: in his early twenties he drew portraits of his maternal grandparents, Manuel Cornet Diaz - Deputy for the National Congress in 1882 - and his wife Doña Rosario Palacio Achával, found today in the Historical Museum of Santiago del Estero. He began his studies at the Academy of Fine Arts, Córdoba, and then traveled by the main art centers of Europe, where he lived for several years, and Africa, gathering experiences that, while tu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lino Enea Spilimbergo
Lino Enea Spilimbergo (born Lino Claro Honorio Enea Spilimbergo; 12 August 1896 – 16 March 1964) was an Argentine artist and engraver considered to be one of the country's most important painters. Biography Lino Enea Spilimbergo was born in Buenos Aires in 1896, the son of Italian immigrants, Antonio Enea Spilimbergo and María Giacoboni, and his full name was Lino Claro Honorio Enea Spilimbergo. His early years were spent in the Buenos Aires neighborhood of Palermo. Whilst visiting his mother's relatives in northern Italy with his family he contracted pneumonia, which in later years caused him to suffer from asthma. Returning to Buenos Aires in 1902 he started his schooling, which ended in 1910, when he began working for the post office to support himself. From then on, until 1924, he kept this job in parallel with his painting. In 1917, he graduated from the Academia Nacional de Bellas Artes and in September of that year his father died. At the age of 22, he began w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Torcuato Di Tella Institute
The Torcuato di Tella Institute is a non-profit foundation organized for the promotion of Argentine culture. Overview 1959-1960 The Di Tella Foundation and its institute were created on July 22, 1958, the tenth anniversary of the death of industrialist and arts patron[Torcuato Di Tella. Funding for the project, organized by his sons, Torcuato and Guido Di Tella, was raised using the United States model of corporate financing, as well as by the donation of 10% of the SIAM Di Tella corporation's public stock. Its objective was initially limited to an arts program revolving primarily around the display of the Di Tella family's private collections, which prominently included works by Henry Moore, Pablo Picasso, Amedeo Modigliani and Jackson Pollock. The board of the foundation consisted of family members, though the institute was directed by a board that included academics and intellectuals from outside the family. Guido Di Tella would serve as president, and the post of director of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modern Art
Modern art includes artistic work produced during the period extending roughly from the 1860s to the 1970s, and denotes the styles and philosophies of the art produced during that era. The term is usually associated with art in which the traditions of the past have been thrown aside in a spirit of experimentation. Modern artists experimented with new ways of seeing and with fresh ideas about the nature of materials and functions of art. A tendency away from the narrative, which was characteristic for the traditional arts, toward abstraction is characteristic of much modern art. More recent artistic production is often called contemporary art or postmodern art. Modern art begins with the heritage of painters like Vincent van Gogh, Paul Cézanne, Paul Gauguin, Georges Seurat and Henri de Toulouse-Lautrec all of whom were essential for the development of modern art. At the beginning of the 20th century Henri Matisse and several other young artists including the Proto-Cubism, pre-c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museo Nacional De Bellas Artes (Buenos Aires)
The Museo Nacional de Bellas Artes ("National Museum of Fine Arts") is an Argentine art museum in Buenos Aires, located in the Recoleta section of the city. The Museum inaugurated a branch in Neuquén in 2004. The museum hosts works by Goya, Rembrandt, Van Gogh, Rodin, Manet and Chagall among other artists. History Argentine painter and art critic Eduardo Schiaffino, was the first director of the museum, which opened on 25 December 1895, in a building on Florida Street that today houses the Galerías Pacífico shopping mall. In 1909, the museum moved to a building in Plaza San Martín, originally erected in Paris as the Argentine Pavilion for the 1889 Paris exhibition, and later dismantled and brought to Buenos Aires. In its new home, the museum became part of the International Centenary Exhibition held in Buenos Aires in 1910. Following the demolition of the pavilion in 1932, as part of the remodeling of Plaza San Martín, the museum was transferred to its present location ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Revolución Libertadora
''Revolución Libertadora'' (; ''Liberating Revolution'') was the coup d'état that ended the second presidential term of Juan Perón in Argentina, on 16 September 1955. Background President Perón was first elected in 1946. In 1949, a constitutional amendment sponsored by Peronism introduced a number of workers' rights and the possibility of presidential reelection. The legitimacy of the new constitution is still controversial. Perón was reelected in 1951. At the time, his administration was widely supported by the labor unions, the military and the Catholic Church. However, economic problems, some of the government's policies, and Perón's own personality cult changed this situation. The opposition criticized Perón because of his treatment of dissidents. (Writers, artists, politicians and other intellectuals were harassed and sometimes were forced into exile.) The government's relationship with the Catholic Church also worsened. As the Church increasingly distanced ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art History
Art history is the study of aesthetic objects and visual expression in historical and stylistic context. Traditionally, the discipline of art history emphasized painting, drawing, sculpture, architecture, ceramics and decorative arts; yet today, art history examines broader aspects of visual culture, including the various visual and conceptual outcomes related to an ever-evolving definition of art. Art history encompasses the study of objects created by different cultures around the world and throughout history that convey meaning, importance or serve usefulness primarily through visual representations. As a discipline, art history is distinguished from art criticism, which is concerned with establishing a relative artistic value upon individual works with respect to others of comparable style or sanctioning an entire style or movement; and art theory or "philosophy of art", which is concerned with the fundamental nature of art. One branch of this area of study is aesthetics, wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucio Fontana
Lucio Fontana (; 19 February 1899 – 7 September 1968) was an Argentine-Italian painter, sculptor and theorist. He is mostly known as the founder of Spatialism. Early life Born in Rosario, to Italian immigrant parents, he was the son of the sculptor Luigi Fontana (1865—1946). Fontana spent the first years of his life in Argentina and then was sent to Italy in 1905, where he stayed until 1922, working as a sculptor with his father, and then on his own. Already in 1926, he participated in the first exhibition of Nexus, a group of young Argentine artists working in Rosario de Santa Fé."Press Release: Lucio Fontana: Venice/New York opens at Guggenheim Museum" Guggenheim Museum, New York. Work In 1927 Fontana returned to Italy and studied alongside Fausto Melotti under the sculptor Adolfo Wildt, at Accademia di Brera from 1928 to 1930. It was there he presented his first exhibition in 1930, organized by the Milan art gallery ''Il Milione''. During the following ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raúl Soldi
Raúl Soldi (27 March 1905 – 21 April 1994) was an Argentine painter and production designer whose work treated various subjects, including landscapes, portraits, the theater and the circus, and nature. His theatrical figures are renowned for their melancholy appearance. He also illustrated poetry books. Brief biography Raúl Soldi was born into an artistic family in Buenos Aires in 1905, his father was a cellist and his eldest sister studied piano and song. He began his studies at the National Academy of Fine Arts, Buenos Aires, Argentina then travelled to Europe in 1921. He stayed in Germany until 1923 then moved to Italy to continue his studies, enrolling in the Real Academy of Brera (Milan) where he remained until 1932. Whilst in Italy, he became involved with groups of vanguard artists. He also did a lot of films as a production designer and scenographer both in Argentina and USA. In 1932, he returned to Argentina and continued to produce oils, watercolors, inks, drawing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
