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Johann Hugo Von Wilderer
Johann Hugo von Wilderer (1670 or 1671 – buried 7 June 1724) was a German Baroque composer. He was born in Bavaria and died in Mannheim, where in his later years he served as the '' Kapellmeister'' of the court orchestra. His compositions include eleven operas, two oratorios, cantatas, and sacred works. Life and work Wilderer was born in Bavaria. He studied with Giovanni Legrenzi in Venice. Probably in 1687 he was employed at the Palatine court in Düsseldorf as an organist. A document dated 1 October 1692 indicates that he was organist at the church St. Andreas, the court church at the time. He held the office until 1697. On the occasion of his first opera ''Giocasta'', first performed for the opening of the opera house at the Mühlenstraße in 1696, he was appointed ''Vice-Kapellmeister'' (vice musical director). In 1703 he received the title ''Hofkapellmeister'' (court musical director). In 1699 he had also received the appointment of ''Hofkammerrat'' (treasury official). ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Music
Baroque music ( or ) refers to the period or dominant style of Western classical music composed from about 1600 to 1750. The Baroque style followed the Renaissance period, and was followed in turn by the Classical period after a short transition, the galant style. The Baroque period is divided into three major phases: early, middle, and late. Overlapping in time, they are conventionally dated from 1580 to 1650, from 1630 to 1700, and from 1680 to 1750. Baroque music forms a major portion of the "classical music" canon, and is now widely studied, performed, and listened to. The term "baroque" comes from the Portuguese word ''barroco'', meaning " misshapen pearl". The works of George Frideric Handel and Johann Sebastian Bach are considered the pinnacle of the Baroque period. Other key composers of the Baroque era include Claudio Monteverdi, Domenico Scarlatti, Alessandro Scarlatti, Antonio Vivaldi, Henry Purcell, Georg Philipp Telemann, Jean-Baptiste Lully, Jean-Philippe R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jakob Greber
Johann Jakob Greber (? – buried 5 July 1731) was a German Baroque composer and musician. His first name sometimes appeared in its Italianized version, Giacomo, especially during the years he spent in London (1702 – 1705). Greber composed solo cantatas, sonatas, and stage works, including the opera which opened London's Queen's Theatre in 1705. He died in Mannheim, where for many years he was '' Kapellmeister'' of the court orchestra of Charles III Philip, Elector Palatine. Life Greber's date and place of birth are unknown, although the '' Neue Deutsche Biographie'' proposes an approximate date of 1673.Steffen, Gerhard (1966) "Greber, Johann Jacob", '' Neue Deutsche Biographie'', Vol. 7, p. 16Online versionaccessed 19 June 2013 He is presumed to have studied in Italy and arrived in London from there in 1702, accompanied by his mistress, the opera singer Margherita de L'Epine. He was to remain in London for the next three years composing incidental music for plays and ari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bärenreiter
Bärenreiter (Bärenreiter-Verlag) is a German classical music publishing house based in Kassel. The firm was founded by Karl Vötterle (1903–1975) in Augsburg in 1923, and moved to Kassel in 1927, where it still has its headquarters; it also has offices in Basel, London, New York and Prague. The company is currently managed by Barbara Scheuch-Vötterle and Leonhard Scheuch. Since 1951, the company's focus has been on the New Complete Editions series for various composers. These are urtext editions, and cover the entire work of the selected composer. Series include: J. S. Bach (the ''Neue Bach-Ausgabe'', a joint project with the Deutscher Verlag für Musik), Berlioz, Fauré, Gluck, Handel, Janáček, Mozart (Neue Mozart-Ausgabe), Rossini, Saint-Saëns, Schubert (New Schubert Edition), Telemann Georg Philipp Telemann (; – 25 June 1767) was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bruno Stäblein
Bruno Stäblein (5. May 1895 in Munich – 6. March 1978 in Erlangen) was a German musicologist. He was a professor of musicology at the University of Regensburg. The focus of his work was the exploration of medieval music, in particular the exploration of the Gregorian chant. In 1957, he was a founding member of the .Gesellschaft für Bayerische Musikgeschichte e.V.' In: ''miz.org'', 29 August 2014. accessdate 1 September 2017. Bibliography * Martin Ruhnke (1967). ''Festschrift Bruno Stäblein zum 70. Geburtstag''. Bärenreiter, Kassel. References External links "Bruno-Stäblein-Archiv" Universitätsbibliothek Würzburg The Universitätsbibliothek Würzburg is the central library of the Julius-Maximilians-Universität Würzburg. As a regional library of Lower Franconia, it collects Lower Franconian literature. The Universitätsbibliothek Würzburg is maintaine ... Bayerisches Musikerlexikon ''Schritbild des einstimmingen Musik'' by Bruno Stäbleinon Jstor {{DEFA ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viola D'amore
The viola d'amore (; Italian for "viol of love") is a 7- or 6- stringed musical instrument with sympathetic strings used chiefly in the baroque period. It is played under the chin in the same manner as the violin. Structure and sound The viola d'amore shares many features of the viol family. It looks like a thinner treble viol without frets and sometimes with sympathetic strings added. The six-string viola d'amore and the treble viol also have approximately the same ambitus or range of playable notes. Like all viols, it has a flat back. An intricately carved head at the top of the peg box is common on both viols and viola d'amore, although some viols lack one. Unlike the carved heads on viols, the viola d'amore's head occurs most often as Cupid blindfolded to represent the blindness of love. Its sound-holes are commonly in the shape of a flaming sword known as "The Flaming Sword of Islam" (suggesting the instrument's development was influenced by the Islamic World). This was on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stefano Benedetto Pallavicino
Stefano Benedetto Pallavicino (21 March 1672 – 16 April 1742) was an Italian poet and opera librettist. He was the son of the composer Carlo Pallavicino (1630?-1688). (Their surname Pallavicino is sometimes spelt Pallavicini.) Biography Pallavicino was born in Padua. He worked at the courts of Dresden and Düsseldorf as a poet, secretary and librettist, and produced almost twenty opera librettos during his lengthy career. His opera librettos were set by the composers Agostino Steffani, Antonio Lotti, Giovanni Alberto Ristori and the German master of Italian opera seria, Johann Adolf Hasse among others. His first libretto was, ''Antiope'' (1689). He also wrote the text for the comic opera ''Calandro'' by Giovanni Alberto Ristori, which was first staged in 1726 at the castle of Pilnitz near Dresden, and then in Moscow in 1731 when it was the first opera ever performed in Russia. He later composed the libretto for the five-act opera seria ''Alfonso'' (1738) by Johann Adolf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Libretto
A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the text of major liturgical works, such as the Mass (liturgy), Mass, requiem and sacred cantata, or the story line of a ballet. ''Libretto'' (; plural ''libretti'' ), from Italian, is the diminutive of the word ''wiktionary:libro#Italian, libro'' ("book"). Sometimes other-language equivalents are used for libretti in that language, ''livret'' for French works, ''Textbuch'' for German and ''libreto'' for Spanish. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word ''libretto'' to refer to the 15 to 40 page books which were on sale to 19th century ballet audiences in Paris and contained a ve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mass In B Minor
The Mass in B minor (), BWV 232, is an extended setting of the Mass ordinary by Johann Sebastian Bach. The composition was completed in 1749, the year before the composer's death, and was to a large extent based on earlier work, such as a Sanctus Bach had composed in 1724. Sections that were specifically composed to complete the Mass in the late 1740s include the "Et incarnatus est" part of the Credo. As usual for its time, the composition is formatted as a Neapolitan mass, consisting of a succession of choral movements with a broad orchestral accompaniment, and sections in which a more limited group of instrumentalists accompanies one or more vocal soloists. Among the more unusual characteristics of the composition is its scale: a total performance time of around two hours, [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mass In B Minor Structure
The Mass in B minor is Johann Sebastian Bach's only setting of the complete Latin text of the . Towards the end of his life, mainly in 1748 and 1749, he finished composing new sections and compiling it into a complex, unified structure. Bach structured the work in four parts: # # # # The four sections of the manuscript are numbered, and Bach's usual closing formula (S.D.G = ) is found at the end of the . Some parts of the mass were used in Latin even in Lutheran Leipzig, and Bach had composed them: five settings of the Missa, containing the and the , and several additional individual settings of the and the . To achieve the , a setting of the complete text of the mass, he combined his most elaborate Missa, the Missa in B minor, written in 1733 for the court in Dresden, and a written for Christmas of 1724. He added a few new compositions, but mostly derived movements from cantata movements, in a technique known as parody. The Mass is a compendium of many different styles i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theme (music)
In music, a subject is the material, usually a recognizable melody, upon which part or all of a composition is based. In forms other than the fugue, this may be known as the theme. Characteristics A subject may be perceivable as a complete musical expression in itself, separate from the work in which it is found. In contrast to an idea or motif, a subject is usually a complete phrase or period. The ''Encyclopédie Fasquelle'' defines a theme (subject) as " y element, motif, or small musical piece that has given rise to some variation becomes thereby a theme". Thematic changes and processes are often structurally important, and theorists such as Rudolph Reti have created analysis from a purely thematic perspective. Fred Lerdahl describes thematic relations as "associational" and thus outside his cognitive-based generative theory's scope of analysis. In different types of music Music based on a single theme is called 'monothematic', while music based on several themes is ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christoph Wolff
Christoph Wolff (born 24 May 1940) is a German musicologist. He is best known for his works on the music, life, and period of Johann Sebastian Bach. Christoph Wolff is an emeritus professor of Harvard University, and was part of the faculty since 1976, and former director of the Bach Archive in Leipzig from 2001 to 2014. Life and career He was born in Solingen, the son of theologian Hans Walter Wolff. He studied organ and historical keyboard instruments, musicology, and art history at the Universities of Berlin, Erlangen, and the Music Academy of Freiburg, receiving a performance diploma in 1963 and a PhD in 1966. Wolff taught music history at Erlangen, Toronto, Princeton, and Columbia Universities before joining the Harvard faculty in 1976 as Professor of Music and retiring in 2014. He was also on the graduate faculty of the Juilliard School from 2010–2018. A member of the American Academy of Arts and Sciences, the American Philosophical Society, the Saxon Academy of Scienc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
G Minor
G minor is a minor scale based on G, consisting of the pitches G, A, B, C, D, E, and F. Its key signature has two flats. Its relative major is B-flat major and its parallel major is G major. According to Paolo Pietropaolo, it is the contrarian of musical keys. It is smart, argumentative, and stubborn. The G natural minor scale is: : Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The G harmonic minor and melodic minor scales are: : : Mozart's use of G minor G minor has been considered the key through which Wolfgang Amadeus Mozart best expressed sadness and tragedy, and many of his minor key works are in G minor, such as Piano Quartet No. 1 and String Quintet No. 4. Though Mozart touched on various minor keys in his symphonies, G minor is the only minor key he used as a main key for his numbered symphonies ( No. 25, and the famous No. 40). In the Classical period, symphonies in G minor almos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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